In June 2018, professional surfers Arthur Bourbon and Damien Castera travelled to Africa in order to make a documentary film about Liberia. They went there to witness the history of the first surfing community in this country, devastated by 15 years of civil war. Here is a short film introducing their journey. A feature-length documentary is currently being edited and will be available in early 2019. Choose subtitles by clicking on the CC button. Special thanks to BCUC for the music. We used the track “MOYA” from their album EMAKHOSINI. You can follow them and buy their music here: http://bit.ly/2z5RQ0y Surfers: Arthur Bourbon & Damien Castera Directors: Arthur Bourbon & Damien Castera Producer: http://bit.ly/2SmBjOQ Colourist: Brice Auger ///////////// ///////////// ///////////// En juin 2018, les surfeurs Arthur Bourbon et Damien Castera sont partis réaliser un film documentaire sur le Liberia. Pays méconnu, ravagé par 15 ans de guerre civile, ils sont venus retracer l’histoire de la première communauté de surfeurs du pays. Voici le clip de leur aventure. Un documentaire long métrage est actuellement en cours de montage et sera disponible début 2019. Remerciement spécial à BCUC pour la musique. Nous avons utlisé le morceau “MOYA” de leur album EMAKHOSINI. Vous pouvez les suivre et acheter leur musique ici: http://bit.ly/2z5RQ0y Surfeurs: Arthur Bourbon & Damien Castera Réalisateurs: Arthur Bourbon & Damien Castera Production: http://bit.ly/2SmBjOQ Étalonnage: Brice Auger


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Tuesday, October 23, 2018

Sunday, October 21, 2018

OFFICIAL WEBSITE: hybrids-shortfilm.com Facebook: facebook.com/hybridsfilm (News, Bonus, Making of … ) ——————- DIRECTED BY ——————- Florian Brauch - vimeo.com/florianbrauch Matthieu Pujol - vimeo.com/user3138593 Kim Tailhades - vimeo.com/user38938464 Yohan Thireau - vimeo.com/yohanthireau Romain Thirion - vimeo.com/user28112646 ——————- MUSIC BY ——————- Vincent Govindin - vimeo.com/vincentgovindin ——————- DONE AT ——————- MoPA, ecole-mopa.fr ——————- SYNOPSIS ——————- When marine wildlife suffer the pollution surrounding it, the rules of survival change… ——————- AWARDS ——————- Best In Show, Siggraph, 2018 Anima’t Best Animated Short Film, Sitges, Spain, 2017 Award for the Outstanding effect in a student project, VES, US, 2018 Amazon Prime Award, International TrickFilm Stuttgart, Germany, 2018 Grand Jury’s Prize, Utopiales Nantes, France, 2017 Best Animated Short, Colcoa French Festival, US, 2018 Best Animated Short, Underexposed Film Festival, US, 2018 Best Animated Short, Filmchella, US, 2017 Best Animated Short, Sklap’it, France, 2017 Best Animated Short, Unrestricted View Film Festival, UK, 2018 Best Animated Short, NanoCon Internatonal SciFi Festival, US, 2018 Best School Project, Festival de Cinema Escolar de Alvorada, Brazil, 2017 So French Award from an Highschool Jury, Poitiers Film Festival, France, 2017 So French Award from the Audience, Poitiers Film Festival, France, 2017 Audience Award, Festival du Film Court de Maison Laffitte, France, 2018 Audience Award, Cineclass, France, 2018 Audience Award for a Fantastic Film, Les Nuits Magiques, France, 2017 Award form a School Jury, Rencontres Cinema-Nature, France, 2018 Best Art Direction, Multivision, Russia, 2017 Special Mention, Academia Film Olomuc, Czech Republic, 2018 Special Mention, Festival du Film Court de Villeurbanne, France, 2017 Honorable Mention, Nashville Film Festival, US, may 2018 ——————- SELECTIONS ——————- 7 Petits Cailloux, France, may 2018 Academia Film Olomuc, Czech Republic, 2018 Anima, Belgium, 2018 Animages, Brazil, 2017 Animakom, Spain, 2018 Animateka, Slovenia, 2017 Annecy International Animated Film Festival, France, june 2018 ANNY (Animation Nights in New-York), US, 2018 Artfutura, Spain, 2018 Aspen ShortFest, US, 2018 Athens Film Festival, US, 2018 Athens Digital Arts festival, Greece, 2018 Cardiff Night, Ireland, 2018 Cineclass, France, 2018 CinemAmbiente, Italia, jun 2018 Cinequest, US, 2018 Clermont-Ferrand, France, 2018 Cleveland, US, 2018 Colcoa French Festival, US, 2018 Cortoons Festival Grandia, Spain, 2018 Courts Bouillon, France, 2018 DC Independent Film Festival, US, 2018 Ecozine, Spain,2018 Eye Candy (Shelley Page), World, 2017-2018 Festival de Cinema Escolar de Alvorada, Brazil, 2017 Festival du ciné court animé de Roanne, France, 2018 Festival du Film Court de Maison Laffitte, France, 2018 Festival du Film Court de Villeurbanne, France, 2017 Festival du Rocher, France, 2017 Filmchella, US, 2017 International Animation Festival Chilemonos, Chile, 2018 International Children Film Festival of Galicia, Spain, 2018 International New York Festival, US, june 2018 International TrickFilm Stuttgart, Germany, 2018 Japan Media Arts Festival, Japan, 2018 KDIAF Kuandu International Animation Festival, Taiwan, 2017 Les Nuits Magiques, France, 2017 Manchester Animation Festival, UK, 2017 Melbourne International Animation Festival, Australia, june 2018 Même Pas Peur, France, 2018 Multivision, Russia, 2017 NanoCon Internatonal SciFi Festival, US, 2018 Nashville Film Festival, US, may 2018 New Horizon Film Festival, Russia, 2018 Octobre Numérique, France, 2017 Odense Film Festival, Denmark, august 2018 Paris Court Devant, France, 2017 Poitiers Film Festival, France, 2017 Posidonia Green Festival, Spain, 2018 PSIAF (Palm Springs International Animation Festival), US, 2017 Rencontres Cinema-Nature, France, 2018 SBIFF Santa Barbara, US, 2018 SF Film, US, 2018 Short Shorts Festival & Asia, Japan, june 2018 Sitges, Spain, 2017 Sklap’it, France, 2017 Smaragdni Eco Film Festival, Croatia, june 2018 Trois Jours Trop Courts, France, 2018 Siggraph, Canada, 2018 Umbria Film Festival, Italy, july 2018 Underexposed Film Festival, US, 2018 Unrestricted View Film Festival, UK, 2018 Utopiales Nantes, France, 2017 VES, US, 2018 WOIS, Dubai, 2018 Zlin Film Festival, Czech Republic, jun 2018


