This is my final film at Calarts. It’s about different ways of love. We all love people and are loved by others in various personal ways. Maybe we like it or maybe we don’t like it. But love is a whole thing, we are only pieces. It’s about suffering, growth and change. After embracing all, you’ll find it a beautiful peaceful thing. Composer- Karen Tanaka Watch other films made by my classmates: http://bit.ly/2pDgKma

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Kishi Bashi “Say Yeah” official video http://bit.ly/2qsnob7 http://bit.ly/2pKZqvr Director/Animator: Geoff Hoskinson

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As a metaphor for the search of the meaning of the word “happy”, an immense group of geese dances desperately in synchronized choreography. Starting out as an undefined organism, and slowly zooming out as the song proceeds, the geese turn out to be part of different cults. Each cult portraying an emotion that cannot be withheld individually, but that’s all the more shown in the meticulous urge for group behavior. A video about the search for ones own identity through seemingly virtuous self-expression on the one side and the undeniable drowning into the masses on the other. Directed by Alice Saey Song by Mark Lotterman, albumholland.com Many thanks to: Ruben van Asselt, Hester Postma, Rebecca Joly, Tess Martin, Auke Triesschijn

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Chock full of outraged aliens, wild dogs, Instagram malaise, and the private pursuits of the artist, See / Saw explores the relationship between image, text, and sound. Animators Case Jernigan and Erik Winkowski trade short stories, stringing together a flurry of imagery and messages. The two artists craft animation from paper, stop-motion, and drawing. Music producer Josh Giunta (Love Science Music) paces through an array of musical colors with his rhythmic and lush sound design. See / Saw springs from the necessary dialogue between artists of different mediums.

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Donald Trump has become a beloved cult figure for many Russians. Our New President uses found footage, fake news and state-controlled political programming to reveal the variety of ways Trump’s newfound Russian supporters express their devotion. Directed by Maxim Pozdorovkin See more from Field of Vision here: fieldofvision.org

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Film de 1 minute, exercice 1ère année La Poudrière Réalisation : Rosalie Benevello Montage son : Nadège Feyrit Bruitage : Julien Baissat, Lucas Bellomo Prise de vue : Christian Eydoux Compositing : Mathieu Brisebras Montage image : Jeanne Fontaine Parain : José Miguel Ribeiro La Poudrière 2017

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Official music video for Isaac Gracie’s “Reverie” Directed by Clara Aranovich Producer: Matt Klemera Production Company: Gas & Electric PM: Vanessa Mc Donnell Commissioner: James Hackett 1st AD: Louis Barron 2nd AD: Ali Hopper Director of Photography: Ann Evelin Lawford Focus Puller: Karl Hui 2nd AC: Michael Mcinally Art Director: Stefania Zissi Art Department Asst: Julia Beer Editor: Elena de Palma, Whitehouse Post Colourist: Oisin O’Driscoll, The Mill VFX: John Bashyam, Warm’n’Fuzzy (http://bit.ly/2ppNfRH) Opening/Ending animations courtesy of: ESA/Hubble (M. Kornmesser) Runner/Drivers: Andy Vyse, Amy Rose, Sam Barnham Label: Virgin EMI PRIMARY CAST: Girl: Ana Burgess Boy: James Gillespie Special thanks: Our extraordinary supporting cast and their parents, Tony of The Pie Shop in Bexleyheath, Browns Newsagent, Kim Barrett and Lee Robinson of Pelham Primary School, KBT Martial Arts Academy, Anita and Shakira, Najib Tarazi, Alex Hulsey, and Isaac Hagy.

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Directed by Carolina Markowicz & Fernanda Salloum Written by Carolina Markowicz Co-written by Fernanda Salloum Produced by Fulano Filmes Staring Daniel Hendler as Javier Juarez Garcia Official Selection, 2014 Toronto Intl. Film Festival Official Selection, 2015 Atlanta Film Festival Official Selection, 2015 Florida Film Festival Official Selection, 2015 Cleveland Film Festival Official Selection, 2015 Edinburgh Intl. Film Festival Official Selection, 2015 Hong Kong Intl. Film Festival Official Selection, 2015 Flickerfest Australia Official Selection, 2015 Athens Video+Film Festival Official Selection, 2014 Warsaw Intl. Film Festival Official Selection, 2014 Rio Intl. Film Festival Official Selection, 2016 Toulouse 200+ selections worldwide, 20+ Awards including 10x Best Film

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The penguin apocalypse brings forth the dawn of man. For Club Penguin (2005 - 2017) —– Directed by Zach Jones & Ben Kitnick. Starring Finn Munsell http://bit.ly/2qex6hX Cinematography by Saxon Richardson. Original Score by Markus Rennemann markusrennemann.weebly.com Club Music by Omeed Norouzi http://bit.ly/2oEYuse Additional Thanks to Alexa Levine, Clayton McDougall, Matthew Powell & Dillon Vaughn.

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Smelly Socks 3.1 is, unrotunately, the one and only Smelly Socks webisode this year. Simply for two reasons: We have zero budget for this and Daniel hurt his knee. But this doesen´t mean Smelly Socks are done! We tried hard and made at least one this year. And we will try even harder to bring you more Smelly Socks edits in upcoming season, so don´t be sad and stay tunned! This particular time for 3.1, we visited Absolut park Flachauwinkl in Austria. Daniel, Antti and Martin drove with Dan´s sketchy 1998 VW Golf literally overloaded with all kinds of classic shit like bags, skis, filming equipment…But also pretty gross shit, like a mixture of candies and leftover snacks on the floor, which at some point, mixed with melted snow, became some sort of nasty „candysauce“ as we called it, while Martin was constantly complaining about Daniel driving too fast and too furious. We drove about 6 hours from Czech Republic to Flachau where we all stayed at Matthias Krallinger´s amazing house in the middle of the mountain – he even has his own miniramp in a basement, where we had nice afternoon sessions after skiing with beers and a good music. Overally we had 4 days to film the edit. But as it usually is the weather didn´t really cooperate, so we had 1 day off and stayed home. That left us 3 days to work with. Unlike the bummer day at home, those other days luckily worked out perfectly for us! We had 2 days of sun that we used in a park and even one deep powder day! Where Daniel and Antti tried to be like The Big Picture guys and hit cliffs and stuff on their centermounted park skis, doin countless tomahawks, calling it the best day at work ever pretty much after each hit. At this point we were also joined by everyones favourite Zuzička Stromkova, and she was sending the cliffs with dem boyz like there´s no tomorrow leaving Daniel and Antti speechless! Daniel dropped his first cliff ever in his life and Antti was killing it as usually on his 1.0s - for example his massive nosebudda dub 10 out off totally fucking nowhere speaks for itself. The rest of it you´ll see in the webisode. So sit comfy, blast your volume and enjoy the rock´n´roll! We would like to thank: You as an audience – without you, we wouldn´t be able to make these. Matthias Krallinger and his family for letting the smelly crew stay at his place. Berndt Egger – Absolut Park manager Martin Bernard for doin this because of his passion. The crew for amazing experience and everyone else we´ve met and skied with! Cover photo: Erik Tomasak Music: Thee Oh Sees - Contraption-Soul Desert Filming and editing: http://bit.ly/2oBisEp

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A daring portrait of a disabled man yearning for intimacy in a world that would rather ignore him. SELECTED AWARDS: Grand Prix, Clermont-Ferrand International Short Film Festival Best Live Action Short, Canadian Screen Awards Jury Prize, Locarno Film Festival Grand Prix, Curta Cinema - Rio de Janeiro International Short Film Festival Danzante Award - Best International Short Film, Huesca International Film Festival Special Jury Prize, Seattle International Film Festival Best Canadian Short, Inside Out LGBT Film Festival SELECTED FILM FESTIVALS: Sundance Film Festival, Toronto International Film Festival, Locarno Film Festival, Clermont-Ferrand International Short Film Festival, Melbourne International Film Festival, BFI London Film Festival, Cork Film Festival, Seattle International Film Festival, AFI Fest, Iris Prize Festival Starring: Ken Harrower, Sebastian Deery & April Lee Written & Directed by: Martin Edralin Produced by: Martin Edralin, Laura Perlmutter, Andrew Nicholas McCann Smith Director of Photography: Daniel Grant Production Designer: Helen Kotsonis Editor: Bryan Atkinson Circus Zero Films & First Love Films http://bit.ly/2qcF3Hm

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Here is my fourth and final film at CalArts! Credits: Director: Aram Sarkisian Cast: Winston - Matt Kelly Story by: Aram Sarkisian Written by: Gabby Capili, Aram Sarkisian Writing Consultant: Caleb Roitz Composer: Jacob Shrum Music Sampling Engineer: Drew Denton Sound Design: Ben Huff Make sure to check out other films made by my classmates! http://bit.ly/2pDgKma

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Jesselyn Silva is only 10 years old, but she’s already in the ring. By Emily Sheskin. Read the story here: nyti.ms/2pWRBQ7

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Taz Tron Delix directs for Declan McKenna’s Brazil Exec Prod: Kiran Mandla Producer: Nick Hayes D.O.P: Ruben Woodin Dechamps Commissioner: Laura Clayton 1st AD: Ty Hack 1st AC: Jack Exton Camera trainee: Andi Beqiri Grip :Ben Freeman Gaffer: Pete Bishop (filmmaker) Spark c/o: Denmark Studios Spark :Ana Krkljus MUA :Lisa Chau Art Director: Elizabeth El-Kadhi Art Dept: Jay El-Kadhi Art Dept: Jack Martin Runner: Madeleine Wilson Post Production Assistant: Jonathan Shaw Di-Doi And Special thanks to Anis Ali for mountains & landscape photos

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A lion helps a little boy build a better boat and get back home. Here is my fourth year film at CalArts! It was animated completely in Maya. Huge thanks to Phil Rynda, Andrew Chesworth, Dariush Derakhshani, my voice actor Joe Whyte, and my composer Gage Bruce for making this all come together.

