Wednesday, July 20, 2016

When you see someone running in Jamaica, every step carries inspiration. There, track and field is not just a regular sport, it’s passion, dedication and truly being devoted. Directed by: Douglas Bernardt and Filipe Zapelini Cinematographer: Lucas D. Oliveira Producer: Marina Hecker Editor: PUDIM Colorist: Lucas Moesch Sound: Satélite Soundtracks: “William Basinski - Watermusic II”, “Kuj Yato - Clap! Clap!” Special Thanks: Santa Transmedia, Gustavo Gripe, Amadeu Caringi, Gabriel Honzik, Leo Coutinho. DM9Sul, Marco “Loco” Bezerra, Marcio Callage, Everton Behenck. Kito Siqueira, Danilo Abraham. _____ Eternal Father bless our land Guard us with Thy mighty hand Keep us free from evil powers Be our light through countless hours To our leaders, Great Defender, Grant true wisdom from above Justice, truth be ours forever Jamaica, land we love.


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We found them in a lost supermarket. We don’t know their names, we don’t know where they are from, they have weird skills and powers, maybe they are survivors, or have been chosen to make a better world.


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The day I first set foot on Mount Seymour, I knew it would have a lasting profound impact on me. Located on Vancouver’s North Shore, the mountain looks down over the vibrant and pulsing city to the South, while the Coast Mountains stretch endlessly to the North. For 3 years, I returned on and off to seek inspiration, and to shoot as much timelapse as possible. Every time, I found a new and unique display of magic. I never tire of seeing the lights, the colours, the sunrise, the sunset, and just sitting back at peace above the world. This is the culmination of years of practice, countless pounds of equipment carried, many sleepless nights, and 100s of hours of editing. Enjoy! Music: Makes the Wind (feat. REMMI & Yung Youth) by Super Duper - licensed via The Music Bed (musicbed.com) Equipment used: Nikon D7000, Nikon 18-55 VR, Nikon 55-200 VR Canon 7Dm2, Canon 24-70 f/4 L IS, Canon 70-200 f/4 L IS, Tokina 11-16 2.8 DX, Canon 24 1.4 L Sony a7s, Sigma 20 1.4 All clips available for licensing in 4k. Almost all have been sped up beyond their original timelapse form for this film, and are 10-15 seconds in length each. Follow on Facebook: http://bit.ly/29ULylX Instagram: http://bit.ly/2a0vu5A Contact: nstarzy@gmail.com Disclaimer: The Mount Seymour Backcountry is a wilderness area. If you are planning on hiking or camping in the park, make sure you are familiar with the park’s own rules regarding human activities http://bit.ly/29ULN0d. Even if you are going on a day hike, it is crucial to carry the 10 essentials and leave a detailed trip plan with someone reliable http://bit.ly/2a0uDBX. There have been far too many rescues in the North Shore over the past few years. With proper preparation and knowledge, the beauty of these mountains is available for all to enjoy.


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I was commissioned to make a film and shoot a set of images by ESPN for Wilson, to show the manufacturing process of their tennis balls for the US Open. We flew to the factory, shot the film and stills in one day then flew home. Its an amazingly complex manufacture, requiring 24 different processes to make the final ball. It was hot, loud and the people who worked there, worked fast. So much beauty in each stage. I love the mechanics of how things are made, it fills me with great pleasure. I hope you enjoy the film.


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Tuesday, July 19, 2016

A Scene’s of Crime Officer is Plagued by memories of her day job. Two environments mesh together as she struggles to separate work and home life. Made with the ICA and Kingston University for Channel 4’s Random Acts. With additional animation by Diana Gradinaru. Featured on Directors Notes here: http://bit.ly/29Sdwoi


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Off-grid communities such as those in sub-Saharan Africa can pay thousands of times as much as the rest of us for their energy. Designer Jim Reeves has developed a simple, low-cost gear-train and generator that uses a descending weight to power a perpetual light source. Children can do their homework and study, families and friends can eat together and interact after dark adding new dimensions and possibilities to their lives.


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ArtFx : l'école des effets spéciaux, du cinéma d'animation 3D et du jeu vidéo. http://www.artfx.fr En un clin d'oeil, la folie entraîne le temps ailleurs. In a blink of an eye, time can go berserk. Réalisateurs : Manon GHYS, Victoria LÉGER, Nathan RÉMY, William STEINER PAGE FACEBOOK OFFICIELLE DU FILM : http://bit.ly/2a8w0k5


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Directed by: Sean Metelerkamp Post production by: Christopher Bisset Produced by: Jon Day Featuring: Stefan Burnett Nina Milner Sean Metelerkamp Edited by: Nina Milner Graphic Design by: Hanno van Zyl Makeup by: Mehnaaz Maleta Lighting: John Second Special thanks: Nicholas Ellis-Brown


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Officer Arnaud loved his Mom. Send your condolences: Email: jimmycthatsme@mac.com Twitter: https://twitter.com/jimmycthatsme Share Thunder Road on Twitter: http://bit.ly/29IyEaZ Share Thunder Road on Facebook: http://bit.ly/29R8lCC My love to everyone.


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Monday, July 18, 2016

A tribute to Vancouver’s North Shore. Video: Scott Secco Sound Design: Keith White Score: Oliver Brayshaw Narration: Terry Walker


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Gotta Groove Records is a vinyl record pressing plant in Cleveland Ohio making quality focused artist driven products. http://bit.ly/2a2ZfU5 Directed & Edited By: Nick Cavalier Cinematography By: John Pope First AC: Mike Bacanu Aerial Cinematography By: Joey Artino Color By: Allan Stallard Music Supervision/Sound Design/Post Mix By: Michael Seifert Original Music By: Err - written and performed by Lemon Sky Spare Changes - written and performed by Up Ensemble Dos - Written and performed by Lemon Sky Press Play - Written and performed by Michael Seifert Block House Lights - Written by Jesse Friedberg and Christopher Perry -performed by Hazard Adams All Too Much - Written by Michael Seifert - Performed by You and the Few Reindeer Boots - Written by Richard Spitalsky - Performed by Extra Medium Pony Cat and Split - Written by Richard Spitalsky - Performed by Extra Medium Pony Special Thanks: Animal VFX, Wax Mage Records, Cleveland Camera Rental and the city of Cleveland. http://bit.ly/29KcGV2 http://bit.ly/2a2Zoa6 http://bit.ly/29Kc95v http://bit.ly/2a2YVon http://bit.ly/29Kc9m1


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Inspired by the Allegory of the Cave from Plato, till today’s quantum physics and multiverse theories, a visual essay about perception and knowledge as reflection of our reality.


