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Wednesday, February 28, 2018
Ashley Wagners Olympic dreams were cut short. Comissioned by Vogue for Winter Olympics Director - Liza Mandelup Director of Photography - Benjamin Whatley Producer - Rose Krane Editor - Amanda Griffin Composer - Fletcher Aleckson Sound Recordist - Jeremey Emery, Gabe Stewart Creative Director - Ruben Ramos Production Company - FishFace Color - Alastor Arnold @ Fotokem Creative Services
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Shot in Goulburn and Sydney, Australia - Super 16mm. Writer/Director/Editor: Riley Blakeway DOP: Jake Hunter Starring: Max Snelling, Ryan Wilson & Wesley Cooper Jones Production Company: Robber’s Dog Producer: Alexandra Kent Producer: Tessa de Josselin Executive Producer: Mark Foster Managing Director: George Mackenzie Sound: Rumble Studios Sydney Sound Design & Mix: Nat Joyce Audio Post Producer: Sharika Toth Film: Kodak Camera: Panavision Sydney Film Processing: Neglab
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Being a bald man sucks. Knowing you’ll become one is worse. Être chauve ça craint, savoir qu'on va le devenir c'est pire. english & spanish captions available réalisation/direction: Paul cabon production: Yann legay, Wag prod official selection SUNDANCE 2017 nommé aux Césars 2018 catégorie meilleur court-métrage d'animation Best animated short film at MONTERREY INTERNATIONAL FILM FESTIVAL 2017 Audience award at NEW CHITOSE INTERNATIONAL ANIMATION FESTIVAL 2016 Best Animation film at LEEDS INTERNATIONAL FILM FESTIVAL2016
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After several years together, William and Cecilie break up. The same night, to treat the sorrow with love, they decide to do the drug MDMA together. For better or worse, this results in an emotional rollercoaster ride over a whole weekend as the two are isolated together in their apartment. “Forever Now” is this week’s Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/forever-now SCREENINGS / AWARDS 2017 - SXSW (USA) / Grand Jury Award for “Best Narrative Short” 2017 - Short Shorts Film Festival & Asia (Japan) / In Competition 2017 - Kyiv International Short Film Festival (Ukraine) 2017 - Palm Springs International Shortfest (USA) / In Competition 2017 - Open Place International Short Film Festival (Latvia) / Grand Jury Award for “Best Actress” 2017 - Nevada City Film Festival (USA) / In Competition 2017 - Helsinki International Film Festival - Love & Anarchy (Finland) / Official selection 2017 - Athens International Film Festival (Greece) / Official selection 2017 - Vancouver International Film Festival (Canada) / In Competition 2017 - Trujillo Independent Film Festival (Peru) / Screening 2017 - Adelaide Film Festival (Australia) / In Competition 2017 - Hamptons International Film Festival (USA) / In Competition 2017 - Tacoma Film Festival (USA) / Jury Awards for “Best Screenplay” & “Best Cinematography” 2017 - Festival International Signes de Nuit (France) / Official selection 2017 - Nordic International Film Festival (USA) / Jury Awards for “Best Director” & “Best Female Actor” 2017 - Naples International Film Festival (USA) / In Competition 2017 - Evolution! Mallorca International Film Festival (Spain) / In Competition 2017 - Edinburgh Short Film Festival (Ireland) / In Competition 2017 - Nordische Filmtage Lübeck (Germany) / Official selection 2017 - 24fps International Short Film Festival (USA) / In Competition 2017 - Zinebi - International Festival of documentary & short film of Bilbao (Spain) / In Competition 2017 - Hollywood North Film Festival (Canada) / In Competition 2017 - Miami Short Film Festival (USA) / In Competition 2017 - Leuven International Short Film Festival (Belgium) / In Competition 2017 - Bahamas International Film Festival (USA) / In Competition 2018 - Artfools International Film Festival (Greece) / In Competition 2018 - Landshut Short Film Festival (Germany) / In Competition 2018 - Regard Festival (Canada) / In Competition CAST / CREW William - Ferdinand Falsen Hiis Cecilie - Frederikke Dahl Hansen Cecilie’s dad: Henning Valin Director: Kristian Håskjold Written by: Kristian Håskjold, Trille Cecilie Uldall-Spanner Producer: Siri Bøge Dynesen Director of Photography: Christian Houge Laursen Production Designer: Kristina Kiss Kovacs Editor: Kristian Håskjold Sound Design: Christian Scheuer Music Composer: Jesper Ankarfeldt Sound recordists: Johannes Rose, Mads Bramstoft Kostumier & Make-up: Emillie Galsgaard Dinesen B foto: Brian René Egeberg, Kasper Bundvad B editor: Noa Vedde Colorist & Online: Nurali Kushkov, Cameo VFX: Freddie Smith Artwork/Graphics: Anne Sofie Nordlund Hansen Poster – retouch: Martin Bo Kristensen Equipment: Filmværkstedet, Red Rental, Kameraudlejningen Sound facilities: Lydkilden Post production facilities: Flying Films, Cameo Locations: Niels Uldall-Spanner, Emilie Galsgaard Dinesen, Oliver Tonning Catering: Helle Bøge Dynesen Editing consultant: Frederik Strunk Consultant at Filmværkstedet: Mille Haynes