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Friday, October 19, 2018

Listen to the new album ‘One Hundred Billion Sparks’: http://bit.ly/2S3Ipr3 http://bit.ly/2PJKaZ1 http://bit.ly/2S2S9ll Max Cooper Things got pretty mad on this one after I set the task of trying to visualise the Platonic realm of form underlying reality. And Páraic Mc Gloughlin has come up with something of a masterpiece I think, using a single day-long shot, whose time-based processing is linked to the more than 100 layers of audio I used to create the music…it’s fairly intense on the audio and visual as a result, but all so precisely carried out by Páraic. A huge amount of work has gone into this on all fronts, I hope you enjoy it. This all links into my new album project, ‘One Hundred Billion Sparks’, about our hundred billion firing neurons which create who we are, all we know and experience (http://bit.ly/2PJKaZ1). As a sub-topic for one of the music/video projects, I’ve always found it fascinating how mathematicians and scientists talk about “discovering” laws of nature, never “creating” them, even when they’re working in entirely abstract realms with little or no link to the real world. The laws and structure are usually assumed to exist independently of us in a sense very much linked to Plato’s ancient idea of the realm of ideals, with only our minds giving us access to this realm. I came across this idea delivered in stark form in the case of the “amplituhedron”, an entity whose structure encodes fundamental particle interactions, and whose creators claim it to yield space and time in an emergent manner, so that it can’t possibly exist out there in the real world that we’re familiar with. If it does exist, it is outside of time and space, whatever that means! All this might sound like I’m falling off the cliff a little in terms of anything to do with making music videos, but, as I often find to be the case with this sort of investigation of nature, it’s rich with beautiful visual forms and many ideas which are ripe for musical representation on emotive and structural grounds. The general musical theme to attempt was that of a world of all (or at least as many as I could cram in) precise structures, with particular attention to the jagged complex form of the amplituhedron. Páraic also employed the same approach visually. It demanded a barrage of exact forms. Musically this was a lot of fun, and very much in fitting with what I like to attempt anyway, just requiring a greater devotion of time and more attention to detail than my norm. Most of the 100-120 layers of different sounds were synthesised, each layer comprising a specific aesthetic musically, but with little repetition, so that I could have something like a world of independent forms, related, but each its own distinct entity, all mixed together to push the overall complexity in line with the concept. This included many layers of synth processing - I tried to take each part and force it into new, but related forms. I enforced strict quantisation, trying to keep everything rhythmically stuck to grid, to give that feeling of sharpness and precision despite the mess of many layers. Páraic Mc Gloughlin The idea for the Platonic video came from the thought of just how much is going on in one single day. In the brief, Max wrote “Underneath all of this mess however, it needed a simple core, the constant chord progression.” So I thought it was fitting to have a simple core running through the entire video and it being made from one location shot over the space of one day, keeping up with the music’s “messy” energy as the track developed. Aesthetically I love the mix of abstraction and realism and this was a great place for me to explore this. Using a fundamental image (a time lapse) to mask and cut into, I tried to show the variable possibilities within a limited time span, maintaining the integrity of each individual photograph while dissecting and rearranging the overall image. In order to get as close a relationship from audio to visual as possible I tried to allocate a certain time of day or shape to each individual sound in the track , experimenting with animated sequences using platonic shapes, and referencing images based on the amplituhedron, later using mats and directly masking over many layers of photographs. I tried to incorporate and inject a feeling of possibility, the unknown, hidden truths, and what might be. I wanted the main focus of the video to be on time and space but I also I wanted to have an underlying human element. Choosing a motorway with two way traffic fit nicely, and didn’t over populate the scene. Nineteen hours sitting on a bridge in Sligo town, and a good stint behind the computer and we’re done.


