Monday, July 31, 2017
Since taking office last June, President Rodrigo Duterte has been waging a deadly anti-drug campaign. In the past year, police and vigilantes have reportedly killed over 7,000 people suspected of participating in the drug trade. Directed by Aaron Goodman and Luis Liwanag See more from Field of Vision here: fieldofvision.org
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Four young people unknowingly walk toward a moment in their lives when a fever overtakes them, bringing out their most basic instincts. “Fever” premieres today on Short of the Week. Read more about it here: http://bit.ly/2tXdSTy. by ELO films elofilms.com Written, Directed, and Produced by: Logan George & Celine Held Director of Photography: Logan George Sound Recordist: Celine Held Editor & Colorist: Logan George Music by: David Baloche Sound Mixer: M. Louis Gordon Starring (in order of appearance): Yuza “Shiro” Hiroumi Nikesh Ghimire Shahla al Balushi Aamahri Nicholson See more on Fever at http://bit.ly/2ucIhsp.
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Sunday, July 30, 2017
‘For I Only Needed Awakening’ is a collection of the beautiful people and places that captured my curiosity in between work trips to China from 2013-2016. I wanted to create it for my friend Fiona who made my time there so memorable and helped me to fall in love with the culture even if she didn’t realise it. After a lot of change in both our lives this past year I thought that we could use a reminder of how great we are, how great humans are and how exciting the future will be - even if it’s at times hard to see. There comes a point in your life when you realise what really matters, what never did, and what always will. The same can be said for who. Sometimes we just need the reminder to wake up to that. Fiona I love you, and the world does too. Music: Nuages - Dreams featuring The Dream of Life by Alan Watts http://bit.ly/2uO7XgK The Dream of Life Lets suppose that you were able every night to dream any dream you wanted to dream, and you would naturally as you began on this adventure of dreams, you would fulfill all your wishes. You would have every kind of pleasure, you see, and after several nights you would say, “well that was pretty great.” But now lets have a surprise, lets have a dream which isn’t under control. Well something is going to happen to me that i don’t know what it’s gonna be. Then you would get more and more adventurous, and you would make further and further out gambles as to what you would dream, and finally you would dream where you are now. If you awaken from this illusion, and you understand that black implies white, self implies other, life implies death. You can feel yourself, not as a stranger in the world, not as something here on probation, not as something that has arrived here by fluke, but you can begin to feel your own existence as absolutely fundamental. What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself. - Alan Watts Film, edit, sound and grade: Rachel Goldsworthy
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Saturday, July 29, 2017
A man obsessed with vanity enters a futile race against time. 4:21 minutes, HD video, Color, Stereo Credits Scenario, Direction, Additional animation: Alan Jennings Actor: Daniel Rowe Music: Shannon Lee Voice: Beth Murphy Set Design and Construction: Frank Criscione Special Thanks: Daniel Rowe, Beth Murphy, Bill Jennings, Shannon Lee, Justin Lampka, Frank Criscione, Leslie Shershow & Everyone at Framers’ Workshop, Brookline, MA, USA This film was funded in part by The Somerville Arts Council, A division of The Massachusetts Cultural Council. Screenings 11th Athens Animfest. April 7-13, 2016 (Greece) Find out more about this film here: http://bit.ly/2tMuzwI
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Friday, July 28, 2017
In a split second George is thrown into a nightmare. Now confronted with a choice, to stay or to run. Starring Jack Brett Anderson (WolfBlood) and Lucien Laviscount (Scream Queens, Honey Trap) Written and Directed by Tom Ruddock. Official Selection Austin Film Festival 2016 Official Selection Cinequest 2016 Official Selection Omaha Film Festival 2016 Official Selection Kitzbuhel Film Festival 2016 tomruddockdirector.com runawayfilm.com Watch the Behind the scenes here - vimeo.com/226237443
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THIS IS DESMONDO RAY! Episode 1: All Alone In A Dark World A peculiar man searches for love in a dark and troubling world. Watch the previous episode here: Prologue: http://bit.ly/2tK1B0F And the following episodes here: Episode 2: http://bit.ly/2v6zzjz Episode 3: http://bit.ly/2tK46A8 Episode 4: http://bit.ly/2v6KQA5 Episode 5: http://bit.ly/2tJVg5o Website: http://bit.ly/2v6I1iB Facebook: http://bit.ly/2tJYi9y Twitter: https://twitter.com/DesmondoRay
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Thursday, July 27, 2017
2017 Infectious Music Featuring Leah Marojevic, Alana Everett, Natalia Iwaniec Director - Alex Takacs Choreographer - Darcy Wallace DP - Martijn Van Broekhuizen Production Company - Pulse Films Executive Producer - Rik Green Producer - Sonya Sier Assistant Producer - Rebecca Mason PM - Amanda Tuckwell Production Coordinator - Elena Argiros 1st AD - George Nelson 2nd AD - Ben Keswick Production Designer - Nathan Parker Wardrobe - Natalie Wilkins Hair & Makeup - Lisa Zipper SFX - Bob Smoke 1st AC - Jeremy Fusco 2nd AC - Jerry Pradon Grip - Neil Blakesley Steadicam - Matt Alsopp DIT - Chris Belcher Editor - Thomas Grove Carter @ Trim Editing Colorist - Oisín O'Driscoll @ The Mill Post Producer - Imogen Pai Post Production - The Mill VFX Supervisor - Brad Wood, Matthew Kavanagh 2D Lead Artist - Fergal Hendrick 2D Artist - George Cressey, Jose Caballero & John Thornton 3D Artist - Marta Carbonell
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A few months ago we went on our first trip to South East Asia. This video is a collection of vivid moments we’ve captured on our way just to never forget all the places we have fallen in love with. FACEBOOK ►http://bit.ly/2h6RK37 INSTAGRAM ► http://bit.ly/2eRQFLH Filmed with Panasonic GH4 lenses: Panasonic Lumix Vario 12-35, f/2.8, Metabones Speed Booster + Nikkor 35mm f/1.8, Nikkor 50mm f/1.8 music: Ryan Taubert - Limitless voice: Alan Watts - Time & the more it changes
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With slow graceful movements and digitally generated messages, Plastic Girls make a conspicuous contribution to the sexualisation of public space in front of their owners premises. PLASTIC GIRLS is the last film of a Korea related trilogy following BIKINI WORDS and LAST LETTERS: http://bit.ly/2w3yp5s http://bit.ly/2vbpjao * thisiscontented.com nilsclauss.com * a CONTENTED Production in association with MINORITY Producer: SANGJU LEE Assistant Producer: DOYEON KIM, SEOKJU KANG, SOOHONG MOON * Appearing Mannequins: JENY, MOMO, NAMI, MINA, RORA, SAEMI, SUMIN, SUNNY Additional Cast: DOYEON KIM, JIWOONG CHOO, JONGIN NAH * Director, Cinematographer: NILS CLAUSS Voice-Over Script: NILS CLAUSS, UDO LEE Gimbal Operator: SUNGIL LEE, NILS CLAUSS * Editor & Colorist: NILS CLAUSS Music: “The Crack-Up” by UDO LEE Sound Mixer: UDO LEE Graphic Design: INAH SHIN * Special Thanks to: AARON CHOE, BARBAR HAIRSHOP, BAYA KHODJA, BLUE BAR, BONGEE CHICKEN, DAEHO COFFESHOP, DEBORAH PAIK, HYUN CHO, JOO HOON LEE, KUIOCK PARK, MYUNG-SE LEE, NEIL ARDIFF, NGO-DRESS, NONGHYUP GAEPO GRAIN STORE, NEIL DOWLING, SEON BEOM LEE, SEOK JOO KIM, SKY TV, SUGIL LEE, YANGJI BATHHOUSE, YOUNGSOOK KIM * Dedicated to everyone who fights for gender equality in South Korea and disagrees with the sexualization of public space.
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—– Blu-Ray discs available here: http://bit.ly/2dPoAnt Music by Peter Nanasi, find his work here: http://bit.ly/2uBqEWk Follow me: http://twitter.com/mikeolbinski / http://bit.ly/29zcc4S / http://bit.ly/29xOE47 ——- On June 12th, I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came. This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th. It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too. I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything. It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you. I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that’s not me. Or it shouldn’t have been me. I failed myself. And it seemed like the easy choice to just give up and head for home. But I didn’t. I’m not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I’d seen all spring and a lightning show that was so incredible it’s one of the very last clips of this film. And that’s why this film is called “Pursuit.” Because you can’t give up. Keep chasing, keep pursuing. Whatever it is. That’s the only way to get what you want. I learned something about myself on June 12th which carried over to the final few days of chasing this spring. I trusted myself again and those days were incredibly rewarding. This was who I’d been all along but had forgotten. I can’t wait for next year. The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol’ 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I’ve ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds…it ended up being an amazing season and I’m so incredibly proud of the footage in this film. It wasn’t the best year in storm chasing history…but I got to chase storms and share it with you guys. All worth it. I wanted to do something new this year, so I worked with composer Peter Nanasi to develop a custom track for Pursuit. I’m super excited about it and loved the process of exchanging ideas and building the song as the editing of the film progressed. I am so thankful to Peter for what he came up with, I’m in love with this track! The time away from my family turned out to be over a month all told. I’m always and continually blessed by a wife who supports what I do and backs me completely. But not only do I have her to thank this spring, but also her parents who hung around for a good chunk of May and early June, to help out wherever needed, watch the kids, run errands and generally be there for Jina. I don’t have enough words to convey how appreciative I am for them being around while I was gone. I think that’s about it. I could write a lot more, but I’d rather you watch the film and hopefully have a taste of what I saw this spring. There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder. I miss being out there already. I hope you enjoy and I’ll do my best to answer any questions in the comments below! Technical Details: I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.