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Tuesday, February 27, 2018
It’s confronting to step into the unknown. Reassurance or validation is sought from anywhere we can find it; at least for that bit confidence to move forward. Building on experiences, exploring new environments, adapting to the unfamiliar, all becomes part and parcel of progress. But what if it all gets too much? Finding yourself and fitting in, compromise and keeping up? Sometimes you just need to pull yourself out of it, appreciate the people around you, and enjoy every moment. Because life should be more uplifting. Creative Direction: Tereza Tan Storytelling: Zack Chua Character Design: Dou Cheng 2D Animation: Jacky Lo, Dou Cheng 3D Animation: Edward Chiu Sound Design: Mount Audio
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I often wonder what the world would look like if the ancient cultures of the past had survived repeated attempts to have their faiths banished from popular practise through colonisation. Did the ancient Mexican culture die during the conquest by the Spaniards in the 16th century, and are the remaining indigenous populations simply fossils, condemned five hundred years ago to disappear because they have no place in the present? The liberty of the past, the golden age before colonial domination, is not a dead past lost forever, but the basis of hope. In the cycle of time that age will come again. Director: Daniel Sadgrove Cinematographer: Kenji Katori Steadicam: Juan Matias Ramos 1st AC: Aura Gonzalez Salazar Steadicam Asst: Tania Barajas Camera DIT: Cristian Sanchez Line Producer: Jesus Franco, Brenda Zamudio 1st PA: Lucy Suarez 2nd PA: Arturo Tamayo Makeup: Eve Magnn Runner: Maria Fernanda Flores Cast Trinidad Villaseñor, Edith Hernandez Ramos, Cristian ‘Chile’ Lopez, Ignacio Del Rio Ocegueda, Jose Mejia, Effy Betancourt, Gustavo Guerrero Lopez, Arturo Tamayo, Yadira Linda Mariscal Gracian, Miguel Angel Gaitan Alvarado, Daniel Osmar Guerrero López, Aldrich Guilleromo Ayron Marcial, Alan Eduardo Gomez Chavez, Marco del Rio Ayon Marcial, Angel Ayohualli Gaitan M. & Jose Alejandro Juarez A. Editor: Grason Caldwell ℅ Parallax Post Color: Kath Raisch ℅ Company 3 Music: Lorn ℅ Wednesday Sound Sound: Kinsey Green VO (Nahuatl): Ana Gabriela Reus VO (English): Ólafur Darri Ólafsson Special thanks Lucy Suarez, Cristian ‘Chile’ Lopez, Benjamin Suarez, Ihxel Pérez, Storm Richardson, Nick Fuller, Debbie De Le Ceuva Jewellry , Nathalie Mignot, Pacha Mama Boutique, Casa de Linda, Gabriel Jones, Wendy Jones, Casa Vecino, Lucy Mejia, Jose Mejia, La Esperanza Restaurant, The Lift Mexico, Spencer Harris, Esteban Ponce, Angela Herrera, EFD International, Christopher Hewitt, Luke Lynch, Paul Rogers & Hugo. Recommended Reading México Profundo: Reclaiming A Civilization by Guillermo Bonfil Batalla Aztec by Gary Jennings Exodus Lost by S.C. Compton Filmed in and near Sayulita, Mexico.
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Shot in the Cape Flats of Cape Town, South Africa over the course of three days. director: jake oleson director of photography: matthew ballard producer: wilhelm furst production manager: godfrey matsika editor: jake oleson sound design: bobb barito colorist: josh bohosky post: the mill music: andy stott, toys, jonny greenwood shot on 16mm film special thanks: kodak, liam johnson, robot.tv, peter soto, media film service, jacqueline stone, darwees bam, marwha bam, mimoena scholz, sebastien, michael marantz, charles frank, and ien chi
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Monday, February 26, 2018
The Ricochet Splendid Our new non commercial project: In an uncertain future, a group of crazy and less than obedience squad, fight the great war. This group of misfits uses humor to get along the hard life of a soldier. In spite of the constant teasing, this fraternity look up to each other in hard time. 2veinte.tv facebook.com/2veinte instagram: @2veintestudio Twitter: @2veintestudio Directed & done by … 2veinte Creative Director … Pablo Gostanian Executive producer … Agustin Valcarenghi Animation Director … Diego Polieri Art Direction … Pablo Gostanian, Diego Polieri Lead Cel Animation … Diego Polieri, Fernando Toninello, Juan Nadalino, Israel Giampiero Additional Animation … Patricio Plaza, Martin Gil, Julian Fumagalli Cel Animation Assist … Yazmin Hanna, Denise Cirone, Diego Fracchia, Ivan Greco Addicional Clean up … Facundo Garcia, Agostina Salvemini, Nahuel Sagarnaga Idea … Pablo Gostanian Characters design …. Diego Polieri Story … Pablo Gostanian, Diego Polieri, Melisa Farina Composition … Daniel di Paola, Mateo Vallejo Edition … Pablo Gostanian, Diego Polieri Production … Carolina L’avena 3D Animation …. Mateo Vallejo Illustration … Diego Polieri, Nahuel Sagarnaga, Patricio Delpeche Additional Illustration … Santiago Villa Robots Design … Delfina Perez Additional AE animation … Daniel Di Paola Original Music … Thomas Richard Christensen Ending Credits Music … Sergio Denis - “Un poco loco” The Ricochet Splendid belongs to 2veinte, all rights reserved 2017, 2018.
