Carezza Mirror by albertdros

At sunset the peaks behind the beautiful Carezza Lake in the Dolomites get a red color from the sun that is going down at the opposite side. The water was totally still at this point making a beautiful mirror. via 500px http://bit.ly/1LZllB9

Darkwave by alexnoriega

Hey there. I know some of you have probably seen this image before, but I'm re-posting it for a reason. It's been one year since friend and photographer Jeff Swanson passed away all too young from melanoma, and those of us who knew him are putting up images in his memory. I don't have any new images processed and ready, so I'm re-posting this one that was strangely purple in its first rendition - went for a straight blue this time. You can view Jeff's images at jeffitandbethere.com - the profit from any print sales goes toward the Melanoma Research Foundation. They also accept straight donations. RIP, buddy. via 500px http://bit.ly/1Esn55P

Moondial by ErinBabnik

Hey, guess what…I now have a Facebook page! Stop by and click “Like” to stay in touch: Erin Babnik Photography And have you seen my new video? It's only 90 seconds long, but it packs in some spectacular behind-the-scenes timelapse clips and images, along with the resulting photographs, photos by Enrico Fossati, and lots of information about our upcoming workshop in the Dolomites. Yep! All of that in 90 seconds! ------- About this photo: I feel as though I got this photo only because I managed to slink into the location under the cover of night, while Murphy and his Law weren’t looking. A month before I shot this, I worked the same composition for three sunrises in a row, and each time something went horribly wrong. I’d say it was a comedy of errors, except that I was distinctly unamused by it all. It all seemed so easy at first. With only the light of the moon and my headlamp to aid me, I stumbled upon this composition one morning after wandering away from my friends who were working a field of mud tiles further to the east. I was pretty bleary-eyed and still not thinking clearly at that early hour, but when I knelt down to investigate these curving cracks, I instantly noticed the alignment with the moon. So I plopped down my tripod and went to work. I had no idea at the time that this composition would become a “white whale” for me. During that first attempt to shoot it, my remote shutter release developed a short and wouldn’t stop taking pictures all on its own. The next morning, in a sleep-deprived stupor, I neglected to tighten the panning knob on my ballhead and then unwittingly swiveled the camera out of position. And the morning after that, I abandoned the comp midway through sunrise to chase some meager clouds—only to watch those clouds sail backwards (i.e. towards the west!), over to where I had originally wanted them. I could almost hear the clouds laughing at me. Grrrrrr. Oh well, at least I learned a lot about shooting this composition during those three ill-fated attempts. The first thing I learned was that it was possible to catch the moon setting into the dip between the peaks. I also learned that there is a small window of time when the warm ambient light picks out the textures on the mud tiles at dawn. And just as important, I learned how little wiggle room I had with this composition before it would fall apart; the slightest changes in height, lateral positioning, or angling would wreak havoc on different features of its forms. It was so tricky to find that exact place where the forms gelled that I twice decided to leave my tripod set up overnight while I returned to camp a mile away. My friends decided to do the same, since they were working equally delicate compositions. Yep, we got everything dialed in and then left thousands of dollars of gear unattended in the middle of the desert! (Lest you should think that we’re crazy, I should note that this is a very remote location, so our biggest worry was that a coyote might use a tripod as a fire hydrant. And, okay, we’re also crazy.) Alas, none of those outings produced a shot that I wanted to process; so, armed with the observations and practice from them, I planned my next trip a month later. I worked out when the moon would be in the right place again and got there as soon as my schedule would allow, which meant rolling in well after dark, with only hours to spare. This time I traveled with David Kingham, whose impressive driving skills got us down some sixty miles of dirt road at night so that we could catch the sunrise (of course an expert night photographer would also have masterful nighttime off-road driving skills!). The fourth time was the charm in this case. That morning’s sky was glorious, and our stealthy nighttime arrival allowed me to sneak up on this view and catch it looking awesome at long last. -------- Would you like to join me on an adventure? Well here’s the good news…I will be conducting a workshop in the Italian Dolomites with co-leader Enrico Fossati. If a trip to Italy during the second week of July for some sweet action sounds appealing, be sure to get in touch with me so I can add you to the workshop mailing list. More info here: Dolomites Workshop For prints and licensing of this image, please visit my website. via 500px http://bit.ly/1FgnY1s

Ice Study by Henry_Liu

Please view on black. Thanks! A self-portrait of me studying ice on frozen Georgian Bay, Lake Huron, about one hour after sunset. Focus stacking for full depth sharpness. (6 F/2.8 shots) via 500px http://bit.ly/1IxfyBL

Floating Above by Abdulkhalek

Clouds and fog filled the place after sunset, this scene had last for short time before it cleared up again. Taken with the super star Alex Noriega. Better on BLACK via 500px http://500px.com/photo/105791629

Virgin River Portrait by BrandtM

The last "keeper" shot from a recent trip to Zion National Park. Just a bit earlier in the evening I was fortunate to capture some good clouds that worked well from a landscape perspective. Those were then replaced by this set of clouds that worked perfectly for going vertical into a portrait orientation. It was nice to have cooperative clouds to pull both perspectives in one evening. Just getting any clouds at all is the usual course of things ;) Thank you for looking. For more information, galleries and private workshop details please stop by Michael Brandt Photography via 500px http://500px.com/photo/104317639