Tuesday, July 31, 2018

Watch the evolutionary life of an organism unfold in a bizarre landscape. –SCREENINGS– Chicago International Film Festival - Official Selection Ann Arbor Film Festival - Official Selection London International Animation Festival - Official Selection Flatpack Film Festival - Official Selection Cardiff Animation Nights Malt Adult #4 (Four Loko) - Official Selection Lille International Short Film Festival - Official Selection Chicago Summer Shorts in Millenium Park Big Muddy Film Festival - Best Animated Short Midwest Independent Film Festival Premiere Film Festival - Best in Animation Filmatic International Short Awards - Honorable Mention Featured on Booooooom: http://bit.ly/2n0OuGK


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Yeni González is one of the mothers who suddenly found herself thousands of miles away from her children this spring, after President Donald Trump’s “zero-tolerance” immigration policy went into effect. This TIME Red Border Film documentary shows how grassroots activists banded together to transport González from a detention center in Eloy, Ariz., to New York City, where her children were placed at a social service agency after the undocumented family crossed the U.S.-Mexico border and was apprehended by the Border Patrol in May.


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Start protecting yourself on the web at http://bit.ly/2Oum9VE or use code royaloceanfilm and save 77%! Before John Hughes, before Dazed and Confused, and before Twilight, there were the Beach Party films – one of the first times Hollywood produced films that were specifically designed for and marketed to teenagers. Let’s dive in to what is undeniably one of the oddest subgenres in films history (but maybe one that was also pretty fun?). You can support this channel at Patreon- http://bit.ly/2v27J8x Sources/Further Reading- The History of the Beach Party Genre - https://bit.ly/2NS0p4N The History of American International Pictures - https://bit.ly/2NQceIQ Hollywood Beach Bonanza by Peter Bart - https://nyti.ms/2LGnbiK Samuel Arkoff- The Last Hollywood Mogul - https://bit.ly/2uYpXGt Notes on Camp by Susan Sontag - https://bit.ly/1uTJe2a You can follow me through: Twitter- twitter.com/andymsaladino YouTube- youtube.com/c/theroyaloceanfilmsociety Music by: Jeff Kaale - http://bit.ly/2NVc03d French79 - http://bit.ly/2LC1txf


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Monday, July 30, 2018

Directed & edited by Rupert Höller Cinematography & colorgrading by Matthias Helldoppler Production Assistant - Anna Spanlang Special Thanks: AV Professional / Matthias Plum, Adrian Bidron, Roland Filz, Peter Fitz, Gabriel Hüttinger, Nicole Janiba, Teresa Klappacher, Marcella Ruiz Cruz, Emi Köll, Richard Wagner


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For anyone wondering, the only differences in the director’s cut are slightly more grain and that little border on the edges! (Vimeo plays nice with these, other sites do not, I have a lot of feelings about grain) Joey Dosik’s “Don’t Want It To Be Over (ft. Coco O.)” from Inside Voice. Out Aug 24 on Secretly Canadian. Order here: http://bit.ly/2Ot8gHa Label Upload: https://www.youtube.com/watch?v=dhJv7r-Urqo THANK YOU AGAIN to the extremely tiny and dedicated crew that made this no-budget absurdity exist somehow. I am forever in your debt. Composers: Joey Dosik, Dominic Salole Starring JJ Rabone and Hunter Krikac Director: Tim Hendrix Choreographer: Jo Roy Producer: Mark Golembeski 1st AD: Sam Shapson Cinematographer: Luc Delamare 1st AC: Dawson Taylor Gaffer: Huan Manton Prod Design: Emily Keifer Art Assistant: Carol Nguyen HMU: Jen Grable Wardrobe: Lena Lollis Set PA: Dylan Pritchett Cameo DP: Tamara Santos Cameo Gaffer: Diego Gilly Editors: Jo Roy, Tim Hendrix Title Design: Layout by Emily Keifer, Motion by Matt Morgan Sound Design: Bobb Barito VFX Supervisor + Flame Artist: Tim Hendrix Colorist: Bryan Smaller @ CO3 Special Thanks: Jackie Muñoz, Marselle Washington, Charles Ancelle, Jess Dunlap, Stephanie Madera, Tony Golembeski


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Sunday, July 29, 2018

I’ve seen more cats than humans. Their population is boomin’. I’m sure there’s nothing bad loomin’… I’m gonna look it up. Just in case.


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Voice of the people are often neglected, same as sound in film that audience don’t care. Two sound recordists are working on final mix of a short film. Will their sound be heard by someone? Official Selection: 2017 Venice International Film Festival-Orizzonti Short Film Competition,Italy 2017 Berwick Film and Media Arts Festival-New Cinema Competition ,UK 2017 Indie Cork Film Festival,Ireland 2017 Busan International Film Festival,South Korea 2017 International Short Film Festival of Cyprus-International Competition,Cyprus 2017 QCinema International Film Festival,The Philippines 2017 Valladolid International Film Festival,Spain (Special Mention) 2017 International Short Film Festival Winterthur-International Competition,Switzerland (Special Mention) 2017 Zagreb International Film Festival,Croatia 2017 International Sound and Music Film Festival,Croatia 2017 Curta cinema-International Competition,Rio de janiro-Brazil 2017 Panorama De Coisa-International Competition,Brazil 2017 Chaktomuk Short Film Festival,Cambodia 2017 Short Universe,Pisa-Italy 2017 San Diego Asian Film Festival,USA 2017 Ekadeshma Short Film Festival,Nepal (Best Short Film) 2017 Salamindanaw Asian Film Festival-Short Competition,The Philippines 2017 2Annas International Film Festival,Latvia 2017 Singapore International Film Festival,International Short Film Competition,Singapore(Best Director for Short Film Competition,Youth Jury Prize) 2017 Jogja Netpac Film Festival,Light of Asia-Short Film Competition,Indonesia 2017 Lecce Film Festival,Italy 2017 Colorado Dragon Film Festival 2018 Vilinius International Short Film Festival,Lithuania 2018 International Film Festival Rotterdam,The Netherlands 2018 Clermont Ferrand-Labo Competition,France 2018 Nepal International Film Festival,Nepal 2018 Glasgow International Short Film Festival,Scotland 2018 Short Waves Film Festival,Poland 2018 Ifva-Asian New Force Competition,Hong Kong (Special Mention) 2018 Regensburg International Short Film Festival,Germany 2018 Akbank Short Film Festival,Istanbul-Turkey 2018 Friss Hus Film Festival,Hungary(Special Mention) 2018 BioBiocine International Film Festival,Chile 2018 Flatpack Film Festival,UK 2018 Gyeonggi Film School Festival,Korea 2018 Shorties Film Festival(Best Directing) 2018 Working Title Film Festival,Italy(Best Short Film) 2018 Leiden Short Film Experience,The Netherlands 2018 Rooftop Film Festival,USA 2018 Kayseri Film Festival,Turkey 2018 Santiago del Estero Film Festival,Argentina 2018 One Shot Film Festival,Armenia 2018 The Norwegian Short Film Festival,Norway 2018 Next International Short Film Festival,Romania 2018 Palm Spring Short Fest,USA 2018 Shorts International Film Festival,Triesta-Italy 2018 Sardinia Film Festival,Italy 2018 Taipei Film Festival,Taiwan 2018 Curtas Vila do Conde International Film Festival,Portugal


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Friday, July 27, 2018

An infertile nail salon owner decides to confront her husband, the salon’s shuttle driver, whom she suspects of sleeping with one of her employees. Written & Directed by Lu Han OFFICIAL SELECTIONS: Palm Springs International Shortfest 2018, USA New Orleans Film Festival 2017, USA Los Angeles Asian Pacific Film Festival 2018, USA Denver Film Festival 2017, USA LA International Short Film Festival 2017, USA Seattle Asian American Film Festival 2018, USA Irvine International Film Festival 2018, USA RiverRun International Film Festival 2018, USA Independent Film Festival Boston 2018, USA DeadCenter Film Festival 2018, USA HollyShorts Film Festival 2018, USA Asian Film Festival of Dallas 2018, USA San Diego Underground Film Festival 2018, USA Asians on Film Festival 2018, USA Glass City Film Festival 2018, USA SENE Film, Music & Arts Festival April 2018, USA NewFilmmakers Los Angeles 2018, USA Big Shoulders International Film Festival 2018, USA Film Outside the Frame 2017, USA International Changing Perspective Film Festival 2018, Turkey Beeston Film Festival 2018, UK SHORT to the Point 2018, Romania Canada China International Film Festival 2018, Montreal, Canada. Figari Film Fest Official Film Library 2018, Italy Cannes Short Film Corner 2018, France Hong Kong Arthouse Film Festival Fall Edition 2017, Hong Kong AWARDS: Best Narrative Short – TERMINUS Conference + Festival 2018, USA Best Ensemble Cast – Asians on Film Festival 2018, USA


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Last year a swarm of honey bees landed right behind my backyard, so I searched the internet looking for answers on what to do. I came across the Swarm Hotline via portlandurbanbeekeepers.org. I called the number and within 10 minutes a super enthusiastic beekeeper named Mandy called me back. Luckily she lived pretty close and came right away. I asked if I could film her catching the bees and she was totally down. After filming the bees, I came back with this absolutely gorgeous footage of bees in slow-motion. I figured there had to be more I could film of Mandy and her beekeeping. So when the next swarm season came, I contacted Mandy asking her to do a little documentary on her process. This is the result of that. It’s a joy of mine to find someone so passionate about their work, whether it be in photography, painting, crafting, woodworking or bee-keeping. Mandy’s infectious and inviting personality drew me in and kept me wanting to document her process even more. There is still more of a story to tell, but for this swarm season, this will do for now. Check out more of Mandy at http://bit.ly/2NPKPqx