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Wednesday, July 26, 2017
This is actually the fourth and final part in a series of films commissioned by Dolby Labs for their amazing gallery space in San Francisco. Gabe Askew has long collaborated with the musician duo Hays + Ryan Holladay who were responsible for putting the series together. They leveraged the new Dolby Atmos technology to create a beautiful and embracing soundscape while Gabe tried to wrap his head around the massive 9920x720 resolution display. The theme of the series was memory. Drawing from the writings of Ray Kurzweil, Gabe created a visual metaphor for the physical act of how the brain receives a stimulus, breaks it down into elements, stores it via pattern receptors in the cerebral cortex, and then recalls it. The specific memory represented in the film is the birth of his daughter, Lily. Director: Gabe Askew Production Co: Hornet Client: Dolby Labs Music: Hays + Ryan Holladay
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‘Sleepless’ by Super Magic Hats, from the new album 'Wish’. Hypnagogia is the transitional state between wakefulness and sleep… You start falling, then you’re slowly running, you start dreaming of lunch, dancing, and shape-shifting into a guy with a million eyes. Directed and animated by Lee Arkapaw and Tessa Chong
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An unknown rock band struggles with a radioactive energy in their music that blows up amps, liquefies tape decks, and starts electrical fires. On the eve of their first (and possibly last) show, they must decide whether to risk life, limb, and legacy for a 1AM slot on a Tuesday. It could change everything…or nothing at all. “The Privates” is this week’s Vimeo Staff Pick Premiere! Read more about it here: http://bit.ly/2w0CbN5 2017 Sun Valley Film Festival 2017 IFFBoston 2017 Brooklyn Film Festival 2017 Palm Springs International ShortFest Hammer to Nail Short Film Contest - Spring ‘17 - WINNER Writer / Director: Dylan Allen Producer: Eddy Vallante Starring: Lilli Stein, Rachel Trachtenburg, Alex Herrald, Omar Maskati Director of Photography: Evan Jake Cohen Music: The Privates Original Score: Dave Paulson Editor: Robert Grigsby Wilson Producer: Javier Gonzalez Executive Producer: Matthew Perkins Associate Producer: Mari Shiel Production Design: Pinky Guest Casting: Rebecca Dealy Casting Assistants: Christy Escobar, Kristie Walsh Costume Design: Megan Stark Evans Hair/Makeup/SFX Makeup: Lexan Rosser Visual Effects: Perry Kroll 1st Assistant Director: Eric “Frenchy” LaFranchi Unit Production Manager: Maddi Clarke 2nd Assistant Director: Tas Mahr Property Master: Nicolas Luna Set Dresser: Alan Jensen Miniatures: Peter Feigenbaum Production Sound Mix: Adrian Martinez Audio Post Producer: Kira MacKnight / One Thousand Birds Sound Design/Mix: Calvin Pia / One Thousand Birds Music Director: Maxwell McDonald ADR Engineer: John Parthum / Mixtape Club Gaffer: Chad Dougherty Key Grip: Glenn Porter Best Boy Electric: Justin Newhouse Best Boy Grip: Jacob Beil Grip: Camilla Foschi 1st Assistant Camera: Matt Garland 2nd Assistant Camera: Brandon Regina Set Photographer: James Chororos Script Supervisor: Rachel Cole Production Coordinator: Quinn Dooley Locations: Jordan Thomas Alexander, Alex Richard Production Assistants: Kuper Bank, Eli Kleinsmith, Sean Woodruff, Mikaela Barish Poster Design: Sam’s Myth Digital Colorist: Andrew Francis Color Assist: Charles Leighton Digital Intermediate Services: Sixteen19 “We Are Really Rocking Now, Haven’t We?”: written & performed by The Privates “You Never Take Me Dancing”: written & performed by The Privates VFX Breakdown - http://bit.ly/2v8leE1 Amalgamated Picture Company, 2017. All rights reserved.
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When I met Franco Pascali, I was struck by how much I felt like I was meeting and hanging out with a young street skater. However, instead of witnessing skate tricks he destroyed me by his usage of cards. Much like the world of skateboarding that I was raised in, magic and cardistry are intensely personal and individually orientated in terms of the endless practice that is required to master them. Tricks are performed with decks and each person embodies a style that is distinctly their own. That style is reflective of the influences they devoured when they were coming up and their intrinsic sensibility that they develop as they mature. As I spent time with Franco I immediately wanted to point my camera at him to capture the way he dressed, the way he talked, the breathtaking way he moved cards and the feeling I had in encountering such raw talent. This is our first film. Franco Pascali is 19 years-old and lives in Los Angeles. He is a director of magic at Theory11. IG - @francopascali Director - Jacob Rosenberg Director of Photography - Logan Triplett Editor - Chris Amos Composer - Steffen Thum Colorist - Tom Poole Sound Mixer - Matt Miller Additional Music - Tomas Pascali Stylist - Emily Nagrecha Producers - Ari Palitz & Kevin McMahon Executive Producer - Ryan Slavin Production Company – The Reserve Featuring - Franco Pascali, Fatty Dabs, Alexander Hansford, Simon Black, Chris Mitchell Editorial Services Provided by Final Cut LA Color Correction provided by Company 3 Music Provided by 14th Street Music Sound Mix provided by Lime Studios Cameras provided by 2020 Camera Rental Special Thanks: Queenie Li, Lorne Balfe, Hana Leshner, Tim Hanaseth, Suzy Ramirez, Jeff Buchanan, Eric McCasline, Alexandra Lubrano, Jenny Montgomery, Chris Adams, RVCC LA, Stephen Vanasco, The Smog Check Center, Canter’s, Dena Stein
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After years of abstract motion design we’re extremely proud to present our first realistic project !!! We’d love to show it to everyone in proper VR, but if you don’t own one, just imagine you’re in the Soyuz spacecraft and Google Cardboard it maybe? :D In 1978 Poland got a chance to send its national into outer space. From four brave pilots - one has been chosen, while three of his replacements stayed on the ground. Samsung wanted to make their dream come true and curated this VR experience - inspired by a Soyuz 30 spaceflight. Read more: http://bit.ly/2vHAdl6 or read more on behance: http://bit.ly/2uvSTWB Experience VR by MELT / Doświadcz wirtualnej rzeczywistości MELT
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Tuesday, July 25, 2017
In 1997, the National Oceanic and Atmospheric Administration recorded from deep in the ocean one of the loudest sounds ever detected. No known animal could make it and no man-made source was ever found. A short documentary by Cara Cusumano. Music by Dan Ingala & Joseph Colmenero. Official Selection: New Orleans Film Festival- Audience Award Winner, Palm Springs ShortFest, Rooftop Films, AFI Fest, DOC NYC, Hamptons International Film Festival, Doxa Documentary Film Festival, Philadelphia Film Festival, Cucalorus, Short Shorts Film Festival & Asia, Las Vegas Film Festival, Sarasota Film Festival
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What is the legend of the enchanted Pedro’s Bay? A secret whispered from one to the next. Somewhere on an island far, far away is a parallel life on a forgotten beach—with emerald waves and mushroom forests. Where toucans talk and trees grow full of fruit. Where wine trickles off rocks and mermaid lagoons meet black jungles. The sun shines here everyday. What is the power behind this strange book? Where is Pedro’s Bay? Can this magical Earth potion possibly exist? Join one brave traveler as he sets out on an extraordinary journey to discover the holy grail of paradise.
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The Isle of Man TT is, without doubt, the most dangerous race on the planet. In a similar vein to the World’s Fastest Indian at Bonneville in the 1960s, in 1994 New Zealand inventor John Britten and his team brought their futuristic racing motorcycle to this infamous race. John Britten turned motorcycle design on its head in the early 1990s with the Britten V1000; a hand-built motorcycle designed and constructed by a small group of friends in John’s backyard shed in Christchurch. The motorcycle incorporated technologies seldom seen before: extensive use of carbon fibre, the radiator located under the seat, double wishbone front suspension, frameless chassis and engine data logging. At the height of their endeavours the Britten team took three V1000 racers to the 1994 Isle of Man TT races. There they were confronted by the dark side of the world’s most famous and dangerous race track.
