Saturday, March 31, 2018
The fourth chapter of Eyes On The City explores the streets of Tokyo and the Japanese tuning scene through the eyes of Akira Nakai. eyesonthe.city/ Director – Federico Mazzarisi Creative Director – Roberto Merlini Production Company – BASEMENT DP – Tommaso Terigi Executive Producer – Francesco Crespi Line Producer – Mio Nishitani Brand Producer - Lorenzo Osti 1AC – Keivan Salehpour 2nd Camera Operator – Andrea Munafò Editor – Francesco Caroselli Sound Design & Music– Daniele de Virgilio Colorist – Daniel Pallucca VFX – Alessio De Vecchi All languages: https://www.youtube.com/watch?v=FWsSTdb7Lmo
via IFTTT
Friday, March 30, 2018
Forrest Minchinton was raised by the desert. Growing up in Huntington Beach, CA, Forrest and his surfboard shaper dad - Mike - took every chance they got to head out to the Mojave desert. There, on a remote compound constructed from objects lost and found, Forrest learned to ride motorcycles, shape surfboards, and see the world through a different lens. DIRECTOR & PRODUCER: Dustin Humphrey EXECUTIVE PRODUCERS: Dustin Humphrey & Carby Tuckwell STARRING: Forrest Minchinton & Mike Minchinton WRITTEN BY: Shawn Tyler Packard & Cameron Goold DP: Cameron Goold EDITOR, COLORIST & SOUND DESIGN: Shawn Tyler Packard CAMERA OPERATORS: Matt Wybenga, Jacob Johnson, Harry Mark, & Jedediah Thunell STILL PHOTOGRAPHY: Harry Mark MUSIC: Dawn - RY X Son of My Father - Chicory Tip Modern Life - Shakes Sorry - The Moth & the Flame Howling - RY X Heavy Pop - WU LYFE NARRATION: Jeffrey Pillars
via IFTTT
Whether it was blowing minds while shooting urban in Finland, defying the laws of physics in the Czech Republic or some signature huge airs during the springtime shred session in Verbier, Alex Hall’s full-length film debut was nothing short of a masterclass. This Athlete Edit is a compilation of Alex’s best shots from the film, as well as a few jaw-dropping extras that didn’t make the cut, released for your viewing pleasure. Shot on Location: Jyväskylä, Finland. Deštné v Orlických Horách, Czech Republic. Verbier, Switzerland. Edited By: Etienne Mérel Filmed By: Etienne Mérel, Martin Bernard Music: Gang Starr – Jazz Thing http://bit.ly/2Gn5VJq http://bit.ly/2pReciy Copyright © The Faction Collective SA Please only use and share this embed code of the official video. Third party downloads and distribution is not permitted.
via IFTTT
A story about a guy going through a rough patch, told through 218 text messages and 4 phone calls. Director, Writer, Editor - Graham Mason http://bit.ly/2GlHlwD Cast (in order of appearance): Gary Richardson, Carmen Christopher, William Stephenson, Clare O'Kane, Michael Patrick Nicholson, Mitra Jouhari Director of Photography - Danny Vecchione Casting - Geraldine Baron Production Sound - Zach Bishop, Anthony Thompson Sound Mix - Matt Giordano Music - Ben Von Wildenhaus Design - Graham Mason Thank You: Nicole Boettcher, Steven Brahms, Alex Goldberg, Alex Grey, Russ Harbaugh, Lucas Joaquin, April Lamb, Peter Samuels, Brian Steinberg
via IFTTT
Thursday, March 29, 2018
Spotify: https://goo.gl/KPR6Ca iTunes: https://goo.gl/zfWfnS Soundcloud Link: https://goo.gl/BTv1g1 A marriage stuck in a loop, and the weird happenings that occur when that loop breaks. VIDEO Written and Performed by Keenan The First Produced by Leviathan Filmworks Director: Joel Jay Blacker Writers: Joel Jay Blacker & Samuel Roots Producer: Nathaniel Dueber Starring Keenan the First Marie Oldenbourg Director of Photography: Tanner Hall First Assistant Director: Kevin Kinsky Script Supervisor: Samuel Roots Editor: Joel Jay Blacker VFX: Connor Lambert GFX: Joel Jay Blacker Color: Tanner Hall Graphic Design: Sage Lamonica Set Dressing: Amanda Silvia & Alison Brooks Double: Choni Francis Production Assistant: Chelsea Chaput Special Thanks: Mark Brooks, Alison Brooks, Amanda Silvia, Lynzi Blacker, Jez Blacker, Laurie Roots, Trevor Roots, Lily Spencer MUSIC Written and Performed by Keenan The First Produced by: Andrew Flores, Alex Valente, Mark Einhorn, Jesse Rhodes, Lost In The Wild & Keenan The First Mixed by: Andrew Flores Mastered by: Jesse Rhodes Recorded at The Abstract Recording Studios —– Featured ~ Booooooom TV - http://bit.ly/2Gizhwx Directors Notes - http://bit.ly/2uyV8KV Film Shortage - http://bit.ly/2Gizjo9
via IFTTT