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Directed by Ryan Staake & Charli XCX Production Company: Pomp&Clout Creative Direction: WP&A Executive Producer: Ryen Bartlett Head of Production: Kevin Staake Producer: Rich Salamone Prod Manager: Wojtek Stypko Associate Producer: Eric Margulies Prod Coordinator: Sam Skolnik 1st AD: Jesse Hays 2nd AD: Bryon Dormandy Director of Photography: Santiago Gonzalez 1st AC: Nick Fischer 2nd AC: Nolan Berbano Gaffer: Alberto Alonso BBE: Greg Ladwig Electric: Joey Brown Key Grip: Wadsworth Peters BBG: Aaron Burton Dolly Grip: Adam Shambour Grip: Ivan Garcia Production Designer: Miles Ford Mullin Art Director: Jena Serbu Lead Man: Eligh Macias Set Dresser: Kevin Lopez Set Dresser: Daniel Oregel Editor: Ryan Staake Online Editor: Ryosuke Tanzawa VFX by Pomp&Clout VFX Artists: Pete Puskas, Aaron Vinton & Ryan Staake Machine Learning: Andrew Pouliot Colorist: David Torcivia Makeup Artist: Danielle Kahlani Makeup Assistant: Trina White Hair Stylist: Nicole Kahlani Hair/Makeup (Troye and Extras): Carla Rosso and Steph Ruiz de Chávez Hair/Makeup Asst. (Troye and Extras): Gina Banic Wardrobe Stylist: Rebecca Grice Wardrobe Assistant: Sonja Desai Seamstress: Aneta Velizar Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Production Assistant: Jacob Outsen Production Assistant: Katie Conboy Production Assistant: Nick Callas Production Assistant: Jose Ramos Production Assistant: Ray Fuentes Production Assistant: Fred Porras Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Dancers: Engelstad, Megan Gibson, Myranda Jessen, Belle Reese, Katie Clay, Shane Dell, Luke Munson, Hunter Friedman, Joseph Havard, Cody Kline, Rex Reed, Joseph Guy, Kelsey McCarty, Bria Nesis, Tessa


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Train dreams with Loyle Carner. All trickery achieved in-camera with carefully aligned printed images… much love to steady hands, huge depth-of-field and massive printers. Director: Oscar Hudson Prod. Company: Pulse FIlms Executive Producer: Rik Green Producer: Callum Harrison Director Of Photography: Ruben Woodin-Dechamps Production Designer: Luke Moran-Morris Commisioner: Connie Meade Artist Management: Tommo Greer Production Manager: Tom O’Driscoll Production Assistant: Will Gore 1st Assistant Director: Daniel Precious 2nd Assistant Director: Tom Rawsthorn Runner: Amy Madden, Katie Beard, Noah Jude Focus Puller: Jack Exton B Cam: Josh Loftin Gaffer: Peter Bishop Spark: Will Pope, Tom La Motte, Harry Buck, Sam Baker, Jake Buckly Set Decorator: Sakara Dawson Marsh Prop Master: Alex Tyler Art Dept Assistant: Dexter Turner-Ramsay Art Dept Runner: Ellen Pearson Backdrop Maker: Ben Romain Back Drop Assistant: Carlo Milillo Back Drop Assistant: William Rowlandson Digi Op: Greg Holland Costume Designer: Taff Williamson Hair And Make Up Artist: Ezana Ove Hair And Make Up Assistant: Nyssa Addison Construction: Hal Gillilan, Joe Mulcrone @ Create 180 Editor: Oscar Hudson Colourist: Toby Tomkins @ Cheat Cast: Loyle Carner, Jordan Rakei, Yotam Ottolenghi Speech Man: David Rawlins Ticket Inspector: Mark Garfield Mum: Shola Smith Daughter: Natalia Velasquez Smith Businessman: James Biddlecomb Commuter: Joshua Ajibade Commuter: Jamie Lee Hill Commuter: Mark Grindrod Commuter: Louise Thomas Commuter: Jennifer Tuth-Adam Commuter: Chiara D Anna Goth Couple: Liam Gardner Goth Couple: Lucy Chappel