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Last year we traveled to Ethiopia to shoot ‘Letisha’s Well’, a documentary by Run For Water - a non profit organization bringing clean water to communities in Ethiopia. This is a visual diary of some of the people we met and places we visited, but also the lasting impression it left on us. You can donate at this link to help some of these communities: runforwater.ca/donate Director: Matej Balaz Producer: Peg Peters, Matej Balaz Cinematographer: Cole Graham Editor: Cole Graham Colourist: Sam Gilling 1st AC: Mikael Bidard Sound Recording: Dasa Netikova Production assistant: Eyerusalem Abebe Production: Run For Water, Falling Frogs Media, Colla Films Music: Mulatu Astatke - Tezeta (Nostalgia)


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Thursday, July 26, 2018

San Francisquito Cyn, March 12th, 1928: The sound a horse makes as it’s drowning. Minutes before midnight, the St. Francis Dam fails. It takes five and a half hours for the dam water to wash out to sea, taking with it hundreds of souls. picture and direction by Brian Smee sound by Annapurna Kumar painting and text by Isabelle Aspin prayers by Therese Cleary sound mixing by Craig Smith translation by Patricia Luna Screenings: 2017: GLAS / Mammoth Lakes Film Festival / CalArts Ex Anim Showcase / Denver Film Festival / Malt Adult #5 / San Diego Underground Film Festival / Ottawa International Animation Festival / Animasivo 2018: Edge of Frame weekend at LIAF / Slamdance / EofF at Flatpack Film Festival / Lima Film Festival


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Though isolated from each other and the world at large, the four characters in this spare and affecting drama share one thing: a fierce desire to alleviate their feelings of loneliness. FNC 2016 - Best Canadian Short Court métrage fiction | 2016 | Canada | 13 :00 min| 4:3 | HD | Couleur | Distribution : La Distributrice Production : Annick Blanc Réalisation : Raphaël Scénario : Sarah Pellerin Direction photo : Jessica Lee Gagné Montage : Olivier Binette Nominated for best live action short at Canadian Screen Awards Nominated for best live action short at Gala Quebec Cinema FNC 2016 Winner for best short PERCÉÏDES 2017 - Official Selection TAORMINA 2017 - Official Selection KYIV INTL FILM FESTIVAL 2017 - Official Selection REGARD 2017 - Official Selection MONTCLAIR 2017 - Official Selection FOCUS ON FRENCH CINEMA 2017 - Official Selection DRESDEN 2017 - Official Selection RVCQ 2017 - Official Selection TIFF 2016 - Official Selection FNC 2016 - Grand prize CURTOCIRCUITO 2016 - Official Selection STUTTGART 2016 - Official Selection FICFA 2016 - Official Selection FCIAT 2016 - Official Selection CANNES 2016 - Telefilm Canada Not Short on Talent Selection


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The Gathering of the Govs “A tale of eleven Governors”. The New Balance Numeric team travels through New Zealand in search of the perfect bump to bar. Featuring: Alexis Sablone Brandon Westgate Dom Henry Franky Villani Jake Hayes Jordan Taylor Levi brown Marius Syvanen Marquise Henry Tyler Surrey Zack Wallin Directed By: Russell Houghten Produced By: Brindle Collective Filmed By: Russell Houghten and James Messina Edited By: James Messina Music By: Warumpi Band “Mulga and Spiniflex Plain” BadBadNotGood ft. Ghostface Killah “Mind Playing Tricks”


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Wednesday, July 25, 2018

A short by Colin Read. An exploration of skateboarding, time, and death-defying backward hill-bombs. This video will play with your senses–make sure you watch until the end! Shot and edited by: Colin Read Skater: Connor Kammerer Music: JJ Beck Photographer: Carlos Jaramillo Additional videography by Zach Moore and Connor Kammerer Extras: Alex Fogt and Elsa Chiao


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Aella takes LSD. For the follow up to her journey listen to the podcast we did with Aella (Ep. 92 & 103) at veryape.tv/podcast. To read more about Aella’s experiences go to knowingless.com Please do your research. Psychedelics are an extremely personal and serious decision. To dive deeper into what these experiences have to offer go to erowid.org. To support the movement for legalization go to Maps.org and donate.


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Chemicals - Parker Bossley (2018) Parker Bossley takes a psychedelic trip, metamorphosing into exotic animals and traveling through colourful landscapes in this cut-out animated music video. Official music video for Parker Bossley, made at my new animation studio #hangarpuppetanimationstudio, from found images, in three weeks. Get the track here: http://bit.ly/2JUrdis CREDITS Directed by: Joseph Wallace Animation and collage by: Joseph Wallace & Marie Lechevallier Artist photography by: Ronnie Lee Hill and Parker Bossley Produced by: Cardel Filmed at: Hangar Puppet Animation Studio Thanks to: Charlotte Dubery, Ben Goodman, Mary Murphy © Edge Music Nashville LLC 2018


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A broken simulated short film about kindness and coexistence. http://bit.ly/2mFA9iu ✨ facebook.com/Uglyshortfilm “Ugly” is this week’s Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/ugly Direction: Nikita Diakur & Redbear Easterman Music: Enrica Sciandrone, Cédric Dekowski, Felix Reifenberg Recording, Mix, Sound Design: Nicolas Martigne, David Kamp / studiokamp Mastering: Bernd Thurig Animation Assistance: Gerhard Funk, Phil Maron, Nicolas Trotignon End Titles: Bastian J. Schiffer Assets & FX: Ozan Korkut, Chris Lühning, Mitch Martinez from mitchmartinez.com, Julia Merkschien, Hannes Raff Associate Producer: Amid Amidi Production Funding Liaison: Karsten Matern Made with support of 206 backers at http://bit.ly/2AaKcpt, FFA, Cartoon Brew, Maxon Computer, Insydium ltd, RebusFarm, Google Zync


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Tuesday, July 24, 2018

a film about running away Directed by PACO RATERTA Produced by RIK GREEN and VANESSA ULGADO Director of Photography RUBEN WOODIN DECHAMPS starring AIALA AIALA ISABEL SICAT JACK and GRAVEDGR


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As Theo and Celeste play a game of ‘would you still be my friend if’ to test their new friendship, their hypothetical questions become reality, forcing them to confront their deepest fears and strongest yearnings. Made for TedX 2018 Velvet presents Theo and Celeste Directed by Hannah Dougherty Written by Duncan Ragg and Hannah Dougherty Produced by Rona Lewis and Imogen Darling-Blair Starring Duncan Ragg and Shannon Ashlyn Director of Photography Hannah Dougherty Brass Tacks Production Design Puppets Ara Nuri Steel Miniatures Courtney Westbrook Costume Design Ash Bell Hair and Makeup Amber Adams 1st AD David Burrowes Lighting Jason Rogers and Kate Cornish Editor Stewart Arnott at The Editors Flame Operator Matt Edwards Colourist Angela Cerasi Music Wil Hughes Sound Design and Mix Joseph Dutaillis Special Thanks Ash Berdebes Rohan Venn Drew Wilson Michael Thompson Pete Dabro Mathilda Robba


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Music video for Brent Faiyaz’ “Gang Over Luv” Lo$t Kids $hit Director- Noah Lee Director of Photography- Christopher Ripley Producer- Jared Lundy Production designer- Angus Bernsen Production designer- Tyler Evans BTS Cameraman and lighting- Danny Lee Assistant Director- Manuel Roman Executive Producer- Alli Maxwell, Pulse Films Executive Producer- Danny Lee​​ Executive Producer- Zalman Band Production coordinator- Tu Trinh Steadicam Op- Travis Plante Montgomery 1st AC- Evan Stuic Key Grip- David Goodman Rigging Grip- Danny Sosa Dolly Grip- Carlton Hudson Best Boy Grip- Daniel Gomez Grip- Vince Donoho Grip- Zack Hindle Loader- Mridul Sen SFX- Mike Petrucci, Scott harrison at SFX Unlimited Wolf work- Gentle Jungle Post Production Editor- Noah Lee Color- Christopher Ripley VFX work- Tanner Merrill Special thanks: Stacey Johnigarn and staff of DMS Entertainment Steve Wilson and staff of Inland Crop Dusters Jacob Perry Pulse Films


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A man must race thru hell and back to get what he wants. @JeronBraxton Music: http://bit.ly/2LKFkZu JeronBraxton.com


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Monday, July 23, 2018

Directed by Caleb Wood and Richard Reed Parry Animation by Caleb Wood Charles Huettner Brian Smee Jonathan Djob Nkondo Masanobu Hiraoka Sonnye Lim Tatsuhiro Ariyoshi Backgrounds by Caleb Wood Charles Huettner Post Production by Caleb Wood “Sai No Kawara (River of Death) / On the Ground” Written and Performed by QUIET RIVER OF DUST: Richard Reed Parry Laurel Sprengelmeyer Stefan Schneider