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‘Lisbon’ from Wolf Alice’s debut album, 'My Love Is Cool’. Pre-order 'My Love Is Cool’ box set here - http://bit.ly/29JFeho Available now on: iTunes: http://bit.ly/2a2ixZA, CD - http://po.st/MLICcd, Double Heavyweight Vinyl - http://bit.ly/29JFFIz Directed & animated by Eat The Danger http://bit.ly/2a2iVam


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This year the spectacles around Donald Trump rallies have seen blood spilled and faces bashed; signs ripped and flags burned. In November, the country will settle its differences at the ballot box. But until then, the fight could continue to be an ugly one.


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Friday, July 15, 2016

Thursday, July 14, 2016

A shipwrecked fisherman is led to a dark secret within this short thriller. This film was supported by the Frameworks scheme. A big thank you to IFB, RTE & BAI for their continual support of the Frameworks scheme and their overall support for Animation in Ireland. We’d also like to thank Enterprise Ireland and their CSF fund that allowed us to build the tools & technology that we needed to create this film. Finally, a massive thank you to all the crew who worked on this film and helped us get it over the line. Winner Best Animated Sequence - Galway Film Fleadh Winner Best Cinematography - Spark Animation Festival Winner Best Irish Short Film - Audi Dublin International Film Festival Official selection - Dingle International Film Festival Nomination & International Premiere at SXSW Winner of Best Animation - Irish Film & Television Academy awards Official selection for Animafest Zagreb Winner of Best Animation - Fastnet Film Festival Official selection for Palm Springs Official selection for Odense International Film Festival Official selection for Badalona Film Festival Official selection for Milano Film Festival Directed by Alex Sherwood, Ben Harper and Sean Mullen. Produced by Daniel Spencer. Post Production and Sound Service by Mutiny Post, Dublin. Voice Actors: Cormac O'Sullivan, Remy Purtill. Production Executive: Emma Scott Executive Producer for RTE: Pauline McNamara Head of Film and International Arts for the Arts Council: Fionnuala Sweeney Shorts Co-ordinator for the Irish Film Board: Jill McGregor This film was funded by Bord Scannán na hÉireann/the Irish Film Board, Raidio Teilifís Éireann/RTÉ, the Arts Council/An Chomhairle Ealaíon and the Broadcasting Authority of Ireland/BAI


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An unreleased music video for Ludovico Einaudi’s track “ABC” from his 2015 album “Elements”. Produced in October 2015 over 6 weeks, the video references the work of Gustav Vigeland (1869-1943), the Norwegian sculptor after whom Oslo’s Vigelundsparken is named. Vigeland produced over 200 sculptures for the park in bronze, granite and cast iron. See his work here: http://bit.ly/29GtqlE See the Making Of here: http://bit.ly/29GXhX9 Thanks to Decca Classics for letting me share this with Vimeo!


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ROSE IS THE APPLE OF MY EYE The magic of skateboarding isn’t going further or faster or even higher. Those are physical feats that the mind automatically gravitates towards, when learning a new skill. Fluidity is skateboarding’s power and allure—the ability to physically interact with your environment in completely new ways and adapt to anything. Every time you step on a skateboard, no matter what your age, race, sex, or even physical capabilities are, you have a unique opportunity to do something that’s never been done before. 
 If you embrace that side of skateboarding, New York City is one of the most expansive palettes to create on, despite Manhattan being less than 23 square miles. For Aaron Herrington, it wasn’t his home state of Oregon or California—skateboarding’s de facto capital—where he became a professional skateboarder, but it was in the Five Boroughs of New York, where he found himself, while nursing a serious injury. That unspoken power, hidden on every block how NYC became the apple of his eye. 
 At only 26-years-old, Herrington’s body of work has already proved that you don’t have to be from the East Coast to be an East Coast Skateboarder, just as you don’t have to be born in NYC, to be a New Yorker. And most importantly, in a city that’s constantly changing, there are infinite opportunities to do something new, every time you leave your doorstep. 
 If you’d seen his Static IV part or his skating in Pontus Alv’s most recent skate film, I like it here inside my mind, please don’t wake me this time., you’ll immediately understand Herrington’s skateboarding. It taps into the spontaneous freedom that’s made Video Days such a beloved moment in skateboarding, as much as it’s a continuation of the street discipline, captured by Dan Wolfe in Eastern Exposure 3: Underachievers. It’s anywhere, anytime, anyhow, and once you embrace that ever-evolving mindset, you can adapt that credo wherever skateboarding takes you. For Herrington, 2015 took him across the world, for the Converse CONS “One Star World Tour,” but it’s the way he taps into New York City’s energy that best displays his power, finesse, and boundless energy. If you’re steeped in East Coast skateboarding, you want to see Ricky Oyola crush the streets of Philadelphia, Bobby Worrest expanding on the history of marble and granite Pulaski in DC, Freddy Gall ripping crusty spots in New Jersey, and Herrington is an extension of that family tree, most firmly rooted in New York. For some skaters, it takes a while to form who they are. Years are spent building up a foundation, before their personality truly shines through. Limbs need to fully extend, muscles need to rip and reform stronger, and an eye for spots needs to be gained. In many ways, Herrington’s skateboarding is freakishly mature, without attempting to be so. There’s a natural flow to his skating, that, like his personality is never forced. There’s no pretension, just the pure love of riding a skateboard and sharing that commonality with anyone down for the cause. And yes, part of that cause is donuts, because, again, shit just isn’t that serious and it shouldn’t be. 
 Herrington, along with an entire generation of skateboarders, is part of a shift in the documentation of skating, where every one with a board and a camera can shape what’s seen on their social media accounts. For decades, even the most photographed pros were only depicted in what? 20… 25 photographs a year? That’s a sliver of coverage compared to the real time, always on documentation of today. Part of the soul of “Rose Is the Apple of My Eye,” is stepping back into the essence and preciousness of a filmer and skater, working to create a body of work together—one of purpose and intent, standing as art, not content in the digital world. 
 This is Aaron Herrington framed through photographer Pep Kim’s eye. Like Herrington, Kim’s not from New York, but something about East Coast skateboarding—the mindset, the lifestyle, the weather, and the purity—infected him six years ago, since leaving his home in Korea. It’s more than photographing a trick, it’s the relationship between the skater, the obstacle, and the one documenting it, which becomes a symbiotic trinity—all parts equal, creating the whole. This is how I want to see skateboarding and this is how i want to see New York, cracks, scars, flaws, and all, because those imperfections equal a perfection that’s best captured and appreciated, rather than explained. by Anthony Pappalardo


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Directed by Pedro Martín-Calero