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Welcome to Wegman’s Wild World of Weimaraners, where dogs bake cakes and lounge like royalty. Known to the world as the “dog photographer,” William Wegman has spent the past 45 years dressing and posing his canine muses in elaborate ensembles, finding whimsy in the absurd. His work is at measures droll and enchanting, evoking awe in audiences around the world. And, his pups have had their share of the limelight, making appearances on everything from “Saturday Night Live” and “Sesame Street,” to movies and galleries worldwide.
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EN—————— NEBULA is an experiment that aims at finding the link between two trends that develop simultaneously in the history of film – Lumières concept of a movie as a record of reality and Méliés’s idea that uses the film as a tool for creation of imaginative worlds. NEBULA draws from both of these approaches and becomes a combination, collage, in which the recorded figurative picture is intermingled with abstract compositions being the graphic equivalent of music. The project using the volumetric filmmaking technique (RGB+D) is, on the one hand, the recording of an event (a meeting of musicians playing a jazz composition “Sleepwalker” by Maciej Obara) and, on the other, an attempt to obtain the visual experience of music by using the soundtrack of a recorded piece of music at the stage of post-production. The picture created as a result of the recording represents the “Lumières line” that aims at reflecting the reality in the most accurate way. Musical layer that has its sources also in the recording becomes a tool for creation of abstract visual compositions that does not bear traits of reality (Méliés’s line). These two approaches are combined into an audio visual form resembling a video clip. The aim of this project, besides examining the links between record and creation based on non-figurative forms, is also the exploration of the new volumetric filmmaking technique (picture recorded by a Kinect sensor). PL—————— NEBULA to rodzaj eksperymentu, będącego próbą znalezienia punktu wspólnego między dwiema równolegle rozwijającymi się tendencjami w historii filmu - lumièrowską koncepcją filmu jako rejestracji rzeczywistości a mélièsowską filozofią wykorzystującą medium filmowe jako narzędzie do kreowania fantazyjnych światów. NEBULA czerpie z obu tych postaw i staje się swoistym połączeniem, kolażem, w którym zarejestrowany obraz figuratywny przeplata się z kompozycjami abstrakcyjnymi, które są graficznym ekwiwalentem muzyki. Projekt, wykorzystując technikę filmowania wolumetrycznego (RGB+D), jest z jednej strony rejestracją wydarzenia - spotkania muzyków grających jazzową kompozycję “Sleepwalker” autorstwa Macieja Obary, z drugiej zaś - poprzez użycie na etapie postprodukcji ścieżki dźwiękowej zarejestrowanego utworu - próbą uzyskania wizualnego doświadczenia muzyki. Obraz powstały w wyniku rejestracji reprezentuje „linię lumièreowską”, skupiającą się na jak najwierniejszym oddaniu rzeczywistości. Warstwa muzyczna (mająca swe źródła również w rejestracji) staje się natomiast narzędziem do tworzenia abstrakcyjnych kompozycji wizualnych, nienoszących znamion reprezentacji rzeczywistości (“linia mélièsowska”). Obie te wartości połączone zostały w audiowizualną formę przypominającą teledysk. Po za badaniem punktów stycznych rejestracji i kreacji, opartej na formach niefiguratywnych, celem projektu była również eksploracja nowego medium jakim jest technika filmowania wolumetrycznego, czyli obrazu zarejestrowanego na pomocą sensora Kinect.