A portrait of American recidivism produced over a span of two years, Revolving Doors follows Jason, who, despite attempts to retain meaningful employment, fails and returns to prison, devastating his family. Full Credits - Written and Directed by: James Burns Produced By: Robbie Mirels, Todd Wiseman Jr., Milos S Silber, James Burns Cinematography By: Andrew Baris Second Unit Cinematography By: Kyle Deitz Edited By: Stacy Kim, and Jeb Banegas Original Score By: Jay Wadley Colorist: Nick Metcalf, The Mill Camera Assistant: Moe Taylor, Mark Burchick Production Coordinator: Jeff Currier Production Sound: Steve Saada, Zach Trees Production Assistant: Aiden Fisher, Mike Reft Post sound mix: Jay Pellizzi Executive Produced By: Johnathan Gray, Bruce Meyerson, Patti White, Lee Anderson, Kathryn Flynn
via IFTTT
Some visual musings on the ups and downs of social media. Pervasive, malleable, ubiquitous - the global drug. Social media is tailor-made to soothe the anxieties of a population in turmoil, unite a society fractured by change. But as with any new drug, there can be side effects… Some meshes from http://bit.ly/2pKSxZt, some homemade, a few from http://bit.ly/2Gk73h2. Mostly Cinema, Houdini for the bubbling liquid, TFD for the gas. @redshift3D throughout. Drum machine track made using DM1 on an iPad. There’s some more info about the process, background here: http://bit.ly/2pNYO6J
via IFTTT
Wednesday, March 28, 2018
A couple quick trips to Montana with the Snooze homies and “FSBS2” was born. A very enjoyable January. Featuring Forest Bailey, Parker Szumowski, Mike Ravelson, Colton Morgan, Tucker Andrews and Patrick McCarthy. Film/Edit: Seamus Foster Additional Filming: Colton Morgan and Matt Bernard Music: Melvins - Sacrifice Alex G - 9 Pavement - Our Singer Kindly supported by Adidas Snowboarding, 686 Outerwear, GNU snowboards and Dragon Optics. http://bit.ly/2E1Zuta http://bit.ly/2GzLexb
via IFTTT
Tuesday, March 27, 2018
Film de fin d'études réalisé par Julien Grande à l'ENSAV La Cambre (2016) Student film directed by Julien Grande at ENSAV La Cambre (2016) Music: Ulysse Vega Sound design: Etienne Leplumey Prix 1 Festival Anima, Bruxelles, Prix des auteurs de la SACD, 2017 2 Tokyo anime award festival, Toshima city award, 2017 Sélections 1 FIFF, Namur 2 Festival les enfants terribles 3 Premiers plans Angers 4 Panam Anim 5 Brussel short film festival 6 Be film festival 7 Cinécourt animé Roanne 8 ITFS, Stuttgart 9 CMS International Children’s Film Festival 10 Plein la bobine 11 PNR Madrid Film Festival 12 Poitiers Film Festival 13 Détours en cinécourt 14 Animix Tel aviv 15 FICBUEU Festival internacional de curtametraxes de Bueu 16 Cinanima 17 Carrousel du film de Rimouski 18 Leeds international. film fest. 19 Indie junior 20 festival du film pour enfant de Barcelone
via IFTTT
Taken from the album Dialogues, released in 2016, the 21st of October Shot on Kodak 500T,16mm in Moscow and Barcelona http://bit.ly/2pLGif2 Directed by Kinopravda Produced by Excuse My French, Stereotactic & Kinomoto Director of photography: Alberto Bañares D.O.P. 2nd Unit: Mark Ziselson Producer: Anna Szijártó, Dañila Kostil Executive producers: Constance Guillou, Robin Giraud, Pavel Karykhalin Edited by Joan Solsona Stylist: Heni Kiss Colorist: Ádám Vándor, Anna Stalter Laboratory: Kodak Lab London Post Production: Saint Louis Paris Titles design: Eszter Laki
via IFTTT
Most red, blue, or purple flowers contain pigments called anthocyanins, whose colors are sensitive to pH (the acidity or basicity of an aqueous solution). As a result, when we immerse a blue flower into an acid or basic solution, its color is likely to change to red in acid condition, or to green or yellow in basic condition. In this film, to get the most dramatic effects, we immersed all flowers in saturated sodium hydroxide (NaOH) solutions and used macro lenses and a microscope to capture their glorious color transformations. For more images, please visit: behance.net/ZWT For more films, please visit: http://bit.ly/2y5n7PL Credits Video: Wenting Zhu Producer: Yan Liang
via IFTTT
We’ve crossed paths many a times. We’ve even been introduced through mutual acquaintances once or twice, in fact we finished off last year’s Quik Pro sinking beers and dancing to her music, but we never truly met Lee-Ann Curren until winter hit our shores. For the record, winter this year was long. In fact we might still be in it. The Basque Coast can suddenly become a very small place, a handful of locals left to endure the storm whilst fraudulent neighbours head for the slopes. Those of us that remain naturally form a bond. A mutual understanding and respect for our perseverance and stupidity to see the winter solstice through. It’s during these months we became friends with Lee-Ann. She’s not hard