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Teenaged Andrea uses a male stripper to gain the respect of cool girl Daphne. Based on a true story. ‘Hot Seat’ is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2q6hAVb Written and Directed by Anna Kerrigan Produced by Ashley Springer, Kati Rediger and Anna Kerrigan Starring Jess Gabor Byron Quiros Carmela Zumbado Carmen Hodgson

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On average, a toddler in the U.S. shoots himself or someone else once a week. Some weeks are different. Directed by Matthew Palmer Produced by Matthew Palmer and Brian Gagliardi In Association with RYOT Films Cinematographer: Edgar Dubrovskiy Edited by Matthew Palmer Music by Raffertie Executive Producer: Hayley Pappas Executive Producer: Bryn Mooser Associate Producer: David Lane Colorist: Jason Moffat Re-recording Mixer: Timothy O'Malley Special thanks to everyone involved, particularly the family members of Kiyan, Sha'Quille, Za'veon, and Holston.

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A 3-week journey through Panama, from the Carribean island paradise of Bocas Del Toro through the lush mountain areas around Boquete all the way up to Volcan Baru, further South, from the Azuero peninsula on the Pacific to El Valle De Anton and back to the sprawl of Panama City where the Canal connects two oceans. While shooting a series of short commercials for Visit Panama we captured whatever we found on the trip to put together this collection of moments & sounds. Directed by: Vincent Urban http://bit.ly/2q2gH04 http://bit.ly/2piDoPp Camera by: Clemens Krüger, Max Neumeier, Vincent Urban Edit & Sounddesign by: Vincent Urban Grading by: Maria Carretero Music: Vessels - “4am” Shot with RED Dragon, Sony a7s Mark II, Canon 5D Mark III 1000 Thanks to: Jorge / Tom @ Slim Productions, Victor / Gustavo / Miriam / Jorge / Charlo / Angel @ LCAProductions, Ben / Lara / Tim / Sean / Nick/ Samantha @ VML, Christine / Lauren / Jojo @ Whitehouse Post, Casey / Maria @ CarbonVFX, Visit Panama (ATP) and of course Maria, Maria, Juan, Allen, all the wonderful people of Panama and the cutest actor, Clementine the Sloth!

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sound design by josh yeung http://bit.ly/2qbzgyd music by ask my bull, recorded by josh yeung https://www.youtube.com/user/AskMyBull ty jonni, isabel, & aster for voice

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Directed by Ma-Ké Produced by TEMPLE CACHÉ www.templecache.com

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When we met David Mangum back in 2008, we knew one day we would work on a film project with him. The intensity and curiosity he brings to pursuing Tarpon is unparalleled. This is a small look into his world. Huge thanks to Yeti Coolers for supporting the effort. A Big Fish Film by Felt Soul Media Directed by Travis Rummel + Ben Knight Featuring David Mangum, Brett Martina and Tom Bie Edit: Ben Knight Principle Cinematography: Travis Rummel, Ben Knight and George Knowles Additional Cinematography: David Mangum and Simon Perkins Music By: Lawrence English — Watching it Unfold Nils Frahm & Anne Müller — Let My Key Be in C (Thriller Edit) Maxence Cyprin — Where is My Mind (Pixies Cover) Music Clearance — Bodie Johnson @ Back Forty Management Still Photographs Courtesy of David Mangum Special Thanks: Preston Sutter, Mangum Family, Fried Flounder and Fried Shrimp

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Stop-Motion Animated music video for Explosions in the Sky. Everything was shot in camera using paper, projections and translucent materials like plastic and glass. The band’s brief was to create something inspired by “wilderness of the mind.” I thought of the beautiful chaos that is in the mind space and how that space has a multitude of transitions, whether it’s a transition from life to death or going from unknowing to knowing. Watch Making of here: http://bit.ly/2opGS3B Directed by Hayley Morris: http://bit.ly/2pbXQQ9 Glass Blowers-Cindy Del Rio & Arden Wren Sawyer Fabrication-Hayley Morris & Randy Bretzin Record Label: Constant Artists Off the new album The Wilderness Order The Wilderness http://bit.ly/2opGQJ1 Follow Explosions In the Sky Facebook: http://bit.ly/2pbMo70 Instagram: http://bit.ly/2opEmdq SoundCloud: http://bit.ly/2pbSfsY Twitter: http://bit.ly/2opy9hT Website: http://bit.ly/2pbQdsJ Explosions In the Sky Apparel Webstore - http://bit.ly/2opGQJ1 Tour Dates http://bit.ly/2opyeSC

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The Midnight Service is a scripted true-crime series about the unknown across America. This is the pilot episode, which premiered at the 2017 Tribeca Film Festival. If you have any information about the disappearance of Quincy Lamon call 518.303.2380 Keep searchin'

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I was introduced to Jordan, the effervescent subject of this Op-Doc, by a mutual friend; we met for lunch at his favorite deli in Los Angeles, where we live. That day, we waded through a getting-to-know-you conversation that somehow felt both more awkward and less awkward than most of its kind. Jordan has Asperger’s syndrome, and so he often gets pulled into his own world, one that can seem chaotic and isolated from ours. But he has learned to make deliberate choices to stay present in reality. I found myself pleasantly surprised by the quick-witted middle-aged man having lunch across from me. He has an encyclopedic knowledge of music and movies, and a strikingly clever sense of humor. So I was intrigued. The lunch became the first of many meetings we shared over the course of many months, before we started filming this Op-Doc more than a year later. Autism and Asperger’s syndrome, which is often considered a high-functioning form of autism, can manifest through a wide spectrum of symptoms; the severity and range of consequences vary depending on the individual. Sometimes these symptoms are barely noticeable, but on the other hand, around 40 percent of autistic children do not speak. (Symptoms often lessen by adulthood.) In Jordan’s case, he lives independently, holds a job, and manages his own personal finances. He has a relationship with a woman named Toni who has multiple disabilities herself. But more importantly, he is self-aware, self-accepting, caring, with a strong ability to analyze and speak about his condition with others. He understands how he is different, and he has created a coping mechanism for himself that enables him to function in society and pursue his interests in the arts as an escape when it all becomes too much for him. It is these qualities that I wanted to emphasize in this film. I wanted Jordan himself to tell us his story instead of it being formulated out of impressions from the perspective of an outsider. A strong self-advocate, Jordan argues that he is not a disabled person, but merely a person with a disability. Someone from whom those he calls “normal people” could learn. Besides, he will argue, “everybody is not completely normal” anyway. So much more research and support is needed to enable people with autism. There are no limits to what beautiful minds like Jordan’s can help us make of this world. Official Selection SXSW Film Festival 2017. Official Selection Camerimage Film Festival 2016. Official Selection Santa Barbara International Film Festival 2017. Official Selection Cinequest International Film & VR Festival 2017. (Winner Best Short Documentary) Official Selection Oxford International Film Festival 2017. Official Selection Raw Film Festival 2017. Official Selection Athens Film + Video Festival 2017. Official Selection Newport Beach Film Festival 2017.

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The Dark Truth Behind White Working with CNN I directed and animated an episode of Colorscope, a series exploring the secret truths behind colour. Client - CNN Production - Sarah-Grace Mankarious Direction / Animation - Jocie Juritz Writing / Narration - Dr James Fox http://cnn.it/2oYnb1k

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About the Work From the lights of skyscrapers and homes, to the neon street lights and headlamps of cars and trains in motion… fragments of the city float like stardust out of the darkness against the curtain of the night sky. This new vision of Tokyo is explored with omnidirectional motion graphics. This work was born from ‘Beyond Motion Graphics’ ( http://bit.ly/2paba7q ) an internal company project at WOW aimed at exploring new possibilities for motion graphics. In using VR technology, consideration was given as to what kind of images to showcase and express as pieces of art. 作品について 夜のとばりに包まれた高層ビルの光、街頭のネオン、電車や道行く車のヘッドライトから家々が湛える暮らしの灯りまで、暗闇から現れる星屑のような街の断片を浮遊しながら、東京という都市の新たなビジョンへと至る、全天球型のモーショングラフィックス。 本作は、モーショングラフィックスの新たな可能性を問うWOWの社内プロジェクト「Beyond Motion Graphics」( http://bit.ly/2paba7q )から誕生。VRの技術的側面に加え、それによって切り拓かれるべき映像＝アートとしての表現性に注目した。 Staff Art Director / Designer：Nakazi Takuma, Moriwaki Daisuke, Kudo Kaoru Designer：Miyajima Tsutomu, Kojima Kazunori, Makino Shigeru, Sasaki Takuma, Kitabatake Ryo, Takagishi Hiroshi, Tanaka Kenji, Horai Misaki

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Everyone loves BBC’s Planet Earth, but how much of it is real? Host and Creator - Simon Cade Assistant Editor - Jamie McKernan Graded with FilmConvert - 10% off: http://bit.ly/2oBpQL2 (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://bit.ly/2oVDhZG CONTACT: simon@dslrguide.tv

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A comment on mind altering substances. Written & Directed by Ben Fitzgerald Cinematography by Jake Hunter 1st AC Miller Best 2nd AC Sam Powyer Sound by Billy Guest Stylist Isabella Mamas Make Up & Hair by Sophia Mouftakir Animal Wrangler Isabella Rodger CAST: in order of appearance Shelby Hamilton Ruby Veliks Ross Sinclair Ross Howe Miles Harold Hugh Harold Angus Harold Tom Loveder Shot on Kodak 16mm film In association with EXIT Films

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Director: Sing J Lee & Halsey Executive Producer: Laura Jones @ Partizan Producer: Laure Salgon & Targa Sahyoun Line Producer, Mexico: Fuad Abed Dalton 1st AD: Miguel Necoechea 2nd AD: Thomas Rétif Cinematographer: Kristof Brandl Production Designer: Fernanda Guerrero Editor: Ryan Beck @ Final Cut Colorist: Houmam Abdallah @ MPC VFX: Absolute Post Sound Design: Patrick Navarre @ Barking Owl Cast : Luna - Halsey Solis - Don Lee The Father - Rodrigo Zoydo Mercutio - Joel Islas Tybalt - Paula Corinalesi