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Tuesday, October 16, 2018

A man finds a dying squirrel in a park and has a comedic existential crisis. Starring Robert Longstreet Written/Directed/Edited by Bobby Miller Produced by Jordan Michaud-Scorza Co-Produced by Dain August OFFICIAL SELECTION OF: Fantastic Fest Fantasia Maryland Florida Nashville North Bend La Shorts For complete list, visit: http://bit.ly/2P5FIa2 HONORS: Vimeo Staff Pick Best Short Film - Boston Underground Opening Night Gala - Maryland Film Fest FILM SITE: http://bit.ly/2PzAPD3 CONTACT: Bobby@NewFieldPictures.com http://bit.ly/2OXDauD CAST: (Order of appearance) Robert Longstreet Vince Washington Erik Gratton Deb Snyder Lynddi Scott Kari De La Penha Sage Smith Robert Chester Smith PJ Evans Shirley McDonnell Joe Abdo CREW: Writer/Director/Editor - Bobby Miller Cinematography - Christopher Hamilton Production Designer - Callie Andreadis Producer - Jordan Michaud-Scorza Co-Producer - Dain August Executive Producer - Louis Messina Executive Producer - Linda Walker 1st AD - Dain August 1st AC - Jason Wittenberg 2nd AC - Mitch Espinoza Gaffer - Jonathan Shrader Art Director - Kevin Burzynski Key Makeup & Hair - Ruth Baldwin Costume Designer - Jorday Scheinberg Key Grip - Casey Slade Key Set PA - David Barkley Art Dept Assistant - Xinran Peng Set PA - Mike Blankier Set PA - Michael Pottle Squirrel FX - Bischoff’s Animal FX Practical FX Supervisor - PJ Evans Visual Effects - Clean Plate FX - Juan Cardarelli Sound Recordist - Dana Kopetsky Casting by - Becca Greene and Michael Pottle Sound Mixer - David Esparza Color - Headquarters Post - Richard Garibaldi Special Thanks: Liza Manashil Adam Hendricks Daron Nefcy BankRobber Music Kickstarter Backers! © New Field Pictures 2018


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Filmed during an actual solar eclipse and starring Emmy award-winner Tatiana Maslany and Tom Cullen, SOULS OF TOTALITY is a love story about the intensity of a looming moment that can change everything. Making of featurette: http://bit.ly/2ErKZVc 2018 AWARDS: Winner - Best Short of the Festival | Raindance Film Festival Winner - Best Grand Jury Prize | Hollyshorts Film Festival Winner - Most Popular Film | Rhode Island International Film Festival Winner - Special Mention | Edinburgh International Film Festival Winner - Maverick Spirit Award | Cinequest Film Festival Winner - Special Jury Award for Best Cinematography | Bend Film Festival Qualified - Academy Awards (2019) 2018 OFFICIAL SELECTIONS: Tribeca Film Festival Palm Springs International Shortfest Edinburgh International Film Festival Raindance Film Festival Rhode Island Film Festival Mill Valley Film Festival Hollyshorts Film Festival Calgary Film Festival Atlanta Film Festival Cork Film Festival Cinequest Film Festival Santa Barbara International Film Festival St. Louis International Film Festival 24FPS International Short Film Festival San Jose International Short Film Festival Hiroshima International Film Festival Coronado Island Film Festival Milwaukee Film Festival Bend Film Festival Directed by Richard Raymond Written by Kate Trefry, Ben Bolea Produced by John Trefry, James Mitchell, Richard Raymond, Nousha Raymond Director of Photography Jarin Blaschke Edited by David Pergolini Music Composed by Michael Dean Parsons Production Design by Kate Trefry Lead cast: Tatiana Maslany Tom Cullen Mike Tague Helen Shaver Souls of Totality: Addison Tague Bailey Corneal Ben Bolea Fritz Ross James Mitchell John Trefry Joseph Ollman Kate Trefry Kevin Schofield Kohana Nakato Kym Anderson Lara Ross Lachlan Mantell Louisa Mignone Makena Tague Nousha Raymond Sebastian Ross Todd Ross Tom Royce-Hampton Socials: http://bit.ly/2RUarFA http://bit.ly/2ErL0se https://www.twitter.com/soulsoftotality Contact: Richard Raymond Email: richard@may13films.com Twitter: @richieraymond John Trefry Email: john@4WTMedia.com Twitter: @johntrefry


