Two years ago I started filmmaking. I bought a GoPro, went traveling in South America and made a video of it. From that moment my passion for filmmaking started and marked the start for my video business. I actively started filmmaking and bought my first camera: Panasonic GH5! Now, two years later, I am proud to present my new video. LANDS OF THE MAYA is the result of two years of hard work on my camera, editing, colour grading and sound design skills. This video captures a 4 week journey trough Guatemala, Mexico and Belize. In short: Vulcanoes, whale sharks, Maya temples, waterfalls, culture and food! Watch our other works: Desire - Peru: http://bit.ly/2N7mG1N Ecuadorable: vimeo.com/249091728 Norwegian Dreams: vimeo.com/228080927 Faces of New York: vimeo.com/216171721 Journey: youtube.com/watch?v=c_rinqA0LgM Places visited: - Antigua (Guatemala) - Acatenango Vulcano (Guatemala) - Pacaya Vulcano (Guatemala) - Lake Atitlan (Guatemala) - Flores (Guatemala) - Tikal (Guatemala) - San Cristobal de las Casas (Mexico) - Palenque (Mexico) - Merida (Mexico) - Isla Mujeres (Mexico) - Tulum (Mexico) - Caye Caulker (Belize) Gear - Panasonic GH5 - Panasonic Leica 12-60mm F/2.8-4 - Panasonic Leica Nocticron 42.5mm F/1.2 - Voigtlander MFT 17.5mm F/0.95 Nokton‎ - DJI Mavic pro - Rode Stereo Videomic Pro Music: Meridian by ODESZA

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Brandon Semenuk’s ‘RAW 100’ for 2018. Athlete: Brandon Semenuk Directed by: Rupert Walker and Brandon Semenuk (Revel Co.) Course Build: Evan 'Intern’ Young, Dan Fleury, Will Clifford, Brandon Semenuk DP: Rupert Walker Producer: Brandon Semenuk Sound Design: Keith White Editor/Colourist: Rupert Walker VFX: Dan Gaud Photography: Ian Collins

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half man half cat.

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One day,a man met a woman

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It’s a new century for Nikon imaging, and I’m super honored to be a part of it. The 101-year-old company has announced what I consider to be one of the most remarkable imaging devices on the planet, the Nikon Z7. Along with its companion, the Nikon Z6, these cameras mark Nikon’s debut in the world of full-frame mirrorless cameras. I was given wide latitude with the opportunity to create a short film using the new Nikon Z7, and the result is a film I’m calling “Morning.” The concept of this film was born out of the idea that so many of us really try to make our mornings count. Whether we’re writers or artists using those early hours to tap into our creativity, or we’re parents or spouses who are trying to make the first moments of our day really count, mornings are a sacred time of day. Many of us use those first hours of the day to go for a ski tour, bouldering, hit the gym, do yoga, or meditate. For me, when I’m lucky and not on a deadline, I like to take my mountain bike out for a ride on the trails surrounding Lake Tahoe. I thought that shooting a mountain-biking film in my backyard would be the ideal scenario. And it was fitting because during the short window of time I was given to create this film, mornings ended up being the only time of day I actually had to shoot! We worked with Kyle Smaine, an incredibly local athlete who is a world-class freeskier who can also ride a mountain bike like no one else. We shot Kyle tearing across a handful of my favorite trails and sections of granite in the Lake Tahoe basin. The Big Picture This isn’t just a new camera with a new mount that’s mirrorless and shoots silent. It’s a new and better tool in an ecosystem that I’m already using and love. The idea that I can continue to use all my favorite Nikkor lenses, but shoot higher-quality video with my eye pressed to the electronic viewfinder, take advantage of the autofocus capabilities, and produce higher-quality images all in a smaller form factor means that I might just be one of the most excited guys around after today’s big announcement. Thanks and More Soon… Thank you, first and foremost, to Nikon for the opportunity to represent your company as an Ambassador and to be given the opportunity to flex my creativity using the best tools on the planet. See more BTS images on my site http://bit.ly/2NyYBhk

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There’s something fascinating about our own home galaxy. Even if we still cannot look at it from above and gaze at the full span of its arms, the sideway view offers a quite a showdown. To me the central part of the milky way is the most spectacular sight of the night sky. It’s something you can clearly see with the naked eye when you are away from city lights. It’s a sight that really brings your down to Earth and lets you wonder at how small we are, while comforting you in the thought that you are part of this Earth and the Universe. I could gaze for hours at the central bulge and just contemplate its compelling beauty from where it rises till where it sets. From a photographic and scientific point of view, this part of the milky way is so interesting to capture and study because if our solar system is located in its suburbs, the downtown district of our home galaxy harbors billions upon billions of stars. They are so concentrated that the total light coming from them can be seen millions of light years away and really creates this halo of light visible when you take a picture of it, much like a fire blazing. However a thick blanket of dark hydrogen clouds shroud and block the complete view. You can even see these fine dark lanes with the naked eye and they really participate in making the whole picture something from another world. Of all of them the Pipe and Dark Horse nebulae are descending down the core obscuring the upper part of the central bulge. In addition to this celestial show many emission nebulae- reliques of previously exploded stars, pepper the disc. Among them the bright and colorful Lagoon nebula, the pink and blue Trifid nebula, the red Cat Paw, War and Peace and Prawn nebulae around Scorpius. Moreover many star clouds (like the Sagittarius star cloud) and other remarquable star clusters also participate in strewing this already full frame. Finally the closest stars (like Antares) and near planets visible during the time of shoot (Mars, Saturn, Jupiter) also give a sense of just how ridiculously big the distance between Earth the the core is. Being fascinated by the core since I started astrophotography where it was barely visible (Denmark), I started looking for the best places in the northern hemisphere where I could get a clear view. The first time I really saw it was on the beautiful island of Tenerife 4 years ago and I sincerely will remember that experience for the rest of my life. Gazing upon the center of our galaxy in its full glory is something everyone ought to try. That’s why I decided to dedicate the third opus of my astrolapse series ‘Galaxies’ exclusively to the core, assembling my best clips to date and bringing them to the public, mainly to raise awareness and to get our night sky a bit more attention. I was appalled by just how many people have never seen the milky way so maybe by showing the true beauty of the universe I could contribute in my own limited way to bringing the real dark skies to the hectic and light polluted urban jungle. The goal once again was to use the best techniques in astrophotography and time-lapse to exploit each frame to its maximum without compromising the quality. From planning, to traveling to remote locations, to shooting with some of the best astro-gear, and eventually finding a novel post-processing workflow, I was able to get some astounding and never-seen-before sequences of the core. Traveling to very elevated and dark places allowed me to get the best signal to noise ratio as well as the best ‘contrast effect’ in the halo created by the stars in the bulge. The array of extremely sharp and bright lenses I utilized permitted to decrease shutter speed and get less motion blur while getting extremely clean shots with little aberration. The use of an astro-modified camera (Canon 6D), light pollution filters (Pure night, Nachtlicht) and a star tracker (Vixen Polarie) enabled me to capture the H-alpha emission nebula better and generally get better contrast and light altogether (See the two previous episodes for explanation). To create motion I also used the Syrp Genie I 3-axis system and the Vixen Polarie. I really wasn’t interested in just getting the usual wide-angle shots of the milky way and tried a lot of different set-ups to get a new view on the core. I am really proud to say that thanks to a lot of relentless work to find the best astrolapse workflow, these sequences are some of the most defined available on the market with some of the best quality and true-to-life colors. Cameras: Sony a7s, Canon 6D Baader modded Lenses: Sigma 14mm f1.8, Sigma 20mm f1.4, Sigma 50mm f1.4, Samyang 85mm f1.4, Samyang 135mm f2 Post-process: Adobe Lightroom, Timelapse+ plug-in for Lr, Ps CS6, TDLF, Sequence, FCPX Locations: La Palma (Spain), Tenerife (Spain), Grimsel Pass (Switzerland), Emosson (Switzerland), Jura (France)

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“S E N T I E N C E” Produced for 1788-L DIRECTED / DESIGNED BY JONATHAN PLESEL MUSICS: F O R C E / I M P U L S E - 1788-L A S T R A Y / R - 1788-L N U / V E R / K A - 1788-L 1 7 8 8 - L & totto - F U L L / B U R S T - 1788-L & totto jonathanplesel.fr/ facebook.com/jonathanplesel instagram.com/jonathanplesel behance.net/jonathanplesel © 2018 Jonathan PLESEL. All Rights Reserved.