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Blu-Ray discs available here: http://bit.ly/1MZa04u Song by Kerry Muzzy: “Found” (Available on iTunes (http://bit.ly/MO_TM3) and Amazon (http://bit.ly/Found_KM) - please support him!) Follow me: mikeolbinski.com / http://twitter.com/mikeolbinski / http://bit.ly/29zcc4S / http://bit.ly/29xOE47 ————————— Blood. Sweat. Tears. Joy. That’s what this spring was for me. The miles, the grind, the failing, the epic days missed, the lack of sleep, the jubilation, the friendships strengthened, and the time away from my family. And when the chasing was all done…wondering, was worth it all? Heck yeah it was. I had three goals this spring: Get a tornado on time-lapse, capture the best footage I possibly could, and chase as much as my schedule would allow. That ended up totalling 18 chase days. 20,000 miles driven. Almost 60,000 time-lapse frames shot. Nine total states. Hours and hours and hours of editing. All between April 15th and June 15th. And the tornado? Not only did I get one, but I got six more. On April 15th, the very first day out, I saw two tornadoes in the Texas Panhandle. May 9th was Wynnewood and Sulphur in Oklahoma (both in this film), as well as Trinidad on June 13th in Colorado. And while most tornadoes will be obvious in the film, you’ll have to use a keen eye to spot the first two, which appear at 2:08 and 2:13. The Wynnewood tornado, which you will see at the very end of the film, was one of the most surreal moments of my life. I was so focused on keeping up with the storm that day, that I barely realized that I had captured what I’d been working so hard to get. I texted my wife a few photos and simply said “Baby I did it”. It wasn’t until she responded “Babe, it’s beautiful. I’m so happy for you” that I completely lost it - live stream going on in the truck, people watching, and tears streaming down my face. But that’s how much this spring meant to me, and how hard I was going. Most of the time exhausted. My typical routine would be to leave Phoenix sometime in late afternoon, drive all night, sleep an hour or two in the truck and then chase the next few days. And then drive home all night again. I did whatever I could to to minimize the time away from my family. Heck, I once even shot a wedding all day, left the venue, and drove all night to chase. I didn’t want to miss anything this spring. What’s awesome to me is that some of my best stuff came from marginal days, where it took some effort and crazy luck to get sick storm structures. Those were the surprises - amazing clips worthy of the final product despite the chase day starting out subpar. Combined together with everything else, I think it’s some of my best footage to date! Technical note…this film marks the first time I used my Canon 5DSR and 11-24 for time-lapse, which I bought right before the spring started (Thank you Martin Heck for the help!). I’m not 100% sure of course, but I believe the tornadoes in the film may be some of the first ever captured in 8K resolution. The 50 megapixels that camera offers was huge for being able to zoom into certain shots and still maintain fantastic quality and sharpness. Couldn’t be happier with that beast. I also used my trusty 5D3 for the tighter shots, with the 35mm, 50mm or 135mm. I have to mention Kerry Muzzey here…he has surpassed being kind to me. This is the 3rd or 4th time he’s donated a song to one of my projects and I’m forever grateful. His music is powerful, haunting at times, and always, always perfect for the story I want to tell. This year I knew right away that “Found” was the song I would use. Please visit the links above to support his work! There are a lot of names to thank which are listed at the end of the film. I owe them all so much for helping me this spring. Nowcasting, making me turn around when I was headed to Montana, teaching me about forecasting, helping me choose the right new camera, editing input, and just being good friends. I am very blessed to have some amazing people around me! Most of all to my wife, Jina. She knows…every year I’m gone longer. I’m sure next year could be worse. But through it all, even when it’s really tough, she’s always right behind me. Making things work when I’m away. There are never enough words to cover how amazing she is. But she knows and I know - this film wouldn’t happen without her. I think that’s about it! Thanks to everyone for the kind words of support all year. I truly hope you enjoy this one! On to Monsoon 3! ————————— Technical Details: Captured with A CANON 5DSR, CANON 5D3, Canon 11-24mm f/4, 16-35mm, 35mm, 50mm, 135mm Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro Most clips available in 8K resolution, as well as 4K.


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Wednesday, July 13, 2016

For Rene Fustercluck, life was bad, the Apocalypse was awful and then Gordon arrived. ‘After the End’ explores the possibility that the only thing worse than being the last man on earth, is being the second to last man on earth. Sam Southward is represented globally by Nexus Productions, for more info please contact: judy@nexusproductions.com Follow us on facebook at: http://bit.ly/29SUIlh


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“All the world is a stage”. In this theater the dance of a puppet, destructured in time and space, shows us the mechanisms that pulls the strings. Director and animator: Dario Imbrogno Cinematography: Giancarlo Morieri Music and sound design: Enrico Ascoli Postproduction: Emilio Sapia produced by Withstand


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Official video for DJ Pone’s Heart Swing from the upcoming album ‘Radiant’. ITUNES : http://bit.ly/29yO2qa STREAM : http://bit.ly/29Ou3rr Director - Paul Trillo Director of Photography - Greg Wilson Produced by - Lihu Roter (Particle3) & Tessa Travis (Project Fathom) Talent - Tyler Phillips & Emily Terndrup Production Manager - Sarah Benjamin Stylist - Helen Anstis Make Up - Bri Trischitta Assistant Editor - Ned Paige Editor and VFX - Paul Trillo


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Why do we go to the mountains? There are reasons that reach beyond the climb, past the descent, and are far more important than the summit. Regardless of the grade, the elevation, or the name of any peak, we go to the mountains seeking a feeling; and no matter where or who we are, the feeling is the same. Whether you’re on the highest mountain in the world or at your local hill back home – we go for The Process. Film By: Jesse Hoffman Location: Elk Mountains, CO Featuring: JoAnna Coffey Chris Davenport Garrett Greene Patrick Doyle Ryan Koster Patrick Westfeldt TJ David Tyler Lindsay Sam Coffey Morgan Boyles Voice Over: Bob Wade Chris Davenport Andy Popinchalk Music “Gabriel” by Kevin Matley — http://bit.ly/29yx7E6 Kangaroo Vindaloo & Ben Bocan — www.freesound.com Special thanks: Chris Davenport Lizzie Talenfeld Haley Hoffman Julie Kennedy Morgan Boyles Danny Brown Chason Russel EcoFlight Aspen82 Visit http://bit.ly/29O973Zwww.freesound.com Special thanks: Chris Davenport Lizzie Talenfeld Haley Hoffman Julie Kennedy Morgan Boyles Danny Brown Chason Russel EcoFlight Aspen82 Visit http://bit.ly/29O973Z for more about REDirect Explore 2016


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A film by Kayhan Lannes Ozmen, based on the poem “Girl on the escalator” by Charles Bukowski. http://bit.ly/2a9eBUt Production Companies: Cosmo Cine & O2 FILMES Casting: The Girl: Nicole Della Costa The Boyfriend: Breno Moreira Voice Over: James Scott Girlfriend at the park: Caetana Metsavaht Guy at the disco: Pedro Prado Guru: Olav Lorentzen Screenplay and Director: Kayhan Lannes Ozmen Assistant Director: Guilherme Meirelles DoP: Daniel Venosa A.C.: Michele Diniz Gaffer: Lucas Stirling Art Director: Isabel Pedrosa Set Designer: Marcos Reis Costume Designer: Violaine Cadinot & Maria Alice Salgado Sound: Luiz Henrique Lins Campos Executive Producers: Kayhan Lannes Ozmen & Rejane Bicca Producer: Bernardo Portella Driver: Amarilio Lopes Catering: Neusa Maria de Paula & Eva Sound Design and Mix: Serhan Lannes Ozmen Edit & Color Correction: Kayhan Lannes Ozmen