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Monday, July 24, 2017
In a time where post-truth news divides and conservative politics fails to lure in young voters, a extraordinary vote for world peace has dramatic consequences. Epic Fail is an avant-garde essay that questions how we perceive truth, information and politics, seen through the dual lenses of our real and virtual identities. Moved by the political events that shook 2016, the film is inspired by Jean Paul Sartre’s “Nausea”; or how we can develop visual embodiments of our emotions as a catharsis on how to deal with reality. CREDITS: Directed by Greg Barth Written by: Greg Barth & Joe Hampson Starring: Jahvel Hall, Mathilde Steuillet Voice over actors: Lolly Adefope, David Elms, Baker Terry Director of photography: Pau Munoz Original Soundtrack and sound design: Nookaad Productions Editing: Greg Barth & Alex Da Cunha Post Production: Phillipe Medina, Greg Barth Colour Producer: Chris Anthony Colorist: Jessica Vile @ Framestore Art Director: Will Vincent Set Design: Will Vincent, Brin Frost, Mathilde Steuillet Props and Prosthetics: Suzy Battersby Graphic Design: Futurneue 3D Printing: Digits 2 Widgets Sound recorded at Wise Buddha Studios Special Thanks to: Bart Yates, Charlie Perkins, Wolf & Moon Jewellery, Digits 2 Widgets, Station Made with the help of Blink Ink and Blink Industries Made with Props and sets initially commissioned by Station.ch
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After witnessing a random act of violence on the New York City subway, a young woman’s daily commute becomes a minefield of dark anxieties both real and imagined. -Winner Audience Choice Award, Brooklyn Short Film Festival -Official Selection, Nashville Film Festival -Official Selection, Calgary International Film Festival -Official Selection, Nevada City Film Festival -Winner Best Actress & Best Cinematography, Brooklyn Horror Film Festival 2016 / 8 Minutes
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An origin story, of sorts—LIGHTNINGFACE stars Oscar Isaac as Basil Stitt, who in the aftermath of an inexplicable incident, decides to sequester himself inside his apartment, setting the stage for a profound transformation. Written and directed by Brian Petsos. http://bit.ly/2gXd9eT Official Selection of the 2016 BFI London Film Festival, 2016 Brooklyn Film Festival, 2016 Denver Film Festival, 2016 Marfa Film Festival, 2016 Milwaukee Film Festival, 2016 New Hampshire Film Festival, 2016 New Orleans Film Festival, 2016 Nitehawk Shorts Festival, 2016 Palm Springs International ShortFest, 2016 Short Shorts Film Festival, 2016 Tacoma Film Festival, 2016 Virginia Film Festival, 2017 Atlanta Film Festival, 2017 Capital City Film Festival, 2017 Collinsville Film Festival, 2017 Dingle International Film Festival, 2017 Manchester Film Festival, 2017 Minneapolis St. Paul International Film Festival, 2017 Montclair Film Festival, 2017 Nashville Film Festival, 2017 Newport Beach Film Festival, 2017 Omaha Film Festival, 2017 Oxford International Film Festival, 2017 RiverRun International Film Festival, and the 2017 Sioux Empire Film Festival. Nominated for Best Actor (Oscar Isaac) at the 2017 Vaughan International Film Festival, and Best Narrative Comedy at the 2016 Miami Short Film Festival. Winner of the Vortex Grand Prize at the 2016 Rhode Island International Film Festival, and Best Short Film at the 2016 Filmfestival Kitzbühel. LIGHTNINGFACE WRITTEN AND DIRECTED BY Brian Petsos PRODUCED BY Brian Petsos Cary Flaum Milos S. Silber Todd Wiseman Jr. STARRING Oscar Isaac EXECUTIVE PRODUCERS Kristen Wiig Taryn Benesta Oscar Isaac Zach Lasry DIRECTOR OF PHOTOGRAPHY Daniel Katz PRODUCTION DESIGNER Chris Trujillo EDITOR Bryan Gaynor COSTUME DESIGNER Stacey Berman ORIGINAL MUSIC AND SOUND DESIGN Justin Hori HAIR, MAKEUP, AND PROSTHETIC DESIGNER Lexan Rosser LINE PRODUCER — Eddy Vallante FIRST ASSISTANT DIRECTOR — Eric LaFranchi SECOND ASSISTANT DIRECTOR — Adam Keleman OSCAR ISAAC as Basil Stitt, and Rick (voice) TIM ROCK as The Pizza Man KRISTEN WIIG as Katherine (voice) ERIKA RANKIN as Tanya (voice) JULIE PETSOS as Mrs. Stitt (voice) CO-PRODUCER — Bryan Gaynor ASSOCIATE PRODUCERS — Daniel Katz, Justin Hori, Micah Scarpelli GAFFERS — Zach Frank, Chad Dougherty KEY GRIP — Matt Kessler PRODUCTION SOUND MIXER — Alberto Leon FIRST ASSISTANT CAMERA — Adrien Bertolle ART DIRECTOR — Nora Mendis POST PRODUCTION SUPERVISOR — Cary Flaum CG — Justin Miller VFX — Nic Seresin, Cagan Yuksel, Liam Kirtley, Inti Martinez, Ryan Saxe DIGITAL INTERMEDIATE — Company 3 New York COLORIST — Rob Sciarratta ONLINE EDITOR — Lucas Howard ASSISTANT TO MR. ISAAC — Natalie Gee FINAL MIX — Bang Audio Post RE-RECORDING MIXERS — Nick Cipriano, Paul Vitolins ASSISTANT COSTUME DESIGNER — Karen Boyer COSTUME DEPARTMENT INTERN — Grace Interlichia ON SET DRESSER — Dani Broom-Peltz SET DRESSER — Thomas Macowski SECOND ASSISTANT CAMERA AND DIT — Jamie Li STEADICAM OPERATOR — Afton Grant BEST BOY ELECTRIC — Sean Coia BEST BOY GRIP — Lori Dinsmore LOAD OUT GRIPS — Brad Morse, Max Barlow DI PRODUCER — Nick Monton COLOR ASSISTANT — Giovanni DiGiorgio COMPANY 3 EXECUTIVE PRODUCER — Stefan Sonnenfeld STILL PHOTOGRAPHER — Alisha Wetherill CATERING — David Dreishpoon’s Gourmet Craft Service PRODUCTION LEGAL — David M. Slater VERY SPECIAL THANKS Shishi, Grong, and Chooch SPECIAL THANKS Dan Berk, Steven Petsos, Jeremy Good, Drew Leary, Jonathan Gray, Alex Resnikoff and Hand Held Films, Jerome Thelia, Terry Leonard, Bradley E. Randall, Alex Lavrenov, and SAG-AFTRA FEATURING THE MUSIC OF Wolfgang Amadeus Mozart and Iannis Xenakis Vic Damone Grotesque and Albert Ayler FILMED ON LOCATION IN NEW YORK CITY This motion picture is protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication, distribution and/or exhibition of this motion picture may result in civil liability and criminal prosecution. Characters and incidents portrayed and the names herein are fictitious, and any similarity to the name, characters or history of any person is entirely coincidental and unintentional. © 2016 Lightningface LLC. All rights reserved. http://bit.ly/2gXd9eT (Significant inquiries may be directed to nobody@asaboteur.com and will be responded to accordingly.)
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Sunday, July 23, 2017
A small film about some of the big things in life. When is the time to settle, have kids and a partner for life? Does that commitment means you will never be able to dance or watch Game Of Thrones all night long? In this vibrant visual poem we observe a young man and woman and hear them discuss these universal reflections. They don’t have any final answers - just a lot ‘ifs’. The frustrating beauty of life. — Film of the month by Niccolò Montanari (Founder of Berlin Fashion Film Festival) at NotJustALabel.com: “A short film questioning the meaning of life, while appreciating and reflecting on its beauty.” — Written & directed // Jeppe Kolstrup Starring // Eliott Lewis and Nathalie Beaulieu DoP // Chris Lew Format // Kodak 35mm Producer // Surhay Nart Kilic Editor // Ryan Løkke Color // Lasse Marcussen/Cameo Sound // Lars Bo / Audio Lounge Music // Rasmus Yde PR // Sascha Kirk Post producer + artwork // Camilla Søholt Production company // Bad Land
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Saturday, July 22, 2017
A fisherman down to the DNA, Carter Andrews has no choice but to go out there and catch everything that swims. Described by a friend as a “wild man”, he does have a certain intensity about him. But you don’t have only anglers as friends unless you’re still lit up with raw joy every time a fish bites.
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Photographer Joshua Holko: “The product of more than two years of planning Ghosts of the Arctic was filmed exclusively in the Arctic archipelago of Svalbard in the depths of Winter. It is my hope that the film will impart some of the haunting beauty of this incredibly precious and endangered polar wilderness; as well as give you some insight into my life as a Polar photographer. I hope you will take six minutes out of your day, set your display to full screen, turn off the lights, crank up the volume, and allow Ghosts of the Arctic to transport you away to one of the world’s most spectacular polar regions; in it’s rarely seen winter veil. Please Enjoy. My most sincere thanks to both Abraham Joffe and Dom West from Untitled Film Works who worked tirelessly for a week straight putting in eighteen hour days in freezing temperatures to shoot and produce this film. My thanks and gratitude also to my friend Frede Lamo who likewise worked tirelessly with good humour and whose assistance with expedition logistics simply made the impossible, possible. Without the dedication of this team this film would simply not have been possible. It would be remiss of me not to also provide a little insight into what it was like to make this short film. During the shoot we experienced temperatures that were never warmer than -20ºC and frequently plummeted down as low as -30ºC + wind chill factor. We were exposed to the cold and elements for up to sixteen straight hours a day. Many days we drove over two hundred kilometres on our snow mobiles in very difficult terrain and conditions as we searched for wildlife. The bumpy terrain left us battered, bruised and sore. We experienced three cases of first and second degree frostbite during the filming as well as a lot of failed equipment and equipment difficulties as a result of the extreme cold. We had batteries that would loose their charge in mere minutes, drones that wouldn’t power up and fly, cameras that wouldn’t turn on, steady-cams that would not remain steady, HDMI cables that became brittle and snapped in the cold, frozen audio equipment, broken LCD mounts, broken down snow mobiles and more. We existed on a diet of freeze dried cod and pasta washed down with tepid coffee and the occasional frozen mars bar. It is hard to put the experience into words, but just the simple act of removing ones gloves to change a memory card in these sort of temperatures when you are exhausted comes with a serious risk of frostbite. In my own case, I removed my face covering for one three minute take and suffered frostbite (from which I have not fully recovered) across the entire right hand side of my face. And whilst not all of this will come across in the film, I think I can safely say it was without any shadow of a doubt the toughest film shoot any of us have done. For the technically inclined: Ghosts of the Arctic was shot in the 2.35:1 cinema ratio in 6K+4K resolution. Absolutely no wildlife was interfered with in any way shape or form during the filming and everything you see is totally natural behaviour.