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Marooned on a forest planet, an Imperial scout trooper hunts a lone Jedi, when he discovers an unexpected ally. — Directed by: Brendan H. Banks Written by: Charlie McWade Edited by: Vincent Welch Produced by: Sean Dermond Executive Producers: Brendan H. Banks, Josh Ruben, Paul Lowey, Mike Ritchie Associate Producer: Kelly Shea Starring: Josh Ruben & Starla Bolle With Charlie McWade & Abe Danz Production Coordinators: Phoebe Tillem & Anni Krueger Cinematography by: Brendan H. Banks Camera Operator: Eric Teti Camera Assistant: Justin Onne Gaffer: Camilo Chao Sound Mixer: Jeff Gaumer Production Designer: Kelly Shea Costume Designer: Sean Dermond VFX by: Gloo Studios VFX Supervisor: Mike Ritchie VFX Producer: Paul Lowey VFX Coordinators: Ali Ajmeri & David Cohen VFX Artists: Aleander Reid, Nicolas Pierson, Nolan Guerriero, Cam Slusar Colorist: Jenny Montgomery (Company 3) Sound Designer/Re-Recording Mixer: Michael Suarez Additional Dialogue Recording: David Wolfe Special Thanks: Barbara & Arthur Ruben, Creighton DeSimone, Gnarly Bay

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Inspired by all of the tiny illusory moths I see out of the corner of my eyes late late at night. Animation by me. Audio by the incredible Thomas Williams.

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A young woman who has been sexually assaulted by a stranger on the subway is rendered with psychological menace and sensory dislocation in this elliptical tale. “Cheer Up Baby” is this week’s Staff Pick Premiere. Read more about it here: vimeo.com/blog/post/cheer-up-baby

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Ep. 1 of the “Lost as Ever” series - “The Friends” Other episodes: http://bit.ly/2oijum1 written, directed and edited by Sam Molleur featuring: Brendan Clifford Jesse Fleece music by Jeff J. Findley http://bit.ly/2BWbDEo

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Directed by Fleur fortuné • Produced by DIVISION™ for Cossette Toronto

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direct/design/animation/music by Hwang ji - lee tool : after effect, photoshop, fl studio

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A quiet look at the lives on the line. First-hand stories from Central American migrants and asylum seekers searching for a better life in the north. This was made to be watched full screen and loud. A film by Matthew K. Firpo “Give me your tired, your poor, your huddled masses yearning to breathe free…” Producers | Rosanna Bach & Matthew K. Firpo Cinematographer | Jeremy Snell (http://bit.ly/2BQ8BSg) Editor & Colorist | Carlos Flores (http://bit.ly/2wiPj2B) Original Score | Gavin Brivik (http://bit.ly/2PaNqMo) Sound Design & Mix | Sean Higgins Location Sound | Enrique Gonzalez Assistant Camera | Gary Bardizbanian Executive Producer | Maximilian Guen UNICEF Mexico Staff | Lourdes Rosas & Isaias Garcia Special Thanks | Casey Rotter & Donia Quon We’re eternally grateful to those who trusted us to share their stories, and to the entirely volunteer team of artist that gave all of themselves to help tell them. Filmed on location in Chiapas, Mexico Made Possible by UNICEF NextGen @MatthewKFirpo | http://bit.ly/2wlcEAy

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Through four very different couples, the arc of a relationship is portrayed in its stages of growth, death, and rebirth. DIRECTED BY DAREN RABINOVITCH ASSOCIATE DIRECTOR - ISAIAH SAXON CHOREOGRAPHER - KIANI DEL VALLE Made at Encyclopedia Pictura in Los Angeles Production Company - Ways and Means, Ghost Robot Executive Producers - Lana Kim, Jett Steiger, Mark DePace Producer - Rachel Nederveld Production Manager - Sarah Winshall 1st AD - Bobby Nicholson Director of Photography - Drew Daniels 1st AC - Troy ‘Teddy’ Dickerson 2nd AC - Joe Rosenblit Steadicam Operator - Orlando Duguay Additional Photography - Oliver Young Electric - Joel Bezemer Grip - Kazmo Kida Swing - Zach Kienitz Production Designer - Almitra Corey Hair & Make-up - Lauren Wilde Stylist - Elizabeth Warn Assistant Stylist - Minnie Garcia Truck Production Assistant - Teddy Purdy Set Production Assistant - Conner McCabe

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A house robbery in suburbia goes awry. A film by Tannaz Hazemi Official Selection 2018 Slamdance

Tink is a studio project that evolved from a series of animations experiments we created in April 2018. Drawing on elements of these animations and what we’d learnt over the month we created a warehouse of experiments that was brought to life with sound design by our friends at Box of Toys. Each month Mr Kaplin choses a different theme as a springboard for a series of short, in-house animation and design exercises. To see our latest #MKDailies visit http://bit.ly/2wcAKxC Direction, design and animation: Mr Kaplin Sound Design: BXFTYS

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A woman is swept up by pelicans and chaos in an afternoon ride share. Official Music Video for Annihilation Song from Rubblebucket’s new album ‘Sun Machine’ Out 8-24-18 Order 'SUN MACHINE’ !! http://bit.ly/2wotM7J Pencil on paper | Digital color Directed by Amanda Bonaiuto Color assistance: Sam Palmer

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A SHORT FILM DIRECTED BY JIN ANGDOO STARRING SMALL GREY BALL CONCEPT DIRECTOR OF PHOTOGRAPHY PRODUCTION DESIGN EDIT & FX COLOR BY JIN ANGDOO angdoo.com / @superangdoo SOUND & MUSIC BY FATHER wearefather.com / @father_insta SPECIAL THANKS TO STRANGE BEAST strangebeast.tv / @strangebeasttv

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It started with forgetting where she was. But before long, she had forgotten WHO she was. “Self, Contained” tells the surreal story of a woman coping with Transient Global Amnesia - a sudden, temporary episode of memory loss.