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Suffering from consumer’s fever, a young man starts a journey to the end of the world. Paint on glass and collage. SCREENINGS - Cinéfondation Selection 2016 – 69th Festival de Cannes (France), May 2016 - Carrefour de l'animation, programme Coups de coeurs (France), December 2015 - 7ème Festival Cinémator de Carros (France), March 2016 - Festival Libres Courts, Montpellier (France), March 2016 - 19ème Festival Coupé Court 2016, Bordeaux (France), March 2016 - Finaliste Prix Court Cocy (France), March 2016 - 5ème Week-end du cinéma, Vaux-sur-Seine (France), May 2016 - FFDL – 22nd Film Festival della Lessinia (Italia), August 2016 - Campulung Film Festival (Romania), August 2016 - FerFilm – 4th International Film Festival (Kosovo), September 2016 - Split Film Festival – 21st International Festival of New Film (Croatia), September 2016 - First Step Film Fest – 3rd International Student Film Festival (Albania), September 2016 - LINOLEUM – 11th International Festival of Contemporary Animation & Media-Art (Ukraine), September 2016 - Festival International du film sur le handicap, Cannes (France), September 2016 - ANIMASIVO 2016 – 9th International Competition for Animated Short Film, (Mexico), September 2016 - Festival Cinema d'Arte – 14th Festival Internazionale del Cinema d'Arte, (Italia), October 2016 - Puppet Is the Human too – 11th International Festival of Puppet Theatre and Animated Films for Adults (Poland), October 2016 - Push! Film Festival (US), October 2016 - Banjaluka – 9th International Animated Film Festival (Bosnia and Herzegovina), October 2016 - BIAF – 18th Bucheon International Animation Festival (South Korea), October 2016 - Primanima – World Festival of First Animations (Hungary), October 2016 - On the Road Film Festival IV, Roma (Italia), October 2016 - ARTE Video Night 2016 - JCC – 27th Edition Carthage Film Festival (Tunisia), October-November 2016 - ReAnimania YIAFF – 8th International Animation Film&comics Art Festival of Yerevan (Armenia), Oct-November 2016 - Stockholm Film Festival – 27th Stockholm International Film Festival (Sweden), November 2016 - French Film Festival UK 2016 – 24th Fête du Cinéma (UK), November 2016 - FIFB – 2nd Festival International du Film de Bruxelles, Ciné-jeunes, (Belgium), November 2016 - YOUKI – 18th International Youth Media Festival YOUKI (Austria), November 2016 - CutOut Fest – 8th Festival Internacional de Animacion y Arte digital, (Mexico), November 2016 - XVI Bansko Mountain Film Festival, (Bulgaria), November 2016 - FIFMA – 33ème Festival International du Film de Montagne d'Autrans (France), Nov-December 2016 - Grand OFF – 10th World Independent Short Film Arwards, (Poland), Nov-December 2016 - Passagi d'Autore – 12th Festival del Cortometraggio Mediterraneo, (Italia), December 2016 - Cortex – 7th Festival de curtas metragens de sintra, (Portugal), February 2017 - Anim! Arte – 13th International Student Animation Festival of Brazil, March 2017 - MEDIAWAVE – 27th International Film and Music Gothering (Hungary), April-May 2017 - Animafest – World Festival of Animated Film, World Panorama, Zagreb (Croatia), June 2017 - MIAF – Melbourne International Film Festival, Installation Animation, (Australia), June 2017 - Picurt – 11th edition of PICURT, Mostra 2017 (Spain), June 2017 CREDITS Direction, animation / Mélody Boulissière Screenplay / Mélody Boulissière, Bogdan Stamatin Sound Designer / Grégoire Chauvot Original score /Clément Guillot Main character voice / Mattia Maggi Voices / Silvia Biehl, Maria Cadenas Sanchez, Mattia Maggi, Nina Mihaila, Mina Perrichon, Jinkyeu Shin, Georges Sifianos Foley artist / Agathe Courtin Sound recorder / Valentin Sampietro Audio mixing / Geoffrey Perrier Colour correction / Frédéric Mocellin Mentor / François Darrasse, Pascal Lemaire, Benjamin Delmotte Technique coordinator / François Colou, Frédéric Mocellin Produced by ENSAD École Nationale Supérieure des Arts Décoratifs, Paris. TRAILER vimeo.com/163475716 PORTFOLIO Mélody Boulissière http://bit.ly/2PyJ56h ———————————————————————————————- Somewhere (Ailleurs) | 2016 | 06 min | France | without dialogue | ENSAD