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Tuesday, July 12, 2016

“Bär” is a personal story about my grandfathers past in World War 2. The film is my graduation project from the Institute of Animation, Visual Effects and Digital Postproduction at the Filmakademie Baden-Wuerttemberg in Ludwigsburg, Germany. It was finished in 2014. I am very thankfull that within the last 2 years, the film was screened on over 150 festivals worldwide, win Awards and Special Mentions and had me travel to many of those wonderfull festivals. I thank everyone involved in helping me create this very personal piece and the people choosing the film for their festivals. Thank you very much! Please go to my website for more info about the film and myself: www.floerks.de Thank you for watching! Credits: Music and Sound: Christian Heck (sumophonic.de) Production: Julia Smola Excerpt of Prizes, Nominations and Official Selections: First Steps Award 2014 / Winner Short and Animation Film 12th Shnit International Short Film Festival / Nomination: Jury Award Up to 10 Minutes Section Reflecta Film Festival 2014 / Audience Award Couch Fest Films 2014 / Golden Couch Watersprite 2015 / Nominated for The Animation & Original Film Music Categories 20th It’s All True International Documentary Film Festival / Special Mention Corona Fastnet Short Film Festival / Best Animation 9th Wendland Shorts Kurzfilmfestival / Best Documentary Film 4th International Tour Film Fest / Special Mention 23rd Curtas Vila Do Conde International Film Festival / Best Documentary 22nd Capalbio International Film Festival / Special Mention 12th Indianapolis International Film Festival / Best Short 2nd International Film Festival Crosscurrent / Winner in The Category International Contracorriente 14th Concorto Film Festival 2015 / Golden Donkey Award 8th Filmzeitkaufbeuren / Special Mention Innovation Award of the Jury 30th Brest European Short Film Festival / Shorts Tv Award for The Ovni Competition Prix Ars Electronica 2015 Computer Animation/Film/VFX/ Award of Distinction Annecy 2015 / Official Selection Unicato / Unicato Award film of the year 2015 For the full list, please visit http://bit.ly/29ws3jNwww.floerks.de Thank you for watching! Credits: Music and Sound: Christian Heck (sumophonic.de) Production: Julia Smola Excerpt of Prizes, Nominations and Official Selections: First Steps Award 2014 / Winner Short and Animation Film 12th Shnit International Short Film Festival / Nomination: Jury Award Up to 10 Minutes Section Reflecta Film Festival 2014 / Audience Award Couch Fest Films 2014 / Golden Couch Watersprite 2015 / Nominated for The Animation & Original Film Music Categories 20th It’s All True International Documentary Film Festival / Special Mention Corona Fastnet Short Film Festival / Best Animation 9th Wendland Shorts Kurzfilmfestival / Best Documentary Film 4th International Tour Film Fest / Special Mention 23rd Curtas Vila Do Conde International Film Festival / Best Documentary 22nd Capalbio International Film Festival / Special Mention 12th Indianapolis International Film Festival / Best Short 2nd International Film Festival Crosscurrent / Winner in The Category International Contracorriente 14th Concorto Film Festival 2015 / Golden Donkey Award 8th Filmzeitkaufbeuren / Special Mention Innovation Award of the Jury 30th Brest European Short Film Festival / Shorts Tv Award for The Ovni Competition Prix Ars Electronica 2015 Computer Animation/Film/VFX/ Award of Distinction Annecy 2015 / Official Selection Unicato / Unicato Award film of the year 2015 For the full list, please visit http://bit.ly/29ws3jN


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Audio by Ned Beckley. equatestudio.com


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Naughty Princess is a short tale about a geeky young lad who builds a catapult to launch himself towards the princess in the tower. The story is set in a different time period but still reflects on a modern issue and is intended to be light hearted and fun while maintaining its impactful motive. Produced as a Final Major Project at Bournemouth University (NCCA) 2016.


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Directed by Jon Lajoie & Brandon Dermer Written & Edited by Jon Lajoie Produced by Ray Blanco Executive Produced by Djay Brawner & Blake Greenbaum Production Company: Anthem Films STARRING Gabriel Bateman as The Boy Andrew Fox as The Boy’s Brother Bodie Neme as Sebastien Leah Kilpatrick as The Woman David Rispoli as The Boyfriend Frederick Lawrence as The Murderer PRODUCTION Executive Assistant Abigail West Executive Producer Blake Greenbaum Head of Production Derek Dale General Manager Nicole Swedlow 1st AD Sam Shapson KEY PA Rion Fisher Production Assistant Joan Gallagher Production Assistant David Moore CAMERA Director Of Photography Wojciech Kielar 1st AC Chuck Shwartzbeck 2nd AC Dom Jones DIT Day One Jacqueline Lehr DIT Day Two Jorge Gomez ART Production Designer Justin McClain Art Director Jake Solano Asst Art Director Melissa Gamez Set Dresser / Truck Driver Bill Peterson Art PA Hannah Olsen Set Dresser - SUNDAY ONLY John Craighead GRIP & ELECTRIC Gaffer Kyle Fallon Key Grip Ely Gonzalez G&E Swing Driver Aaron Pong MAKEUP Make Up Artist Lili Kaytmaz MUA asst Sunny Drissia WARDROBE Wardrobe Stylist Daniel Selon POST DIT and Assistant Editor Andrew Wilsak Color: Ryan K McNeil BTS Gabriel Younes


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What happens when artwork becomes life’s work? When creator becomes a caretaker? SOME KIND OF QUEST, from Sylvain Labs, Greencard Pictures and director, Andrew Wilcox, is a film that invites you into the singular world of Northlandz, a 52,000-square-foot model train installation just 75 minutes outside of Manhattan, and into the ornery mind of the man—and steadfast wife—who brought it all to life. http://bit.ly/29BoFXD