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From the new album ‘One Hundred Billions Sparks’, released 20 Sept. Pre-order with tour tickets from Max Cooper’s official store: http://bit.ly/2BDyl4b For the ‘One Hundred Billion Sparks’ album project I want to tell a story of our one hundred billion sparking neurones, and the magic which they create: our minds. Early in the story I aimed for the “nuts and bolts” of the processes involved, but not in the sense of showing a neuroscience lecture, I want to find the artistry and beauty of the natural processes involved. Those are what make the richest visuals for my videos and live shows. Following this reasoning, one idea which came along, was to visualise a “Turing-complete” machine, which is a computer that is capable of performing any computation. This means the design of the computer is versatile enough to allow for any logical operation, within the constraints of the sorts of logical operations our usual computers can do. David Deutsch, amongst others, makes a convincing argument that human brains must also be universal computers in this sense, in his interesting new book ‘The Beginning of Infinity’. So I have some rough grounds at least, for making this link between brains and computers for the purpose of trying to get some hint of the visual essence of thought. The interesting aesthetic link comes in via the work of Stephen Wolfram, from his 2002 book, ‘A New Kind of Science’, where he shows that simple “cellular automata” models, growing blocks of binary colour following simple rules, can create rich behaviours in their growth patterns, and even yield a system capable of Turing-completeness. Following a systematic exploration of the simplest possible rules governing cell duplication, Rule 110 is the first rule which displays Turing-completeness (http://bit.ly/2o2Jemn), and is the simplest visual system that I know of which embodies this attribute. The really interesting thing is that Rule 110 also displays a very particular visual aesthetic, that of a combination of order and chaos, never totally predictable or totally random. For me, that potential artistic/aesthetic link to universal thought is pretty amazing, and it’s also an aesthetic/property which appears in many other important places in nature (for example http://bit.ly/2BOlJHA), as well as being one of the main principles of my approach to music, where a healthy dose of disorder is always important. After settling on this visual form for the project, I needed to create a piece of music which suited the retro blocky nature, which is something akin to Tetris. My immediate thought was big gated reverb snares and powerful classic synths. It had to be bold and clean in one the large scale, but also full of generative unpredictability. It all fit nicely with what I like to do anyway, and just pushed me in a slightly more poppy direction than anything else on the album. The initial focused time was spent finding the killer chord sequence and bold patch, then setting up a generative seething chaos of synthesis with plenty of random waveforms and modulations, then a long time on the arrangement detailing with more than 100 layers of sounds. I finally added a vocal from Wilderthorn, which I chopped into destruction, just there to add a little hint of humanity in amongst the computation. The final step in the process was to chat to the great visual artist, Raven Kwok, about the ideas and what I would like from the video. I was really happy when Raven showed me that he wasn’t just going to make an artistic interpretation of Rule 110, but had actually built his own version of the real system! So the video shows an authentic pattern-generation of Rule 110, where we can see moments of repetition and pattern, but never in perpetuity, it always returns to disorder. The colours and 3-dimensional explorations are Raven’s extension of the basic system. I still find it counter-intuitive that a simple deterministic system like this can yield undecidability in the content of its output, and I find it inspiring that this property relates to universal computation. It seems to me, at least, like the finest artistry. That’s why I wanted to include this story in my project. Perhaps those of you who are computer scientists will see that it must be so and that it is a trivial connection, if so, you’ll have to explain that to me some time! - Please sign up to the mailing list for news and exclusives: http://bit.ly/2o2JeCT Pre-order 'One Hundred Billion Sparks’ with tour tickets from the official store: http://bit.ly/2BDyl4b

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In June 2018, we set out on a 2-week journey to Iceland & Copenhagen, enjoying two very different experiences on just one trip. On the one side, the vastness, emptiness and otherworldly landscape of Iceland with it’s almost 24 hours-daylight in summer, on the other, a modern city full of life, history and exceptional architecture. This film is a collection of all the contrasting moments & memories we captured. Directed by: Vincent Urban facebook.com/vincenturbanfilms instagram.com/vincenturban Filmed by: Vincent Urban, Max Neumeier, Alex Eagleton Edit, Grading & Sounddesign by: Vincent Urban Driver & grilled cheese-chef: Quirin Guggenberger This film was made possible by the support of Icelandair & VisitDenmark. Thanks to: Pia Vester, Anders Nielsen, Julie Siegemund, Matt Orlando & the team at Amass, Milton Abel & the team at Andersen & Maillard Filmed with Sony a7s II and DJI Mavic Pro Music: “BLOODFLOW” performed by GRANDBROTHERS (Sarp, Vogel) © City Slang Berlin Courtesy of La Chunga Music Publishing GmbH

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A charcoal animated documentary about an ex-homeless man, and the changes he has made as a recovering alcoholic. — - Ottawa International Film Festival - Official selection (2017) - Sommets du cinéma d'animation - Official selection (2017) - Animafest Zagreb - Official selection (2018) - Au Contraire Film Festival - Official selection (2018)

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We discovered the Dolomites during winter. It was like an other world. Distant. Millions miles away. Like if we were there and in an other place at the same time. Like if “Mystic” was the only word which can discribe what we were living. Millions miles away. instagram.com/loeildeos http://bit.ly/2PvETVa

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The story of a 15 year old cocaine dealer. “DRUG RUNNER” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2MLo7CQ Director: Charlotte Regan Production Companies/Support: Knucklehead, BFI Future Film & Bold Content. Director of Photography: Arran Green Starring: Mitchell Brown & Charlotte Lancaster Voiceover: Alfie Stewart Composer: Patrick Jonsson Producer: Tara Trangmar Sound Recordist & Design: Michael Ling Art Director: Elena Muntoni 1st AD: Jordi Estape Steadicam Op: Charlie Rizek Executive Producers: Noel Goodwin, Blackmagic, Matthew Brown, Tim Katz, Adam Neale. Production Managers: Joanna Marciszewska & Alfie Chambers 1st AC: Beau Pritchard James 2nd AC: Eliot Poyzer Camera Trainee: Ilya Major Gaffer: Jake Buckley Sparks: Sam Baker & Ross Brown Grip Assist: Josh Cob Driver: David Burridge BTS Photographer: Sarah Boezalt Colourist: John Layton Editor: Charlotte Regan Older Boys: Tian Scott, Miles Walters, Marley Pitsillides Customers: Ciaran Burke, Daniel Kemp, Milly Roberts, Zoe Watson, Jack Sunderland Friends: Baxter Willoughby, Angus Taylor, Jaidel Burke, Leo Pitsillides Police: Nick Lester Runner: Ben Sheridan

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GoodPeople Presents: Abyusif - عزرائيل Director: Wael Alaa Cinematography: Muhammad Ibrahim Executive Producer: Khaled Zaki Producer: Norah El Khateeb Focus puller: Ahmed Thabet Assistant Director: Ahmed Tarek Production Manager: Mahmoud Sabry Casting Agency: Challenge Color Grading: Karim Mira (Lizard Studio) VFX Artists: Rimon (Squids Studio), Yasser Azmi http://bit.ly/2N6ZEoN http://bit.ly/2MFTD5m

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Music Video for Rondo Mo All effects are in camera. No VFX used. Director: Balan Evans Producer: Scarlett Barclay DOP: Simon Plunket 2nd AC: Alex Shipman Camera Trainee: Elena Agulla Gil Gaffer: Hugh Donnelly Technician: Alex Michaelis

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facebook.com/johnduncanfilmmaker/ http://bit.ly/2OUWt3X john-duncan.co.uk Having spent the past seven months travelling all over Scotland to shoot my new film, ANCIENT SCOTLAND, I’ve never been more proud to call this country home. Shot at twenty one stunning locations from as the far north as Muckle Flugga at the very top of Shetland to the prehistoric wonder of Britain’s highest sea stacks near St Kilda, some 40 miles west of the Outer Hebrides. As the third in a series of Scottish aerial films, I wanted to continue the progression of theme. My first film, Beautiful Scotland, was really just a collection of beautiful shots. My second, Wild Scotland, embraced the wild theme of this country, featuring many of our wild animals. So for this third instalment I had to look deeper at what defines Scotland for me. It soon dawned on me that Scotland has so much of the ancient about it, not just in terms of architecture but far older geology (a field of study which has its roots here). This led to a shot list ranging from incredible, imposing castles through to totemic sea stacks and the looming presence of St Kilda, a citadel of rock standing proud amidst the crashing maelstrom of the Atlantic which was inhabited until the 1930s. Having already shot two films in Scotland, I’d already picked the low hanging fruit of the more accessible locations so the logistics of reaching and filming this film were definitely more challenging. Each shot involved some kind of, often physically demanding, adventure. Notable examples include a four day round trip to Shetland to capture 10 seconds of footage; the challenge of getting to the wildly remote sea stacks near St Kilda; and weathering 8 hours of miserable weather in a bivvy bag on a ridge in Skye, just to be there for sunrise. The process of filming this has led to personal experiences which defy superlatives, not least the simple, awe inspiring, moments surrounded by silence as the sun rises over the horizon. Being on top of a mountain when the sun rises is an experience you will never forget. Scotland is truly a country made for those who love the outdoors in its wonder. Get out and explore it. BEHIND THE SCENES - http://bit.ly/2nSL60S Shot on DJI Inspire 2 with X5S and X7, PRORES 422HQ For footage licencing enquiries please email – hello@john-duncan.co.uk ** THIS FOOTAGE MUST NOT BE USED WITHOUT PRIOR PERMISSION **