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I spent 5 weeks traveling solo around Indonesia visiting amazing scenery and different groups of people that I found fascinating. These were the Mentawai Tribe of the Mentawai Islands, The sulphur Minors of Kawa Ijen and the Horse riders of Mount Bromo. Indonesia has to be one of the most stunning countries i’ve been able to travel to. Instagram: instagram.com/joshzoo Directed by | Joshua Cowan Music & Sound Design | Max Brodie (Nice Sound) Voiceover Script | Ryan O'Connor Voiceover Artist | Sam Dhoss I’ve made an album with all the film photos i took along the trip here all taken on Yashica T5 | http://bit.ly/2NB7RkY


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Directed and animated by Matt Christensen Music and Sound- Ben Christensen Assistant Fabricators- Angela Juarez Ben Christensen Aarica North Voice- Julia Sosin Producer- Nona Griffin


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“Well, as a female actress you get really good at crying and taking your clothes off—sort of like how the male actors get really good at sword fighting and having all the dialogue.” —Matilda Ridgway in The Guardian A working theatre actor questions her calling when she plays Lady Macduff in an increasingly violent production of Shakespeare’s Macbeth, with an internationally celebrated auteur director. A Victorian College of the Arts film Written & directed by Sunday Emerson Gullifer Produced by Alexandra George Cinematographer: Jack McAvoy Editor: Andrew Kristiaman Composer: Kelly Ryall Sound: Lachlan Harris & Thom Kellar, Folklore Sound & Music Production Designer: Daphne Do Costume Designers: Ashton Langdon & Greta Thompson-Weiner Fight Choreographer: Felicity Steel Starring Matilda Ridgway (Cannes Palme D'Or nominee The Guests), Mark Leonard Winter (Cleverman, Top of the Lake: China Girl), Charlotte Nicdao (Please Like Me, Thor: Ragnarok), Amanda LaBonte (Wentworth) & Matt Boesenberg (Underbelly: Squizzy) Contact // sunday@sundayfilms.com.au sundayfilms.com.au/tomorrow facebook.com/sundayfilms.au twitter.com/sundayfilms_au imdb.com/title/tt5891658 #andtomorrowfilm FESTIVALS // Sydney Film Festival 2017 (World Premiere) Telluride Film Festival 2017 (International Premiere) Munich International Festival of Film Schools 2017 (European Premiere) Heart of Gold International Short Film Festival 2017 Flickerfest International Short Film Festival 2018 For Film’s Sake Festival 2018 St Kilda Film Festival 2018 AWARDS // Winner – Best Performance in an Australian Short Film, Flickerfest International Short Film Festival 2018 Winner – Luggi Waldleitner Award for Best Screenplay, Munich International Festival of Film Schools 2017 Winner – Best Masters Narrative Production, Victorian College of the Arts Graduate Awards 2016 Highly Commended – Dendy Awards for Australian Short Films, Sydney Film Festival 2017 Nominee – Best Direction in a Student Film, Australian Directors’ Guild Awards 2017 Nominee – Best Editing in a Drama Non-Feature, Australian Screen Editors’ Guild Awards 2017 Nominee – Best Actor, St Kilda Film Festival 2018 Nominee – Best Tertiary Short Fiction, ATOM Awards 2017 Nominee – Sarah Watt Award for a female director, Victorian College of the Arts Graduate Awards 2016 Marketing assistance provided by Screen Australia This film received funds through Creative Partnerships Australia under the Australian Cultural Fund This film is the grateful recipient of a VCA & MCM Faculty Graduate Student Assistance Grant © Victorian College of the Arts 2016


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Sunday, July 22, 2018

One dark night on the road to adulthood, a teenage boy must choose between his friends and his future. Starring: William Dickinson, Jared Ager-Foster, John C. MacDonald, Alisha Newton, Jessica Mcleod, Julien Naud Written and Directed by Michael Milardo Produced by Jesse Savath Cinematography: Bobby Shore Editor: Graham Fortin Casting: Kris Woz, C.S.A and Kara Eide C.S.A Production Designer: Caitlin Byrnes Music + sound design: Armen Bazarian Wardrobe: Mia Fiddis 1st AD: Blair Dykes 2nd AD: Roxy Rejfek Stunt Coordinator: Cameron Hilts Set Decorator: Dani Bayliss 1st AC: Laurent Danis 2nd AC: Jerry Wang Colourist: Drake Conrad Sound: Rodolfo Piedras Boom Op: Siddharth Sadashiv Key Grip: Jordan Findlay Gaffer: Leo Harim Swing: Mario Jurado Art Director: Justin Ludwig Hair + Makeup: Teia Dumaresq Stills: Katrin Braga Sound mix: Apollo Studios Catering: Pazzo Chow DIT: Brennan Lloyd Title Design: Andrew Passas Special Thanks: Emily Milardo Ronan Milardo Panavision Jeff Flowers PS Production Services Matrix Production Services Wendy Moss Jeff Ramsay Zach Steele Angela Beaulieu City Of Vancouver UBC Endowment Lands Practical Lighting Discount Car Rentals CopyThat Devin Kerringten Benedicte Leclere


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“Wezide” Written & Performed by Clairmont The Second Directed by Clairmont The Second Cinematography by Clairmont The Second & Beee Starring: Hezi, Trae, Beee, Clairandean, Emilie Stream “Wezide” here: http://bit.ly/2mzt432 Stream “Lil Mont from The Ave” here: http://bit.ly/2uV5ulg @ctsecond © 2018 Clairmont The Second


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Saturday, July 21, 2018

In 2015, the community of Islamberg discovered that a Tennessee minister was plotting the deadliest attack on US soil since 9/11 against their village. Why have Americans heard nothing about him, and why has the safety of this community been ignored? On 10 April 2015, the FBI quietly arrested Robert Doggart, a white, 63-year-old Christian minister, after they discovered he was plotting an attack against Islamberg, a small African American Muslim community in upstate New York. Inspired by Fox News claims that the community was a terrorist training camp, Doggart discussed firebombing a mosque and a school in the village, and using assault rifles and a machete to murder the residents. No terrorism charges were brought against Doggart. No national news outlets covered his arrest, and one month after he was taken into custody, a judge released him on bail. As Doggart’s case went before an all-white jury, White Fright examined the US’s inconsistent system of national security, the media’s role in exacerbating terrorist threats, and the failure to protect vulnerable communities from racist attacks. Key credits Director, producer and editor: David Felix Sutcliffe Producer: Nehad Khader Executive producers for the Guardian: Charlie Phillips and Lindsay Poulton Commissioned by the Guardian and Bertha Foundation


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Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman Lukas Hyrman Alex Seltzer Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry. Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure. The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body. The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke. —- References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks http://bit.ly/2O76dZ7 More on Jeff Jones’s research on Slime Mould http://bit.ly/2Nyj3i8 Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform https://nus.edu/2O1vNPr Thomas Diewald http://bit.ly/2NyjHMA http://bit.ly/2O7N2i0 David Reeves http://bit.ly/2NyjIA8 http://bit.ly/2O8OmkD Touch Designer http://bit.ly/2NyjJUI Optical flow in Nuke http://bit.ly/2O8kzIL


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Friday, July 20, 2018

“Final Offer” by Mark Slutsky A down-on-his-luck lawyer awakes in a doorless room to find he’s been selected to negotiate on behalf of the human race.


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The implications and promises of artificial intelligence (AI) are unimaginable. But what’s possible today will be dwarfed by the great potential of AI in the near future. The responsibility to raise these questions does not rest solely on the shoulders of journalists and leading technology companies. Rather, it’s the responsibility of all engaged citizens. Client: HPE Agency: Atlantic Re:think Creative Director: Jeremy Elias Associate Creative Director: Sarah Sherman Creative Solutions Coordinator: Robbie Tanner Production Company: Dress Code (http://bit.ly/2JF1Lxi) Director: Dan Covert Executive Producer: Brad Edelstein Head of Production: Tara Rose Stromberg Supervising Producer: Amy Dempsey Cinematography: Claudio Rietti Editor: Dan Covert Assistant Editor: Nick Stromberg Script: Dan Covert, Amy Dempsey, Jeremy Elias, Sarah Sherman, Tara Rose Stromberg, Robbie Tanner Art Director: Elena Chudoba Editorial Illustration Concepts: John J. Custer Design: Elena Chudoba, John J. Custer, John Lee, Rasmus Löwenbrååt Lead Animator: Rasmus Löwenbrååt Animation: Erika Bernetich, Po Chen Chia, John Lee, Vincenzo Lodigiani Color: Daniel Orentlicher Music + Sound: YouTooCanWoo Cast: Beena Ammanath, Anita Schjøll Brede, Kirk Bresniker, Curt Hopkins, John Markoff, Tim Urban, Shannon Vallor For the full post: http://bit.ly/2LdONfX


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Thursday, July 19, 2018

ULTIMATE ULTIMATE is the #4 amateur DJ Championship in all of Ventura County, California. Who will win? Will it be DJ Sparkle, a ten year old prodigy DJ? Broco, two Frat bros who are deeply inside of each other’s talent? Or Mr. P a 12 grade history teacher who infuses his lessons with Dubstep? This is Episode 1 of a 5 part EDM Journey.