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Each fall our skies fill with the wings of migrating raptors. This ancient migration spans two hemispheres, binding our backyards to the forests of the far north and the wildest corners of South America. A network of volunteers and biologists stand ready to document each pulse of the migration by collecting data that may arm us with the means to better understand the health and wellbeing of these wayward fliers and the landscapes that sustain them. Sky Migrations is a film about a journey that embeds us in this epic migration for a brief moment, telling the stories of those who, with eyes cast skyward, tuck themselves atop mountains to help ensure that October skies may continue to flood with raptors, and that wilderness itself lives on. More info at: http://bit.ly/2A2t3wf A Film By Charles Post, Max Lowe and Forest Woodward Charles Post: http://bit.ly/2QHiKD5 Max Lowe: http://bit.ly/2A3kgKl Forest Woodward: http://bit.ly/2QHU9y6 Co-Directors: Charles Post, Max Lowe and Forest Woodward Sound Design: William Lake Springstead Editing: Sam Hedlund Color: Sam Lowe Motion Graphics: Jim Menkol Illustrations: Issac Lowe Special Thanks To: Hawkwatch International and crew Joseph Dane Andy Earl Huckberry Mary Anne Potts National Geographic Micah McKay Zach Alexander Dennis Randall Song: “Guess I Was Just Young” Performed by: Evan Phillips (w/ Courtney Marie Andrew) (both versions) (End Song) Written by: Evan Phillips Licensed by: Evan Phillips Music / The Firn Line Song: “Alligator” Performed by: YURT (Travel Song) Written by: Olivia Kesterson & Marlo Kapsa Licensed by: Olivia Kesterson & Marlo Kapsa Song: “Go East” Performed by: Le Loup (Goshute 1 Song) Written by:? Licensed by: SUB POP LICENSING Song: “Breathing Rapture” Performed by: Le Loup (Goshute 2 Song) Written by:? Licensed by: SUB POP LICENSING Song: “Fading Memories” Performed by: Tony Anderson Written by: Tony Anderson Licensed by: Musicbed http://bit.ly/2A4LdNM Song: “Looking Back” Performed by: The Earth & Arrow Written by: Rob Casmay Licensed by: Marmoset Music http://bit.ly/2QH7uGT


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White Lies (first single from TATRAN upcoming album Foresee) Directed and animated by Shahaf Ram http://bit.ly/2zUrL6b http://bit.ly/2BXO1h8 Animation Assistant - andrey missing http://bit.ly/2zVz0L7 http://bit.ly/2BXB6LY Concept Art and script by andrey missing and shahaf ram Music by TATRAN http://bit.ly/2zV8GRC http://bit.ly/2BXB7zw http://www.youtube.com/tatranmusic - - - - When I was 9 I played in a tennis tournament. First round begins, the referee of my match didn’t show up. My opponent’s dad said: I’ll be the judge. I didn’t suspect a thing at first but then it dawned on me.. They were fucking cheating. Nobody was there to help so I decided to fight back as hard as I can. I channeled my rage towards the yellow ball. I was unstoppable. Running. Sweating. Swearing. Michel Jordan. Win. Win. Win. After the first round I felt super ready for the next round. But nobody called me for the next game. Days turned to weeks and summer was over. When school started I started to realize that there is no next round. It haunted me, Did they just continue to play without me?? And maybe the tournament wasn’t over, maybe they still play till this day. Maybe there is no next round at all. No final, no trophy. You just keep playing. - - - - בכיתה ו הייתי בנבחרת של גבעת אלה בטניס בקיץ המועצה המקומית ארגנה טורניר בין הישובים. התחיל סבב המשחקים הראשון. עשרות ילדים מזיעים אחד מול השני. אך קרה מקרה- ולמשחק שלי היה חסר שופט. האבא של השחקן מולי החליט שהוא יהיה השופט. בהתחלה לא חשדתי. אך מהר מאוד הבנתי מה המשמעות של העניין וראיתי את ההפסד הצורם מתקרב ללא שליטתי. זה היה כול כך לא הוגן ולאף אחד לא היה אכפת. ואני זוכר איך מתוך פיגור במשחק ומתוך החוסר הוגנות הזאת קיבלתי כזה דרייב להילחם חזרה. וכשהמצב היה נרא חסר סיכוי. משהו נפתח בי. איזה זעם וגאווה חסרת גבולות. הייתי בלתי ניתן לעצירה. לא הפסקתי לזוז לקפוץ. להתאבד על כול כדור. זה לא היה פשוט. אבל ניצחתי . יום סבב המשחקים הראשון עבר. חזרתי לישוב. הרגשתי מוכן לסבב הבא. ימי הקיץ עוברים להם לאט, ואני מחכה, ומפנטז כמה רחוק אצליח להגיע עם הזעם החדש שרחשתי. אבל אף אחד לא קורה לי לבא. הקיץ נגמר, הלימודים מתחילים ומתחיל להזדחל לי לראוש הרעיון הזה, התובנה הבילתי נסבלת- שהסבב הבא לא הולך להגיע. ואחת לכמה זמן עוד הייתי תוהה עם עצמי מה קרה שם? למה הטורניר לא המשיך? ואולי הוא כן המשיך פשוט בלעדי ? ואולי בעצם הוא פשוט לא נגמר מעולם. אולי הוא עדיין קורה. טורניר אחד גדול וארוך. ואין שום שלב שני שאפשר להגיע אליו. גם לא שלישי או חצי גמר. ובטח שאין פודיום קטן שעולים אליו ושומעים מחיאות כפיים רחוקות או גביע נוצץ מפלסטיק או מדליית ארד שעולה בחניות הספורט בדיוק כמו מדליית הזהב. אין. פשוט ממשיכים לשחק עד שנשחקים. וגם אז - - - -