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An alien wildlife mockumentary set on a distant planet, ‘Planet Tobler’, starring Christopher Lloyd( ‘Back To The Future’, ‘One Flew Over The Cuckoos Nest’, ‘Adam’s Family’, ‘Who Framed Roger Rabbit?’). Travel with us to the furthest reaches of our galaxy, where for the first time in history, we bring you documented footage, of an alien planet, and it’s wildlife…never…seen…before. Planet Tobler heavily references BBC’s Planet Earth series, presented by David Attenborough. It brewed from admiration of wildlife documentaries such as Planet Earth but also takes a cheeky interpretation of the natural world where naughty bits and quirky misfits engulf this foreign land. It’s a personal project that was made without distributors or funding. A passion project made for the love of making animation, having fun, and portrays how out-of-touch most human’s are with nature. Sound Designer and Founder of Echolab, Gavin Little helped produce this film with me which lead to having one of the most iconic voices of my life, Christopher Lloyd come on board. It was an absolute pleasure working and directing the Hollywood Legend, which felt surreal, daunting and incredibly exciting all at the same time. Credits: Directed by Aran Quinn Narrated by Christopher Lloyd( Back To The Future, One Flew Over The Cuckoo’s Nest, Who Framed Roger Rabbit). Produced by Aran Quinn and Gavin Little Written by Aran Quinn, Eric Chang, Alex Trierweiler Animated by Aran Quinn, Damien Bastelica, and Ray Quigley VO Mix Studio: Beacon Street Studios VO Producer: Kate Vadnais VO Mixer: Amber Tisue VO Mix Assistant: Aaron Cornacchio

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Filmed, Edited, Grading & Sound Design: Neal Howland | NealHowland.com Facebook.com/neal.howland.3 Instagram.com/nealhowland Music: Rhian Sheehan - La boîte à Musique | Musicbed.com A visual tour of some locations that I visited while in China: Shanghai, Fuzhou, Xiamen mainly. I visited for work and wasn’t there as a tourist. This was my first time in China, so I got in some sightseeing where I could. So, here is an attempt to make an interesting short video out of my personal B-roll. The text in the beginning says “Life is a journey, enjoy the ride.” Equipment: Sony A6500 w/ 10-18mm / 35mm f1.8 on Zhiyun Crane Gimbal

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A stop-motion film ten years in the making, ‘Fabricated’ is a journey through an alien world which was once our own. More at http://bit.ly/2PtgrE6 director Brett Foxwell creature vocals John France composer Andrew Poole Todd sound design Ryan Mauk Chris Vibberts color Bradley Greer audio master Dan Olmsted The full-length film is available here: https://amzn.to/2BrJq89 The original soundtrack is available here: https://apple.co/2PqUXrw behind-the-scenes http://bit.ly/2N10uDb Some extremely talented and capable people: http://bit.ly/2PtgsYG http://bit.ly/2N3ojdP http://bit.ly/2Ptgtfc

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An isolated mechanic confronts his true self. Directed: Maddy King Cinematography: Miller Best Grade: Matt Campbell

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A double video for Col3trane’s ‘Fear & Loathing’ and 'Britney’. Special thanks to the 30 people who volunteered to be buried alive in the sand dune. Dir: Oscar Hudson DP: Ruben Woodin Dechamps Prod: Francois Larpin Prod Co: Pulse Films EP / Art Assistant: Rik Green Production Designer: Tors Beedles Commissioner: Caroline Clayton Post: Time Based Arts Grade: Jack McGinity 1st AD: Natalya Van Tonder 1st AC: Ivan Zaitsev Service Company: Limelite Production Manager: Darya Andruchchenko Production Assistant: Roman Kravets And many more…

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An immersive glimpse of a school day through the eyes of deaf children. Directed by Chris Filippone and Azar Kafaei Best MiniDoc Nominee, Big Sky Documentary Film Festival, 2018 CPH:DOX, 2018 Sarasota Film Festival, 2018 Independent Film Festival Boston, 2018 Encuentros del Otro Cine, 2018 Thin Line Film Festival, 2018 SF DocFest, 2018 Palm Springs International Shortfest, 2018 Ivy Film Festival, 2018 Tbilisi International Student Film Festival, 2018 Bay Area Intl. Children’s Film Festival, 2018 KQED Summer Series Broadcast, (forthcoming, 2018)

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A Samsung 4D Experience. Produced by Hidden Content and 451 Media.

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When a prank goes wrong on a London estate - Sarah-Lee learns that it’s not all fun and games when it comes to growing up. Premiered at the BFI London Film Festival 2016. Short film written and directed by Cleo Samoles-Little / produced by Janina Samoles and Henry Napier-Brown / funded by Film London as part of the London Calling Scheme 2016. Writer/Director - Cleo Samoles-Little Producers - Henry Napier-Brown & Janina Samoles Associate Producer - Jim Friend Director Of Photography - Krzysztof Trojnar Production Designer - Joshua Brooks 1st AD - Bryony James Sound Recordist - Jim Friend Wardrobe - Yasmin Ross Make Up Artist - Emma Slater / Fiona Breslin Script Supervisor - Sylvia Belitto Gaffer - Peter Riches Grip - Nick Teulon Sound Design - Dario Swade Editor - Andres Rodriguez Colourist - Holly Greig Production Support - Creative Sparkworks CAST Sarah-Lee - Mollie Lambert Charlie - Ruby Wild Rachel - Shala Nyx Rugby - Rachel Clarke Jacky - Jacky Lipman Michelle - Naomi Hicks Shelly - Sophie Hurst Jo - Nathan Whitfield Andrew - Arthur Cull Eddie - Oscar Wilson Frieda - Sharon Lawrence Geezer - Sam Donnelly DJ - John Game Mary - Vilma Hollingbery Shopkeeper - Paul Cesar Thanks to Sylvia Edwards @ Creative Sparkworks, everyone at Ethelred Estate, Film London, BFI, Feral Equipment, Greenkit, Finish VFX, Freefolk Studios, Andrew Pavord @ Film Fixer. Playaz Recordings and many many more!

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Directed and Photographed: Mack Fisher & Taylor McIntosh Executive Producers: Nick Martini & Lindsey Hagen Head of Production: Laura R. Cushing Editor: Chris Naum Post Supervisor: Connor Scofield 2nd Unit DP (flashback sequence) : Andrea Calvetti Creative Director: Stephen Bogdan Colorist: Robbie Renfrow Associate Producer: Megan Arizmendi Featuring: WC Jameson + Julian Diab Additional Music Provided by: Brandon Hagen (@lizard_ethics), FirstCom Original music by W.C. Jameson “Texas Rain” Album: Dirt Road Home (Alpha Wolf Records)

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A nine year old boy becomes a dangerous nemesis to his mother’s new boyfriend.