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What happens if you listen closely… New audio-visual show “World Music” coming out early 2019. More infos: http://bit.ly/2Gc0Kgj Directed by: Ludo Jaccard | Imajack & Noé Ciompi Follow Focus: Gil Peckel Musicians: Adrien Guerne, Gregoire Larrouy, Quentin Blondeau Extras: Lucie Peckel, Arnaud Savoy, Erwan Quaegebeur, Charlotte Nigaude, Lionel Royemans A big thank’s to Kaos Films Shot with Sony FS7 & Easy Rig Brussels, Belgium http://bit.ly/2JzvjfX


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Last Fall I took a random trip to Hong Kong for fun and documented my time meeting and exploring with a lot of rad people! Made some amazing new friends and fell in love with the city’s grittiness. Film, Edit & Animation by Jas Davis Shot on Canon 5D MK IV & DJI Mavic Pro MUSIC: Corporeal (feat. Rob Clouth) - Max Cooper Gegen - Paula Temple Terra Gang - Dark0


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direction/visuals: gasta generative music: luigi mastandrea voice: paula masterton Full project at http://bit.ly/2mtWGib


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Dear Monday Two words that best describe an idea that I had been wanting to use as a premise for a short film for about a year. When my friend Antoine hired me to shoot commercial work in Utah back in April of this year, I figured this was a golden opportunity to do it. The location and timing were perfect to stay a few extra days and work on a fun personal project for which we had total creative freedom. We traveled through the desert in an RV for 7 days, hiked, ran, rode, jumped, screamed and laughed from dawn to dusk; classic indie filmmaking. Directed, shot, edited and graded by myself.


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Wednesday, July 18, 2018

Where there’s people there’s joy. Where’s more people there’s more joy. A short piece of docu-fiction about happiness, nations & massive football crowds. Covertly filmed amid the very real crowds of the European Football Championships 2016. SELECTED FESTIVALS BFI London Film Festival 2017 Rotterdam International Film Festival [IFFR] 2018 (AUDIENCE AWARD WINNER) LSFF 2018 Short Waves Poland 2018 Featuring - Merry Colchester Writer/Director - Oscar Hudson Producer - Callum Harrison D.P. - Ruben Woodin Dechamps French Production Assistant - Anna Teffaud Sound Recordist & Mix- Luke David Harris Colourist- Toby Tomkins Production Company- BAD Also Featuring: Roli Okorodudu, Jason Newell, Sam McPhillips, James Lorimer, Taveknier Jeremy, Jacques Nourel, Romain Parent, Roobah Stephane, Jesus Acevedo Alejandro Cedeno


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Artist - Moon Panda Song - Rabbit Direction - Andrew Khosravani, Rosanna Wan Animation - Andrew Khosravani, Rosanna Wan


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This is the first in an ongoing series where we take four photographers, send them out into the world, and see what they bring back. The idea is, while they’re all travelling to the same destinations, each photographer will have a different take on his surroundings, providing us with four completely different points of view. For this first outing, we went to the South Island of New Zealand and met with Kiwi photographers Jake Mein, Nick Rapley, Jereme Aubertin, and Beth Eastell. Everyone loaded into the truck, cameras in hand, and for four days we travelled through the most remote areas of Te Waipounamu, stopping at Wanaka, The Catlins, Dunedin, and then back through Saint Bathans. So here it is, Everywhere Unseen in New Zealand.


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A young boxer guides his protégé through his past growing up in the South Side of Chicago. ‘IVRY’ is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2L2QNY0 Featuring: Ivry Hall Elijah Tribitt Elizabeth Talbert Anaisha Johnson Tina Colonna Tremaine Wilson Sahid Wilson Oscar Ochoa Director/Editor: Jake Oleson Director of Photography: David Vollrath Producer: Jon Melton Executive Producer: Andrew Simkiss Executive Producer: Matt McLaughlin Head of Production: Julie Hershan Local Fixer: Zack Stoner Local Fixer: Tony Woods Sound Design/Mix: Bobb Barito Composer: Jay Wadley Colorist: Mikey Rossiter Post Producer Evan Bauer Steadicam Operator: Blaine Baker Gaffer: Igor Cedeno Production Sound Mixer: Scott Palmer Assistant Camera: Doug Durant Assistant Camera: Cory Solon Set Production Assistant: Marlon Bracamontes Lighting by: http://bit.ly/2JybDc4 Special Thanks: Sally Hazelgrove, Jean-Marc, Acres New York, Crushers Club, Golden Gloves Chicago, Michelle Keim Photography, Ms, Liz, Tailor’s Row, Kodak, Fotokem, Martin Taube, TCS, Doug Durant, Jonathan Lannazzo-Simmons, Camera Ambassador, Panavision Chicago, FilmGear Chicago, Voyager Creative, Han Yan, Becky Di Lallo, Chris Tharp, Chicagoland Truck Rental Dedicated to Zack Stoner


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Tuesday, July 17, 2018

Directed by Kevin McGloughlin My aspiration for ‘DOAM’ was to blur the lines of distance and scale, representing our human interrelationship amidst varying environments. http://bit.ly/2urwwi9 Taken from 'Then There Was War’ EP, included on the deluxe edition of 'Wild Alee’, out now: http://bit.ly/2L6g4Rr Follow Talos: Spotify: http://bit.ly/2LuPxcg Apple: http://apple.co/2dOro0X Facebook: http://bit.ly/2Lrk4YE Twitter: http://www.twitter.com/thisistalos Instagram: http://bit.ly/2L05k6Z Website: http://bit.ly/2JxbllM


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A young boy discovers the stone head of an ancient black English king buried in the Dartmoor countryside. Throughout his childhood he idolises the king, the discovery comes to define his whole identity. But as an adult he comes to realise that his recollection of the head and the king are false memories. Directed by Zhang + Knight Producer - Martha McGuirk Executive Producer - Luke Tierney Production Manager - Alex Jefferson Production Co-Ordinator - Hayder Hoozeer Production Assistant - Natalie Steiner Casting - Charlotte Lowdell 1st Assistant Director - Tom Lancaster 2nd Assistant Director - Darren Baba Cinematographer - Ruben Woodin-Dechamps Steadicam Operator - James Chesterton 1st Assistant Camera - Rich Savage 2nd Assistant Camera - Francesca Zucchini Camera Trainee - Christopher J Orr 1st Assistant Camera (pickup) - Cristina Cretu Gaffer - Peter Bishop Art Director - Zoë Klinck King Eke’s Head - Rod Vass King Eke’s Head - Lois Vass Historical Tablet Designer - Kate Klinck Historical Tablet Printer - Ge Feng Prop Delivery - Frank Luscott Costume Designer - Taff Williamson Styling Assistant - Sara Mtimet Editor - Ellie Johnson (tenthree) Colourist - Daniel De Vue (glassworks) Post House - Glassworks Post Producer - Victoria Taylor 3d VFX Artist - Julian Johnson 2d VFX Artist - Leanne Pletersky Additional VFX - Ling Ling Sound Design - Robert Ashton Catering - Dawn Vooght (delicious dartmoor) Runner - Billy Langdown Runner - Chantal Miles Runner - Drew Graver Runner - Ben Cohen Young Ato - Charlie Cunningham King Eke - Cornell John Grandma - Karole Bilas Queen Eke - Shereen Russell King’s Advisor - Trevor Lewis King’s Advisor - Daniel Childs King’s Child - Memphis Dixon King’s Child - Joshua JL King’s Child - Kyal Madiba King’s Child - Johnathan King’s Child - Leon Bus Passenger - Darrell Bilas Bus Passenger - Andrew Bilas Bus Passenger - Stephen Shephead Bus Passenger - Mike Howdle Bus Passenger - Elizabeth Low Special Thanks Luke Jacobs Aleks Ugarow Craig Game George Rumsey Matt Suddaby Brenda + Joe Cunningham John Dracup + Dracup Family Kelly Amundsen Shaylah Duncan Stijni Mulder (Headland Warren Farm) Jean Avery Seraphine Tumbridge Jonathon Ng Dartmoor Annex Panavision Panalux Wavend Produced by FRIEND London


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Roughly 3% of people living in New Zealand can speak its native language. Alien Weaponry, a local metal band, wants to save it from disappearing through their music. The following film contains heavy metal. Viewer discretion is advised. Welcome to Aotearoa, the land of the long white cloud. In a particularly pastoral section of the North Island lives the De Jong family. The youngest of whom formed the band “Alien Weaponry” back when they were 8 and 10 years old. Their blend of metal, traditional Maori language, history, and a long-standing beef with the system just debuted as number one on the music charts in New Zealand. Hail the new wave of destruction. Captions available in English, Spanish, French, German, Italian and Russian. Let us know if there’s a language you’d like to see.


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Monday, July 16, 2018

cats dogs and rats music video for Rare Americans. 2018.


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Sally’s secretive evening job forces her to face up to feelings she thought she had under control.