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A vast silence swallows the sound. A kingdom of mountains rise majestically toward the heavens. A call of the wild to a wandering soul. Directed, filmed & edited by Mathieu Le Lay www.mathieulelay.com http://bit.ly/1f8oqDC http://bit.ly/2oAzkGg Music by Franck Zaragoza - Ocoeur http://bit.ly/2oV5ZtJ Audio mix by Laurent Mollard - Gaïné Studio http://bit.ly/2oAEhzb Words by Benjamin Dowie http://bit.ly/2oUU8Mb http://bit.ly/2oAznly http://bit.ly/2oUOTMBwww.mathieulelay.com http://bit.ly/1f8oqDC http://bit.ly/2oAzkGg Music by Franck Zaragoza - Ocoeur http://bit.ly/2oV5ZtJ Audio mix by Laurent Mollard - Gaïné Studio http://bit.ly/2oAEhzb Words by Benjamin Dowie http://bit.ly/2oUU8Mb http://bit.ly/2oAznly http://bit.ly/2oUOTMB © Mathieu Le Lay - 2017

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Gordon Hempton is on a personal quest to preserve silence in nature. The “sound-tracker” circles the globe recording vanishing sounds, including the most elusive one of all: silence. In 2005, Hempton resolved to find the quietest place in Washington’s Hoh rainforest, itself a haven of silence. According to Hempton, the area he found is precisely one square inch. But that little area of quiet—which holds incredible value for the Earth—is endangered. Now, Hempton is determined to protect it from noise pollution like overpassing jets, lest we lose one of our country’s last remaining silent places.

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A comedy of missing teeth, unrequited love and one dog’s potential to shape the fortunes of a couple destined never to be together. Writer / Director: Colin Kennedy Producer: Brian Coffey Cast: Camilla Rutherford, Colin Harris Sigma Filma / Scottish Screen / EM Media / Screen WM / Zentropa

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La Caverna is an in-house project. A 2d animation inspired by Plato’s “Allegory of the Cave” and surrealism; both a quest for the truth and the acceptance of the illusion we live in. CREDITS: Direction: Hello Savants! Animation and illustration: Hello Savants! Composition and sound design: Massimo Cervini - massimo.cervini@gmail.com Mastering: Umberto Ugoberti - pitchaudio.it

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Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials. “Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland). The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves. “Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician’s song, called him up for a chat which ended up triggering a 4 minute original film to the music. The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood. Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds. With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film. Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise. In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves. CREDITS Music by: Fernando Viciconte Track: Save Me Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé

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Professional bull rider Cody Campbell reaches a breaking point in his career. — Director: Jesse Rosten | http://bit.ly/2oPhfro Director of Photography: Matt Jeppsen | http://bit.ly/2oVhr71 AC: Cameron Carey Grip/Electric: Sasquatch Lighting Phantom Tech: Daniel Hurst Sound: Derek Ecklund Music written and performed by: Robin Dupuy | www.robin-dupuy.com Sound Design: Nick Nylen | http://bit.ly/2oPqeZX Color: Martin Melnick | Treehouse Post Special thanks to Michael Mace at Mossyrock Cattle Company, David Danton, Braiden & Colt Johnson, JT Marshell, and Jace Catlin. Extra special thanks to Koerner Camera for the lenses http://bit.ly/2oVzCcVwww.robin-dupuy.com Sound Design: Nick Nylen | http://bit.ly/2oPqeZX Color: Martin Melnick | Treehouse Post Special thanks to Michael Mace at Mossyrock Cattle Company, David Danton, Braiden & Colt Johnson, JT Marshell, and Jace Catlin. Extra special thanks to Koerner Camera for the lenses http://bit.ly/2oVzCcV

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“Full disclosure: after watching it three times, I’d go so far as to call it a short film masterpiece […] Stop is a quiet tour-de-force, a pent up cry for humanity and fairness in a system that feeds off its own worst instincts.” -Mike Tully, Hammer to Nail (http://bit.ly/1x8dBmV) “Reinaldo Marcus Green’s gripping nine-minute drama, shot in two nights on location in Red Hook, Brooklyn, centers around a student athlete who is stopped by the police for no other reason than the color of his skin. Displaying real filmmaking finesse, ‘Stop’ is a timely tale well told.” –Kim Adelman, indieWIRE (http://bit.ly/1sV4M3x) “A riveting, tension-filled short that studies the uncomfortable details apparent in racial profiling.” –Erik Luers, indieWIRE (http://bit.ly/1wpwwZg) “Probably one of the most important and timely shorts for America this year. Reinaldo Marcus Green’s film addresses the upsetting aspects of New York City’s stop-and-frisk policies with sensitivity and insight.” -Jeff Bowers, VICE (bit.ly/1mU7HHQ) “The film packs a lot in nine minutes with its timely topic and subtle hand.” –Maddy Kadish, Independent (http://bit.ly/1w5EdKr) “References to slain teen Trayvon Martin and the recent racially charged events of Ferguson and New York City surfaced in direct and subtle ways throughout the festival, but the most powerful was NYU student Reinaldo Marcus Green’s nine-minute short Stop” –Julie Bramowitz, VOGUE (http://bit.ly/2oZQRvo) “Reinaldo Marcus Green On Going From Working At Chuck E. Cheese To Playing His Film At Tribeca” –Mary Angelica Molina, REMEZCLA (http://bit.ly/1HwNqOX) “Gripping Take on the NYPD’s Stop-and-Frisk Policy. It’s also an Adweek Watch Awards winner.” –Michael Bürgi, Adweek STOP OFFICIAL SELECTIONS / AWARDS 2015 Sundance Film Festival (World Premiere), Hammer to Nail (Runner Up) Omaha Film Festival, Atlanta Film Festival, Annapolis Film Festival, Aspen Shortsfest, Ashland Independent Film Festival, Florida Film Festival, Sarasota Film Festival, Tribeca Film Festival, Nashville Film Festival, Chicago Critics Film Festival, Twister Alley Film Festival, Berkshire International Film Festival, Rooftop Films, Milwaukee Film Festival, Monadnock Film Festival, West Chester Film Festival, Longstory Shorts Film Festival, First Run Film Festival, Rainier Independent Film Festival,Mammoth Lakes Film Festival, St. Cloud Film Festival (Grand Jury Prize), Los Angeles Film Festival, Oak Cliff Film Festival, Cayman Islands Film Festival, Indy Film Fest, Guanajuato International Film Festival, Tacoma Film Festiva (25 New Faces)l, BFI London Film Festival,Bend Film Festival, Nitehawk Film Festival, Wandering Reel Film Festival, Tampere Film Festival (Finland), *National Board of Review (Student Grant Winner) *Adweek Watch Awards (Winner Best Drama Video) *Rooftop Films Special Screening, The Frame *Short of the Week *VICE Best Online Shorts 2015 Contact: info@greenbrosfilms.com | http://bit.ly/2pHtpkN | twitter: @greenbrosfilms

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Felt produced the music for the film at the heart of the campaign. Pearson’s animated viral ‘The Alphabet of Illiteracy’ is based on sculptor Wilfrid Wood’s work and cycles through twenty six distinct issues caused or worsened by illiteracy. Felt created an adaptation of the the song 'A - You’re Adorable’ most famously sung by Perry Como and the Fontane Sisters. The adaptation was performed by singer songwriter Malory Torr.

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Bernard Kerr spends his winter down in the southern side of the world preparing for his Crankworx and World Cup season. In this new edit, he hits iconic locations around town and the infamous and newly revamped Dream Track.

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An anatomical PowerPoint presentation about why a man has become what he is. Categorically, from toe to top, the sore spots of his medical history gets its explanation through a liberating dark and very humorous film about life and its conditions.

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Sundance 2015 premiere A depiction of the historical catastrophe, which led to the end of the heroic era of chivalry. http://bit.ly/2oodd6A Sundance 2015, Melbourne, Florida, Hamburg (Audience awards), Leeds (Audience award series), Show Me Shorts NZ, Berkshires, BAM Cinematek, Clermont-Ferrand (nom), Lyons International Film Festival (Best Fiction nom), OpenAir Auckland, Minneapolis-St. Paul, Boonies, Montclair, Chattanooga, Nashville, Sleepwalkers, Mudgee, St. Cloud, Prokuplje, Tabor, Sydney, Traverse City, L'etrange (nom), and others…

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Short film about Sara, who is confronted with the meaning of life in a world full of colourful leggings, hipsters, unemployment and after parties. Selected for Competition at Palm Springs, Premiers Plans Angers, London Short IFF and Cinefest amongst other.. Writer & director: Charlotte Scott-Wilson Cinematography: Paul Ozgur Editor: Godelinde Pollmann Sound design: Tom Jansen Production design: Anne van’t Hek Costume: Rianne Mertens Poster design: Teddy Mathias

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Short film about Sara, who is confronted with the meaning of life in a world full of colourful leggings, hipsters, unemployment and after parties. Selected for Competition at Palm Springs, Premiers Plans Angers, London Short IFF and Cinefest amongst other.. Writer & director: Charlotte Scott-Wilson Cinematography: Paul Ozgur Editor: Godelinde Pollmann Sound design: Tom Jansen Production design: Anne van’t Hek Costume: Rianne Mertens Poster design: Teddy Mathias

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‘Johnny Physical Lives’ is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2pgpQov Written, produced and directed by Joshua Neuman Produced, edited and cinematography by Pete Lee Animation by Style5.tv Additional footage by Albert Maysles Executive producers: Edet Belzberg and Trevor Hall Co-producers: Kimya Dawson and Jeremy Wang-Iverson

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Writer/Director // Francesco Calabrese DP // Mauro Chiarello Editor // Marcello Sanna Music // Mark Yaeger Pole Dancer // Anna-Maija Nyman VoiceOver & Still Photography // Elis Jolie Sound // Chris Blake @OperaMusic Color // Orash Rahnema @IggyPost Styling // Yosephine Melfi Prod Design // Alice Rocchetta Makeup & Hair // Diana DeVita Production // Section 80 in collaboration with Bravò Ex. Producer // Marco Orlando Producer // Caterina Colombo Casting // Filippo Bernabei

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An animated short about the prefabrication of social media. See more at http://bit.ly/2oq9qoN Illustration / Animation / Sound - Peter Henderson Music - Heno

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Visual effects artists are responsible for some of the most iconic moments in movie history. The top 10 highest grossing films of 2016 all contained computer generated imagery. But while Hollywood’s profits grow, visual effects artists struggle for fair pay, representation and recognition beyond the most prestigious award in film — an Oscar. Read more here: http://hrld.us/2oq3ps4

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Ever wondered what your life would be like if you sold all your stuff and spent the money hiring people to do whatever you wanted? A short comedy film that follows the story of a man who did just that. Directing duo, Big Red Button team up with rising comedian Jack Barry to bring you this amusing sketch made through Biscuit Filmworks. Why not help the economy and #getStaffed yourself.