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Friday, July 21, 2017
A short documentary brought to you by Poland Spring. After a brutal mugging left him with traumatic brain injury, John Pierre decided to ‘suit up’ in a neon cape and lightning bolt socks, emerging as the New York running community’s very own superhero. Special thanks to Achilles International (http://bit.ly/2vtne6F) Director: Charles Frank Client: Poland Spring Agency: Vox Creative Head of Production: Greg T. Gordon Creative Director: Cristina Cerullo Campaign Producer: Alexandria Fontanez Production Company: Voyager Executive Producer: Andrew Hutcheson Head of Production: David Brickel Producer: Alex Liebman Cinematographer: Taylor Mcintosh Editors: Nico Bovat & Charles Frank Sound Mixer: Pablo Diez Casajuana PA: Dom Del Russo PA: Ozum Demirel Music: Pinc Louds (http://bit.ly/2uiwbB2) & Chris Zabriskie (http://bit.ly/2vt38JN) Audio Post: One Thousand Birds Audio Post Producer: Kira MacKnight Sound Designer: Calvin Pia
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Probably the world’s first cathedral flow motion. Something of a passion project for me getting to shoot my home town and capture it in it’s best light. Constructed in 1096 Norwich Cathedral dominates the Norwich skyline to this day. Was super cool getting to explore all the secret areas whilst working on the video. Facebook http://bit.ly/2uQJla2 http://bit.ly/1EFdrrq http://bit.ly/2uQyVqZ Twitter @Nrw_Cathedral @kwhi02 @VisitNorwich Instagram http://bit.ly/2ujzUgk http://bit.ly/1AwtF99 http://bit.ly/2uj4OoR
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“You don’t know what you don’t know, and it might be better than what you do…” Another one in our series of six city portraits for Rapha. Executive Producer: Dalia Burde Creative Director: Amani King Director/DP: Spencer MacDonald Editor: Cooper Kenword Production Manager: Bijan Rafie-Tari AC: Troy Dickerson Production Co: Avocados and Coconuts Art Director: David Evans Sound Mix: Chris Konovaliv @ Audiolux Color: AJ Molle Client: Rapha
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Prizes : -WFB Prize @ BSFF (Belgium) -Best short film @ Belgrade Documentary and Short Film Festival 2017 (Serbia) -Best Screenplay @ SHORT TO THE POINT!!! -Best Performance @ WILDsound FEEDBACK Film and Screenplay Festival (Canada) Selections : Official Selection - The International Short Film Festival of Cyprus 2017 Official Selection - 23rd Encounters Festival (UK) Official Selection - Festival Tournez-Court (France) Official Selection - Buddha International Film Festival (India) Official Selection - ANONIMUL International Independent Film Festival (Romania) Official Selection - Open Air Filmfest Weiterstadt (Germany) Official Selection - 11th MOSCA - Cambuquira Short Film Festival (BRAZIL) Official Selection Middle Coast Film Festival 2017 (USA) Official Selection 5th Kraljevski Filmski Festival (Serbia) Official Selection 14th Indy Film Fest 2017 (USA) Official Selection Still Voices Short Film Festival (Irland) Official Selection 15th Tabor Film Festival (Croatia) Official Selection Palm Springs 2017 (USA) Official Selection 7th OderKurz-Filmspektakel (Germany) Official Selection WILDsound FEEDBACK Film and Screenplay Festival (Canada) Official Selection 6th Ploiesti International Film Festival (Romania) Official Selection BSFF 2017 (Belgium) Official Selection 6th Carmarthen Bay Film Festival 2017 (Uk) Official Selection Kyiv International Short Film Festival 2017 (Ukraine) Official Selection Belgrade Documentary and Short Film Festival 2017 (Serbia) Official Selection 44. Festival of Nations 2017 (Austria) Official Selection Regard Film Festival 2017 (Canada) Official Selection Be Film Festival 2017 (Belgium) « Etat d’alerte sa mère » est une comédie surréaliste qui dépeint une société où les violences policières et l’atteinte à nos vies privées seraient devenues banales, normales, lassantes… « State of Emergency motherfucker» is a surrealistic comedy that depicts a society where police violence and invasion of privacy are daily routine, normal, tedious… Cast // Yassine Fadel & Ilias Bouanane Written & Directed by Sébastien Petretti. Produced by Lovo Films, Abyssal Process, WFA pictures and Squarefish. Music : Killasoundyard - killasoundyard.fr/ All inquiries : francois@lovo.be
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Thursday, July 20, 2017
This film is an ode to the strength and grace of Arab women and their continuous fight for feminist action. Together, the women walk into the water, confident in their agency and fearless in their determination for a sea change. Music Video for Mashrou’ Leila. Written and directed by Jessy Moussallem Produced by Clandestino Films and CAVIAR Executive Producers: Wissam Smayra - Ray Barakat - Katie Dolan Producers: Farah Assaf - Antoine Taymour Sfeir DP: Daniel Férnandez Abelló Choreographer: Tuixén Benet Dancer: Dorine Aguillar Editor: Carlos Font Clos Colorist: Houmam @MPC Online artist: Sebastien Leclercq Special thanks: Cherif Massoud, Andre Chammas, Sarah Huneidi, Ayla Hibri, Melanie Dagher, Toni Sfeir, Coco Germanos, Nour Saliba, Gabriella Kassab, Reem Khoury, Maya Ammar. Filmed in Lebanon.
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Short film (fiction) DAZED Online Premiere http://bit.ly/2tRnj58 starring: Edward Hayter, James Clossick & Steve Pinto director: Billy Boyd Cape writer: Molly Manning Walker producers: Nicholas White & Matthew Lloyd Hodgkin dop: Molly Manning Walker production design: Amy Harriott Gregory edit: Jonah Sealey Braverman location mix & sound edit: Claudio Santos make-up design: Jack Streeton costume design: Rory Berry casting: Sue Odell original score: James Jacob aka Jakwob colour: Toby Tomkins @ CHEAT exec producer: Petra Fried ________ Festivals & Screenings: Premiere at London’s BFI - 2015 Bournemouth Emerging Arts Festival - 2015 In Competition - Camerimage Film Festival 2015 Reely and Truly A/W - 2015 Official Selection - London Short Film Festival 2016 In Competition - Royal Television Society Southern 2016 In Competition - Short Waves Festival 2016 VUE & GRM Daily Presents Your Cinema - 2016 Official Selection - Int. Filmfest Emden-Norderney 2016 Official Selection - IndieFlicks International Film Fest 2016 Official Selection - Malta Festival Poznan 2017 morehatethanfear.com
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Liz and I created our first personal project, where we explored the expression of words and their creation of the visual world around us. We tend to not wanting to write a story, but more within the experimental form & whimsical sense. The video focus on the fundamentals of natural laws and laws of nature themselves. Concept/Design/Animation: Enle Li & Liz Xiong Music: Dronarivm
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Dir Cut. Director: Bennett Johnson Producer: Alexandra Eaton, Vanessa Friedman Executive Producer: Kaylee King-Balentine Cinematographer: Andy Catarisano 1st AC: Troy Dobbertin PA: Sophia Garrow Sound Recordist: Robert Bluemke Editor: Bennett Johnson Coordinating Producer: Jazz Charlton Line Producer: Zein Zubi Production Company: Curfew Color and Mix: Irving Harvey Extra Footage: Getty Images
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Wednesday, July 19, 2017
A film about bugs having the time of their lives. Sound Recording by Chrsitina Nguyen Sound Design and Music Editing by Raymo Ventura Music: 3 Fantaisies, Op. 16 - II. - Scherzo, Allegro vivace Composed by Felix Mendelsshon Performed by Bui-Nguyen Trieu-Tuong Used under Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) http://bit.ly/2trbioH ©2016 Angela Stempel