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Monday, July 11, 2016

A dying man (Robert Sella) prepares to move in with his estranged mother. He makes an appointment with a beauty consultant (Lindsay Pulsipher) to hide his symptoms. 9 mins | 1.66:1 | Super 16 | http://bit.ly/29KSrJq Winner: 2016 Short of the Week, 2016 SXSW Film Festival (Special Jury Recognition for Acting: Lindsay Pulsipher), 2016 Oak Cliff Film Festival (Special Jury Mention for Best Performance: Lindsay Pulsipher) Official Selection: 2016 SXSW Film Festival, 2016 Ashland Independent Film Festival, 2016 Maryland Film Festival (Opening Night Shorts), 2016 Seattle International Film Festival, 2016 Toronto Inside Out LGBT Film Festival, 2016 Los Angeles Film Festival, 2016 Frameline, 2016 Outfest, 2016 deadCenter Film Festival May ‘68 in association with Constant Cinema, Dreamfly and Trumpett Productions presents “1985” Starring (in alphabetical order) Lindsay Pulsipher Robert Sella Casting by Brad Burton, CSA & Kimberly Williams Burton, CSA Sound Design by Johnny Marshall Music by Curtis Heath Edited by Jen Mackenzie Production Designer Judd Myers Director of Photography HutcH Executive Producers Chris Durham Lisa Jenkins Kim Hughes Produced by HutcH & Kelly Snowden Written & Directed by Yen Tan This project was supported by Oak Cliff Film Festival Filmmakers Grant (sponsored by The Dallas Producers Association)


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Thunderclap! Hotline Bling! Dimitri Payet! The Story of Euro 2016, commissioned by The Guardian. Case Jernigan - Art Josh Giunta - Sound www.makesavvy.studio


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Alex Landau, who is African American, recalls how he nearly lost his life following a traffic stop with the Denver police. He and his mother, Patsy, who is white, remember that night and how it changed them both forever. Directed by: Gina Kamentsky & Julie Zammarichi Executive Producers: Donna Galeno, Dave Isay & Lizzie Jacobs Produced by: Rachel Hartman & Roxana Petzold Audio Produced by: Jud Esty-Kendall Animation, Design & Production: Gina Kamentsky & Julie Zammarichi Animation Assistant: Temah Nelson Production Intern: Jeremy Gordon Original Music: Joshua Abrams Music Performed by: Joshua Abrams, Marquis Hill, Emmett Kelly & Adam Thronburg Music Mixed by: Joshua Abrams & Neil Strauch Funding Provided by Corporation for Public Broadcasting W.K. Kellogg Foundation In partnership with POV NPR American Folklife Center at the Library of Congress


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Konki and his family live near Deluun Village, in the Altai Mountains of Western Mongolia, where the last six generations of his bloodline have continued the art and tradition of eagle hunting. At the age of 29, Konki has spent 21 of his years herding animals as a way to support his family. After the tragic loss of his father two years ago, Konki felt a call to his father’s passion of eagle hunting. This changed the course of his life, allowing him to connect not only with family he’s lost, but the one he still has. His cousin Onei is teaching him as they travel across the vast, sprawling tundra and majestic mountains of their homeland. He also plans to pass down what he learns to his four-year-old son, Berdibek, who has already taken an interest in the eagles. Konki’s new path ensures the continuation of this tradition for both his family and the heritage of his culture. There are few things more beautiful than discovering who you were meant to be by honoring where you’ve come from. – Producer | Director : Cale Glendening Cinematographer : Cale Glendening Editor : Cale Glendening & Chloe McLennan Color : John Carrington Titles : Olaf Blomerus Sound Recording : Max Phillips Voice Over : Odbayar Batchuluun Sound Design & Mix : Defacto Sound defactosound.com Original Score : Tony Anderson tonyandersonmusic.com Guide and Translator : Jagaa Bulgaa Explore the Great Altai LLC. Special Thanks Cory Tran Sasha Leahovcenco RYOT Cheryl Johnson Byambakhuu Darinchuluun – caleglendening.com caleglendening@gmail.com


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Thursday, July 7, 2016

Edited by Mitch Arens Composed by Rolfe Kent (BMI) Published by ABULAPHIA MUSIC INC (BMI)


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Music video for ‘Something To Believe In’ from their upcoming album, Home of the Strange. Directed by: Drew Tyndell Producer: Rhiannon Tyndell Label: Fueled By Ramen © 2016 ATLANTIC RECORDING CORP.


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http://fost.org 2016 Future of Storytelling Speaker: Charles Spence Professor of Experimental Psychology, Oxford University Charles Spence’s research on multisensory experiences have changed the way we stimulate our senses simultaneously. What he calls “sensploration” explores the interplay of various sensorial inputs. Apply to attend here: http://bit.ly/29qWrh9 Find us on Twitter: twitter.com/fostorg on Facebook: http://bit.ly/29pr6iO and Instagram: http://bit.ly/29qWh9h


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http://bit.ly/29xmrcU http://bit.ly/29kCW8n


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Douglas Tompkins was a world-renowned adventurer, entrepreneur, and conservationist. Co-founder of The North Face and Esprit, Doug spent the first half of his life building successful, global brands, while simultaneously adventuring around the world, completing first descents of the world’s toughest rivers. In 1968 Doug embarked on a trip to Chile, driving with friends from California to the tip of Patagonia. Documented in the film Mountain of Storms, the trip solidified Doug’s place as rock climbing legend. In the early 1990s, Doug sold his part of Esprit and moved down to Chile to do conservation work full time with his wife, Kristine McDivitt Tompkins, the former CEO of Patagonia, Inc. Together, over the last 25 years, Doug and Kris have protected 2.2 million acres, more land than any other individuals. The foundations under the Tompkins Conservation umbrella, along with their partners, have created five national parks in Chile and Argentina and are in the process of creating five more. A Wild Legacy tells the story of Doug’s incredible life, his lasting impact on the wild landscapes of Patagonia, and Kris and the Tompkins Conservation team’s efforts to continue his audacious mission. Doug was tragically killed in a kayaking accident on Lago General Carrera, north of Patagonia Park, on December 8th, 2015. Douglas Tompkins: A Wild Legacy was presented to audiences at the Telluride Mountain Film Festival on May 24th, 2016 during the festival’s tribute to Doug. “If anything can save the world, I’d put my money on beauty” – Douglas Tompkins The work goes on at tompkinsconservation.org.


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Wednesday, July 6, 2016

How to Sound Design Your Life The Foley Artist sees a master of sound at work on a fashion film. If you’ve ever wanted to see the chasm between the finished product and the extraordinary lengths taken to produce it, this short is for you.