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This music video takes Ylvis for an exhilarating ride through outer space, dodging stars, planets and penis-shaped galaxies, on their mission to educate foreign species about the wonders of the male genitalia. English title: On the tip of the willy

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“Is it possible to stand where no one has before?.” In search for the less obvious, Sam Smoothy Jeremie Heitz and Dane Tudor set out to explore Hokkaido, an island with over 15 metres of annual snowfall. And in looking for something different, they found something else. We are excited to release our latest collaboration with Audi Canada. More info can be found here: http://bit.ly/2pOqe9S

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Directed by Balázs Turai and Nándor Bera, sound design by Peter B. Lukács, music by Benjamin Efrati. Produced by Fakt.

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John Carpenter’s cult classic THEY LIVE (1988) was certainly a movie for its moment. It’s also quite resonant today…and probably will be for the foreseeable future. — CREDITS Materials: - THEY LIVE (1988) by John Carpenter - THE PERVERT’S GUIDE TO IDEOLOGY (2012) by Sophie Fiennes - “The Making of THEY LIVE” (1988) by Larry Sulkis - “Alamo Drafthouse - THEY LIVE w/ John Carpenter” (June 7, 2011) by Alamo Drafthouse (https://www.youtube.com/watch?v=bAOyt37Mi5I) - “Morning in America” (1984) by Ronald Reagan’s Presidential Reelection Campaign - CAPITALISM: A LOVE STORY (2009) by Michael Moore - “Donald Trump Presidential Campaign Announcement” (June 16, 2015) by C-SPAN - “Trump/They Live” T-Shirt Design (“Make America Great Again”) by Mitch O'Connell (http://bit.ly/2pKh9ix) - “Trump Pledges to Renew American Dream” (November 9, 2016) by Reuters - Coverage of Republican Vice Presidential Candidate Paul Ryan’s Campaign Stop in Danville, VA (September 19, 2012) by CNN - “Wealth Gap” (July 13, 2014) by Last Week Tonight with John Oliver (https://www.youtube.com/watch?v=LfgSEwjAeno) - “Inequality for All: Robert Reich Warns Record Income Gap Is Undermining Our Democracy” (September 13, 2013) by Democracy Now! (http://bit.ly/2pryr7E) - “Jobs, But No Homes: Meet the Working Homeless” (March 24th, 2014) by TODAY (http://on.today.com/2pJWQ4A) - “Keith David on Being Homeless in THEY LIVE” by Shout! Factory (https://www.youtube.com/watch?v=kZ-SsuO0Vzs) - The July 19, 2012, episode of Piers Morgan Live by CNN - “Noam Chomsky: ‘Spending Money is Not Speech’” (March 26, 2014) by Abel Collins (https://www.youtube.com/watch?v=n9uD4bkx-JM) - “43 Million Americans Live in Poverty, Worry About Future” (February 3, 2017) by VOA News (https://www.youtube.com/watch?v=xrvfA5BT63o) - “Lawrence Lessig Talks About the Corrupting Influence of Money on Politics” (March 1, 2011) by KUT Austin (https://www.youtube.com/watch?v=J4GOx4Y3ouM) - “Bill Moyers Essay: The United States of Inequality” (April 11, 2013) by Moyers & Company (https://www.youtube.com/watch?v=5An1Ek8RVIc) - “Baltimore: ‘This is What Poverty in the US Looks Like’” (March 1, 2017) by BBC News (https://www.youtube.com/watch?v=qytbhMlXltI) Music: - “Wake Up” by John Carpenter and Alan Howarth from the soundtrack of THEY LIVE — DISCLAIMER: This video essay contains copyrighted material, the use of which has not always been specifically authorized by the copyright owner. This material is being used in an effort to advance understanding about the art and craft of filmmaking. I believe this constitutes a “fair use” of any such copyrighted material as provided for in section 107 of the U.S. Copyright Law. In accordance with Title 17 U.S.C. Section 107, this video essay is distributed without profit for educational use only. If you wish to use copyrighted material from this video essay for purposes of your own that go beyond “fair use,” you must obtain permission from the copyright owner.

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Story of Terry and Becky. Music of Daughter. Director: Salomon Ligthelm DP: Khalid Mohtaseb Story: Salomon Ligthelm + Khalid Mohtaseb Producer: Jens Jacob Line Producer: Cara Venter Gaffer: Brad Burke Art Director: Joe Scaccia Grip: Keitaro ‘Johnny’ Cloward 1st AC/Additional Photography: Mobolaji 'Mobi’ Olaoniye 2nd AC: Otter Moore Steadicam: Andrew Ansnick Production Coordinator & Location Scout: Manuel Ruiz Talent: Terry and Becky Edit: Mathew Osborne Additional Edit: Salomon Ligthelm Sound Design: Q Department Production Company: Sibling Service Production: Sypher

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A kewl teen, a pastel bedroom, and 8 short-short song snippets. Commissioned by Disney for their new Microcontent program. :) Track 3 inspired by Disney XD’s Star Vs The Forces of Evil Tracks 4 & 7 inspired by Disney Channel’s Bizaardvark Track 8 inspired by Disney Channel’s Stuck In The Middle CD: Vincent Aricco Production Manager: Jaycen Armstrong Production Assistant: David Krenz glander.co

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Camera and edit: Jonas Kisielius Music: XXYYXX - Red Equipment: Sony a7sII, Comlite adapter, Canon 24-70mm f2.8I, Manfrotto tripod and hands. Helsingborg, Sweden 2017

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In an office in India, a cadre of Internet moderators ensures that social media sites are not taken over by bots, scammers, and pornographers. The Moderators shows the humans behind content moderation, taking viewers into the training process that workers go through in order to become social media’s monitors. Directed by Ciaran Cassidy and Adrian Chen See more from Field of Vision here: fieldofvision.org

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Directed by Josep Prat Sorolla Produced by O Executive producers Rafa Montilla & Emilia Fort Producer Fiona Vidal-Quadras Director of Photography Elias M. Félix Production Designer Alexandra Jordana Costume Designer Cris Quer Choreographer Tuixen Benet Make-up Artist Alba Pesa Grade Marc Morató at Metropolitana Postproduction Coordinator Yukio Montilla Dancers Julia Hernández Elena Serrano Lucía Revert Sheila Jordà Production Manager Marta Vega First Assistant Director Silvia Martínez First Production Assistant Eva Rubio Production Assistant Mónica Colomer Production Assistant David Ceballos Production Assistant Edu Giménez Production Assistant Oriol Rovira Production Assistant Valerie Steenhaut Stylist Assistant Alba Aixut 2nd Unit Camera Operator Carlos Rigo Focus Puller Ana Ferron Camera Assistant Frankie A.Ronda 2nd Unit Focus Puller Marta Mulas 2nd Unit AC Marina Cerdà Gaffer Carles Roman Sparks Enric Miranda, Genis Serra, Jose Cachon, Joan Planella and María González Key Grip Alex Moregó Grip Adri Arguelles Art Director Sara Oliva Art Assistant Núria Cunill Props Buyer Vicki Viñas & Júlia Prats Props Advance Anna Cornudella, Laia Alabart & Glendis Props on set Cristian Diamante Construction Guille Fernández & James Grimes Suppliers: Movie Men, Another Light, Cinevent, Cocolate, Espai Erre, Metric, Cine Support, Meridiana Rent, Parc Audiovisual Terrassa, Catering Pa·rill, WRS Walkies & Wifivox Special Thanks to All Cast and Crew, Amor y Lujo, Xevi Fernandez, Juan Carlos Pajares, Maria Barghouti, Hector Ruiz, Álvaro Peñalta, David Fernández, Berta Oliveres, Jordi Santos, Affaire, MINIM Merçè Colomer. http://olovesyou.com http://bit.ly/2pDn4Wn

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April 15th 1989. One game of football is about to affect Liam and the city of Liverpool forever. SATURDAY is a fictional account of how the Hillsborough stadium disaster – which claimed the lives of 96 Liverpool supporters – unfolded for one family back home in Merseyside. Director/Writer: Mike Forshaw / Cast: Harrison Vaughan, Elizabeth Berrington, Neil Fitzmaurice Film Festivals & Awards: http://bit.ly/2oz1sgi Website: http://bit.ly/2pijuSe Facebook: http://bit.ly/2oyHzGm Twitter: @saturdayshort

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Meet Kelvin and his best friend Money the deer. Thanks to Public Cinema Club

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Filmed in Fermont, QC. Director: Didier Charette Camera: Vincent Gonneville Editor: Vincent Drolet Assistant Editor: Thomas Bellefleur Color grade: Simon Boissonneaux Post: Vincent Bilodeau Additionnal Filmography: Carasava Bogdan Produced with the financial assistance of MuchFACT, a division of Bell Media Inc. http://bit.ly/2pz1OkK

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Mario A. Robinson “The real power of art, is the ability to galvanize and organize all those pigments and materials, and pour a soul into it.” Music courtesy Kyle Preston, Jason Leonard and Podington Bear. Watch more Making Art films at http://bit.ly/1S8sEK6 By the way, my wife, Carrie Brass, played a role in some critical editing decisions.