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We’re All Going To Die takes on the simple task of exploring the meaning of life. Through colour, imagination, humour and fart jokes, Director Stefan Hunt asks you to look at the what ifs, the why nots and the oh wells that might flash before your eyes when paid a surprise visit by Death. With your internal monologue played by Jared Jekyll and Death played by Hugo Weaving (The Matrix, Lord of the Rings), you’re prompted to get existential whilst grinning from ear to ear during this independent short film of fantastical weirdness. The film is an adaptation from Stefan Hunt’s illustrated book ‘Were All Going To Die’ and part of a multimedia extravaganza of that same name that was launched in October 2017. The project uses death and art to empower its audience to fear less & live more. “Years ago I was crippled by fear. Reminding myself that I’m going to die has changed my approach to life. It’s the most powerful force to live by.” says Hunt, who independently funded this project alongside a successful Kickstarter campaign. A huge thank you to everyone who has been part of the journey. Let’s keep kicking fear in the balls. For more information visit - http://bit.ly/2yh0wAM Official book available here - http://bit.ly/2Rt11jU Director - Stefan Hunt Producer - Yingna Lu Director of Photography - Campbell Brown Editor - Stefan Hunt Man - Jared Jekyll Death - Hugo Weaving Production Designer -Ian Kanik Art Director - Mohini Herse Art Director - Courtney Covey Costume Designer - Christina Bouzios Costume Designer - Rosa Spring Voss Hair and Make Up - Katy Clucas Hair and Make Up - Lisa Mangion Sound Composer - Jonny Higgins Casting Director - Felicity Byrne Unit Production Manager - Maren Smith Unit Production Manager - Nicole Hofstädter 1st Assistant Director - Stuart Beedie Stunt Coordinator - Mark Duncan (TwinStar Stunts) Stunt Rigger - Neal Horton Production Assistant - Olivia Carolan Production Assistant - Yasmin Blake Production Assistant/Reader Emele Ugavule 1st Assistant Camera - Joel Eames 1st Assistant Camera - Sid Tinney 1st Assistant Camera - Tim Keith 2nd Assistant Camera - Luke Tysoe 2nd Assistant Camera - Chris Moore 2nd Assistant Camera - Rhavin Banda BTS Jack Shepherd Wardrobe Assist - Amber Theron Gaffer - Mat Wilson (Focus Film Lighting) Gaffer - Steve Schofield (Lumen Arty) Best Boy - Nathan Grant Best Boy - Richard Hawkins Best Boy - Charles Gray Key Grip - Chris Davies Sound Recordist & Boom Operator - Martin Demian Stills Photographer - Sam Shepherd Locations Services - Emelie Fagerman and Alex Intihar from Search Party Locations Online Editor / Colourist - Matt Fezz VFX Supervisor - Matt Fezz VFX Supervisor - Matt Campbell Storyboard Artist - Amber Theron Graphic Designer - Sam Shepherd Designer - Hui Ying Kao Designer - Courtney Brookes Animator - Andrew Khosravani Animator - Michael Chen Post Sound Supervisor - Jonny Higgins Voice Over Recordist - Rob Hughes Voice Over Recordist - Simon Lister VO recorded at Nylon Studios Special Thanks to; Paper Moose Crater Studios Mrs Nina Tattoli Vanessa Marian Helena Rosebery Southern Cross Cameras Australia Stef Smith Matt Pike Whitney Oliver Alexandra Kent Adam Benton Liam Riley Ant Pawley Kei Yokokawa Williams Management Andrew Wilkinson (Sydney Prop Specialists) Alt.vfx