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Poetic documentary about the people of MacArthur Park (Los Angeles). Made by Anatoli Ulyanov. *ENGLISH AND RUSSIAN SUBTITLES ARE AVAILABLE UNDER THE CC (CHOOSE CAPTIONS) BUTTON* Los Angeles MacArthur Park has a notorious reputation. Located right on a cross of different gangs territories, it became associated with drugs, violence and its diverse homeless population: undocumented immigrants, abandoned veterans, transgenders, people who lost their job, people with mental disabilities who can’t afford healthcare. For a course of 3 month I visited MacArthur Park filming those who live there. Many of those people came to the US with a dream to find heaven. And LA indeed looks like one. My goal was to show this dramatic contrast between heaven and its tragedy. While filming it, I discovered not only a crowd of unforgettable personalities, – multi-dimensional souls shaped by the rollercoaster of their lives, – but the fact that despite all the struggles these people are still full of dreams. They filled with light. And that’s what impressed me the most as a manifestation of unbreakable human spirit. So I followed the light through these people. And the result is this poetic film. *** FILM BY: Anatoli Ulyanov (http://bit.ly/2vjZLox) MUSIC BY: Marry Lattimore (http://bit.ly/2uJMBUO) Sephirot (http://bit.ly/2vkcN54) Joakin Jenkins PRODUCTION OF: VVHY Visual Lab (https://vvhy.tv) *** Анатолий Ульянов: “Данный фильм является результатом череды воскресений, в которые я, вооружившись киноаппаратом, посещал МакАртур парк (LA) – место, где принято выяснять отношения между бандами, покупать паспорта, отсасывать члены и добывать дозу. Чем больше я в нём находился, тем более явным становился для меня контраст между американской мечтой и её реальностью, райскими пейзажами Южной Калифорнии и судьбами людей, которые в них оказались. Во всём этом меня увлекла не столько социальность такой острой для Лос Анджелеса темы, как бездомные (их тут 60 тысяч), сколько волшебный свет и существующие в нём люди с изгибами, надломами, завихрениями. Я невольно провалился в золотистый пузырь их мира, в это его странное лето, – тёплое и меланхоличное одновременно. В виде такого пузыря мне и хотелось его сохранить…”
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A desperate man in Trump’s America attempts to shift his fate with the perfect crime. Based on a true story. ––– Our twisted companion piece to our upcoming feature film, “The Last Black Man in San Francisco.” MakeAmericaParadiseAgain.com { World Premiere 2017 Sundance Film Festival } Official Selection 2017 SXSW Film Festival Official Selection 2017 Rooftop Films Official Selection 2017 LA Film Festival Official Selection 2017 San Francisco Int'l Film Festival Official Selection 2017 Montclair Film Festival Official Selection 2017 Palm Springs ShortFest Official Selection 2017 LVFF Official Selection 2017 Guanajuato Int'l Film Festival Official Selection 2017 Nashville Film Festival (Winner - Best U.S. Short) Written & Directed by Joe Talbot
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Tuesday, July 18, 2017
Director // Folkert Verdoorn Producer // Hannah Padding Production Assistant // Vera de Bode Director of Photography // Boas van Milligen Bielke 1ST A.C. // Casper van Oort 2nd A.C. // Sam Vis Steadicam operator // Kevin Vidal Gaffer // Zen Bloot Bestboy // Henry Rodgers Art director // Maeve Human Art assist // Dorus Witte H+MU // Faisa Sontodimedjo & Kira Kroegman Styling // Anouk Océanne Editor // Eline Bakker Grading // Barry Clarke Special thanks to: Allard Studio’s Camera Rentals Captcha! Dum Dum Palace Amsterdam Gripwise Maloney Media PIP Den Haag Tobias Corba Zuiderstrandtheater Den Haag
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Two Tetris blocks fall deeply in love… but find they don’t quite seem to fit. Made for TEDxSYDNEY 2017 Production: VANDAL Director: Emile Rademeyer Agency: BMF VANDAL & BMF’s short film “Ménage à Tetris” debuted at TEDxSydney 2017. It was 1 of only 10 international films selected for this prestigious program. Credits: Creative Agency: BMF Executive Creative Director: Cam Blackley Creative Director: Alex Derwin Creative Leads: Dantie Van Der Merwe and David Fraser Copywriters: Millicient Malcolm and Stephanie Allen Planner: Kellie Box Executive Producer: Jenny Lee-Archer Agency Producer: Beatrice Osborne Production Company: VANDAL Director: Emile Rademeyer Executive Producer: Anna Greensmith Producer: Lucas Cain Motion Design: Robo Dinnerville, Darrin Hanley and Derek Lau Animation: Julie Ly Illustrators: Ling Siu and Melissa Mai Sound R&D: Nigel Crowley Sound and Music: Rumble Studios Composer: Johnny Green Music Producer: Michael Gie Sound Designer: Cam Milne
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79 year old lovely legend Rosemary Smith smashes it round in a Renault F1 ! Directors : Michel + Nico DOP : fredrik backar/luke Scully editor : matt newman Produced by Believe media UK Exec Producer : James Covill Producer : Rob Leonard Agency : Publicis UK ECD Dave Monk CD Dave Sullivan TV prod Colin hickson
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Last year 3x World champ Mick Fanning took the year away from full time competition to explore the world and experience new places. I was lucky enough to join him on a trip the the Arctic Circle to direct an episode of Red Bull’s “Chasing the Shot” where he surfed through the night under the Northern Lights. Although the days were extremely cold and short with only a few hrs of light, we managed to find great waves and stood in awe of the scenic beauty in every direction. This is my directors cut from that trip and features some of my favorite daytime moments while focusing on the scenic side of our trip. Special thanks to Red Bull and Lofoten Apartments for making it happen. View the original Chasing the Shot episode here: http://win.gs/2u4DaM9
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Monday, July 17, 2017
Made with the assistance of MuchFACT. featuring Maria Doyle Kennedy & Jarvis Cocker directed and edited by Scott Cudmore produced by Nicole Powell & Katy Maravala executive producer: Richard Cureton executive producer: Luc Frappier photography by Peter Hadfield camera operator: Alan Kelly 1st AC: Rico Moran 2nd AC/DMT: Nick Petrie choreography by Noemie Lafrance assist to choreographer: Ayelen Liberona casting by Addy Chan styling by Sarah Millman wardrobe set supervisor: Amanda Wood assist wardrobe: Aneesa S assist wardrobe: Sarah May colour by Clinton Homuth at Alter Ego key hair & make up by Claudine Baltazar hair & make up: Allison Sharpe 1st assistant director: Jason Bourke 2nd assistant director: Scott Weatherall 3rd assistant director: Edward Hernandez key grip: Cait Lusk best boy grip: Vicky Low grip: Mike Rodrigues gaffer: Mike Armstrong best boy electric: Benjamin Kelly key production assistant: Kelly Steinhoff pa: Blake Prendergast pa: Shady Hanna pa: David Williamson pa: Nicholas Kleban pa: Serena Hiro pa: Jennifer Tam pa: Nicole Castle pa: Chelsea Morgan pa: Haykey Keenan pa: Jonathan Matta pa: Alex Tse catering: Blazing Kitchens lighting & grip: William F. White trailers & RVs: Cine Support production support: LES trucking: Budget DANCERS Senyo Akakpo Kaelin Isserlin Christy Stoeten Sammy Vassell Claudi P Evan Webb Alayna Molotkow Amanda Eves Cesar Ginocchio Beatrice Kwan Jennifer Pullon Laura Katherine Hayes Martin Huss Matthew Morales Kennedy Elder Roderic Chan Linda Wong Sydney Levitt Judy Luo Zahara Mair Cassie White Liana Bellissimo Daniella Zappala Paige Foskett Zach Parsons Axel-Roman Allioux Jacob Brien Adrian Tam Lauren Runions Miriam Franz Tanya Pavlenko Matt Mailandt Jaden Hong Chris Tsrantoulas Lou Beckett David Young Production Company: Revolver Films Management: Robbie Lackritz Commissioner: Jannie McInnes
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This short is a comically cynical vision of a future where the water is gone, all that’s left is dust and desperation. The Future is currently being screened at festivals locally and internationally. You can also see The Future as part of Cartoon Brew Fest online from 16th July. Written & Directed by Greg Sharp Produced by Nina Knežević
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Sunday, July 16, 2017
2015 My graduate film at Sichuan Fine Arts Institute Film-Animation School Director: Sijia LUO Assistant Animation&Coloring: Yu SHI,Zhihao SONG Music And Sound Design: Xuan ZHANG 04:00 FESTIVALS: Melbourne International Animation Festival New Chitose Airport International Animation Festival /2016 The 12th Indie-AniFest ‘PANORAMA’ section /2016 15th Countryside Animafest Cyprus-Views of the World /2016 Dum-D International Student Animation Festival /2016 Annecy animation festival /2016 Flatpack Film Festival /2016 Holland Animation Film Festival /2016 Anim!Arte /2015 ANNY: Animation Nights New York /2015 The Fourth China Independent Animation Film Forum /2015 ….