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In this hand drawn animation a line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way. This work was created with support from ”Animation Artist in Residence Tokyo 2016” part of the Agency for Cultural Affairs, Government of Japan (Bunka-cho) ”Project to invite overseas creators of media arts 2016” and the Mondriaan Fund. More info: http://bit.ly/2oce0Xt

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Based on Tig’s true story, desperate for a brighter mood, she enlists the services of a traveling party clown. Directed by Tig Notaro Written by Tig Notaro and Melissa Blake Produced by Rosie Kaller Starring Tig Notaro, Nathan Barnatt, Stephanie Allynne, Angela Trimbur, Erinn Hayes, David Harris Cinematography by Adam Bricker Production Design by Caitlin Williams Edited by Alexis Brodey Music by Jonathan Dinerstein Assistant Director Shane Speigel Post Sound Mixing - Derek Vander Horst Colorist - Ivan Miller 2nd Unit Director of Photography - Elie Smolkin Production Coordinator - Kim Cooper Key Grip - Tyler Winegar Gaffer - Dustin Gardner Swing Grip and Electric - Dale Prius 1st AC - Cate Smierciak 2nd AC - Jen O'Leary On Set Sound Mixer - Kayla Croft Assistant Editor - Yesel Manrique Script Supervisor - Alexandria Sanders Hair and Make Up - Stephanie Daniel Set PAs - Ellie McElvain, Jessie Hixenbaugh, Andrea Lewis Art PAs - Jonathan Brock, Grace Hendley, Ian Lapidus, Tyler Singland Ballooner - Daniel Siegel Score by Jonathan Dinerstein Violin performed by Rebecca Ward “LAUGH IT UP” performed by RICHARD SWIFT Courtesy of JAGJAGUWAR By Arrangement with Bank Robber Music “HOW CAN YOU REALLY” performed by FOXYGEN Courtesy of Secretly Canadian By Arrangement with Bank Robber Music “SAD CLOWN” performed by KATE MICUCCI

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A Film by: Method Design Directed by: Ivan Girard Creative Director: Jon Noorlander CG Supervisor: Ivan Guerrero Executive Producer: Angela Lupo Producers: Emily Schaeberle, Adrienne Mitchell, Heather Saunders Coordinator: Elias Bermudez CG Lead: Sari Rodrig Animators: Matt Hackett, Will Robinson, Sean Curran, Carlos Sandoval, Paul Wei, Sam Crees Rigging: Ohan Bracha, Frank Naranjo Modelers: Brian Di Noto, Orges Kokoshari, Piotr Glabinski, Ohad Bracha Lighters: Claire Yawen Chang, Hubert Wozniak, Kevin Lu, Michael Marsek, Eric Xi FX Lead: Tomas Slancik FX Artists: Zach Lewis, Jeongyeon Son, Vraja Parra Compositing Lead: Robert Nick Dauphinais Compositing: Dave Chen, Urpsh Otashevich Motion Poems: Executive Producers: Todd Boss, Egg Creative, Lisa Effuses “Monsters” by: Dorothea Lasky “Monsters” by Dorothea Lasky, from Awe. Copyright © 2007 by Dorothea Lasky. Reprinted by permission of Wave Books. Sound Recoded at: Digital Island Studios Voice over: Isabel Guerrero Original Score: Don Fierro & Emily Hope Price Sound Design: Don Fierro Cellist: Emily Hope Price http://bit.ly/2oD0LTF

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Lil Dicky Pillow Talking Music Video Created by Giant Propeller - http://bit.ly/2nG7lJX Written and Performed by Lil Dicky/Dave Burd “Pillow Talking” produced by Charlie Handsome and the Digital Rick Flair aka Digi Directed by Tony Yacenda http://bit.ly/2o7BRru Starring Dave Burd, Taylor Misiak and Brain Director of Photography - Alan Gwizdowski Edited by Brian Vannucci Production Design - Cody Fusina Production and Visual Effects by Giant Propeller http://bit.ly/2nG3cpm Executive Produced by Jordan Freda and Mike Bodkin Produced by Tom Quinn VFX and Post Producer - Oscar Velasquez VFX Supervisor - Marek Jezo First AD - Lyon Reese Script Supervisor - Sara Geralds Cast Lil Dicky - Dave Burd Girl - Taylor Misiak Brain - Brain God - John C Reilly Soldiers - Owen Rousu, Derek Pratt, Carlos Lopez, Isaac Lopez, Kiyano La'vin, Nick Coolidge, Sean Carrigan, PJ McCabe Crew Camera First Assistant - Erin Douglass Camera Second Assistant - Sarah Grenwald MOCO - Simon Wakely MOCO Assistant - Chris Toth DIT (Digital Imaging Technician) - Daniel Woiwode DIT Assistant - Alessia Assissi Art Director - Taylor Frost Set Dresser - Tao Grasham Property Master - Taylor Wolf Gaffer - David Cronin Key Grip - Kevin Keirstead Best Boy Grip - Vassily Grip PA - Jason Kierstead Wardrobe Stylist - Kassey Rich Hair and Make Up Artist - Liza Lash BTS Photographer - Yulia Shcherbinina Office Production Assistant - Eric Cepeda Set Production Assistants - Lars Slind, Alexxa Slind, Vickram Bhoyrul Board Operator - Phil Gailer Playback - Bob Tiwana Choreographer - Ian Eastwood https://www.youtube.com/user/DJIcon Casting by Kerry Baker Catering by Diane Timmons Animal Trainers - Barbara Edrington, Chris Edrington, Heather Long Second Unit First Assistant Director - Boma Pennebaker Second Assistant Director - Colin Weinburg Director of Photography - Steeven Petitteville Camera First Assistant - Melissa Spom DIT (Digital Imaging Technician) - Joe Hedge Art Director - Joel Sappington Gaffer - Ace Underhill Key Grip - David Nunez Best Boy Electric - Ian Crawley Dolly Grip - Mikey Gilmore Armorer - Logan Freda Wardrobe Stylist - Heather Flores Hair and Make Up Artist - Kseniya Durst Still Photographer - Morgan Schmidt VFX Supervisor - Marek Jezo Production Coordinator - Rachael Campbell CG Lead - Lubomir Timko Lead Compositor - Adam Dusa Compositor - Oliver Popellar Matchmove and Roto Artist - Lhbomir Jezo 2D Artist - Rober Hruska 3D Artist - Raphaela Klein Concept Artist - Byzwa Dher FX Artist - Ondrej Polacek, Mikas Saduskas 3D Artist - Rober Spicuk, Tomas Krizan, Dominik Liscak, Oliver Otruba, Martin Kaperak, Lukas Jankovcin, Rudo Herstek, Erik Mascak Animator - Tomas Danay, Andrea Jacevicova, Adam Sadion, Vladimir Krajniak, Lukas Figel, Marian Villaris, Standa Sekela Animation - Samuel Puchovsky, Martin Durmik Storyboard Artists - Mishi McCaig, David Green Pre-Vis Artists - Vlad Streitsov, Omrah Menkes Post Production Company - Giant Propellor Colorist - Sebastian Perez-Burchard Post Producer - Oscar Valezquez Audio Post Services - Voodoo Highway Sound Designer - Davis Brian Kelly Re-Recording Mixer - Richard Segal Thank you to MeUndies http://bit.ly/2o7J4HO

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CASSINI’S GRAND FINALE is a short film I had the great honor to produce for NASA’s Jet Propulsion Laboratory (JPL) about the spectacular ending of the Cassini/Huygens mission to Saturn. It is meant as an inspirational and informative piece about what happens in the last months of the mission, and as a celebration of all that this historic spacecraft has achieved. Here is an article from JPL on the production of the film: https://go.nasa.gov/2punNJw For the official JPL release of the film, please turn here: https://go.nasa.gov/2oYy0BN or go directly to the official JPL YouTube video here: https://youtu.be/xrGAQCq9BMU For the official NASA release, please turn here: https://go.nasa.gov/2puuBah NASA’s Cassini spacecraft (launched in 1997) has been in orbit around Saturn since 2004 exploring the giant planet, its spectacular system of rings and moons. Cassini was also carrying with it the European Huygens Probe which was dispatched after arrival and successfully landed on the moon Titan, becoming the first human made craft to land on a surface in the outer solar system. In 2017 - after more than a decade of bringing home remarkably successful scientific achievements, discoveries and a treasury of gorgeous photos – the spacecraft is running out of fuel to maneuver. In order to protect the moons Enceladus and Titan, and their potentially life-bearing sub surface oceans, from possible contamination in the unlikely event of a future collision, it has been decided to take Cassini permanently out of service. This is done by crashing the spacecraft into the atmosphere of Saturn - but not without doing some amazing science on the way. 22 times, Cassini dives through previously unexplored gap between Saturn and its rings, collecting new data on the mass of the rings (used to help determine their age), measurements of Saturn’s gravity and magnetic fields (used to help understanding its internal structure) and sending home stunning views of Saturn’s clouds and the rings – seen from a closer range than ever before. Even up until the very end, Cassini will bring home data, as it tastes the atmosphere of Saturn, just minutes before burning up and becoming part of the planet itself. It has been an unprecedented honor for me to get to do this film. Being a passionate enthusiast of planetary science, Cassini is the one mission - more than any other – to define my interest in the field, as I’ve had the pleasure to follow its success, from start to end, for a major part of my adult life. For more information about the Cassini mission and its Grand Finale, please turn here: https://go.nasa.gov/2oYzQ5U CREDITS: DIRECTOR – Erik Wernquist PRODUCERS – Preston Dyches (JPL), Stephen Epstein (JPL) MUSIC – Cristian Sandquist WRITER – Preston Dyches (JPL) NARRATOR – Stephanie Czajkowski COLORIST – Caj Müller EDITOR – Micke Lindgren VISUALS COMPOSITING & PRODUCTION – Erik Wernquist CASSINI MODELING – Svante Segelson CASSINI SHADING, TEXTURES & DYNAMICS – Per Jonsson SATURN BACKGROUND PAINTINGS – Greg Martin TITLES – Mikael Hall ADDITIONAL TEXTURES & BACKGROUNS – Svante Segelson ADDITIONAL COMPOSITING & PARTICLES – Mikael Hall Thank you NASA, JPL, ESA and the entire Cassini/Huygens team for making such a wonderful, successful and inspiring mission. And especially; thank you Cassini, and farewell. The solar system will feel empty without you.