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Short film by Luca Tóth http://bit.ly/2LpQVwS


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TEMPLE is a conceptual monochrome short film, following skateboarder Sammy Montano on a journey through the Balkans and its fallen monuments. It was essential to transcribe them with respect according to our vision, to spiritualize the expression of their magnificent forms, timeless aesthetics and monumental dimensions. Confronting them with skateboarding allowed us to animate this notion of freedom and exploration. Sammy Montano places himself as a central witness, being both the representation of this quest but also its outcome. It represents the doubt that animates each of us in the face of the unknown and this constantly renewed desire to take step in search of the answers to our deepest beliefs. This film is a personal art project, a pure reverence and tribute to these monuments, better known as « Spomeniks » and their legacy. Learn more about these beautiful structures and the history of the people who built them via the Spomenik Database: http://bit.ly/2zKqXD5 Written and Directed by Pierre David & Douglas Guillot Starring Sammy Montano Produced by Cavalerie Director of Photography Douglas Guillot & Pierre David 16mm Camera operator Yentl Touboul Music Composer & Sound Designer Paul Sabin Voice Over by Douglas Rand @ Studio 31dB Sound Mixing by Francesco Porcellana @ Studio 31dB Art Direction Michal Sukup Technical Support by Vantage Paris Thanks to Josh Barrow • Anton Myhrvold • Stéphane Quester • Marina Jego • Arsene Lefrancois • Kodak Film London Shot on RED EPIC W w/ Hawk Anamorphic V-lite Vintage ‘74 x1.3 • Bolex Rex5 Super 16 MUSIC : All rights included @Paul Sabin @Flower duet “Audio Network Limited” @ritual production “Drug Cult” http://bit.ly/2uqqaBV @@31Db Studio - Nilla Pizzi Buy it here : https://apple.co/2Lnt4Or


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YOU CAN GO A film by Christine Turner A high school administrator encounters a troubled student. FEATURING Mrs. Bryant | S. Epatha Merkerson Billy | Charlie Than TEAM Director & Producer | Christine Turner Writer | Daniel Solé Producers | Kyle Martin, Emily Alexander-Wilmeth Editor | Joe Beshenkovsky Music | Troy Herion *World Premiere Tribeca Film Festival *Winner, Jury Prize, PBS Online Film Festival “Is it fair to compare/contrast a 109 minute performance by Viola Davis against a 9 minute performance by S. Epatha Merkerson? Oh, yes … Davis and Merkerson share twin relevance in a fest [Tribeca] that keeps proving year after year that shorts can be just as original, jarring and substantive as feature films.” — Kurt Brokow, The Independent Official Website: youcangofilm.com


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Sunday, July 15, 2018

A university teacher looking to break free from a life of routine and a mysterious frozen waterfall that no one knows the whereabouts, spins this story of seemingly futile quests and ultimately transcending climb. This is also an interesting side look into a rarely seen facet of China, a snapshot of a generation growing up in tandem with China’s fascinating transformation over the past few decades. Awards 2017 Banff Mountain Film Festival World Tour Final List 2017 Kendal Mountain Film Festival World Tour Final List 2017 Bilbao Mendi Film Festival Official Selection 2018 New York WILD Film Festival Official Selection 2018 Vancouver International Mountain Film Festival Final List 2018 China Golden Rhino Awards Best Outdoor Film


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Original Track Produced by Brodinski & Joan Mael Peneau @ Saint Gohard Studio Written & Performed by Peewee Longway Mixed by Eric Najar Mastered by Sam John @ Precise http://bit.ly/2zH7Dq5 Cast: Simon Kotyk, Pierreck Destrebeck, Edward Jackson, Bo Hope, Peter Dach Director: Pavel Brenner Cinematographer: Christopher Ripley Executive Producers: Salim El Arja, Jordan Cardoso Producer: Julia Kostenevich Associate Producer: Jean Kim Production Company: Couscous Saumon Production Designer: Pierre Pell Set Decorator: Eloise Ayalla Costume Designer: Penelope Strintz Storyboard Artist: Joy Sun Poster Layout Artist: Joy Sun Poster Color/Lighting Artist: Aleksandr Brodsky Poster Illustrator: Maxim Kozhevnikov Editor: Flora Volpeliere Makeup Department Head: Amy Mary Wilson Stunt Coordinator: Tim Mikulecky 1st AD: Siddarth Prakhash 1st AC: Jacob Perry Steadicam Operator: Parker Brooks Gaffer: Genevieve Evans Best Boy: Sebastian Love Key Grip: John Nguyen Visual Effects Supervisor: Max Colt Visual Effects Editor: Gloria FX Visual Effects Producer: Dmytro Nekrasov Visual Effects Art Director: Tomysh Kuzmytskyi Post Production Supervisor: Salim El Arja Sound Mixer: Gabe Stewart Sound Design: Smider Re-recording Mixer: Nicolas Petitfrere Sound Effects Editor: Daniele Del Virgilo Production Assistant: Maria Aus Catering: Naima Genitempo Accountant: Franck Roy Special thanks to Brodinski, Will Hoopes, Kim Chapiron, Cooper Vacheron, Kodak, Metropolis Post, Deck of Aces, Smider and Gloria FX


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Friday, July 13, 2018

Some things we wish we couldn’t hear… CAST: Michelle Khare CREW: Writer | Director | Editor - Julian Terry Produced by Julian Terry and Alex Anderson DP | Kevin Stiller Sound I Christina Gonzalez Music I Alex Winkler Additional VFX I Daryl Bruinsma


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Fix and Release explores a small turtle trauma centre in Peterborough Ontario Canada as it fights to even the odds for survival that freshwater turtles face in a modern world. This visually beautiful film shows turtles in a way that few have seen before. Find out how you can help: http://bit.ly/2JidaD3 http://bit.ly/2NPEZpW


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When Jason’s companion suddenly vanishes before his eyes, he realizes the world around him may be starting to unravel. A short film by Teal Greyhavens and Nikolai von Keller. More at http://bit.ly/2mcYf4a. Official Selection - Cinequest Film & VR Festival Runner-up Audience Award - Boston Underground Film Festival Winner - Largo Film Awards “Best Short Film” Nominated - Paris Art & Movie Awards “Best International Short” Official Selection - Newport Beach Film Festival starring Leo Marks with Holger Moncada & Iris Anthony directed by Teal Greyhavens written by Nikolai von Keller produced by Rachel Greenwald director of photography Devin Cutter original score and sound design Marshall Rogalski —


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Working late is a killer! Stuck at the office working overtime, Ralph must race home before nightfall… or his terrible secret will be let loose. facebook.com/overtimemovie instagram.com/overtimemovie twitter.com/overtime_movie * * * * * Awards/Accolades: SPECIAL MENTION: Celluloid Screams - 2016 AWGIE NOMINEE: Australian Writers Guild - 2016 SPECIAL MENTION: Fantastic Fest - 2016 OPENING NIGHT FILM: St Kilda Film Festival - 2016 Official Selection: Vimeo Staff Pick: Online - 2018 Film Shortage: Online - 2018 Film Front: Novi Sad, Serbia - 2017 Shnit: Worldwide - 2017 SPASM: Montreal, Canada - 2017 Létrange: Paris, France - 2017 Popcorn Frights: Miami, USA - 2017 Scare LA: Los Angeles, USA - 2017 Grossman: Ljutomer, Slovenia - 2017 Imagine: Amsterdam, Netherlands - 2017 Florida Film Festival: South Orlando, USA - 2017 Film Fest Petaluma: Petaluma, USA - 2017 Landshut Short Film Festival: Landshut, Germany - 2017 Portland International Film Festival: Portland, USA - 2017 Flickerfest: Sydney, Australia - 2017 Ithaca Fantastik: Ithaca, USA - 2016 Another Hole in the Head: San Francisco, USA - 2016 Celluloid Screams: Sheffield, UK - 2016 Horror Show Hot Dog: Twin Cities, USA 2016 ScreamFest LA: Los Angeles, USA - 2016 Telluride Horror Show: Colorado, USA - 2016 Fantastic Fest: Texas, USA - 2016 Manhattan Short: Worldwide - 2016 Cinefest Oz: Perth, Australia - 2016 Fantasia: Montreal, Canada - 2016 Palm Springs: Palm Springs, USA - 2016 St Kilda Film Festival: Melbourne, Australia - 2016


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Breakbot and Ruckazoid merge, creating Breakazoid, a cosmic pimp, who distributes his love to humans by taking them across the galaxy on the planet love. Directed and designed by : Olivier Lescot Art Director: Leïla Courtillon Produced by: Eddy / Brunch Studio Label : Ed Banger / Because Lead Compositing: Mathieu Bétard Lead Animation: Olivier Lescot Animation: Vic Chhun, Léo Schweitzer, Leyla Kaddoura, Martin Richard, Mathilde Loubes Additional Animation and FX: Antoine Carré (stage), Constance Bertoux (stage), Basile Cortale (stage), Claire Launay (stage), Keith Rowsell Animation Clean: Keith Rowsell, Antoine Carré, Basile Cortale, Claire Launay, Hadrien Bonnet Colorist: Caroline Laine, Michelle Chan, Antoine Carré, Constance Bertoux, Basile Cortale, Claire Launay Compositing: Maxime Bousquet Compositing (camera): Olivier Kimyon Additional Design: Morgan le Henry, Maxime Dupuy, Antoine Carré 3D Layout: Maxime Granger, Jean Charles Kerninon Grading: Gabriel Porier Conform: Maël Gaumont Post Producers: Rodrigo Pomarico, Elodie Doritch Animation: Brunch Studio Post Production: Nightshift


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Thursday, July 12, 2018

Stranded on a distant planet, a lonely astronaut sends out a signal in search of human contact. My graduation film from Kingston University. Directed, designed, animated by Katy Wang Sound and Music by Ambrose Yu Written by Gabriel de Bruin (Gabriel Greenough) and Katy Wang Co-produced and assistant direction by Gabriel de Bruin (Gabriel Greenough) Design assistance by Jade Evans Made at Kingston University/Kingston School of Art 2017 Festival selections/awards: Womanimation, USA, 2017 Animation Block Party, Brooklyn, 2017 Klik Amsterdam Animation Festival, 2017 OFFLine Film Festival, Ireland, 2017 St. Louis International Film Festival, USA, 2017 Flickers’ VORTEX Sci-Fi, Fantasy & Horror Film Festival, USA, 2017 Cardiff International Film Festival, UK, 2017 Milano Film festival, Italy, 2017 Crystal Palace International Film Festival, London, UK, 2017 Manchester Animation Festival, UK, 2017 Underwire Festival, London, UK, 2017 Animae Caribe, Trinidad and Tobago, 2017 Animage, Brazil, 2017 Two Short Nights Film Festival, Exeter, UK, 2017 London International Animation Festival, 2017 Motion Awards: Best Student Group Project, 2017 Insomnia International Animation Film Festival, 2018 Silhouette Film Festival 2018 http://bit.ly/2L9E6qq http://bit.ly/2L5muix http://bit.ly/1XwZZlq http://bit.ly/2L8wXtQ http://bit.ly/2Jid2Du