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“I heard destiny calling… I was going to be a cheesemaker.” When Oleg Sirota discovered his native Russia was banning all Western cheese imports, he quit his IT job in Moscow, sold his house and cars, took out a $100k loan and set about building a cheese factory in the snowy wilderness. “Russian Parmesan” was born. The film was originally released on NOWNESS (30/6/2016). Full article: http://bit.ly/2tXLkry www.bengarfield.com
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Saturday, July 15, 2017
Friday, July 14, 2017
The office photocopier sees much more than we can imagine. In the darkness of the copy room anything can happen. Director, director of photography: Tamás Kőszegi Editor, assistant director: Laura Földeák Actress: Rebeka Valu Actor: Attila Simon Music composed by: Levente Markos Sound Mixing: Gábor Császár Associate Producer: Andrea Osvárt Awards: 27nd MEDIAWAVE International Film Festival - Best Experimental Film (International Competition) 27nd MEDIAWAVE International Film Festival - Best Experimental Film (Student Jury) Global Independent Film Awards 2017 - Best Avant-Garde Film International Film Festival Allucinema México 2016 - Best Experimental Film 26th DaKINO International Film Festival - Special Jury Award for Best Experimental Short XXII Troufeu Torretes de Curtmetratges 2017 - Best Photography Global Independent Film Awards 2017 - Silver Medal for Best Sound (Gábor Császár) Saatchi and Saatchi Hungarian New Directors Showcase - Featured director (Tamás Kőszegi) MANIFF Manchester Film Festival 2017 - Jury Special Mention for Outstanding Experimental Film Gold Movie Awards 2017 January - Best Experimental Film Sweet as Film Festival Canada 2016 - Honorable Mention Continent premieres: WORLD: 22nd Palm Springs International Shortfest: Official Selection / Animation Competition EUROPE: Lisbon International Film Festival: Official Selection / Experimental Competition AFRICA: SABC Ekurhuleni International Film Festival: Official Selection / Experimental Competition NEW ZEALAND / AUSTRALIA: The Vision Feast: Official Selection / Experimental Competition National premieres: CANADA: 45th Festival du Nouveau Cinéma, Montreal: New Alchemists International Competition GREAT BRITAIN: Nightpiece Film Festival: Medway Visions: Official Selection / Short Film Competition SPAIN: BIDEODROMO International Experimental Film and Video Festival: Official Selection / International Competition MEXICO: Festival de Cine con Medios Alternativos: Official Selection / International Competition BRAZIL: ANIMA MUNDI 24th International Animation Festival of Brazil: Panorama SERBIA: Experimental Superstars: Official Selection / Short Film Competition HUNGARY: Jameson Cinefest International Film Festival: Official Selection / International Competition INDIA: Chhatrapati Shivaji International Film Festival: Official Selection GERMANY: Independent Days 17. International Filmfestival: Official Selection / Nominated for Georg Fricker Award LITHUANIA: Vilnius International Film Festival: Official Selection / Short Film Competition SLOVENIA: 13. ANIMATEKA International Animated Film Festival: Sex & Erotics Program ECUADOR: 13th Festival Internacional de Cine de Cuena: Official Selection ITALY: IInd Fish & Chips Film Festival - Official Selection CHILE: 1st Festival Internacional de Cine del Cono Sur AUSTRIA: Festival of Nations International Shortfilmfestival Non-premiere screenings: Neu World International Film Festival: Official Selection / Experimental Short Competition London Experimental Film Festival: Official Selection Cutting Edge Film Festival: Official Selection / International Competition IndieWise Virtual Festival: Official Selection Global Independent Film Awards 2017: Official Selection International Film Festival Allucinema México 2016: Official Selection Gold Movie Awards 2017 January: Official Selection Los Angeles Cinefest: Official Selection BUSHO Budapest Shorts – Official Selection Grand IndieWise Convention – Official Selection 19th Mecal Pro, International Short and Animation Film Festival Barcelona Sweet as Film Festival Canada: Official Selection FESTIMATGE - Festival de la Imatge de Calella Barcelona - Official Selection 5th LA MIRADA TABÚ Saragossa - Official Selection MANIFF Manchester Film Festival 2017 - Official Selection TEDx Danubia Budapest Pannonfíling Mozgóképes Találkozó Veszprém Skepto International Film Festival Film Fest Petaluma San Francisco Five Dollar Fifteen Minute Film Festival 2017 XXII Troufeu Torretes de Curtmetratges 2017 27nd MEDIAWAVE International Film Festival 2nd Femuciq Festival Mundial de Cine Independente de Quito, Ecuador 6th Carmarthen Bay Film Festival, Wales 8th Cerdanya Film Festival, Spain Middle Coast Film Festival 2017, Bloomington, Indiana 5th Kraljevski Filmski Festival Kraljevo, Serbia
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The story of man, told through the detritus of mankind. A series of 8 interconnected films set to music by artists from http://bit.ly/2vkDdD8 This piece brings the 8 films together to tell the whole story and was supported by http://bit.ly/2umFU9W All objects sourced from car boot sales and flea markets. See the full series here http://bit.ly/2vkIMla Full Credits - Directors: Noah Harris & Andy Biddle Production Company: Blinkink Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson, Simone Ghilardotti, Rob Ward, Elliot Dear. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios Featured music Snow Palms ‘Rite’ Thomas William Hill ‘Tyranny Of The Frame’ Angele David Guillou ‘V For Visconti’ John Matthias & Jay Auborn ‘Every Word A Mask’ Soft Error ‘Bad Habits’ Jim Copperthwaite ‘The History Of Cubes’ Ben Chatwin ‘Helix’ Matt Dunkley ‘Cycle 7’ With thanks to… Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.
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Thursday, July 13, 2017
Back in New York after a stint in Los Angeles, Norman Kaminsky has a terrible argument with his girlfriend just before running into a string of characters from his past. Despite his best efforts to run away from his problems, Norman can’t seem to escape them. Written & Directed by Noah Pritzker Produced by Wyatt Angelo & Brendan McHugh Starring Kieran Culkin Mae Whitman Chip Zien Jeanine Serralles Mason Walker Sharon Washington Justine Lupe Director of Photography - Andrew Ellmaker Editor - David Massachi Production Designer - Meredith Lippincott Costume Designer - Hannah LaCava Casting Director - Doug Aibel & Henry Russell Bergstein A Maspeth Group Production Official Selection - Tribeca Film Festival 2017 http://bit.ly/2tRopMO http://bit.ly/2t85kcf
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The Shark in the Park visualizes the growth and development process of a special strawberry species called “Parco Pistris” which has been discovered by a Korean scientifical research group KSPRI in 2016. KSPRI commissioned animation-director-collective Polynoid to take their research and create a visualisation that would feature all of the actually pretty stunning facts about the plant and still be entertaining in order to bring the piece not only to a biology focused but wider and younger audience. If you’re looking for further info, here are all the details: http://bit.ly/2tNpGpz Client - KSPRI (Korean Strange Plant Research Institute) Director – Polynoid Production Company & Animation Studio – Woodblock Producer – Selina Schmitt Artists – Fabian Pross, Tom Weber, Jan Bitzer, Ilija Brunck, Csaba Letay, Sarah Eim, Michael Heberlein, Mars Dolschon, Markus Eschrich, Ivan Vasiljevic, Marco Kowalik, Roman Hinkel, Paul Schicketanz, Thorsten Löffler, Moritz Gläsle, Roman Kälin, Pascal Flörks, Felix Deimann, Tim Jockel Sounddesign – Dolphin Smiles Music – Hot Sugar “There’s A Man Waiting At The Bottom Of The Stairs”
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A nurse grieves the loss of a patient in an unconventional and unexpected way. Featured on: Booooooom.tv CineHub Korea - Writer/Director: Dani Pearce Executive Producer: Sarah Nichols Producer: Julia Corcoran Cinematographer: Christopher Miles Nurse: Nancy Denis Casting: Danny Long Casting Editor: Grace Eyre Choreographer: Vanessa Marian First AD: Jose Marquina Stedicam: Jake Iesu 1st AC: Alex ‘Alby’ Orellana 2nd AC: Jo Cameron Data: Tyler Smith Gaffer: Russel Fewtrell Sound Recordist: David Lee Art Director: Mohini Herse Wardrobe: Sandy Burcul MU/Hair: Cassie Hanlon MU/Hair Assistant: Stephanie Debrincat Runner: Maddie Levins Stills: Xinger Xanger Safety Officer: Wayne Pleace Storyboard Artist: Luke Marsden Post House: The Editors Post Producer: Daniel Fry Assistant Editor: Harrison Carr Flame Artist: Matt Edwards Sound Design: Rumble Studios Executive Producer: Michael Gie Sound Designer: Cam Milne Colourist: Fergus Rotherham @ BE Colour
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We often wake up from a dream with a powerful urge to tell those around us about what happened. But our listeners are also liable to feel restless and bored during our narration of the dream. The issue takes us to the heart of the challenges of communication. This animation was created in collaboration with Alain de Botton and the School of Life
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Wednesday, July 12, 2017
Soul of a Scrap Yard was was originally published by the New York Times Op-Doc Series. Across the street from Citi Field in Queens there is a hidden corner of New York known as the Iron Triangle. It’s a shantytown of scrap yards and auto body shops, flanked by three intersecting streets that form a triangle. In the morning hours, as people convene on the dirt roads while sea gulls flock overhead, the neighborhood of Willets Point seems a world away from what many of us think of New York City, with its upswell of luxury apartments and gentrification…. Read More at: http://nyti.ms/2tfjpzI Directed By: Mike Plunkett Andrew David Watson Cinematography by: Andrew David Watson Steadicam by: Gabriel Pimenta Edit by: Mike Plunkett Winnie Cheung Assistant Editor: Matt Egan Sound Design by: Julienne Guffain Colorist: Eric Schwalbe Music: Lives are threads by Salomon Ligthelm Midnight by Salomon Ligthelm National Anthem performed by Patricia Ortega Production and post services: Crew Cuts Picture Farm Productions
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Shot on the holy Mt. Hiei, at the Enryaku-ji temple complex located just outside modern day Kyoto, “The 1000 days” documents the legendary ritual of the Kaihōgyō, a quest to become a living Buddha with a practice of daily pilgrimage that over 7 years and 1000 days brings the few monks who undergo it to travel 24,000 miles - roughly the equivalent of the Earth’s circumference - in the search for the ultimate enlightenment. The piece gives us an exclusive access into these incredible human beings and the teachings they live by to complete the training which would rank among the most demanding physical and mental challenges in the world. Only 46 men have completed the 1000 day pilgrimage since 1885.