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Vimeo hires a struggling documentarian to document a festival he can’t get into. ‘Escape From Park City’ is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2pufJs6 By John Wilson www.johnsmovies.com

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A candid portrait of three hedonistic queer performers living in New York http://bit.ly/2o5blz0 STARRING: Jean Carlos Pinae Cesar Garcia Infinit Coles CREDITS : DIRECTOR : Sebastian Sdaigui PRODUCER: Alanna Harrington ASSOCIATE PRODUCER: Chelsea Donini ASSOCIATE PRODUCER: Carol Garlick ASSISTANT DIRECTOR: Toryn SeaBrooks DIRECTOR OF PHOTOGRAPHY: Geoffrey Taylor DIRECTOR OF PHOTOGRAPHY: Conor Murphy 1ST AC: Megaera Stephens 1ST AC: Sam Wolff EDITOR: Jordan Rosenbloom BOOM OP: Fernando “Frandy” Castillo SOUND DESIGN: Mihir Chitale COLORIST: Josh Bohoskey ANIMATION: Rebecca Shapass FONTS: William Cooper MUSIC: Princess Nokia “Tomboy” Death Grip “LSDXOXO” PRODUCTION : GOODFORNOTHINGFILMS NOWNESS 2017

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“Woza” (“Come” in Zulu) tells the story of an African surfer who has been taken as a lover by the African water spirit Mami Wata. It features 22 year-old Transkei surfer, Avuyile Ndamase. Client: Mami Wata Agency: Mami Wata in-house Creative Director & Art Director: Peet Pienaar Copywriters: Peet Pienaar, Nick Dutton, Andy Davis Production company: Pantera (Buenos Aires) Shot and directed by Pato Martinez & Francisco Canton Producer: Manu Aguer Music Composer / Sound Design: Vittorio Giampietro Color Grading: Oisin O’Driscoll @ The Mill (London) Underwater DOP: Calvin Thompson Talent: Avuyile Ndamase, Holly Armstrong Special thanks: Jaco Bouwer Samora Chapman Maximo Bustillo Stefan Naude Alex Morrison Linda (security) Featuring Music by BCUC (Soweto) “Asazani”

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Directed by Alex Courtès • Produced by DIVISION™ for Ed Banger Records • Post by Home Digital Pictures

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Official videoclip for the track Howler Monkey by Meier & Erdmann Released on the Moniker Eggplant Label (http://bit.ly/2op0t25). Video created by Victor Doval (http://bit.ly/2o0ANW0). The video shows a landscape created synchronously with the music. The generation of the visuals is based on the sound spectrum. The diverse frequency bands have been used to algorithmically define the visual parameters such as geometries, materials and lightings. Through this sonic analysis and spectral decomposition each element and texture of the track has been visually processed. The whole sequence has been created in a procedural way where the definition of every part has been based on mathematical integrations. To manage all this data flow I worked with Processing and Blender. The Blender add-on Sverchok has been the cornerstone in the creation and transformation of the geometry. The initial idea came from the understanding of music as a temporal journey, a changing landscape that is perceived via the ears. The track Howler Monkey written and performed by Meier & Erdmann invites the listener to travel through the subjective/individual and the abstract. The harmonic evolution of the track is associated with a 24 hour time lapse experienced in 290 seconds. From sunrise to sunrise the video offers a dreamy trip that opens doors for contemplation and to emotions the track might evoke. Check Meier & Erdmann’s album – The ‘Howler Monkey’ LP: http://bit.ly/2ooBj3Q Check my other procedural works and gif experiments: http://bit.ly/2o0CeUJ Check Meier & Erdmann on soundcloud: http://bit.ly/2ooLIMX

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Screenings: 2016 Hot Docs Film Festival premiere 2016 Rooftop Films 2016 Vassar Filmfest 2016 Iron Mule Film Festival 2017 Sarasota Film Festival Synopsis: When I was leaving for college, my aunt Dana told me I had a cousin I’d never met who was matriculating in the same year as me. We shared classes and had friends in common but for some strange reason I never introduced myself. All during college, and then into the real world, through a decade of overlapping connections, we never met. This film is an examination of that hesitation and an attempt to understand why I never made the easiest connection in the world… until it was too late. Through archival footage and re-enactment of the era in question, IDAC is ultimately a documentary about what was happening on an unconscious level and how distant a relative can be even when they’re right in front of your face. Written/Directed/Edited by Casimir Nozkowski Music by Alexander Strung Sound Mix by Tod Chapman Color Grading by Phil Choe @ Nice Shoes Featuring Hannah Bos, Amanda Duarte, Erin Edmison, Josh Henderson-Cox, Greg Glassman, Thomas Nozkowski, Joyce Robins Thank you Miranda Beverly-Whittemore Production Notes: I’ve made over 100 short films, many of which examine issues of family, the blurry line between fiction and non-fiction and the sometimes disturbing, sometimes hilarious ways our memories fail us. IDAC is an autobiographical documentary which is a genre my movies (or at least parts of them) often fall into. The key with autobiography in my opinion is to avoid being sentimental at all costs. This does not mean you can’t be funny or can’t be authentic and personal – it’s just that it being your story does not automatically make it interesting. On top of that, IDAC also considers the way we dream and the way dreams can invade our everyday life – which is another subject matter that can easily steer a film awry. So making IDAC was exciting because once mindful of all these pitfalls, there was an enormous feeling of restraint that coursed through the documentary’s production. My hope is that people who see my film IDAC recognize familiar moments and feelings from their own lives: memories they can’t quite explain, people they think they know and dramatic, life-defining events that upon further scrutiny don’t exactly add up as neatly as they once thought. See more of my films at vimeo and at casimirnozkowski.com

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Some people run for exercise and others for competition, but Johnnie Jameson runs to heal. Whether it’s the barista at your coffee shop, the valet parking your car, or the mailman who comes to your door, there are extraordinary people behind every ordinary job. Johnnie is one of them. For more information visit: www.mile19.com Featuring: Johnnie Jameson Director, Editor: Vincent DeLuca // Big Pup Film Producer: Jemma Davis DP, Editor: Karee Maxson // Big Pup Film Associate Producer: Trevor Hall Additional Camera: Zach Gouz Music Supervisor: Dan Gross Audio Post: One Thousand Birds Sound Supervisor: Andrew Tracy Sound Design/Mix: Calvin Pia Production Managers: Ethan Downing, Hayley Pappas Colorist: Gabriele Turchi Visual Effects: Sam Sullivant Production Secretary: Timothy Miller Music By: “I Ain’t the Same” - Alabama Shakes “Be My Girl” - El Goodo “Man on Fire” - Edward Sharpe & The Magnetic Zeros

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“Electric Charm” from Carry Illinois’ “Electric Charm/Sea Inside” 7-inch Vinyl released November 2016. Credits: Designer and Animator: Yukai Du (http://bit.ly/2oY8wUP) Producer: Bliink (http://bit.ly/2nUWmr5) http://bit.ly/2oXUjad http://www.bliink.tv http://bit.ly/2nUDc4G Music/Lyrics © Lizzy Lehman Music (SESAC)

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A journey into the obscure reaches of the North with Dane Gudauskas, Tanner Gudauskas, Heidar Logi, Elli Thor, and filmmaker Ben Weiland.

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Video for Dowager by Anna Meredith, from the Varmints album. Directed and Animated by Ewan Jones Morris Special Thanks to Nev Pecotic and Ben Reed.

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From the new album ‘Emergence’ out now: http://bit.ly/2hreEOn Discover more about Emergence: http://bit.ly/2mklx6T Max Cooper “This chapter comes towards the end of the Emergence story, after all of the physical world around us has been established by following through the action of the simple building blocks of nature. I wanted to finish the LP with the progression left open-ended, the laws of nature being unbounded and any particular consequences impermanent and ever changing. The best way to present this seemed to be with an infinite fractal zoom, where we experience delving into a system that seems to have no end. But the problem was that I really don’t like most fractal zoom videos, as it’s a technique that has been much overused, and often relies on the same methods of synthesis which have a particular recognisable aesthetic. Luckily for me someone got in touch to suggest Morgan Beringer’s work to me, which I loved, so we started chatting about video ideas, and it seemed that Morgan might be able to pull off a new way of the presenting the unbounded zoom! Safely to say, he did an amazing job with this, with his warping saturating abstraction and hints of traditional fractals.” Morgan Beringer “The main structure of the video 'revolves’ around an infinite spiral/zoom effect that is realized using an animated form of the Droste effect, combined with my trademark style of abstract visuals that continuously move in somewhat unpredictable manners. It is the first time I have combined both and a lot of experimenting and trial and error was employed before I found a combination that worked best. When combined, the overall theme of an unbounded form was expressed via both the chaotic structure of the form and the infinite motion of the spiral. I found this also reflects the contradictions that quickly appear when considering absolutes, infinities, and any such theoretical extremities that are not empirically experienced. The contradiction being that we must always 'assume’ that unbounded structures are indeed unbounded, and while we might explore short journeys down these roads, the end of the spiral is never reached and the moving forms never solidify. The fact that the form of the spiral remains constant during the video (though the angles change and the colors change, etc.) helps to reflect that we rely upon bounded structures to represent unbounded structures. Beyond that overall theme I also added further details to echo these ideas, such as the grid appearing at various times to remind us that despite the appearance of an infinite/chaotic motion there is in fact a very defined structure that we get small glimpses of every now and then. The addition of several lighting effects also nods back to the main concept in that they try to remind the viewer that this is a flat video. Just light on a surface, synthetic light even, despite it’s attempt to convey an unbounded infinite. So the final result hopefully giving us little glimpses of what an infinite or unbounded concept/structure might entail, flights of thought or fantasies almost, but also reminding us that these concepts are never fully understandable or attainable in physical reality beyond these short moments. My favorite moment within the song is when, for a few short moments, the rhythm extends beyond its established structure and we are left 'floating’ somewhat before it comes back to ground us. Again, demonstrating that we need the established structure before we can break it, and that even when it is broken or expanded upon, we only get a few brief moments before adapting to the change/new structure.” Follow Max Cooper http://bit.ly/2hrhymm http://bit.ly/2mkhE1W https://twitter.com/maxcoopermax http://bit.ly/2kU9hNs Follow Morgan Beringer http://bit.ly/2oeMnk2 http://bit.ly/2phj3qG