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Battling April showers and cobblestoned streets a few of the New Balance Numeric Team took a short trip to London, Paris and Lyon. As documented by James Messina and Jake Harris, for Brindle Collective. Follow more at nbnumeric.com #nbnumeric @nbnumeric Featuring : Antoine Asselin Levi Brown Tom Knox Tom Karangelov Tyler Surrey Jordan Taylor Flo Mirtain Music: “Invitation” - Richard Houghten “Colourless Dream” - Sad Lovers & Giants “When Old Love Keeps You Waiting” - Joel Alme


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The Phenomenon „hysterical strength“ is a display of extreme strength by humans, beyond what is believed to be normal, usually occurring when people are in life and death situations. We witness a mother giving birth to her child. Rather than seeing things on a realistic level, we follow things happening on a more metaphorical side.The focus of the action is the challenge of birth, which presents itself as an extreme situation in which it becomes literally a matter of life and death. This is my Diploma Project BreakingPoint. From the Idea to the final film it took about 1,5 years including half a year of preproduction with an extensive work in Animatics and Previz and about 8 months of postproduction. A big THANK YOU goes to the great team and Filmakademie. DIRECTOR: Martin Lapp CINEMATOGRAPHER: Christopher McKissick PRODUCER: Anica Maruhn, Tobias Gerginov VFX PRODUCER: Francesco Faranna MUSIC: Petteri Sainio SOUNDDESIGN: Tobias Scherer VFX SUPERVISOR: Martin Lapp LEAD TECHNICAL DIRECTOR: Johannes Franz CUTTER: Raquel Caro Nuñez SZENENBILD: Tonia Hochsieder PRODUCTION: Filmakademie Baden-Württemberg GmbH


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Directed by Kevan Funk Cinematography by Liam Mitchell Produced by Mad Ruk


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In the mid-nineties, a skateboarder named Jon Comer gained notoriety on the international scene. Despite having a prosthetic leg, Jon climbed the pro ranks and skated at the highest level. To this day, Jon continues to inspire generations of adaptive skateboarders. Here is one of their stories. Born without hands and missing a leg from the knee down Oscar Loreto Jr. faces challenges few can relate to. Oscar was introduced to his passion of skateboarding by a picture of Jon Comer at an early age. Tired of being treated differently in traditional sports, Oscar found solidarity within the skateboard community. Watch how one man’s courage trickled-down to inspire generations in “An Ode to Jon Comer.” Directed by: Ben Stoddard DOP: Jan Schuster Assistant Director: Cassandra Surina Music by: Jeremy Maclean-Wallace For more information on Adaptive Skateboarding go to: www.adacs.org/


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Tuesday, July 5, 2016

A short series created for Super Deluxe. Sound design : Chris Votek


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If you can’t die, what will happen? “AGAIN” is a 2D short animation that explores the idea that life is a series of meaningless routines. The protagonist attempts to escape from this endlessly repeating world by committing countless suicides, but he never successes. Even the sufferings are still part of the cycle of repetition. Finally he realizes that inner happiness is the best way to achieve the freedom he seeks. School of Visual Arts, MFA Computer Art, Class of 2016 Written and Animated by Nico Gao (http://changgao.me) 3D and Visual Effects by Ren Wang (http://ren-wang.com) Music by TetraCaylx (http://bit.ly/29ihph3)


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Set in 1950s England, ‘Room 55’ follows the journey of Alice Lawson - strictly self-disciplined wife, mother and celebrated television cook - as she spends an unplanned night alone at the mysterious Clove Hotel… Official Selection… SXSW 2015 Palm Springs International ShortFest 2014 London Short Film Festival 2015 Camerimage 2014 (Winner - Best Cinematography) Aesthetica Film Festival 2015 East End Film Festival 2015 Land of Kings Festival 2015 Scream Queen FilmFest Tokyo 2015 European Film Festival of Lille 2015 writer & director: Rose Glass producer: Charlotte Campbell production manager: Keith Abela cinematographer: James Blann production designer: Agis Pyrlis editor: Manuela Lupini composer: Arran Price sound editor & dubbing mixer: Rob Hardcastle sound recordist: James Spurrier sfx supervisor: Janusz Tomczyk online editor, colourist & vfx supervisor: Boyko Stankov Cast: Charlotte Weston (Alice Lawson), Alexa Brown (Marilyn), Collette Cooper (Margaret), Takatsuna Mukai, Marie Everett & James McClelland


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Bill and Jeannie stay through the credits! www.billjeannie.com


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Albania has been one of the best kept traveller secrets in Europe for a few years. Even with tourism expanding now it is still an amazing place to vistit. Travel trough amazing UNESCO World Heritage sites like Berat, Gjirokastra and Butrint. Check out Kruja and the capital Tirana. Enjoy the beautiful beaches of Ksamil, Himara and Gijpe in 4 minutes of sheer awesomeness. A tilt-shift time-lapse aerial film by Joerg Daiber. Facebook: http://bit.ly/29e7d8m Twitter: http://www.twitter.com/spoonfilm YouTube: http://www.youtube.com/littlebigworld Web: http://bit.ly/29nt6pv For embedding and 4k playback go here: https://www.youtube.com/watch?v=_n0dLz1iFIs You can license raw footage clips from the Little Big World series here: http://gtty.im/29e770l WATCH FULL SCREEN! Shot with Lumix GH4 and GH2, Gorillapod, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite. Music: Barcarole by Jaques Offenbach perfomed by the RFCM Symphony Orchestra conducted by Keith J.Salmon.


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Friday, July 1, 2016

http://bit.ly/29yiQIU In 2001, Lenny Cooke was the most hyped high school basketball player in the country, ranked above future greats LeBron James, Amar’e Stoudemire and Carmelo Anthony. 15 years later, Lenny has never played a minute in the NBA. In this quintessentially American documentary, New York indie darlings Joshua and Benny Safdie track the unfulfilled destiny of a man for whom superstardom was only just out of reach. Produced by the Chicago Bulls ‘Joakim Noah Suitably for Brooklyn born Lenny, the film premiered at Tribeca Film Festival in 2013, where it received widespread critical acclaim. “You’ve never seen a sports movie like this before.” - Eric Kohn, Indiewire “Compellingly unconventional” - Sheri Linden, LA Times “A penetrating and ultimately heartbreaking inventory of hard lessons learned on and off the court” - Scott Foundas, Variety “A gut-wrenching tale of missed opportunities, sheer chance and reconciliation with the past.” - Filmschool Rejects “the Safdie Brothers deliver the film’s themes and characters’ feelings in tender, subtle moments” - Film Comment


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Directed by Joe Stakun Cinematography - Eric Bader Produced by Yoni Aviram AJJ’s new album The Bible 2 comes out August 19. Pre-order it now at thebible2.buzz Production design by Grace Alie 1st AC - Brody Engelhard Gaffer - Eric Clark Production Coordinator - Jeff Barker Edited by Nic Michaels Key Grip - Kyle Bart Reid Tire Boy - Clay Tatum Chicken - Mark Belko Selfie Woman - Sophia Goldfarb Choreographer - Jeffrey Max Ladder Man - Zach Zdziebko Soylent Lunch Man - Dominic Moschitti


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This short documentary offers a visceral snapshot at how inmates survive solitary confinement. With rare access inside Pelican Bay State Prison, filmmaker Cali Bondad and reporter Gabrielle Canon captured a day-in-the-life inside one of the most notorious supermax prisons in the US. The film shows a cinematic glimpse of the personal anguish and monotony described by inmates living in long-term isolation. Featured on The Atlantic - “Editor’s Pick” - June 2016 For a more in-depth look and current background on solitary confinement in the US, read Gabrielle Canon’s article here: http://bit.ly/29dTF0f —- Director/ Editor - Cali Bondad Reporter/ Producer - Gabrielle Canon Director of Photography - Spenser Nottage Executive Producer - Thorsten Hoppenworth Sound Recordist - Kent Romney Music Tracks - APM Music Sound Mix - One Union Colorgrade - Spy Post Produced by Sister & Reddit © Sister Studio 2016