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Wednesday, October 3, 2018

facebook.com/FAUVEfilm CAST Tyler: Félix Grenier Benjamin: Alexandre Perreault The Woman: Louise Bombardier CREW Writer/ Director : Jeremy Comte Production : Evren Boisjoli (Achromatic Media), Maria Gracia Turgeon (Midi la Nuit) Cinematographer : Olivier Gossot Production Manager: Julie Groleau Production coordinator: Kelyna N. Lauzier 1st Assistant Director: Catherine Kirouac Casting Director: Victor Tremblay-Blouin Costume Design: Renée Sawtelle Make-up & Hair Artist: Stéphanie Barette Sound recordist: Laurent Ouellette Key Grip: Roland Cody Laroque Best Boy Grip: Nicola Poitras Gamache Grips: Patrice Arsenault, Thibault Kersani 1st Camera Assistant: Jeanne Dupuis 2nd Camera assistant & Gimbal operator: Benjamin Granet Stunt Coordinator: Tyler Hall Visual Effect Supervisor: Jean-Francois Clément Assistant Visual Effect Supervisor: Alex Legault Unit Production Manager: Jean-Maxime Giguère Set Production Assistant: Gabrielle de Cevins Production Assistants: Stéphane Pierre-Dufour, Sophie Cullen Aubut, Sabrina Lavergne, Molly Manseau Production Driver: Antonio Gracia Molero Production Intern: Gabrielle de Cevins Medic: Dominique Laplante Catering: Reception GL Animal Wrangler: Alain Chiocchi Script collaborators: Patrica Boucher & Daphnée Côté Hallé Script Consultant: Phillipe Lesage Image Post Production: Outpost Post Production Supervisor: Simon Allard Editor : Jeremy Comte Online Editor: Simon Allard VFX Artist: Val Michailov Sound Post Production: Cult Nation Mixing & Sound Design : Hugues Bertrand, Théo Porcet, Jean-David Perron Foley Artist: Michael Anctil Sound Post Production Coordinator: Sophie Bérubé Colour: The Mill - Chicago Colourist : Luke Morrison Colour Assist: Lindsay Mazur Coulour Producer: Dan Butler Colour executive Producer: Laurie Adrianopoli Music: La Hacienda Composer: Brian D'Oliveira Distribution and international sales: H264 Distribution Poster & Title design: Sebastien Camden - Pusher Filming Equipment: Cineground, Achromatic Media, Cinepool, Multiservice Luna Vehicles: Location Via Route Production Accountants: Marie-Ève Desbiens Tremblay, Johane Bergeron Auditing: Benoit Gauthier Production Insurance: BFL Lawyer: Gabriella Rozankovic - Lussier & Khouzam Produced with the financial participation of SODEC, CALQ, Provincial tax credit & Federal tax credit * Fauve played over 80 festivals internationally and won over 40 awards. Winner: Special Jury Award - Sundance Film Festival 2018 Winner: Best of the Festival - Palm Springs ShortFest Winner: Grand National Jury Prize & Best Youth Short Film - Regard Int. Short Film Festival Winner: Best Drama - Aspen ShortsFest Winner: Programmers Choice Award - Cleveland Film Festival 2018 Winner: Best Narrative Award - Minneapolis Saint Paul International Film Festival 2018 Winner: Jury Award for Live Action- Vienna Shorts 2018 Winner: Best International Short - Rincon International Film Festival, Puerto Rico, 2018 Winner: Jury Award, Public Award, Prix Ciné Tapis-Rouge - Festival Courts d’un soir, 2018 Winner: Best Directing, Public Student, Young Voters & Public Award - Longue vue sur le court, 2018 Winner: Premio SIGNIS MÉXICO - Guanajuato International Film Festival, 2018 Winner: Grand Jury Prize (Short Film) - 12th FIRST International Film Festival Xining, 2018 Winner: Grand Prix for Best Short Film - Melbourne International Film Festival, 2018 Winner: Best International Narrative - DC Shorts, 2018 Winner: Best Quebec Short Film - Les Percéides, 2018 Winner: Artist Award Winner - Odense International Film Festival, 2018 Winner: Honourable mention for Best Canadian Short Film - Toronto International Film Festival, 2018 Winner: LeCentral Jury Prize - Off-Courts Trouville, 2018 Winner: Best Overall Short Film - Calgary International Film Festival, 2018 Winner: Best Short Film, FIPRESCI Award : Best Short Film - IFF Pacific Meridian, Vladivostok, 2018 Winner: Brief Encounters Grand Prix - Encounters Film Festival, Bristol. 2018 Winner: La Fabrique Culturel Award - Long Week-End du Court, 2018 Winner: National Competition Grand Prize, Audience Award - Quebec City Film Festival, 2018 Winner: German Independence Award : Best Short Film - Oldenburg Film Festival, 2018 Winner: Best Actor - International Shorts Competition (Félix Grenier) - Les Fantastiques week-ends du cinéma québécois : Vidéotron Award for Best Short (Argent), UDA Award for Best Actor, EVS Award for Best Upcoming Producer (Maria Gracia Turgeon) - Fantasia International Film Festival, 2018 CONTACTS H264 Distribution / Attn : Jean-Christophe J. Lamontagne/ jc@h264distribution.com Midi la Nuit / midilanuit.com / maria@midilanuit.com / facebook.com/MidiLaNuitFilms Achromatic Media / http://bit.ly/2NjSLPW evren@achromatic.ca /


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