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DIRECTOR: LAKEITH STANFIELD DIRECTOR OF PHOTOGRAPHY: DAVID ROEMER / BASIL FAUCHER EDITED & ANIMATD BY RUFFMERCY PRODUCER: ALEXEY GALETSKIY PRODUCER: COLIN STARK PHOTO ASSISTANT: DAREN THOMAS DIGITAL TECH: TARA CHUMPELIK FASHION DIRECTOR: TERRY LU STYLIST ASSISTANT: AGELIKA POKOVBA HAIR STYLIST: SCOTT MCMAHAN CATERING: MONTERONE Lakeith Stanfield and Hrishikesh Hirway are MOORS Here they team up with the Tune-Yards to give you ‘MANGO’ Tune-Yards recently scored the film 'SORRY TO BOTHER YOU’ starring Lakeith, here is some more info about the track…. CoolHunting > If “Mango” affirms anything, it’s that Lakeith Stanfield has mastered more than one craft. The track sees the acclaimed actor partnering with music producer HH (Hrishikesh Hirway), under the moniker MOORS, and the result is electrifying. tUnE-yArDs features on the song, amplifying the magnetism and underlining the strange magic of it all. Visual artist ruffmercy directed the video, which incorporates pop art visual manipulation that truly rounds out the experience—which tUnE-yArDs’ Merrill Garbus is quick to point out is, in fact, altogether weird. GQ > A still from the music video Mango by the Moors UNIVERSAL MUSIC GROUP And it’s as fun and weird as you’d imagine. For a couple of years now, Lakeith Stanfield, the unpredictable genius and star of Sorry to Bother You, has been making music with producer HH under the name MOORS. Experimental and dark, MOORS makes music that’s equally free-associative and confrontational—kind of like Stanfield himself. It’s why you need to check out the video for “Mango,” the latest track from MOORS, featuring another GQ favorite—tUnE-yArDs. The video for “Mango” features Stanfield dancing and rapping in a church as RUFFMERCY’s distinct animation is overlaid, giving the whole thing a very throwback, Keith Haring-esque vibe. Spin > Recent Sorry To Bother You star Lakeith Stanfield is part of a rap duo called Moors with musician and producer Hrishikesh Hirway, and today, the duo has returned with a new song. With backing music from Tune-Yards’ Merrill Garbus, “Mango” is a new collaborative single following both musicians’ contributions to the recent Boots Riley film. In a statement shared with the single, Garbus writes: “Lakeith came to our studio in Oakland twice to work on vocals. He had really specific ideas about the track, different characters he wanted to give voice to, and we worked together to keep amping up the weird. Times are weird. Lakeith is reflecting his universes and creating new ones — it’s fascinating and important and we’re grateful and lucky to be a part of amplifying his voice.”

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Wes Hurley’s surreal VR autobiographical doc tells the story of Little Potato’s journey growing up gay in the Soviet Union before and after the fall of communism, his mother’s struggles to create a better life for them both, leading eventually to her becoming a mail order bride in order to insure their escape to America. Directed by Wes Hurley. Produced by Mischa Jacupcak. Music by Joshua Kohl of the Degenerate Art Ensemble. Official Selection: IDFA Amsterdam, Seattle Int'l FF, American Film Institute, Imagine FF, Chelsea Film Festival. “I was a virtual reality nonbeliever. Here’s what converted me.” - Slate’s Inkoo Kang on AFI installation including Potato Dreams.

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Breakfast as the ultimate hellishly hilarious freak show spectacle! This film was selected to screen in: Animafest Zagreb, MIAF, Anifilm, Anibar, and Animation: Illustration festival This is the student film I created over the last semester of my second year of university.

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Written and Directed by Robbie Barnett Produced by Lindsey Hartman Photography by Michael Ormiston 3D by Barrett Phillips http://bit.ly/2MMldLa

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”Black” (“黒”): A pair of astronauts trapped on orbital space station because of nuclear war that ran very fast on the earth below. They lost contact with earth, all attempts to make connection with base or with anybody failed without answer. “BLACK” is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2Pah05x Directing/script/animation: Tomasz Popakul Voices :Rina Nakamura, Ryo Iwase Sound: Michał Fojcik This work was created with support from “Animation Artist in Residence Tokyo 2014” part of the Japanese Agency for Cultural Affairs “international invitation program for animation artists 2014”

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Melt Down was my senior year film at Pratt Institute. It’s a surrealist narrative story about a body-less boy who doesn’t want to go outside, among other wacky characters in a world where people melt from stress. Design & Direction Amy Xu Composer Brian Hall Sound Design Natalie Huizenga Brandon Jiaconia Noah Woodburn Mix Noah Woodburn

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Written and Directed by: Kristoffer Borgli Co-written by: Jordan Raf Production Company: Furlined DoP: Ben Mullen 1st AC: Elliot Barnes Featuring: Frank Yang Stylist: Keely Murphy Editor: Kristoffer Borgli Colorist: Ben Mullen Line Producer: Scooter Doll Thanks to: Cyrus Raoufpur Alyssa “Blondie” Baldini Music production: Best Picture

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Olas X A big wave surf film capturing the tangible and intangible realm of human nature and technology increasingly becoming a unified field of motion. Tracking, analyzing, and cognifying the swelling dimensions of the physical domain. This never-ending change is the pivotal axis of the modern world. FEATURING: Pat Millin & The Los Cocos Locos DIRECTED / SHOT / EDIT: Scott Nichols PRODUCED: Sickboat Creative Studios MUSIC: Rival Consoles: “Progression 2” Vessels: “PantherTek” Please support the musician represented by purchasing their music: http://bit.ly/2P7aufZ http://bit.ly/2B9Z0Fw Website - http://bit.ly/2P7auwv Instagram - instagram.com/sickboat/ LinkedIn - linkedin.com/company/sickboat Behance - behance.net/sickboat

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The story of how NASA has been ceding space exploration to for-profit companies like Space X. for Vice News Tonight on HBO Written by Isabella McKinley Corbo Mix and music by William Flynn Some sweet edits by Alex Stockton

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Directed and animated by Thomas Charier. Taken from Grandbrothers debut album ‘Dilation’ Out Now. Listen to the album on Spotify: hyperurl.co/99jqvj VINYL: hyperurl.co/0qni9n CD: hyperurl.co/m3qg7y MP3: hyperurl.co/jbznyb

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Title: I Don’t Like the Comics You Drew Animation: Lei Lei Music: The Shanghai Restoration Project Rapping: Lei Lei Synopsis: Dave draws the first page of his comic book and excitedly shows it to his friend Lei Lei. Lei Lei is not impressed.

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Directed by Scott Lazer Production Companies: Pomp&Clout & Dreamville Executive Producers: Ryen Bartlett & Ryan Staake Head of Production: Kevin Staake BA Consultant: Eric Margulies Design & Animation By: Hi from the Future Creative Director: Mark Rubbo Executive Producer: Elliot Higgins Animator: Andrew Hess Animator: Andrew Raff Animator: Dave Rogers Graphic Designer: Aaron Vinton Key & Rotoscope: Pete Puskas Machine Learning: Andrew Pouliot Colorist: David Torcivia Producer: Christopher Yoon UPM: Rachel Morgan 1st AD: Lionel Cineas Director of Photography: Santiago Gonzalez 1st AC: Carolyn Pender 2nd AC: Kyle Parsons DIT: John Kersten Gaffer: Eric Hora Best Boy Electric: Jason Beasley Key Grip: Matt Tomko Best Boy Grip: Joe Albino Production Designer: Brian Tubbs Art Assistant: Patrick Reedy Wardrobe: Ebonie Chooran Wardrobe: Kierra Bailey Wardrobe: Kwassi Kessie Wardrobe Assistant: Sara Gagliardi Wardrobe Assistant: Shanelle Russell Wardrobe Assistant: Raena Anaïs Make Up: Jaleesa Jaikaran Hair: Candy Diaz Set PA: Haydn Hall Set PA: Omar Laurent Driver PA: Greg Harris Driver PA: Christian Inman Runner / Set PA: Olivia Eberstadt Runner / Set PA: Allie Rickards BTS Photographer: Jack Newton Film Intern: Terrell Dixon Model: Jasmine Scotti Model: Aaliyah Harris Model: Oddity Knox Model: Diany Arias Model: Hali Okeowo Model: Fatima Baro