to miss. When you’re the daughter of arguably the best pro surfer of all time, it’s no easy feat to go unseen. It’s even harder to carve your own path yet Lee-Ann’s done just that. Despite sharing her offspring’s roots in both surfing and music alike, she’s managed to forge her own fortune, content in achieving her own goals, regardless of the status quo. We decided to document our time with the 28 year old (along with her adopted border collie Bowie) and discussed music, growing up in the Basque Country and the pressures of living up to her heritage. Supported by The Vans UltraRange collection, enabling creative pursuits from all corners of the globe, as worn by Lee-Ann. Discover more here: http://bit.ly/2GhqpmU
via IFTTT
Experience the beauty of Mt. Everest at night in time-lapse. While most climbers slept, I attempted to capture some of the magic that the Himalayan skies have to offer while climbing to the top of the world. These time lapse Images were captured as high as 6200m (camp 2) above sea level on Mt. Everest. We slept at 6000m for three consecutive nights on the summit of Mt. Lobuche East waiting for a glimpse of Everest from that vantage point. Around 11pm on the 2nd night, the skies opened up and the top of the world revealed herself in all of her glory. No where else on the planet have I ever seen the Milky Way so clear, so vivid and so very much alive. It takes a great deal of discipline to stay up all night capturing the magic for the world to experience. Cameras freeze.Shutters freeze. Batteries freeze. Humans freeze. The high altitude environment is debilitating at best. Your body is taking a constant beating by the low levels of oxygen in the atmosphere. The higher you climb of course, the worse this becomes. And yet… this is heaven on Earth for me. This is my comfort zone. This is where I feel alive. This is where the combination of my love for imagery, astrophotography, storytelling and connection with the mountains all intersect. I toss logic out the window on clear nights and run all of my cameras until all batteries are exhausted, CF cards are filled and the sun re-emerges for yet another beautiful day. It’s my oxygen. It fuels me. Energizes me. And keeps me in a flow state. On a more human and less technical note: I’ve kept these images hidden for almost 4 years. They were created in 2014 and 2015 - the two deadliest seasons in Everest history. Many lost their lives and I was at ground zero both years. I’m not sure I’ll ever un-see what I saw those two seasons during and after the avalanches. Somehow I felt keeping these images hidden showed respect for the fallen. The images at camp 2 were created right after the 2014 avalanche that claimed the lives of 16 Sherpas. We were trapped above the area where 16 died at Camp 1 and 2 and had to remain in place for three days, unable to assist in the evacuations. Shooting the night skies helped with the helplessness we all felt. In 2015, everything you see in this video was captured days before we got hit by the avalanche at basecamp during the Earthquake. No one can ever be prepared fo such devastation. It’s taken a long time to work through the loss and perhaps somehow, releasing these images is my way of fully letting go and remembering the beauty, the wonder and freedom that comes along with climbing the world’s tallest peak. Chomolongma - Mother Goddess of the Earth. My tribute to Everest - In Time Lapse. Enjoy! Shot on Canada DSLR’s 1DC 2x 5D Mark 3’s Canon 5Dsr 24mm 16mm 11-24mm *Special thanks to Canon Canada for lending me some of the gear. Edited in Lightroom Processed with LR Time-lapse Edited in Premiere Music: The Time To Run Dexter Britain Licenses through: Music Bed Special thank you to my friend and camera assistant Pasang Kaji Sherpa. This is a reflection of your hard work and support as well. Thank you my friend. Thank you for your patience and never-ending support on the hill. To license this video or individual images contact elia@eliasaikaly.com or visit: http://bit.ly/2GdfFWM
via IFTTT
Monday, March 26, 2018
Ever since he was a kid, David Aguilar was obsessed with Lego. He spent his childhood building cars, planes, helicopters, and eventually, his own prosthetic. Born with a deformed arm, the self-named “Hand Solo” decided to take his Lego-building skills to the next level. At age 18, he perfected his designs with the MK7, a prosthetic arm with the ability to bend and pick up objects with a pincer-like grip. Now, he’s the coolest kid on the block.
via IFTTT
Subscribe to:
Posts (Atom)