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support: http://bit.ly/2vdoMkf hire me: http://dlew.me uncensored version of my film ‘time for sushi’ YouTube version: https://www.youtube.com/watch?v=bcXiwNjkhxU Directed by David Lewandowski merch: http://bit.ly/2ueZk0q http://twitter.com/badmocap Music by Jean-Jacques Perrey & Gilbert Sigrist “Dynamoog” http://bit.ly/2vdCcfY New archival release: http://bit.ly/2uf4VUC Biography - http://amzn.to/2rDwGSA Ocean Theme and Sound Design - Jamie Vance http://bit.ly/2ueZkNY Download Ocean Theme: http://bit.ly/2sGLhQ5 Technical Director - Patrick Goski http://bit.ly/2vdpRIX Production Assistant - Jared Silvia http://bit.ly/2ueZlBw On-Set Production Assistant - http://bit.ly/2vdo86g Additional Matchmoving - Josh Johnson http://vfxdaily.com Colorist - Christian Sprenger Special Thanks, Karina Benesh, Ko Ransom. Interpreter - Hoshiki Tsunoda Retro Vending Machine music by USK http://bit.ly/2uf05Xo https://www.youtube.com/user/onsenjaz… Dakimakura Illustration - Sakkan https://twitter.com/sakkan69 http://bit.ly/2vdol9G… Created with Maxon Cinema 4D
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Tuesday, July 11, 2017
The story of musician Janus Rasmussen, one half of Kiasmos. Third chapter of “My favorite music memory” series created by Igloo Films and Primavera Sound. It was a huge pleasure to translate Janus’s story into images. I wanted to experiment, to bring the spectator to Janus’s shoes and to homage the nordic spirit. Directed and created by Sebastián Baptista Illustration & Design: Elda Broglio Modeling & Rigging: Morphika Texture Patterns: Caro Carballo Render, shading and magic: Andy Reisinger From “My favorite music memory” series Creative Direction: Alex Julià Original idea: Joan Pons Thanks to: Andy “The guru”, Pol & Device, Eze Pini, Fabian, Aimarr and Paola. Janus & Kiasmos, Erased Tapes Records, Kobalt Music Group www.sebastianbap.com
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Director - Allie Avital Cinematographer - Ryan Hope Production Company - Partizan Executive Producer - Laura Jones Senior Producer - Whitney Jackson Producer - Jade Forté Production Designer - Victoria Foraker Gaffer - Chris Tonkovich Key Grip - Alex Emmons Editor - Jake Schwartz Colorist - Nick Metcalf / The Mill VFX - B.ART VFX Studio
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Monday, July 10, 2017
A 15 year old boy remembers his best friend Coyote Boy: a free-living train-hopper who has gone missing. OFFICIAL SELECTION Slamdance Film Festival 2017 Indie Grits Film Festival 2017 First Run Film Festival 2017 Kodak Vision Award 2016 Writer/Director: Haley Elizabeth Anderson Director of Photography: Jomo Fray Producer: Josh Foster Co-Producers: Todd D’Amour, Lauren Cargo, and Jake Graham Felson Editor: Harry Cepka Sound Design and Mix: Larry Lipf Color: Elias Nousiopoulos @ The Mill Starring: Hale Lytle Tre’ Marquis Frazier Dante Crichlow Warren Derick Tori Wolsefer D’Angelo Davis Todd D’Amour Tasha Frazier Raquel Lydia Leal Alexis Scott Martin Bradford Nathan Tucker
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“Man must rise above the earth – to the top of the atmosphere and beyond – for only thus will he fully understand the world in which he lives.” (Socrates) LAND OF MINE is an experimental macro short which is made of acrylic paint on paper. The idea was to recreate the unique look on planet earth from space which sometimes rather appears like an abstract piece of art than a real photo. From far away, the surface of our planet shows the beauty of it’s landscapes, coasts and the sea in perfect order. It’s highly expressive visual aesthetics and it’s contextual narrative inspired me to create an artistic interpretation of what I’ll never see with my own eyes. It’s just flowing colors on drawing paper, but it’s there, it’s massive and it’s real: the land of mine. More information about the project: http://bit.ly/2sHv8Yp http://bit.ly/2u0poNn http://bit.ly/2sHHTlF All footage is shot in 4K, pure organic visuals, no CGI. Music from Tristan Barton. Find out more about this composer on http://bit.ly/2u0qBEm or http://bit.ly/2sHWTzS. Licensing: roman(at)terracollage(dot)com www.terracollage.com http://bit.ly/2haXasEwww.terracollage.com http://bit.ly/2haXasE
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A short film about the mysteries of inspiration. Featuring thoughts on the subject by: David Lynch Robert Krulwich Chuck Close Tracy Clayton & Heben Nigatu Ray Barbee Lulu Miller Susan Orlean and a couple of kids named Mason and Ursula Presented by www.transom.org With funding from The National Endowment for the Arts For more about this video, visit: http://bit.ly/2u03V7cwww.transom.org With funding from The National Endowment for the Arts For more about this video, visit: http://bit.ly/2u03V7c
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Sunday, July 9, 2017
The second film in the Sense of Place series takes viewers onto the frozen plateau of the Cairngorms National Park, where boulder fields ring with the strange call of the Ptarmigan, Reindeer dig for food in the frozen ground and Snow Hares hide from ferocious winds. The Sense of Place series offers an intimate view of the most wild and remote wildlife habitats still left in the U.K, aiming to show the true value of these rare and fragile habitats. www.maxsmith.tv www.joshuapacey.com
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Into Bliss is a short inception into the mind of Jordan Rodin and an ode to the notion of free friction surfing. Far away from the competitive and commercial nature of surfing, and heavily inspired by Finless surfer Derek Hynd, Jordan embraces a free roaming approach, rekindling the emotions of why he fell in love with surfing in the first place. For the fun of it. No rules. No constraints. Into Bliss is an insight to the joys of free friction surfing and the sensations embraced by Jordan Rodin for his love of the ocean. A Short film by Pierre David & Douglas Guillot, featuring Jordan Rodin. Music by Talk Talk, The Rainbow, Album Spirit Of Eden, buy it here : http://apple.co/1Tbcumm Music by The War On Drugs, Red eyes, Album Lost In the Dream, buy it here : http://apple.co/2txJazV
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Saturday, July 8, 2017
Website: http://bit.ly/2sBmdHY Synopsis: A visual poem and surrealist requiem for the Kalmyk people that were mass-deported by USSR from 1943-1957 and half of them died before they were allowed to return home. The film manifests itself as an archetype with frame by frame hand painted imagery, bringing back an example of human history on the eternal and universal theme of diaspora and the loss of homeland. Credits Directed and animated by: Alisi Telengut Sound design: Alisi Telengut Song: Fly Fly My Sadness by Bulgarian Voice Angelite and Tuvan music Group Huun-Huur-Tu Song License from: Uli Balß, JARO Medien GmbH Supervisors: Luigi Allemano, Shira Avni Acknowledgements: The film was supported by the animation research facilities at Mel Hoppenheim School of Cinema, Concordia University Henry P. and Thomas R. Schreiner Documentary Award The Joseph-Armand Bombardier Canada Graduate Scholarship, Social Sciences and Humanities Research Council Produced with the assistance of National Film Board of Canada (NFB) - Filmmaker Assistance Program Technical Coordinator: Steve Hallé Studio Administrator: Victoire-Émilie Bessette Studio Coordinator: Dominique Forget Sound Mixer: Geoff Mitchell Online Editor: Yannick Carrier Special Thanks: Luigi Allemano, Shira Avni, Jean-Claude Bustros, Réne Daigle, Charlene Pommerehnke, Colette Brière, Richard Kerr, Marcus Von Holttzendorff, Amely A. Jurgenliemk, Phil Hawes, Maureen Kennedy, Dominique Forget, Steve Hallé, Michael Fukushima, Geoff Mitchell, Yannick Carrier, Trevor Gould, Candice Tarnowski ©2016 Alisi Telengut
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Friday, July 7, 2017
Loosing himself between memories and fantasies from his childhood, a sailor remembered his encounter, friendship and love with the sea. _ “I first saw them from the top of the cliff Some days I watched them sliding on the sand Coming and leaving as the days went by The wind carrying their scent on my face We were good friends back then I observed them in silence Behind the barrier of sand One of them pulled me into her run She was fiery and fast The other, peaceful Unveiled her treasures in the sunrise You never stopped calling my name Carrying my body on your swell, pulling me away from the shores I’m sailing today come hell or high water on this sea with two faces” _ Directed by Arthur Chaumay (http://bit.ly/2tROn5i) and Simon Duong Van Huyen (http://bit.ly/2syWC26) Narrated by Anatole de Bodinat Sound design by Mathieu Tiger Poem written by Arthur Chaumay CG short film directed within the 3rd year’s Character Animation and Animated Filmmaking program at Gobelins, l'école de l'image: http://bit.ly/1Jdwb1M