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Dennis Hope might be the richest person on earth. A true story. If you want a little piece of the moon (or other lunar properties)- please visit http://bit.ly/2KM3Dow Audio by Dogbotic-http://bit.ly/2M9acHj Voiceover by Michael Grant- http://bit.ly/2KHMMmY

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We follow the Norwegian Martin and his pregnant Spanish girl- friend, Lucia, during their first 15 minutes on Norwegian soil, observing Lucia’s first encounter with this new culture and her in‐laws. It’s a car trip full of social tensions, expectations and misunderstandings. Brilliant observational comedy done in one shot. Prizes & Festivals: Encounters FF 2012 - Winner, Leuven IFF - Winner, Uppsala ISFF - Special Mention, Cork IFF - Special Mention, Brest FF - Regional Council of Brittany European Film Award

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A Taco Told In Texas isn’t really about a taco. It’s about a guy with an eighth grade education who became a millionaire. And then he lost it all. And then he became a millionaire again. And then he lost it all. Again. And then he bought a used shipping container on Craiglist and started slinging the best tacos you’ve ever had out of it. Presented by - FIND A WAY PRODUCTIONS (http://bit.ly/2vBGSiv) Director - David Gorvy (http://bit.ly/2Oo9Mtk) Producer - David Gorvy, Erica Rabner (http://bit.ly/2vuURqn) Director of Photography - Jordan T. Parrott (http://bit.ly/2Ort5Sq) Editor & Musical Arrangement - David Gorvy Press Kit - http://bit.ly/2vuURGT

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Dreams are a land all their own. Prepare for adventure, as one man travels through them.

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An exclusive interview with Death as he goes about his everyday business.

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Edward Spots. New Orleans, LA. “The sum of your parts doesn’t even come close to the whole of you” Director + Cinematographer: Gaul Porat Director: Skyler Fulton Assistant Camera: Casey Shaw Editor: Colin Kelly Hingel Mix: Nadav Post Location Sound: Lukas Gonzalez Color: Kath Raisch / CO3 Music: Greg Debricki Copywriter: Avery DiUblaldo Narration: RJ Brown Producers: Gaul Porat, Skyler Fulton, Lauren Dunn, Casey Shaw

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Album film for 88rising’s HEAD IN THE CLOUDS Featuring: Higher Brothers, Joji, Princess Gollum, Kinjaz, Willy Choi Written and Directed by Christine Yuan Executive Producer: Jesse Chorng, Matt Zolly Production Company: Snow Beach Line Producer: Jack Winter Director of Photography: Ryan Marie Helfant Production Designer: Liam Moore Stylist: Chloe & Chenelle Editor: Chad Sarahina Choreographer: Kinjaz Casting Director: Jonathan Buckley Casting Assistant: Sarah May Levy Production Manager: Adam Thayer Production Coordinator: Chris Taylor 1st AD: Parker McMillan 2nd AD: James Cornett 1st AC: Julia Pasternak 2nd AC: Tim Maloney 2nd AC: Will Hecht Movi Op: Reid Murphy BTS Photographer: Anthony Pham Key Grip: Jon Booker BBG: Logan Justice Grip: Jake Poole, James Wray Dolly Grip/Driver: Vic Roca Gaffer: Arjun Prakash BBE: Ian Thomas Electric: Danny Wiliams, Theadore Hyppolite Stylist Assistant: Haley Appell, Phill Soulliere, Sophia McGhee Hair and Makeup: Veronica Chanel Makeup Assistant: Briana Ashlyn, Jennifer Cabezas, Sasha Gold Leadman: Cameron Ritchie Art Coordinator: Megan Mantia Art Assistant: Marko Monroe, Grace Surnow, Shannon Pollak Sound Mixer: Cody Skully, Joseph Fiorillo, Neil Koprick Additional Editing: Miles Trahan End Credit Sequence: Olaf Woldan Colorist: Derek Hansen @ The Mill Post Supervisor: Brandon Cotter VFX Artist: Zongyu Zhang Titles: Forrest Grenfell Post Sound: Jack Goodman Production Assistants: Matt Williams, Edgar Cortez, Marq Robinson, Maddox, Christine Alegre CAST Roberto Tejeda, Nan, Byron Rodriguez, Jenny Shibley, Ryon Wu, Sace, Dasha Nguyen, Deven Walters Houston, Cade Michael, Richard Lin, Christian Feng, Jayden Ham, Els Elisakh, Roberto Tejeda, Tezz Yancey, Cameron Reid (Aoyama), Michael Parker, Max Epstein, Byron Rodriguez, Jose Polio, Hector Polio, Michael Heger, Jack Daru, Tarzan Thompson, Mawrence Agustin, Griff Stark Ennis, Ernest Walker, Edgar Arellano, Gazi, Cody, Julian Green, Thom Cao, Aiden Bear, Cameron Aoyama, Jung Yun, Derrick Garcia, Max Epstein, Matt Cwan, Emilio Ventur, Noah, Danielle Taylor, Ronis Aba, Brindi, Monica Molina, Monroe Gallatin, Luna Cover, Greena Ell Park, Emma Czerwin, Alexandria Lozano CHENGDU UNIT Director: James Mao Producer: Christopher Heinrich, Peggy Wu Director of Photography: Ben Mullinkosson Production Designer: Casey Homovich Stylist: Simone Hu 1st AC: Michael Mogler Gaffer: Yang Chun Key Grip: Ren Guang BTS Photographer: Tony Wu Anthropologist: Lana Larkin HB Day to Day: Queenie LV Production Assistant: Liu Ze Rui, Liu Boliang SPECIAL THANKS Sean Miyashiro Ollie Zhang Cynthia Guo Preston West The Pink Motel The Escarpment The Mill 88rising Fam 88 is double happiness

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The personal project - a designer’s single most important tool when it comes to getting great commissions and adoration from your peers. A chance to flex your creative muscles and show what you’re really capable of. Right? A recent quiet period forced me, reluctantly, to embark on this most well worn of paths. I opened up my little book of ideas, saved for such a moment, and set to work. As the days turned into weeks, all I had to show for my efforts was a bunch of disparate concepts. In desperation I decided to embrace my lack of focus and make a piece about the dysfunction of my process. The result? I made a personal project about making a personal project. The moral of this story? If you’re looking for a motion designer then you should definitely hire me. Obviously.