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Every June is the same, the whole city smells like gun powder. Cruz das Almas is locate in northern Brazil and it’s know for the traditional Guerra das Espadas “Fire Sword War”. Even though the dangerousness and strictly prohibition the manufacturing and knowledge to be a warrior still being passed from father to son. This film is inspired by those who keep the legacy alive. Short Music Video for “Tagua Tagua - Rastro de Pó”
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Sunday, February 25, 2018
What if hibernating animals of different species formed an orchestra and performed a symphony about their winter’s sleep? Well, they did—sort of. Because this is the science version of “Peter and the Wolf”… A flute playing wood frog who freezes. A bassoon blowing painted turtle who (ahem) breathes through its butt. A trumpet blasting common poorwill who falls asleep anywhere, anytime. A harp plucking mosquito who goes into a sci-fi suspended animation. A drum thumping black bear who stays fat all winter long. And, of course, a theremin tuning Antarctic cod who goes semi-comatose in the dark. Ladies and gentlemen, “The Sleep Cycle” by L’orchestre D’hibernation Animaux… . VIDEO BY TOM McNAMARA THE NARRATOR KEVIN GRAY … POPULAR SCIENCE
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Saturday, February 24, 2018
Official Music video for Dolly Said No to Elvis by Mark Nevin. This is the true story of Dolly Parton refusing to part with her song ‘I will always love you’ when Colonel Tom Parker wanted to take 50% of the royalties if Elvis recorded it! Luckily she later said yes to someone rather special…
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A 1911 Faustian tale about losing oneself in the process of achieving our goals. Told through the world of cryptozoology. Episode One:- Professor Marlowe finds a piece of a map pointing to the place where the Ningyo, a mythical Japanese creature, could be found. The legend claims whomever consumes its flesh will attain remarkable longevity. He presents the project to his peers, who mock and dismiss him as a fraud. He decides to risk everything and go after the Ningyo on his own in hopes to bring to light what could be one of the greatest contributions to science. What he could not anticipate is that, in his search, he is confronted with a choice that puts the very foundations of his morality to the test. The Majority of this film was shot in our living room. Watch the making of HERE: http://bit.ly/2sS5TXK As seen on VICE: http://bit.ly/2CgcgrF Created by: Miguel Ortega and Tran Ma Directed by: Miguel Ortega Production Design: Tran Ma Representation: CAA Management: Traverse Media Copyright 2017 half M.T LLC all rights reserved. Registered 2016/2017 wga
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Friday, February 23, 2018
Alex, a young woman, is increasingly getting tired of adult life. Her daily routine is restricted by norms and expectations of the modern world, and social media have replaced human interaction. One day, she sees Bacchus, a charismatic sensual figure, who lures her into a colorful world, which is a complete opposite of her reality. In this mysterious place, you are free to follow your instincts and explore your deepest desires. BACCHUS was made by a team of 3rd year Character Animation & CG Art students at The Animation Workshop/VIA University College in Viborg, Denmark. Check out the individual students blogs (links below) to learn more about the talent behind the film and check out the project blog: http://bit.ly/2GBO9Sz And the Facebook page: http://bit.ly/2HIWiG8 Credits Rikke Alma Krogshave Planeta - Director / CG Artist / Story / Editor http://bit.ly/2GF532z Kristina Sletting Jensen - Production Manager / Animator / Editor http://bit.ly/2HH8JlD Signe Kristine Cold - Art Director / Design / BG Painting / Compositing http://bit.ly/2GETubQ Christina Helligsoee Brix - Technical Art Director / CG Artist http://bit.ly/2HF56N4 Amanda Jespersen Holm - Animation Lead / Story / Editor http://bit.ly/2GIkUgR Elise Tewedros - Pipeline Supervisor / CG Artist Kristine Behrmann Larsen - Animator / Layout Artist http://bit.ly/2HJ3Bhc Linda Bjurhager - Animator / Story http://bit.ly/2GGARUR Laurie Desfougères - Animator / Character Design http://bit.ly/2HJlhJc Akos Szurgent - CG Artist / Pre-Production Manager / Story http://bit.ly/2GFuuB8 Christopher McLaughlin - Sound Designer Emilie Søgaard - Sound Designer Want to know more about The Animation Workshop/VIA University College? Website: animationworkshop.via.dk Facebook: facebook.com/pages/The-Animation-Workshop-Official-Page/10452541819 Tumblr: theanimationworkshop.tumblr.com/ Twitter: twitter.com/TAW_Denmark Instagram: instagram.com/animationworkshop/
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Premiered by Monster Children: http://bit.ly/2CEYZ7T LITTLE RATS is a short film following ‘XXXX’ a South American graffiti writer, during his time traveling in Europe. ‘XXXX’ ruminates on the risks and rewards of his chosen lifestyle as we follow him underground on a tense mission to paint a metro. Two weeks after making this film ‘XXXX’ was arrested and deported… The only free cheese is in a mousetrap. Directed by: Jesse Heath & Theodor Guelat Editor: Nick Rondeau @Arcade Edit Original Score Composer: Marco Ferrario Sound designer & Re-recording Mixer: Ben Freer @Eleven Sound Colorist: Gregory Reese @The Mill
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