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NATE GREENWOOD - Filmed & Edited by Ryan Neddeau Additional Filming - Tommy Paz Art Director - Alexandre Souêtre Song - Salanfe by Tallisker - http://bit.ly/2ob2ai8

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Produced by: Adisar Media. Starring: Silvia Vacas / Dop: Dani Meré / Art Director: Raul Lopez Serrano / VFX: Fake Studio / Make-Up Artists: Elizabeth Wic & Estefania Montero Navacerrada / Label: Everlasting Records / Production Manager: Hugon Catalán Fernández / 1stAC: Pablo Pascual / 2nd AC: Andy Pulido Thanks: Palmira, Paula Hassel, Luciano Firmo, Miguel Roldan, Jose Luis Lara Romero and Adisar Media.

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You’ve probably heard the statistic that nearly half of all films produced before 1950 are entirely lost, and that’s only one of the many reasons that proper restoration and preservation is so important. Let’s dive in and take a look at three different films all in different stages of the restoration process, plus take a look at how film restoration as a whole has evolved and continues to evolve in an increasingly digital world. For educational purposes only. Sources- Arri- Archive Technologies (2013) - http://bit.ly/2mTYlvA David Lean: A Tickling of Talents (1989) - http://bit.ly/2m3D9pB Harmy’s Star Wars- Despecialized Edition (2013) - http://bit.ly/2mAKYnZ The Red Shoes- Restoration Demo (2012) - http://bit.ly/2m3jFkP The Restoration of ‘The Wizard of Oz’ (2009) - http://bit.ly/2m3o1aa Special thanks to Paul Vanezis for the use of Restoring 'Doctor Who’ (2014) - https://www.youtube.com/watch?v=nsMgNCwYcXw Further Reading- For more information on The Film Foundation, please visit- http://bit.ly/2o6UBJ4 A.V. Club interview with Robert A. Harris- http://bit.ly/2m3rHKJ On the restoration of The Red Shoes- http://bit.ly/2mTXpYc The Race to Save the Films We Love by Manohla Dargis- http://nyti.ms/2m3kzOf You can follow me through: Twitter- http://twitter.com/andymsaladino YouTube- http://youtube.com/c/theroyaloceanfilmsociety Official Website- theroyaloceanfilmsociety.com/ Music by Chillhop: http://youtube.com/chillhopdotcom The Deli- Breeze: http://bit.ly/2oNAhPP emune- fallback: http://bit.ly/2o6FJe0 Listen on Spotify: http://bit.ly/ChillhopSpotify Late Nights by LOWERCASE n http://bit.ly/2oNEQth Creative Commons — Attribution 3.0 Unported— CC BY 3.0 http://bit.ly/2o73Glf…

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A collection of animated advices for young artists given by different artists and writers from around the world. This animated short was my graduation project for Bezalel Academy of Arts and Design (2016) Special thanks: Louisiana Channel- for the interviews audios The Caretaker- sound Elad Ben Aroche- sound editing

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Video has just been selected for Berlin Music Video Awards 2017! :) Director: Yagaboo Creative Direction: Seramic The Swimmers – Olivia Federici and Katie Clark Cinematographer: Luke Jacobs Producer: Sam Seager Producer: Rohan Scully Production Assistant: Danielle Barnes Underwater camera operator: Richard Stevenson 2nd Camera /Movi Tech: Tom McMahon Focus Puller A cam: Marco Alonso Monedero Focus puller B cam: Arran Green Gaffer: Leo Olesker DIT: Alan Andrade Choreographer: Darcy Wallace Editor: Jamie O'Donnell (Cut + Run) Edit Producer: Ruth Minkley (Cut + Run) Colourist: Matt Turner (Absolute Post) Absolute Post Producer: Kirsty Murray Sound Design: Munzie at GRCS Camera gear supplied by: Camera Movement Lighting supplied by: Pixie Pixel Special thanks to HAMPTON POOL!!!! Cut & Run, Absolute Post, Pixie Pixel, Camera Movement Buy the music: Seramic - I Got You Stream ‘I Got You’ on Spotify: smarturl.it/sIGY / Apple Music: smarturl.it /amIGY Buy 'I Got You’ on iTunes: smarturl.it /iIGY/ Google Play: smarturl.it/gpIGY Follow Seramic on: http://bit.ly/2pac6Yx http://twitter.com/seramicofficial http://bit.ly/2oJLW2r http://bit.ly/2paqEHg

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Directed by Carrie Brownstein Director of photography: Shawn Kim

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Bashir’s Dream centers around Qusai Bashir Masaama, a 14-year-old Syrian refugee in Jordan who was shot in the back by a sniper while on a candy run. As a result, Qusai is confined to a wheelchair, with dreams of playing basketball and traveling abroad for better care and education.

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Based on truth.

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dir Hiro Murai prod Brooke Mcdaniel / Jocelyn Webber / Bret Rhea ep Jason Cole / Danielle Hinde / Dano Kent ad Jesse Fleese dp Larkin Seiple gaff Matt Ardine 1st ac Matt Sanderson 2nd ac Jonathan Dec dit Matt Conrad prod design Hannah Hurney art dir Ariel Vida wardrobe Elise Velasco / Amanda Hall / Tess O'Melia milo op Chris Toth edit Ernie Gilbert vfx BEMO color Ricky Gausis @ MPC produced by Doomsday Ent Epic records

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OFFICIAL SELECTION OF AFI FEST OFFICIAL SELECTION OF ATLANTA FILM FESTIVAL OFFICIAL SELECTION OF BUENOS AIRES INTN'L FESTIVAL OF INDEPENDENT CINEMA OFFICIAL SELECTION OF DALLAS INTERNATIONAL FILM FESTIVAL OFFICIAL SELECTION OF FLORIDA FILM FESTIVAL OFFICIAL SELECTION OF MARYLAND FILM FESTIVAL OFFICIAL SELECTION OF SARASOTA FILM FESTIVAL OFFICIAL SELECTION OF ATHENS INT'L FILM & VIDEO FESTIVAL OFFICIAL SELECTION OF CUCALORUS FILM FESTIVAL Written & Directed by Chloe Domont Starring Casey Drogin & Hannah Gross Produced by Jesse Mineo & Chloe Domont Executive Producer - Jere B Ford Director of Photography - Brian Lannin Production Designer - Grace Sloan Editor - Chloe Domont Sound Designer - Arjun G Sheth Composer - Tim Phillips Gaffer - Ben Rutkowski Script Supervisor - Alex Loeb Production Sound Mixer - Alan Kudan Boom Operator - Mattheau O'Brien 1st AC - Zack Schamberg 2nd AC - Sheldon Walker Steadicam Operator - Dan Gartner Key Grip - Eric Yue Best Boy - David Raboy VFX - Kris Sundberg & Brian Lannin Assistant Producer - Meredith Mineo Foley Artist - Annie Medlin Special Thanks to: Danny Mineo Kristen Viken Steven Mineo Karen Mineo Marian Domont Ronald Domont Brianna Domont Tim Phillips Spencer Gillis © CAPITAL LETTER FILMS LLC

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“The proper function of man is to live, not exist. I shall not waste my days in trying to prolong them, I shall use my time.” Jack London Chasing The Wind is a short documentary that tells the story of champion windsurfer Jesper Vesterstrom and his internal struggle following his father’s diagnosis of ALS. Grappling with his father’s fate, his instincts led him to the open water where he learned to harness the elements and his emotions in order to keep a promise. CREDITS Produced by More Media and the Batista Brothers Executive Producer Donna Woods and Anthony Batista Produced by Stephen Buchanan, Jason Richardson, Cara Venter, Jesper Vesterstroem Directed by Andrew Batista Cinematography by Dan Stewart Production Design by Joe Sciacca Original Score by James Everingham Sound Design and Mix by Defacto Color by Roush Media Edit by Andrew Batista

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A first impression of Los Angeles as a struggling waiter in a world of wealth and coldness. I made this film to remember those times.