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With massive urban sprawl and a reputation for being the cold Lombard capital, Milan doesn’t feel like a quintessentially Italian metropolis, but with settlers from all over the country making their home here, visitors will find all of Italy in one city. Timelapse & Edit by Kirill Neiezhmakov e-mail: hyperlapsepro@gmail.com http://bit.ly/2DpqmVa http://bit.ly/2pbn1WO http://bit.ly/2DpqnII Youtube: https://youtu.be/D0ZxNdXUWKc Music: Colorful Auras by Cymatix Equipment: Canon 60d, 70d, 5ds Tokina 11-16 mm 2.8 Canon 17-55 mm 2.8 Canon 70-200 mm 4L Canon 16-35 mm 2.8L Canon TS-E 17 mm 4L Manfrotto 190 carbon tripod Software: Adobe After Effects, Lightroom, LRTimelapse Known as a centre of fashion, finance and football, Milan is indisputably the country’s most stylish city. Trendy bars and boutiques rub shoulders in the back streets, while on the busy thoroughfares mighty towers signal the city’s superior economic clout. Milan is also the home of two big football clubs, A.C. Milan and Inter Milan, who share the historic San Siro stadium. As the epicentre of Italian fashion and interior design, there is certainly a buzz about the city. International fashionistas, designers, supermodels and paparazzi descend upon Milan twice a year for its spring and autumn fairs. Many high-end designers still use the city’s trusted producers and it remains one of the best places in the world to shop. Despite the air of modern flair, there is a rich history here too. Cut through the modern metropolitan bustle, and you will stumble across countless impressive churches and palaces. Start with the breath-taking Duomo di Milano in the city centre, a colossal Gothic cathedral, one of the largest in the world. Then there’s the Santa Maria delle Grazie church, which houses Da Vinci’s restored Last Supper painting, and survived bombing raids in WWII. There is plenty to see near the Duomo too, including the city’s fabled opera house, La Scala, and Sforza Castle, a grand medieval fortress. Nearby is Galleria Vittorio Emanuele II, an ancient and glamorous arcaded shopping gallery. Not all of Milan’s aesthetic appeal lies in the historic centre. The pretty Navigli area in the south has become popular for its many bars and restaurants, as has the chic Brera district and lively university quarter. Meanwhile, former industrial areas are undergoing urban renewal schemes, such as the old Fiera area, which includes new apartments, a park, a contemporary art museum and a trio of futuristic skyscrapers. It’s bold reinvention like this which reminds us that Milan is truly Italy’s most dynamic city. Probabilmente si pone all’attenzione per altro o preferisce mostrare una delle sue due facce, quella della città capoluogo dell’economia italiana, quella di una città dinamica ai limiti della sopportazione, la città del “lavoro, guadagno, pago, pretendo!” per citare una delle parodie più classiche del milanese tipo… Milano probabilmente nasconde o preferisce non mettere in mostra quelli che sono i suoi veri tesori (che sono quelli per cui in altre città, il turista rimane incantato): gli angoli più nascosti e defilati, magari anche lontani dal centro, le stradine meno frequentate e dove si possono trovare sia lussuosi palazzi settecenteschi e ottocenteschi sia le più modeste case di ringhiera, un must dell’attuale concetto dell’abitare in città, le botteghe degli artigiani, importanti musei e pinacoteche, un patrimonio monumentale tra i più ricchi della penisola …un vero e proprio volto parallelo diverso da quello divulgato dai mezzi di comunicazione…. luoghi comuni compresi! Milano è bella immersa nella nebbia, quando i rumori sono attutiti e i palazzi sembrano ancora più monumentali, e i giardini diventano i luoghi delle favole con strane creature che scopri essere semplicemente dei cagnolini al guinzaglio. Milano è bella sotto la neve, quando quella magnifica”torta” ( è uno spettacolo, qualcosa che lascia a bocca aperta anche per l’unicità dello stile) che è il Duomo lo diventa ancora di più profilata da un sottile strato di brina e quando una strana eccitazione sale tra la gente che cammina per le strade imbiancate. E Milano è bella con il sole nelle belle giornate di primavera, fresche, con un cielo azzurro uniforme e che lascia risaltare le evidenze architettoniche della città: il Duomo, il Castello Sforzesco, la Stazione Centrale, il Pirellone, la Torre Velasca. Milano è bella anche in pieno agosto, con le strade vuote e le saracinesche abbassate, con l’afa che trasforma i Navigli in canali veneziani e con le zanzare in agguato che, come tutti sanno,…. amano l’aperitivo in uno dei tantissimi locali di questa zona.

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An unsettling supercut of the women of #BachelorNation watching themselves being watched. I guess it’s kind of like a fan vid, but weirder? Made in residence at The Wexner Center for the Arts.

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In a Cane Field (16min, 2016, Australia, 16mm) Written and directed by Emily Avila. Based on the short story ‘The Serrambi Case’ by Brazilian author, Frances de Pontes Peebles. Synopsis: In a beachside tourist town, the body of a fifteen-year-old girl is found in a cane field. Her murder is a mystery that envelops the community as those close to the girl grapple with death, in all its senselessness. Starring Yasmin Honeychurch, Indiarose Thomas, Hugh Parker, Lindy Honeychurch and Michael Tuahine Producers - Emily Avila & Coralie Tapper Company - Cosmia Films (http://bit.ly/2OmCnPH) Cinematographer - Adric Watson (http://bit.ly/2M9rJyh) Editor - Adric Watson Sound Designer - Dylan Barfield Composer - Jonathon Trevillien Production Design - Aprille Asfoura & Arundhati Madan Costume Design - Arundhati Madan Hair & Make-up Artist - Billie Weston Produced with the assistance of Screen Queensland (http://bit.ly/2OnUEMr)

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A lock of Walt Whitman’s hair, Jack Kerouac’s boots, and Virginia Woolf’s cane are just a few of the items of literary paraphernalia available at the New York Public Library’s Berg Collection—if you have an appointment.

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Jack White - Corporation Watch full screen in 4k !!! :-) Writer/Director: Jodeb Exec. Producer: Candice Dragonas Producer: Jason Baum DP: Kristof Brandl Production Designer: Sheila B + David Bomba Wardrobe: Natasha Newman-Thomas Edit, Grading and VFX: Jodeb Sound Design and Mix: Mathieu Morin @ Lamajeure Commissioner: Saul Levitz 1st AD: Phillip Tuck 2nd AD: Micah Steele Production Supervisor: Wesley Perry Production Coordinator: Bree Gast 1st AC: CK Cates 2nd AC/Media Manager: Sean Collins Gaffer: Drew Frazier BB Electric: Nancie Kang Electric: Hunter Dixon Key Grip: Robert Duke BB Grip: Mike Rodia Grip: Chad Deslatte Prop Master: Ed Fitzgerald Leadman: Ryan Rowe Swing: Travis Slagle Location Manager: Sydney Lunn Location Assistant: Devyn Betancourt Sound Recordist/Mixer: Steve Grider VTR: Chris Hill Make Up Artist: Meg Boes & McKenzie Gregg Hair: Marz Collins Wardrobe Assistant: Alexis Wade & Katherine Woodruff Casting Director (Nashville): Joshua Brent Montgomery BG Casting: Kim Murrey & Sarah Benjamin

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“God I Need a Girlfriend,” a short stop motion film giving the background for Stefan Janoski’s sculpture of the same name. Made by Movie Mountain. is this week’s Staff Pick Premiere. Read more about it on the Vimeo Blog here: http://bit.ly/2OhKKMq Watch the behind the scenes video here vimeo.com/277685359/662d145c35. For More, check out http://bit.ly/2nlZT3T. Produced Stefan Janoski Jessica Janoski Story By Stefan Janoski Set Construction Kai Korsmo Shelby Menzel Matt Emmons Tim Yates Alexa Shreck Tim Huntington Stefan Janoski Puppet Construction Stefan Janoski Kai Korsmo Matt Emmons Mattzilla Duron Animation Jeremy Murphy Director of Photography Matt Emmons Directed by Foster Huntington Edited Matt Emmons

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A look at the powerful connection between a pair of outdoor ping pong tables in the heart of New York City and the unlikely group of people they’ve brought together, from homeless people to investment bankers to gangbangers.