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Music video for the rad dudes of wonky pop quartet Francobollo. All the plastic in the video was collected off the streets of East London, cleaned by hand, animated and then recycled afterwards. Director & Animator - Samuel Lewis Producer - Samuel J. Bailey Production Life Guard - Anna Peftieva Art Department - Monica Ng & Sophie Traugut Special Thanks - Denis Bodart, Andrew Goldsmith, Alex Grigg, Ben Ommundson & Ruben Sonnoli


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Sexy yetis, scientists and neon colours collide in Better Humans: a kaleidoscopic romp through the possibilities of gene editing and body augmentation. As part of a 7-part series commissioned by Massive Science on the lasting impact of Mary Shelley’s Frankenstein. We designed the film entirely with Posca pens on plastic cels, head to our website for some insight on the making of this project: http://bit.ly/2KTphvW Produced, Directed and Designed by Moth Studio Animation: Maria Morris, Keziah Philipps, Knifeson Yu and Moth Studio Compositing: Daniele Baiardini, Keziah Philipps, Ross Plaskow and Moth Studio Featuring Braden Allenby, environmental ethicist and environmental attorney http://bit.ly/2Nbg2Eb Conor Walsh, biomedical engineer http://bit.ly/2KPlwaZ Sound + Music by Skillbard http://bit.ly/1JkWiGG A Co-Production of Massive + Plympton http://bit.ly/2IhlrXs + http://bit.ly/2Ka44gp Producer Harriet Bailey http://bit.ly/2Ka1WSo Senior Producer Nadja Oertelt http://bit.ly/2JZG5Bc Executive Producers Ed Finn + Bob Beard http://bit.ly/2IhLsWB + http://bit.ly/2JZG6VM Produced for the Frankenstein Bicentennial Project at Arizona State University http://bit.ly/2KPHElv In partnership with the MIT Press and the MIT Media Lab Supported by the Alfred P. Sloan Foundation Subscribe to Massive http://bit.ly/2Kj5l4y Full series can be found here: http://bit.ly/2JZG1Bs


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In this haunting short, a man in Ethiopia communes with his nocturnal friends. Directed by Jessica Beshir.


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Wednesday, July 11, 2018

No FX, just shooting with inks Aedan - Le Temps (Official Music Video) EP “Le temps” available on June 22nd 2018 Stream / downloaed : http://bit.ly/2mbXPuA http://bit.ly/2zwB7qH Follow Aedan ! Facebook: http://bit.ly/2ma96vy Instagram: http://bit.ly/2zxkRFS Composed by Pierre Forestier Arranged by Gregory Lozach and Julien Guillemin Music Video directed by Thomas Blanchard Ⓟ & © 2018 Nadea


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A much delayed follow-up video to ‘A GoPro adventure in Tignes’. All shot on GoPro Hero 6 and GoPro Fusion. This was entirely a fun personal project I’ve wanted to do for a while and is in no way sponsored or paid for, etc. Many thanks to Atrey for letting us use his track 'Galaxy Express’ too - Go check out his stuff on Spotify! Directed & Edited by myself and co-written by Susie Oosting http://bit.ly/2m9Nj7e http://bit.ly/2zwuRiS


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The banjo is back. Meet Little Nora Brown the preteen Kentucky style claw hammer picking prodigy. A 12-year-old girl is supposed to do things a certain way. Listen to certain kinds of artists. Play certain kinds of instruments. They’re certainly not supposed to play century-old banjo music that bridges cultural and geographical boundaries. But Nora Brown isn’t your ordinary 12-year-old. She’s redefining what a young musician can and can’t do.


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By mixing abstraction, collage, drawing animation the author invites us into a spontaneous and unsystematic research of potential of the animation and leads us into the world of irrepressible imagination. Russian language version / Русскоязычная версия фильма: http://bit.ly/2L87Ibb “9 Ways to Draw a Person” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2LckdPm Film director, artist, animator – Sasha Svirsky Composer, sound - Alexey Prosvirnin Narration by - Charles Maynes Producer - Nadezhda Svirskaia


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Tuesday, July 10, 2018

This fly on the wall documentary about policing football, goes behind the scenes on one of the most volatile matches of the UK season. Following both police and fans as they do battle on the streets of Birmingam. Commissioned by the Guardian.


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After three months of working on this video, I’m ready to show you Thailand the way I saw it myself. Music: Steven Gutheinz - Atlas


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Music video directed by Axel Digoix, produced by Pilule et Pigeon p&c 2018 Wedge Animators: Leo Schweitzer Remi Bastie Axel Digoix Coloring: Clara Franciosi Marine Beaucaire Hugo Garnier Rendering, Compositing: Clémentine Choplain ‘Nànnuflày’ (Fulfilled) Ibrahim Ag Alhabib / Eyadou A Leche / Mark LAnegan Ibrahim Ag Alhabib lead guitars, lead vocals Abdallah Ag Alhousseyni background vocals, claps Alhassane Ag Touhami background vocals, claps Eyadou Ag Leche bass background vocals, claps Elaga Ag Hamid guitars, background vocals, claps Said Ag Ayad djembe, calebasse, background vocals, claps Iyad Moussa Ben Abderahmane electric guitars, Nànnuflày with Amar Chaoui additional percussion Kurt Vile electric guitars Mark Lanegan vocals “There was a time I lived fulfilled. Life taught me that It can often change. The one you find in solitude Is prisoner of egotistical desires. I have a friend I can trust Who quenches the thirst That burns in my heart. I walk in his footsteps Pursuing memories built On a dune that’s always moving. No sleepwalking, don’t keep me apart I’m through sleepwalking, god be in my heart No more sleepwalking, been asleep too long No more sleepwalking, keep me with you go”


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Monday, July 9, 2018

BLOOMS: Strobe Animated Sculptures Invented by John Edmark

By: Pier 9
Source: https://vimeo.com/pier9

Blooms are 3-D printed sculptures designed to animate when spun under a strobe light. Unlike a 3D zoetrope, which animates a sequence of small changes to objects, a bloom animates as a single self-contained sculpture. The bloom’s animation effect is achieved by progressive rotations of the golden ratio, phi (ϕ), the same ratio that nature employs to generate the spiral patterns we see in pinecones and sunflowers. The rotational speed and strobe rate of the bloom are synchronized so that one flash occurs every time the bloom turns 137.5º (the angular version of phi).* Each bloom’s particular form and behavior is determined by a unique parametric seed I call a phi-nome (/fī nōm/). -John Edmark

John Edmark is an artist, designer, and inventor. He teaches at Stanford University.

Website: http://bit.ly/2J85nYt

To learn how blooms are made visit: http://bit.ly/2NAsHl0

And more about the Pier 9 Artist in Residence program here: https://autode.sk/2J5uvPv

Cinematography and editing by Charlie Nordstrom

Music – “Plateau” by Lee Rosevere – http://bit.ly/2NFBvWL

*For this video, rather than using a strobe, the camera was set to a very short shutter speed in order to freeze individual frames of the spinning sculpture.

©2015 John Edmark



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ご苦労様 - Gokurōsama is a 2016 graduation movie from MOPA (Supinfocom Arles), France. The story revolves around an old Japanese lady who gets stuck during her morning routine of preparing bentos in her shop, nested in the bottom floor of a supermall. Her young assistant decides to take it upon herself to help her by bringing her to a chiropractor a few floors above. Sounds simple enough, right? The team: ✦ Clémentine Frère • krz.artstation.com ✦ Aurore Gal • auroregalportfolio.wordpress.com ✦ Yukiko Meignien • yukikomeignien.wordpress.com ✦ Anna Mertz • annamertzportfolio.wordpress.com ✦ Robin Migliorelli • ronindesbois.tumblr.com ✦ Romain Salvini • romainsalvini.tumblr.com The beautiful music was composed by Matthieu Dulong from the MAAAV • soundcloud.com/matthieu-dulong Follow the movie on Facebook: http://bit.ly/2u7yFC2 ✨ ———————————————————————————————————————————- ご苦労様 - Gokurōsama est un film de diplôme de la promo 2016 de MOPA (Supinfocom Arles). Une grand-mère japonaise se bloque durant sa routine matinale de préparation de bentôs dans son petit magasin, au sous-sol d'un grand centre commercial. Sa jeune assistante tente alors de l'amener au chiropracticien qui se trouve quelques étages plus haut. Ca a l'air simple, dit comme ça, non? L'équipe: ✦ Clémentine Frère • krz.artstation.com ✦ Aurore Gal • auroregalportfolio.wordpress.com ✦ Yukiko Meignien • yukikomeignien.wordpress.com ✦ Anna Mertz • annamertzportfolio.wordpress.com ✦ Robin Migliorelli • ronindesbois.tumblr.com ✦ Romain Salvini • romainsalvini.tumblr.com La musique a été composée par Matthieu Dulong, du MAAAV • soundcloud.com/matthieu-dulong Suivez le film sur Facebook: http://bit.ly/2u7yFC2 ✨


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BLOOMS: Strobe Animated Sculptures Invented by John Edmark by Pier 9

https://vimeo.com/116582567/42ccb06671 Blooms are 3-D printed sculptures designed to animate when spun under a strobe light. Unlike a 3D zoetrope, which animates a sequence of small changes to objects, a bloom animates as a single self-contained sculpture. The bloom’s animation effect is achieved by progressive rotations of the golden ratio, phi (ϕ), the same ratio that nature employs to generate the spiral patterns we see in pinecones and sunflowers. The rotational speed and strobe rate of the bloom are synchronized so that one flash occurs every time the bloom turns 137.5º (the angular version of phi).* Each bloom’s particular form and behavior is determined by a unique parametric seed I call a phi-nome (/fī nōm/). -John Edmark

John Edmark is an artist, designer, and inventor. He teaches at Stanford University.