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“Legend Has It” Is the first video from RTJ’s hit album, RTJ3, which debuted at #1 on Billboard’s Rap, Hip Hop/R&B, Indie & Physical charts. Director: Brian Beletic Producer: Terry Gallagher, Dennis Beier Executive Producer: Drew Santarsiero Production Company: SMUGGLER DP: Ryley Brown Production Designer: David Skinner Costume: Lindy McMichael, Matt Goldman Assistant Director: George Nessis Editor: Sam Ostrove VFX - Autonomous, Andy Bate Conceived by Brian Beletic & El-P Executive Producers (Run the Jewels) - Amaechi Uzoigwe & Drew Santarsiero Thanks to Jason DeMarco/Adult Swim. Artist & Director’s statement: The video for LEGEND HAS IT plays with the theme of guilty until proven innocent. We live in a world where stronger the truth the greater the opposition. In this story EL-P and Killer Mike are in a police lineup and the cards are stacked heavily against them. But why is that? this video is a worst nightmare scenario. high on acid and caught in the system. pitted against icons of innocence in a police line up that doesn’t feel real. no bunnies were hurt on the making of this video. - run the jewels & Brian Beletic

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In one continuous shot, a man has a public meltdown in the middle of a residential cul-de-sac. The neighbors gather together and watch, debating how best to deal with unstable man. What unfolds is a constantly shifting scenario in which community’s cultish public shaming is taken to extreme heights. Shot in a single take using a drone, check out how it was made here: http://bit.ly/2nKKY1H ‘At The End Of The Cul-de-Sac’ is this week’s Staff Pick Premiere! Read more about the film here: http://bit.ly/2oDITbB

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In the remote Russian Arctic, an aging scientist and his son are trying to recreate the Ice Age. They call their experiment Pleistocene Park – a perfect home for woolly mammoths, resurrected by modern genetics. But the mammoths are only a means to a bigger end: defusing a carbon timebomb frozen in the permafrost to slow the effects of global warming. Film by Grant Slater http://bit.ly/2oInR9b Based on “Pleistocene Park” by Ross Andersen of The Atlantic http://theatln.tc/2oBEGpk Original Score by Kyle Scott Wilson Animation by Casey Drogin http://bit.ly/2oIsJec Chersky Drone Photography by Luke Griswold-Tergis African Savannah Photography by Brian Dawson http://bit.ly/2oBGkqT With Support From Mountainfilm http://bit.ly/2oIubNW Help the Zimovs expand Pleistocene Park with a new herd of yaks and bison: http://kck.st/2oBU1WN Sergey Zimov’s Pleistocene Park Manifesto http://bit.ly/2oIzLzV

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A tipsy dancer executing the same choreography at different stages of drunkenness. Music by Robotaki: http://bit.ly/2oFRVlM Out via Next Wave Records: http://bit.ly/2n8B4Lj Directed by Quentin Deronzier: http://bit.ly/2cOEDgB

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These are some of the finest mountains, that you could ever lay your eyes on. Loaded with giant cedars and fir trees down low and piled up with deep snow as you climb higher up their slopes. It really is a magical place. Lots of inspiration here… As the sun creeps behind the towering peaks, the moon takes its place under a dark and starry sky and we experience a similar world beneath a new light… @seeking.nirvana Featuring: Mike Henitiuk ~ @mikeheni Joe Schuster ~ @joe_schuster Matt Margetts ~ @mattmargetts Riley Leboe ~ @rileyleboe Mason Mashon ~ @mason_mashon Locations: British Columbia, Canada Supported By: EDGEtv - @edgetvnetwork MEC - @mec Tyrolia - @tyroliabindings Spyder - @spyderactive Norrona - @norrona Photography: Mason Mashon Editing, Sound and Colour: Leigh Powis Cinematography: Taylor Loughran Aerial Cinematography: Spencer Craig Carlo Mion Mason Mashon Rob Massie Narration: Colby James West Jay Henitiuk

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Director: Andrew Thomas Huang http://bit.ly/1S7nbTQ Production Company: STRANGELOVE Executive Producer: Sara Greco Producer: Jeremy Hartman Director of Photography: Logan Triplett Production Designer: Jill Bencsits Costume Designer: Mindy Le Brock Choreographer: Sara Silkin Hair & Makeup: Mandy Perez Assistant Director: Bashir Taylor Gaffer: Robert “Junior” Oliva Key Grip: Christopher Pevey Wardrobe Assistants: Jessica Worrell & Adrian Gilliland Featuring Mike Hadreas and Teresa “Toogie” Barcelo Schoolboys: Jim Donnelly & John Hirsch Color: Electric Theatre Collective

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In September we spent two weeks with five cameras and two sleeping bags in Tenerife to explore the island abroad from all the tourism hotspots, focussing on its nature and lost places. In 10 days we slept several nights beneath one of the most breathtaking night skies there are in the whole world, visited ghost town, a forgotten village which used to be a leper colony until it was abandoned, and found a lost hotel, which’s construction was suddenly stopped in the 70s because the owner was unknown. We gathered 42.187 shots which kept us over 240 hours busy in post production and take up 1,12 Terra bytes of our hard drives. Video produced by: Thomas Pöcksteiner // Peter Jablonowski http://bit.ly/1QyD8OY Sounddesign by: Alex Clement alexclement.at Music by: Camo & Krooked - Good Times Bad Times (http://bit.ly/2nZam6v) Equipment used: + Sony A7s + Sony A7R II + Canon 5D Mark III + 2x Canon 6D + Emotimo TB3 + 2x Pocketslider (pocketslider.de) + Canon 11-24mm F4 + Canon TS-E 17mm F4 + Canon 24-105mm F4 + Tamron 24-70mm F2,8 + Sony 24-70 F4 + Samyang/Walimex 14mm F2,8 _________________________________ Visit our website: http://bit.ly/1QyD8OY Like us on Facebook: http://bit.ly/1AaT1Up Follow us on Twitter: http://twitter.com/FilmSpektakel Follow us on Instagram: http://bit.ly/2nZ9xdR For licensing & inquires please contact us via email: office(at)filmspektakel.at All shots are available in 5K!

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What is visual perception? James Turrell, the artist who, for over 40 years, has been creating artworks that test our notions of seeing, takes us on a journey through his immersive series of works. Directed by Jessica Yu.

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In the light of day.

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Fun little music video for Merk’s vibrant track “I’m Easy” featuring a cast of playful characters. “I’m Easy” can be found on Merk’s debut album “Swordfish”: http://bit.ly/2nCjyLi Director: Parallel Teeth | http://bit.ly/1C25Y3l Illustration, Animation & Rotoscoping: Parallel Teeth| http://bit.ly/1C25Y3l Caitlin McCarthy | http://c8l.in Live Action Camera Op: Josh Yong | http://bit.ly/2nClyDv Edit & Compositing: Parallel Teeth| http://bit.ly/1C25Y3l Music: Merk | http://bit.ly/2nCjyLi

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A cinematic short, capturing the journey of friends from Melbourne to Perth in the epic converted school bus that is Road 2 Adventure. I wanted this film to encapsulate everything that I love about travel & adventure, as cinematically & rawly as possible. No direction, planning or 2nd takes. Big thanks to Joe & Kaity for living the dream and making this adventure possible for anyone with the dream to live on the road. Kit: Sony A7S, A7Sii, Meikon A7 housing, glidecam hd2000, various canon & samyang lenses, DJI phantom 4. Music by Simon Green/Bonobo For any usage please contact: ben@waltonfilms.co.uk

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The Fender Custom Shop has be called nirvana for guitar lovers. This year marks the 30th anniversary of the legendary shop that’s built guitars for the likes of Eric Clapton, Johnny Cash, Merle Haggard, The Stones, Jimmy Page, Bob Dylan and more. From it’s inception as a “wild experiment” to world famous status this short documentary traces the story using never before seen archival imagery and conversations with the eight original master builders. Special thanks to Fender and all the master builders past and present for inviting us into this amazing shop. Director: Ross Haines Executive Producer: Nate Morley Director of Photography: Chris Zamoscianyk Cinematography: David Warshauer, Max Ritter Editor: Andrew Litten Sound: Dan Hart Score: Primary Colors Production: Summerjax Post Production: A-Frames Creative

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WALLS - a short film dealing with the energy generated through human confrontations with walls. The urge for freedom and fulfillment is just as human as the urge to build walls for everyday order. Three individuals in different countries are struggling under this tension - and finally decide to go all in. The soundtrack features music by rising french producer Phazz. 2017 European Cinematography Award / Best Music Video / WINNER 2017 Sydney World Film Festival / Best Narrative Short / WINNER 2017 Paris Music Video Underground / Best Music Video / WINNER 2017 Berlin Student Film Festival / Music Video / OFFICIAL SELECTION 2017 Sehsüchte Student Film Festival / Music Video / OFFICIAL SELECTION 2017 20MINMAX International Shortfilm Festival / OFFICIAL SELECTION 2017 NXD Free Film Festival / European Shorts / OFFICIAL SELECTION Production Company: I AM HERE Directors: Maik Schuster, Fatmir Dolci, Max Paschke Executive Producers: Maik Schuster, Fatmir Dolci, Max Paschke Director of Screenplay: Fatmir Dolci DoP: Maik Schuster Editor: Max Paschke Sounddesign: Philip Hallay Soundtrack: Phazz - About Her, Phazz - all day / all night 2017 / Germany / Palestine / Croatia Highsnobiety article: http://bit.ly/2opNUVF http://bit.ly/2oNhPTI http://bit.ly/2opLlTE http://bit.ly/2oNsHkB

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DAY ONE, the first day of Donald Trump’s presidency. A DAY ONE of joy for some people, a DAY ONE of resistance for many others ! Shot in Washington D.C. on January 20, 2017, the day Donald J. Trump became the 45th President of the United States. 16mm, B&W. Directed by Cyprien Clément-Delmas http://bit.ly/1eguDN0 Cinematography by Igor Kosenko http://bit.ly/2oLtrGH Edited by Edouard Mailaender http://bit.ly/2onaei3 Camera assistant Charlotte Dupré http://bit.ly/2mdFNtK Executive producers Alexandr Kosenko Cyprien Clément-Delmas Igor Kosenko Line producer Thibault Wherlé Camera operators Igor Kosenko Cyprien Clément-Delmas Charlotte Dupré Produced by INTRUSION www.intrusion.studio in association with DEMOCRAZY Film Transfer Mark Nakamine Color grading Frank Temmerman @ CAVIAR BXL Renting Steve Gal @ Duall Camara Thank you Alexandra Sieger, Alexandra Agullo Soler, Katia and Sofia, Florence Jacob

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