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Thursday, June 30, 2016

http://bit.ly/298imtM Jan Švankmajer is making his final film, ‘Insects’. To help raise funds for 'Insects’, Jan is offering a premium rental of his classic 'Little Otik’. You can also watch 'Little Otik’ for free by using the promo code LITTLEOTIK or by clicking here: http://bit.ly/29dIdU6 If you want to contribute more to 'Insects’, back the film on Indiegogo: http://bit.ly/298ifhD A dark and comical deconstruction of our society based on an old Czech folktale, Little Otik is a story of a young couple desperate to have a baby. After a visit to a doctor that deems the classic methods of procreation impossible, the despairing protagonists switch focus to a child-resembling tree stump found in the garden. The monstrosity comes to life and its insatiable appetite gradually increases to the point where porridge and breast milk just won’t do…


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Cars dance on highways, crowds of people wash across sidewalk shores. RISD Senior film - 2016


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Director: Warren Fu Production Company: Partizan Artist: The Strokes Label: Cult Records Director of Photography: Byron Werner Executive Producer: Haley Moffett Producers: Jona Ward & Peter Williams Production Designer: Maxwell Orgell Editor: Warren Fu Sound Design & Scoring: Peter Lauridsen Styling: Marjan Malakpour and Marnika Weiss Choreographer: Achinta S. McDaniel Casting: Michelle Gabriel for Burbank Casting Colorist: Warren Fu


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Directors - Andy Baker & Kyle Platts Illustrator - Kyle Platts Agency - It’s Nice That / Channel 4 Animators - Andy Baker Music - Suki Sou & Jordan Cunningham Sound - Andy Baker


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The first film from Season 4 of The Perennial Plate, where Keri Brant, a former Vegetarian and Gender studies professor shares the truths and misconceptions of eating animals after marrying into a Colorado Ranching Family. For more about the episode and series visit: http://bit.ly/29702SI Created in Partnership with the Colorado Tourism Office Heritage and Agritourism Program Music by: http://bit.ly/29tdYVF and http://bit.ly/29709xt


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Wednesday, June 29, 2016

Director & DP: Alexis Boling Featuring: Rolly Robinson Producer: Maura McNamara Website: http://bit.ly/296yXh2 Huck Magazine: http://bit.ly/lessons-on-escapism Instagram: @harmoniumfilms + @rollyrobinson For more More Is More: http://bit.ly/29dF3jC Including music from Black Coast Feat. M Maggie and Lucian, ‘TRNDSTTR (Lucian Remix)’ and from Andrew Bayer, ‘Need Your Love’, ‘Let’s Hear That B Section Again’ and ‘We Will Return’ http://bit.ly/296yHyy http://spoti.fi/29dFJFi http://apple.co/296yYS8


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A film by Ryan Barger Produced by Katie Akana Starring Aaralyn Anderson and Ryan Barger with Pascal Yen-Pfister Narrated by Lance Henriksen Directory of Photography - Jon Furmanski Production Designer - Katie Akana Music by Fritz Myers Sound Design by Sarah Gibble


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In the fall of 2015, while mindlessly thumbing through my Instagram feed, I stumbled across three images Michael Stevenson posted to his account. It was three white boxes, with the caption, “STARTING. FROM. SCRATCH.” I was intrigued, and after meeting up to chat about what prompted those posts, we embarked on a journey of trying to both understand and maybe even capture the moment. What follows is a film that has continued to morph and grow as realities changed before our very eyes. The film we set out to make is very different than the film you see here. I’m incredibly grateful to Mike, for allowing me to poke around a very personal and meaningful moment in his life, and for his unflinching honesty about something we don’t usually talk about in terms other than heroic. Also - thanks to Jared Hogan, whose “Films About Numbers” project was the intended point of distribution. But the story had other plans and timelines. CREDITS: Directed / Shot by: Ryan Booth Production Sound: Brian Albritton 1st AC: Brooks Cruzen Camera provided by: FilmLab Creative Edited by: Ryan Booth (with some efforts by Lucas Harger) Sound Design / Mix by: Steve Horne Kickstarter Video and Photographs by: Tim Daniels Special Thanks: Michael Stevenson Joshua Anderson Tyler Swanner Jared Hogan Christian Schulz Joey Mathews Aaron Tharpe Darius Trainer Jon Marzolla


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Not many people have heard of Daniel Fleury. He isn’t really part of a riding scene and he doesn’t seem overly concerned with upping his Instagram rep. If you expected his feed to be a run of extreme bike shots, you’d be surprised to find a view on the world based on natural beauty with a series of images that present a creative view on everyday things like foliage, ocean and…sky. Daniel grew up in circumstances more likely to guide him into team sports than inspire an endeavor in bikes, but something drew him into the woods where he spent the better part of two years hand building a massive cluster of jumps known as ‘Laguna’. A line with features that reach for the tree tops and a coastal view that delivers breathtaking sunsets daily. Rider: Daniel Fleury Directed by: Rupert Walker Photography: Toby Cowley, Daniel Fleury, & Tyler Olson Words by: Ian Ritz Supported by: Chromag Bikes Music: Generdyn - Song For Stone (Licensing through The Music Bed)


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Un jeune homme retrouve son ex-copine lors d'une soirée et prend conscience qu'il est toujours attiré par elle. A young man meets again his ex girlfriend in a party, and realizes he still fancies her.