Website: http://bit.ly/2J85nYt

To learn how blooms are made visit: http://bit.ly/2NAsHl0

And more about the Pier 9 Artist in Residence program here: https://autode.sk/2J5uvPv

Cinematography and editing by Charlie Nordstrom

Music – “Plateau” by Lee Rosevere – http://bit.ly/2NFBvWL

*For this video, rather than using a strobe, the camera was set to a very short shutter speed in order to freeze individual frames of the spinning sculpture.

©2015 John Edmark



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Snow White Cologne is based on a true story about my sister who, as a teenager, had a drug abuse problem. I wanted to tell her story in a non judgemental way, which is why the film tackles the difficult subject of drug addiction in a poetic and emotional manner rather than giving the viewer straight facts about the problems that come with the disease. Process: Acrylic paint on paper Screenings: CRAFT International Animation Festival 2017 Animateka 2017 GIRAF Festival of Independent Animation 2017 ARS Independent Festival 2017 Animasivo 2017 + Animasivo Nomade 2018 VOID International Animation Fest 2018 (WINNER GRADUATION FILM COMPETITION) Tricky Women 2018 GLAS Animation Festival 2018 Festival Internacional de Jóvenes Realizadores de Granada 2018 Cardiff Animation Festival 2018 Anifilm 2018 MIAF Melbourne International Animation Festival 2018 Chellavision Short Film Festival 2018 ANIMOCJE International Animated Film Festival 2018 Northwest Animation Festival 2018 Edinburgh International Film Festival 2018 Nominated for the RTS Awards 2018 Thanks to: My sister, for letting me tell her story Stina Svedlund and Helene Jonsson for the voice overs The Royal College of Art My army of painting assistants Kerstin Ljungstrom, Adam Renstrom and Clara Blom Christensen for the music Mike Wyeld for the sound mix


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Digging up cold dead bodies with the hot Young Fathers. Filmed at a range of 300m with an Ultra Long Range Military Grade Thermal Surveillance Camera Massive Thanks to Silent Sentinel for supplying us with the camera http://bit.ly/2KVK94V Further Massive thanks for Bamff Ecotourism Scotland for the beautiful location and accommodation: http://bit.ly/2L2rPUK FULL CREDITS Director- Oscar Hudson Production Company- Pulse Films Executive Producer- Rik Green Dir. Rep- Joceline Gabriel Producer- Maurizio Von Trapp DOP- Ruben Woodin Dechamps Thermal Camera Tech- Rob Rowles 1st AD- Stuart Cadenhead 2nd AD- Sean Hind Production Designer- Laura Strong Art Assistant- Linzi St Clair Stylist- Ian Tod Production Assistant- Tamara Yazbek Production Assistant- Hilaire de Cacqueray Runner- Ryan McCann Runner- Monika Grabowska Runner- Gavin Smart BTS- Christopher Cook Nurse- Aileen MacDonald Hole Diggers- Dick & Big Pete Edit- Oscar Hudson Colour & VFX- Framestore Post Producer- Ben Todd Post Producer- Chris Anthony Flame- Paul O’Brien Flame- Omar Akkari Flame- Tim Greenwood Colourist- Jessica Vile Pissing Voyeur- George Finlay Ramsay Wolf- Kali Special Thanks- Louise & Paul Ramsay, Aileen Brown, Aileen MacDonald, Framestore, Hilaire de Cacqueray, Lorraine, Dick, Andrew Mitchell, Rhian Howells, Drew Harris, George Rumsay at Panavision


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More info at http://bit.ly/2znxMu0 Experience body vibrations of candy colored psychedelic sound rippling through an endless crystal universe. Crystal Vibes utilizes the cutting edge of spatial 3D audio, full-body ‘Synesthesia Suit’ vibro-tactile stimulation, and sound visualization that maps sound and light based on the science of the human senses, to push the frontiers of technology-mediated sensory experience in virtual reality. With the project’s predecessor described as “transcendent” and “like traveling through a psychedelic kaleidoscope” (Forbes 2016), this piece ups the ante with music from producer Ott. and is all-new for a trippier Sundance Film Festival and New Frontier 2017. Credits: Artist/Creator: Benjamin Outram (http://bit.ly/2u3UNNu) Music: “Harwell Dekatron” by Ott. (http://bit.ly/2uimW2v) Thanks to: Tetsuya Mizuguchi Rhizomatics Keio Media Design Synesthesia Suit Integration: Yukari Konishi, Aria Shinbo, Reiko Shimizu More about the Synesthesia Suit can be found at http://bit.ly/2u1UoLB http://bit.ly/2u3UNNu http://bit.ly/2u1UrHh


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Sunday, July 8, 2018

An immigrant in Italy, away from his family who struggles to reach them and survive in unknown. From the streets of Sicily. /Filmed & Edited Ege Göksu /Music Burak Berberoğlu /V.O. from Mediterranea (2015) / Sicily 2018 egegoksu.com/pilgrimstories egegoksu.com/island/


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Montaña de Oro State Park encompasses roughly 8,000 acres of fog shrouded coastal hills and coastal bluffs that abut the rocky shorelines of south Estero Bay on Central California’s coast. It’s undeveloped coastline and undulating, rhythmic singletrack offer a quick and easy dream-like getaway for various local and visiting trail user groups. It’s evident enough that the trails here didn’t build themselves, nor did the access to them come easily granted – especially for mountain bikers. The Central Coast Concerned Mountain Bikers have been instrumental on both fronts. The Central Coast Concerned Mountain Bikers (CCCMB) is a group of volunteer trail enthusiasts from the Central Coast of California that formally organized in 1989 to help build and maintain multi-use trails in the region, as well as to protect and advocate for mountain bike trail access. Since their inception CCCMB has helped build over 40 miles of new trails and serves as the primary maintenance organization for an extended network of over 100 miles of trails. Together with California State Parks, CCCMB is designing and building a new two-mile trail at Montaña de Oro to enhance connectivity between existing trails, and to improve the user experience for mountain bikers and other trail users. Read more: http://bit.ly/2zrFSBI Featuring: Jason Fitzgibbon Director: Jason Fitzgibbon/Octave Zangs Cinematography/Editing/Color Grading: Octave Zangs Original Soundtrack and Sound Design by: Octave Zangs Produced by Tillak and Zangs Films. Shot on RED Epic Dragon and DJI cameras. http://bit.ly/2m0uPWE | http://bit.ly/2ucyDIj


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Saturday, July 7, 2018

VERSION VO SOUS TITRE FRANCAIS DISPO SUR VIMEO Hello, here is my brand new mashup movie, it’s a reflection on the horror movies and novelists who officiate in this genre, including Stephen King, but it’s still distracting, I hope you’ll enjoy this new experience. :) Bonjour, voici mon tout nouveau film mashup, c'est une réflection sur le cinéma d'épouvante et les romanciers qui officient dans ce genre , notamment Stephen King , mais ça reste ludique et distrayant avant tout, j'espère que cette nouvelle expérience vous plairas. :)


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“Santa K performs the latest dystopian short film by the creative duo Pleid St. and Rebeka Arce” ‘Overdose’ is a bunch of ignorant society. It´s a mixture of the anxiety of consumerism, artificial affection and time wasted. What is consumerism provoking inside and outside us? Four different characters represent four ways of consumption: relationships (‘Pleasure’), food (‘Eat junk’), money (‘Waste’) and drugs (‘Dope’). The story shows how each character experiments a body and mind transformation after the consumption. Feel free to interpret what ‘Overdose’ wants to tell you. Is this a culture of consumerism or a culture of manipulation? CREDITS Direction: Pleid St. & Rebeka Arce Model: Santa K Cinematographer: Aitor Uribarri Music: Father Art Direction: Rebeka Arce & Pleid St. CGI: Alberto Carbonell & Juanma Mota Production: Pleid St. & Rebeka Arce 1st AC / DIT: Javi Castillo Gaffer: Álvaro Jiménez Lead Makeup & Hair: Mery Makeup (María Soláns, Carlos Ríos) Assistant Makeup & Hair: Rocío Ortiz y Cristina Márquez Postproduction: Pleid St. Graphic Design: Rebeka Arce Making of photography: Almudena Cadalso Making of video record: Pedro Sega Set: Espacio Nueva Carolina


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Friday, July 6, 2018

We had the pleasure to create this piece for TED-ED, literally an hallucinatory experience! Proudly made by NERDO “What Causes Hallucinations” by TED-Ed Educator: Elizabeth Cox Content Producer: Gerta Xhelo Editorial Producer: Alex Rosenthal Narrator: Susan Zimmerman Associate Producer: Bethany Cutmore-Scott, Elizabeth Cox Original Sound Design by Smider


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Director: Amber Grace Johnson D.O.P: Charlie Owens Production: River Myers, Max Cherry, MATTE Projects Video Designer: Gianluigi Carella Grip & Cam B: Federico Tamburini Title Designer: Kimberly Ho Colorist: Carlos Flores Post Production Supervisor: Manny Munoz Production Assistant: Steven Almonte Driver: Vince Rappa Location: Zap Lube & Car Wash


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Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 (http://bit.ly/2IYTq7o) in Shenzhen, PR China. In this project, I collaborate with L.A. based producer / music technologist Mike Gao (http://bit.ly/2KFDAEn). This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton. The entire video is programmed and generated using Processing with minor edits in Premiere during composition.


