Sexy yetis, scientists and neon colours collide in Better Humans: a kaleidoscopic romp through the possibilities of gene editing and body augmentation. As part of a 7-part series commissioned by Massive Science on the lasting impact of Mary Shelley’s Frankenstein. We designed the film entirely with Posca pens on plastic cels, head to our website for some insight on the making of this project: http://bit.ly/2KTphvW Produced, Directed and Designed by Moth Studio Animation: Maria Morris, Keziah Philipps, Knifeson Yu and Moth Studio Compositing: Daniele Baiardini, Keziah Philipps, Ross Plaskow and Moth Studio Featuring Braden Allenby, environmental ethicist and environmental attorney http://bit.ly/2Nbg2Eb Conor Walsh, biomedical engineer http://bit.ly/2KPlwaZ Sound + Music by Skillbard http://bit.ly/1JkWiGG A Co-Production of Massive + Plympton http://bit.ly/2IhlrXs + http://bit.ly/2Ka44gp Producer Harriet Bailey http://bit.ly/2Ka1WSo Senior Producer Nadja Oertelt http://bit.ly/2JZG5Bc Executive Producers Ed Finn + Bob Beard http://bit.ly/2IhLsWB + http://bit.ly/2JZG6VM Produced for the Frankenstein Bicentennial Project at Arizona State University http://bit.ly/2KPHElv In partnership with the MIT Press and the MIT Media Lab Supported by the Alfred P. Sloan Foundation Subscribe to Massive http://bit.ly/2Kj5l4y Full series can be found here: http://bit.ly/2JZG1Bs

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