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Tuesday, June 28, 2016

The new album from Steven Wilson “4 ½” is OUT NOW, so titled because it forms an interim release between Steven’s recently released fourth album Hand. Cannot. Erase. and the next studio album. CD: http://bit.ly/29mrIBz Vinyl: http://bit.ly/292oip2 Blu-Ray: http://bit.ly/29mrV7t Digital: http://bit.ly/292ozIm Steven Wilson has launched the stunning animated video for ‘Routine’. The hugely emotive track featuring a beautiful guest vocal performance by Ninet Tayeb is taken from his latest album Hand. Cannot. Erase. Steven Wilson “Amongst the hundreds of songs I have written over the years Routine has a very special place. It’s a deeply sad story of loss and denial, but at its conclusion the clouds lift and there is acceptance at least. Having worked with her on 3 previous videos, I knew as soon as I wrote it that it was perfect for Jess to do something amazing with. Even then nothing prepared me for the organic beauty and power of the film she made, a painstaking labour of love that took her months to produce. When we play the song live I look out into the audience and see people swept away with emotion at the combination of music and animation. To find poetry and beauty in sadness is a wonderful thing I think.” Director Jess Cope of Owlhouse Studios (http://bit.ly/29mrslM) talks about working with Steven Wilson and the creation of the ‘Routine’ video “Routine is the forth film that Owl House Studio has made in collaboration with Steven Wilson and the biggest one yet. The story centres on a woman dealing with the tragic loss of her family and the routine she creates for herself to try and cope. The themes in Steven’s music are often quite morbid and macabre and when we heard Routine for the first time, Tom Kaye (Writer/Producer) and I knew the story had to be really strong, to do justice to the music. Working with Steven is always a fantastic experience for us creatively. In the early stages, Steven often has a strong concept in mind for a song or album, but allows us the creative freedom to add our own style and ideas to it. Our use of traditional animation and the painstaking efforts of the whole Owl House Studios team, have resulted in a film with a level of beauty and detail not previously achieved by the studio – at the same time it is simple enough that the music always drives the story. We’re so pleased with the look of the puppet and sets, and especially the level of detail Alison Cross (Art Director/Prop Maker) managed to get into the props. This project also saw us working with Adam Oehlers (Concept Artist) for the first time and he was able to capture the tone from our script so perfectly. Working with such a diverse team and amazingly talented animators, we were able to bring this woman’s world to life. I’m proud of all the films we’ve made with Steven Wilson, but I’m especially fond of ‘Routine’. The response we’ve received has been phenomenal. It’s incredibly humbling to see that something we’ve helped create has touched so many people and reduced a good number of them to tears… It’s an extraordinary and ironic satisfaction! Hand. Cannot. Erase. the fourth solo album from the four-time Grammy nominee, multi-instrumentalist and producer has received universal praise from the media and fans alike rewarding Steven Wilson his highest chart positions worldwide including UK #13 ,Germany # 3, Netherlands #2, USA – #39 Billboard Top 200, Canada #24 & Finland #4 national album charts. Steven Wilson was, recently, awarded an unprecedented 3 PROG Magazine Awards for Hand. Cannot. Erase. including Best Album, Commercial Breakthrough, and Boxset Design alongside a nomination for Classic Rock Magazine’s Album Of The Year. With sold out shows around the world including his 2 recent performances at London’s prestigious Royal Albert Hall Steven Wilson will be continuing to tour Hand. Cannot. Erase. starting in Germany on January 12th, the 2016 European tour takes Steven to Belgium, Holland, UK, France, Denmark, Sweden, Finland, Russia, Hungary, Italy and Greece. Check http://bit.ly/292osg9 for dates


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Caught in an in-between world of flyovers, grass verges and dead-ends, where the motorway hum serves as a constant reminder of the speed of other lives, Marvin is not going anywhere. Into this forgotten corner of English countryside and motorway services arrives an extraordinary adolescent, changing his world forever. SEPTEMBER directed by Esther May Campbell won the BAFTA for Short Film in 2009. “Support great British film. Bring LIGHT YEARS to a cinema near you.” Light Years is Esther’s first feature film and Third Films are currently running a crowdfunding campaign to aid the distribution and get the film in as many cinemas as possible in the UK, in the autumn. The plan is to release the film on DVD and VOD at a later date. Check out the crowdfunder page below to view the trailer and see the rewards that are on offer! http://bit.ly/29213uV lightyearsfilm.co.uk http://bit.ly/29lSDNS


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Directors : Félicien Colmet-Daâge & Ludovic Versace Production : Les Monstres Animation : Félicien Colmet Daâge, Ludovic Versace, Siying Yu Coloring : Alex Bouvier, Siying Yu Compositing : Félicien Colmet-Daâge, Arthur Sotto, Ludovic Versace http://bit.ly/292hfeF Pan European Recording http://bit.ly/299jb8N Follow Buvette : Facebook : http://bit.ly/292hmH8… Instagram : http://bit.ly/299jyQD


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A father possum reads his kids a story that’s an alphabet of the most dangerous animal of all – HUMANS! Inspired by the Edward Gorey classic, this black-comedy for kids and parents alike is a hilarious and brutal alphabet of death and mayhem exacted upon animals by ignorant humans. 30 CGI animals were meticulously crafted and killed by a team of 44 students at Media Design School.


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I sat down with Jad Abumrad and talked about sound, music and the function of music. Then I turned that conversation into a film.


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Monday, June 27, 2016

Travel along with the Voyager spacecrafts as they traverse the solar system on their planetary expedition spanning over three decades. A film by - Santiago Menghini http://bit.ly/2968WjT This film showcases the images and sounds of the solar system through the real photographs and plasma frequencies received by the voyager crafts. Featuring The Golden Record - Murmurs of Earth: The Voyager Interstellar Record Containing the sounds, music, & images of earth by Carl Sagan, F.D. Drake, Ann Druyan, Timothy Ferris, Jon Lomberg, and Linda Salzan. Visuals, Edit, & Sound by Santiago Menghini Sound Design by Pascal Plante Sound Mix by Giuliu Wehrli Jimmy Carter (voice) by Dave Callaway Voyager 3D Model by Andrew Simonenko Visuals Created with the use of photographs and textures from: NASA/JPL, NASA/CICLOPS, NASA/GODDARD Space Flight Center Scientific Visualization Studio, ESA, U.S. Geological Survey, Bjorn Jonsson, & Other unknown online sources. The film is a tribute to the voyager missions. Nemesis Films Inc. 2015


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For some, taxidermy is a practice about art, science and a love of wildlife. Directed by Nicole Triche. More on this documentary: goo.gl/86fj3R Watch more on Aeon: aeon.co/video Subscribe: vimeo.com/aeonvideo


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Gift of Gab is a portrait of iconic artist Timothy Parker, from the seminal hip-hop group Blackalicious, whose battle with kidney disease ends up fueling the creation of their first album in 10 years. The film premiered at the 2016 Tribeca Film Festival.


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The complexity of love, in 13 untranslatable words. Made for the podcast “Love Me” - http://bit.ly/28W5kNg Director/Animator: Andrew Norton Illustrations by: Drew Shannon Story Editors/Producers: Mira Burt-Wintonick & Cristal Duhaime Adapted from the book “Lost in Translation” by Ella Frances Sanders


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As part of the #MTLmoments / Perspectives project, Tourisme Montréal gave 8 Montréal film directors carte blanche to create 8 short films. See what happens at http://bit.ly/298tCXj Two drones emerge from the depths of an underground parking lot and creep towards the light through a half-open gate. Along the architectural structures of Montréal’s Olympic Park they drift, pausing at the windows, in search of something, or someone… Dans le cadre du projet #MTLmoments / Perspectives, Tourisme Montréal a donné carte blanche à huit réalisateurs montréalais dans la création de 8 courts métrages. Découvrez-les ici à http://bit.ly/298tCXj. Deux drones émergent du fond d¹un stationnement souterrain et se faufilent vers la lumière par une grille entrouverte. Le long des structures architecturales du Parc olympique, ils se suivent, se poursuivent et s'arrêtent aux fenêtres à la recherche de quelque chose, de quelqu'un…


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