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Thursday, July 5, 2018

PRODUCED BY DIVISION Starring Gerard Kearns. Produced by Théo Gall - Jules de Chateleux Cinematography by Simon Chaudoir Animatronic by Morgan Hildebrand Editor Simon Colin Line Producer Bérangère Petitjean Color by Vincent Heine Thanks to Family Production and all the crew.


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Dir: Jeppe Lange Production: Bacon CPH Producer: Laura Valentiner-Bohse DOP: Jacob Sofussen Editor: Matthew C. Levy Colourgrade: Hannibal Lang VFX: Robin Töndel Sound design: Jamie Louis Thurman Sound Composers: Simon Brinck & Adi Zukanovic Big thanks to our dancers: Anna Lea Ourø Jensen and Amalia Kasakova


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Craig shouldn’t smoke weed. Written & Directed By - Graham Parkes Starring - Mat Wright & Lewis Pullman Produced By - Brendan Garrett Cinematography By - Christopher Ripley Music & Sound By - Jack Sobo With Original Song By - Jack Sobo, Oliver Lewin, Trevor Estes With - Lev Pakman, as the Director 1st AC - Megan Johnson Gaffer - Chris Boulos Hair & Makeup - Wren Witting


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Mark, a 60 year old fledgling storm chaser recently diagnosed with lung cancer, sets out across the Midwest with his friend’s nephew in search of a tornado before the two month season comes to an end. The film was in competition at Tribeca Film Festival 2018 CAST & CREDITS Cast: Mark Zabawa, Mike Marz Director: Liam Saint-Pierre Producer: Liam Saint-Pierre & Ross Williams Cinematographer: Liam Saint-Pierre Editor: Adam Thomas Executive Producer: Kathleen Lingo Supervising Editor: Andrew Blackwell Coordinating Producer: Lindsay Crouse Music: Liam Saint-Pierre & Mriarty Post production: CHEAT Colourist: Joseph Bicknell Post Production Producer: Chloe Saunders Sound Design: Iain Grant


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A short documentary about a man who, against all odds, found his passion in music. Director: Iqbal Ahmed (iqbalahmed.com) Cinematographer: Andrew Shankweiler (andrewshankweiler.com) Editor: Cyndi Trissel (cynditrissel.com) Music: Sean Sumwalt (seansumwalt.com) Sound Mix: Jacob Houchen 1st AC: Nich Musco (nichmusco.com) Color: Kinan Chabani (kinanchabani.com) Titles: Massive Assembly Additional Music: Fernando Perdomo Special Thanks: David Segal Can Do Musos Candace Crain Andrew Goh Lauren Nicollette Vernon, Michelle, and Cody Russell Joey Meza This is a Directors Notes premiere: http://bit.ly/2IWTGUu Featured on BOOOOOOOM: http://bit.ly/2tXsCj6 copyright 2018 Schoolfield Media


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Tuesday, July 3, 2018

Hope. What a beautiful, vital thing that can fuel any negative into a positive - any setback into action. However, like most vital things in life, hope cannot merely exist without a cost - often the cruel reminder of what we’ve either lost, still don’t have or could potentially lose. After all, there’s got to be something to hope for and against. It’s that very reason why I felt the need to commemorate the end of this month’s Pride festivities using the visuals I recently captured (during SF Pride Weekend 2018) mixed with the final testimonial of Harvey Milk - recorded mere days before his assassination on November 27, 1978. There’s just something rather uplifting, somewhat bittersweet and certainly intriguing to me about hearing the raw audio of Harvey’s last intentions while also observing the now mainstream, present-day Pride Parade, for there are things to rejoice about (overall acknowledgement of the LGTQIA+ community) while also making sure we keep some aspects in check (branded consumerism disguised as support). For me, queer pride lasts all year and is far more than a simple hashtag or rainbow-colored-product. Queer Pride is a reminder of all the sacrifice, loss and struggle that has come before me. That’s always at the forefront of my celebrations and I hope you feel a bit of that bittersweet energy in this vignette as we move into July and the remainder of this year - told through the voice of someone who genuinely believed in the power of hope. In short, I do believe that hope fueled us then and that more hope will reaffirm us now and into the future. We just gotta stay vigilant while we also “give [‘em] hope.”


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ITALIA WHERE WOW BELONGS How were we supposed to film Italia? Our biggest love, our weak point, our shame and our pride? The place we live everyday, the very same one that slaps us in the face everytime we take a step outside of home, the one we can’t get enough of. In October 2016, we decided to drop everything and leave for a 6-week trip around Italia, from Sicily to the Alps, on a 1981 “Are you crazy, it’s never gonna make it” van. What we’ve found was incredible. An indescribable variety of landscapes and habits for such a small land, that it truly felt like we were crossing 20 different countries at once, yet no where we felt like tourists. So once again, how could we possibly film that? We tried with: 2x Sony A7SII 1x Sony A7S 1x Sony A6300 w/ Ikelite Underwater Housing 1x Canon 600D 4x Different pasta per day Samyang Prime Set Canon 24-105 f4 1x DJI Mavic 1x DJI Phantom 3 1x Zhiyun Crane 1x Manfrotto Slider Countless broken tripods Check out our new website: http://bit.ly/2KKGPXh Facebook: facebook.com/wowtapes Instagram: instagram.com/wowtapes


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Monday, July 2, 2018

Official Jakob Owens Kauai, Hawaii Travel Film! Subscribe to TheBuffNerds: http://bit.ly/subBuffNerds More Travel Films: http://bit.ly/2lvOU6i Contact me at bookingjop@gmail.com for any interest in purchasing this stoke footage. FOLLOW DRECTOR @JAKOBOWENS: »Instagram: @JakobOwens (http://bit.ly/2KAf8Uf) »Twitter: @JakobOwens (https://twitter.com/JakobOwens) »Email: bookingjop@gmail.com People in video: @derekowensheart @Onlyfuturistic @@samwoozphotography @willcinematic Drone footage by @@samwoozphotography »CAMERA GEAR USED IN THIS VIDEO: Computer: MacBook Pro: http://amzn.to/2hWFHRg CAMERAS: Canon 1dx markii: http://amzn.to/2i4I8l1 Sonya7sii: http://amzn.to/1SQoeY9 Lexar 128GB Memory Card (A7sii): http://amzn.to/1XhsLV4 128GB cfast card: http://goo.gl/pH6Fqo LENSES: Canon 70-200mm f2.8 Lens IS II Lens: http://amzn.to/1YfioRE Canon 100mm Macro f2.8: http://amzn.to/2nu4pM6 Canon 16-35mm f4 lens: http://amzn.to/1ROPO5J Sony 16-35mm FE F4: http://amzn.to/2e0HtA9 77mm Tiffen ND Filter Set: http://amzn.to/23ia2w5 RIGS: Devin Graham Glidecam: http://amzn.to/23i7L42 Full Frame Sensor Cleaner swabs: http://amzn.to/1MSM3j2 HARDRIVES: Lacie 1TB thunderbolt/usb3 drive: http://amzn.to/1oCUC5U BACKPACK: Think Tank Camera Bag: http://goo.gl/lVRzzp »Website: http://bit.ly/2ILoG9V »Products/Merch: http://bit.ly/1Tamh9p »BuffNerds Video & Business Manual: http://bit.ly/2hNUpOB Credits: Music By: Martia Cupelli Produced by: BuffNerdsMedia Footage captured by: Jakob Owens Kauai Hawaii. Filmed on the Canon 1dxmarkii and Glidecam. Kauai is one of my favorite places on Earth!


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Dan, a closeted homosexual, goes to a cruising area under a bridge to confront his darkest secret. It isn’t until he meets a younger and more confident Paul that he realises his biggest fear is just the beginning of something much closer to home. Palm Springs International Shortfest 2016 Maryland International Film Festival 2016 Hollyshorts 2016 Melbourne Queer Film Festival 2017 Written and Created by Benjamin Rigby Directed by Bonnie Moir Produced by Belinda Misevski and Benjamin Rigby Editor Ashlee Lukas Director of Photography David Rusanow Composer / Sound editor Tom Strode Sound mix and design Gunay Demirci Costume Mia Veur Titles Michael Zito with Benjamin Rigby Nicholas Denton Francis Greenslade


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dir KIM GEHRIG prod SOMESUCH edit FOUAD @ TRIM grade SIMON @ FRAMESTORE


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“Who knows how to stem the tide except through dreams?” One night an old seaman dreams the ocean into his bed. His sea green sheets become the polluted waters of his worst nightmare. His own mortality is at risk as his household objects begin to suffocate him. The film is inspired by the life, and performed by the filmmaker’s father.


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