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A man’s space odyssey through his lust. Directed by Romain Laurent Produced by Solab With Ana Rotili & Robin Clive Director of Photography Josh McKie Producer Nicolas Tiry Line producer Gregoire Ohnet Production coordinator Arthur Paratte Production administrator Lucie Santamans Production assistants Charlotte Cusanito & Emmanuelle Benayoun Assistant location managers: Edouard Azoulay, Dayand David Oualid & Luc Finalteri 1st AD Emmanuel Marx 1st AC Julie Simidoff 2nd AC Diane Plas 3rd AC Tommy Boulet DIT Jeremie Yarzabal Gaffer Sydney Baucheron Electricians Matthieu Jamme & Jeremie Robin Key grip Jeremie Leloup Grips Thomas Bigot & Morgan Lesne Stunt Coordinators Kevin Cauderlier & Alexandre Cauderlier Set Designer Henrique Vale Assistant set designers Thomas Desloges & Karamezzine Lahlou Constructor François Tossan Hair and make up Alexandra Petry Hair and make up assistant Julie Meno-Salmeggi 2D Post production Nightshift Producer Mathieu Hue Post producers Clémence Cornac, Stéphanie Dubois, Gabriel Gerlidou, Nicolas Lim & Josselin Dor Superviseur and Lead Compositing Mael Gaumont Compositing Diego Giunta Colorist Mathieu Caplanne 3D Post production Brunch Set supervisor Laurent Larapidie & Gabriel Kerlidou Modeling, Shading & Compositong Valentin Samuel, Franck Pitarch & Jean-Charles Kerminon 3D Post producer Julie Bellemarre Editing by Mark Potter & Emilie Aubry Editing assistant George Irizarry Editing producer Anne Lai / Cosmo Street NYC Sound production Benzene Studio Sound producer Benjamin Desplanques Massive thanks to: Mathieu Hue @Nightshift Antoine Daubert Max Zippel Evelyne Madaoui, Philippe Guillemain & Samuel Renollet @RVZ Sylvain Bouladou @Cinesyl Little Grand Studio
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Thursday, July 6, 2017
H&ND is a short film that explores different emotions, different moods and their expressions through a hand, The basic core idea was to experiment and play with the fact that the sensation of the touch originates from receivers situated in our skin. These receivers send nerve messages in different ways which our central nervous system interprets as tactile sensations. Inside H&ND : Creating Music and Sound/Design : http://bit.ly/2sRoFt1 Credit : Direction/Design/Production : Pierre Emperador http://bit.ly/2tlRSQf Music and Sound Design : Jeff Dodson http://bit.ly/2sRjMQR Produced with ableton live, mastered with waves audio
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“Jake Burghart started with VICE 13 years ago. He was 23. ‘When I first started I was like, yeah these guys are cool,’ he tells Stab. 'I didn’t have a job and was just happy to have one. Since then, it’s all been one big wild ride.’ Jake’s travelled to 69 different countries and is the gentleman behind the camera for VICE’s most notable pieces. He also happens to be handy on a surfboard, which made him the ideal candidate for our Culture Shifters series with House Beer. Jake gave us a rare glimpse into life behind the scenes of North Korea, The Democratic Republic of Congo, The White House with Obama, who after the interview, asked them, 'If they want to go get some craft beers, because that’s what bearded hipsters do, right?’ ” - Stab Magazine Director: Sam McIntosh Director of Photography: Mike Pagan Cinematography: Mike Pagan, Kevin Jansen Editor: Mike Pagan Music: Spencer Hein, Evan Hein, Aural Method Archival Footage: Jake Burghart, Vice
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Court métrage réalisé dans le cadre d'un projet sur la thématique “Love”, par cinq élèves du “Master of Arts in Character animation and animated filmmaking” de GOBELINS, Ils ont travaillé durant 5 mois (de janvier à mai). Cet exercice était destiné à apprendre le pipline 3D sur Maya. Short film directed for a project on the theme “Love”, by five students of GOBELINS ’“Master of Arts in Character animation and animated film” They worked for 5 months (from January to May). This exercise was meant to learn the 3D pipeline on Maya. Réalisateurs/Directors : Maya AV-RON David FELIU Larissa PAZ Araz KEILAN Shen YI
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Wednesday, July 5, 2017
Purchase Mister Mellow: http://bit.ly/2usdQ2I Watch The Mister Mellow Show, Starring Kyle Mooney: http://bit.ly/2tSXJhv Directed By: Winston Hacking Collage and Puppeteering: Winston Hacking Compositing + Animation: Martin Macpherson (http://bit.ly/2usapca) Additional Collage: Andrew Zukerman (http://bit.ly/1sSJ6G7) Puppeteer: Viviane Labelle
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In April I spent a month in Tokyo where I animated a new GIF every day for 30 days inspired by something that happened during my stay. See all the looping GIFs on Twitter, Tumblr and Instagram with #TokyoGifathon. http://twitter.com/slimjimstudios http://bit.ly/1OyE85q slimjimstudios.tumblr.com slimjimstudios.com Sound by the amazing David Kamp http://twitter.com/kamptweets http://bit.ly/2cn3nP7 studiokamp.com
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Waylen and Russell steal cars. Each one reveals something about the personality of its owner. When they discover something of immense personal value, they find themselves in a moral dilemma: as they listen to the old audio cassettes, they hear the last words of a dying man to his family. Waylen wants to take the car back, which causes an argument between the two friends. A raw, candid portrait of youth in the mean streets of East London, of friendship, loss and loneliness.
Tuesday, July 4, 2017
For the past 20 years, ex-Army Ranger and “killology” expert Dave Grossman has been traveling across the US to train police officers on his philosophy of killing. Footage from one of Grossman’s seminars is juxtaposed with stark, brutal images of police brutality—including the shooting of Philando Castile by a Minnesota police officer. Directed by Craig Atkinson and Laura Hartrick See more from Field of Vision here: fieldofvision.org
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When the feeling of loss engulfs you; how do you find your way back? Directed, designed and animated by Annalotta Pauly and Yan Dan Wong. Additional animation: Lynn Yun Additional colouring in: Ying Ying Tey Commissioned by: Vulfgang Rainstorme ‘Semblance’ is a song off Vulfgang’s album 'A Yellow Spot’ and is available on: http://bit.ly/2umAyco Listen to more of Vulfgang Rainstorme’s music over here: Website: http://bit.ly/2tNtetk Twitter: https://twitter.com/VRainstorme
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Monday, July 3, 2017
This woman can’t stop growing fingers. ——————————————— MUSIC: Libythth - http://bit.ly/2uio2KO SOUND MIX: Aidan Reynolds VOICE of HOT DOG HANDS: Gillian Wallace Horvat Made at CalArts, 2016 AWARDS AND SCREENINGS: San Francisco Int'l Film Festival, 2017 - **GRAND JURY, BEST ANIMATED SHORT** Florida Film Festival, 2017 - **GRAND JURY, BEST ANIMATED SHORT** Ann Arbor Film Festival, 2017 - **JURY AWARD** GLAS Animation Festival, 2017 - OFFICIAL SELECTION SXSW, 2017 - OFFICIAL SELECTION Athens AnimFest, 2017 - OFFICIAL SELECTION Stuttgart Festival of Animated Film (ITFS), 2017 - OFFICIAL SELECTION Anifilm, 2017 - OFFICIAL SELECTION Pictoplasma, 2017 - OFFICIAL SELECTION Animafest Zagreb, 2017 - OFFICIAL SELECTION Annecy, 2017 - OFFICIAL SELECTION Rooftop Film Festival, 2017 - OFFICIAL SELECTION NW Animation Festival, 2017 - OFFICIAL SELECTION Maryland Film Festival, 2017 - OFFICIAL SELECTION Fantoche, 2017 - OFFICIAL SELECTION Guanajuato International Film Festival, 2017 - OFFICIAL SELECTION Winnipeg Underground Film Festival, 2017 - OFFICIAL SELECTION http://bit.ly/2tJi8Wi
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Effervescing Elephant from the album “Barrett” by Syd Barrett, released in November 1970. Credits: Direction / Animation : Yoann Hervo Compositing : Hugo Moreno Additional Animation : Lucie Arnissolle, Remy Clarke, Hanne Galvez, Nathan Harbonn, Mathilde Loubes Sound design: Fabien Carouge Co-production: Eddy
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Sunday, July 2, 2017
An inflatable portrait of adolescence. __ Listen to Supernaive’s Debut EP “Dazed & Confused” http://bit.ly/2ue5xHN An independent film by Vincent Tsui http://bit.ly/2tEttqs Colorscript: Débora Cheyenne Cruchon Additional animation: Valentin Stoll Éva Lusbaronian Johan Ravit Pierre Pinon Hugues Opter Caroline Cherrier Hugo De Faucompret Arnaud Tribout Special thanks: Mavra Peponis Lucas Malgoire Baptiste Malgoire Greg Sharp Lucas Shlo Arthur Alazard Publicist: Benoit Berthe Siward music Supernaive - Opal Waltz / Master & Publishing ©2017 SHLO MUSIC
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Saturday, July 1, 2017
A young man’s survival is left in his own hands. Written and Directed by: Stanley Wong & Travis Ashkenasy Producer: Teresa Lee Stanley: Stanley Wong Doctor Diorman: Walter Cox Nurse Joy: Felicia Hom Nurse Guy: Dante Swain Nurse Mann: Tony Garbanzos Nurse Jefferson: Travis Ashkeanasy Cinematographer: Roland Lazarte Producer Designer: Peter Macaluso Editor: Stanley Wong Composer: Tyler Koontz Visual Effects: Michael Kelley Colorist: Tyler Mahony Assistant Director: Phil Fox Art Director: Evan Haigh Sound Mixer: Angelo Baetiong Assistant Camera: Willard Chan Key Grip: Brian Scott Grip/Electrician: Desmond Chiam Production Assistants: Dante Swain Tony Garbanzos Twitter: SWong37 Instagram: SWong37 Website: http://bit.ly/2uvIrvd
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Sometime in the 1980s, Caspar Salmon’s grandmother was invited to a gathering on the Welsh island of Anglesey, attended exclusively by people with fish surnames. Or so he says. Thirty years later, filmmaker Charlie Lyne attempts to sort myth from reality as he searches for the truth behind this fishy tale.
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