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Travelling France’s capital through different eyes. Sound : Snowstar Company Creative&Content : Clara Weill Raynal

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In this dark comedy of manners set in a surreal world, meticulously-coiffed soccer moms Jill and Lisa vie for perfect children, perfect husbands, and most importantly, perfect teeth. WINNER - SXSW, Special Jury Recognition for Writing, 2016 WINNER - Clermont-Ferrand Int'l Film Festival, Canal + Award, 2016

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Director I Emile Rafael Producers I Kat Catteneo + Lucy Bradley Editor I Jean-Phillipe Blunt + Iain Whitewright Cinematography I Emile Rafael + Julien Bourdeille Color I Oisin O'Driscoll Stedicam I Loic Andrieu Sound I Sounds Like These Music I This Will Destroy You

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I spent a month in Seoul and saw a city racing to the future. Here’s the film I made with the help of the great people I met along the way. Director’s commentary: https://youtu.be/S9kLihqA7jA Original Music by Steven Richard Davis http://bit.ly/2OKPewl Additional Music by Artlist https://goo.gl/mYs1Ve Drone Footage Provided By: Kris Gonciarz - http://bit.ly/2AMosAA Pavel Shin http://bit.ly/2OP29gE Special Thanks: 신진규 , 이사님 김경식 [ 금손남친 ] (http://bit.ly/2ANCbY2) 김보라 (http://bit.ly/2OLZnIZ) A-Root Academy, President Mr Ahn Danny Arens (http://bit.ly/2AMovwg) 京欽 KyeongHeum 경흠 (http://youtube.com/kyeongheum) Ks Du La Boehae 라보혜 (http://bit.ly/2OKmXWq) Seong Kim (http://bit.ly/2ANCcLA) X6-Gaming, Element Mystic, Team Seven (Head Coach Mu Ho Lee, Coach Mr. Koo) Yongrak Choi (http://bit.ly/2vn9uMi) Seungjae Han (http://bit.ly/2ANCe6a) Minji Song(http://bit.ly/2OLxbWG) Serin Youm(http://bit.ly/2ANCemG) Odi (http://bit.ly/2OLpfEN) Club Burning Sun 버닝썬 Kobe Lee I used this camera: https://amzn.to/2LBuV24 My main lens: https://amzn.to/2ndcjuQ My gimbal: https://amzn.to/2MnDVIS The rest of my gear: http://bit.ly/2vnJG2F I am a participant in the Amazon Services LLC Associates Program and B&H Photo Video Affiliate program, affiliate advertising programs designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com and bhphotovideo.com. Additionally, I participate in other affiliate programs, and sometimes get a commission through purchases made through my links.

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Best friends, Lucy and Julie, are spending their summer hiding from a terrorizing neighbor until Lucy runs out of her anti-depressant, and they’re forced to fight for their lives. “Pink Trailer will elicit the same feelings Lady Bird did — it’ll remind you of your girlhood” -Refinery29

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Only in silence can we hear the song of nature. Natural silence is not the absence of sound from nature it is the absence of noise from modern life. Listen in a quiet place where you will not be disturbed. Headphones of are highly recommended. http://bit.ly/2vjEooL SILENCE PROJECT This is the second episode in my silence project. Through a series of films I will present nature at its most natural. To fully capture the authentic atmosphere of the places I have combined the visuals with a detailed soundscape. No music or artificial sound effects have been used in this film project only the songs from nature’s own sound library. To make the experience as natural as possible both the audio and video are recorded in some of nature’s most undisturbed places. This project was born out of love for the undisturbed places in nature. The goal of the project is to share the wonders of nature with as many people as possible and thereby ensuring its protection and enjoyment for generations to come. I plan to accomplish this goal through stunning short films with breathtaking video and audio. SILENT LISTENING The nature is busy communicating and in places without noise pollution we can listen to the nature at its most natural. Listening is not about trying to hear the sounds that you believe are important. Instead simply listening to the place without comparing sounds to what is already known. If we silent listen to nature in undisturbed places without prejudices we can experience the big diversity of nature and the faintest sounds gain their original importance in the soundscape. Humans developed in a world where only the sounds of nature filled the air. Our ears are evolved to hear these often soft and information rich ambiences which help us experience our surroundings. But in our noisy urban environment our hearing is continuously being overloaded and thus we have learned to experience our surroundings through our vision. Even when we visit a silent place in nature we try to experience the place through our vision instead of listening to the place. Vision is focused in one direction at the time and is excellent when it comes to focusing our attention on a given event. But vision is very limiting when it comes to capturing the full image of a given place. Therefore hearing and not vision is the preferred sense in nature. The full image of a given place does not only expand in every direction around us but it expands for far distances behind visual objects that block the view but do not block the sounds. In a silent environment sound can travel far distances and can easily travel around objects. Further, it is often difficult to get visual contacts with wildlife but nothing escapes our hearing if we listen in silence. There are many benefits of experiencing silence in nature. Natural silence is relaxing, reduce stress and increase overall productivity. Conversely, noise pollution cause stress, increase risk of cardio-vascular disease and has a negatively impact on overall productivity. When we live more quiet lives, we become healthier, more relaxed, and better able to listen to others and the world around us. The industrial revolution and population growth has unleashed an epidemic of noise pollution that has made natural silence one of our fastest-disappearing resources. It is my goal that these films will raise the audience’s awareness to the importance of silence. I hope to bring the experience of natural silence to the audience and encourage an interest in saving the undisturbed places in nature. We need to learn how to listen again to fully appreciate nature’s whispers. GRATEFUL LIVING In our stressful society we so seldom find the time to relax and regenerate. Use these films as an escape from a stressful and noisy environment. Here you will experience natural silence and wide relaxing spaces. We strive through life for status and recognition, and we attach ourselves to material things in the belief that they will make us happy. I believe that it is only when we free ourselves from this pursuit of external satisfying that we can displace the inner emptiness and create lasting happiness and tranquility in our stressed minds. In fact, it is only our idea about that something is missing that prevents us from being happy. Happiness comes from being grateful for our situation and for all the things we already have. It is when we can rejoice together with others, that life makes sense, and true happiness arises. Happiness is not a destination; it is a process - a wonderful journey. Nature’s beauty can be so easily missed. It is my hope that these films will contribute to a deeper understanding and gratitude of the natural wonders in our world and to the preservation of our fragile environment in the future. FOLLOW MY WORK YouTube.com/CasperRolsted?sub_confirmation=1 Facebook.com/CasperRolstedVisuals Instagram.com/CasperRolsted Twitter.com/CasperRolsted

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Director: Emmanuel Adjei | Compulsary UK - Halal - Paranoiia Productions

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Single channel animation; 1:36; Full HD 1080p; Sequel to http://bit.ly/2vBxhXY and http://bit.ly/2n8zJBy

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made @ calarts (2018) Outfest Official Selection 2018 San Diego Underground Film Festival Official Selection 2018 London International Animation Festival voice: Cynthia Velasquez cynthiakvelasquez.com sound: Alex Steinmetz/Death Tape Super Bass deathtapesuperbass.bandcamp.com

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A recent breakup fuels two friends during a long slog up a steep hill. Directed by Michael Angelo Covino.

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Hello, you. [ A normal scene. ] Nothing out of the ordinary. [We imagine the wind blowing ] Time in physics is operationally defined as “what a clock reads”. Gravity is the weakest of the four fundamental forces of physics. Depth perception is the ability to perceive the world in three dimensions. Depth can also refer to a profundity of emotion or feeling. [ A cup scurries across the tabletop. ] In the world of ‘3D computer graphics’ there is said to exist an influential force, lovingly nicknamed 'Animism’. – ‘Influencers’ is a film about drawing out the intrigue in the Everyday, and allowing it to humbly influence the world around us. For us it’s a celebration of the Creative Process and a meditation on working in 3D. – All conceptual, design and production work: f°am Studio for Maxon. Written by f°am Studio Sound Design and Composition by Antfood foam.studio/maxon

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I had a chance to go to on a crazy adventure to Hong Kong with Vox Borders. Here is some of the B-roll I captured. Aerial, time-lapses and hyper-lapses galore! video by http://bit.ly/2LKTSwc Sound Design http://bit.ly/2vrjByI GEAR: A7III A7s ii pilot fly H2 RX100V DJI Mavic Pro Sony 10-18mm F4 Sony 24-70mm F2.8 SETTINGS: PP8 - S-Log 3 Sony Play Memories Timelapse App Shutter for all time-lapses was at least 1sec Timelapse Edited with LRTimelapse5 http://bit.ly/2h8vUfn

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1953, Jacqueline Auriol, a French pilot, is about to go down in history along with her jet aircraft. Facebook Page : http://bit.ly/2vtvW5z - Réalisateurs / Directors : Jacques Leyreloup, Victor Tolila, Perrine Renard, Laura Viver Canal, Gaël Chauvet - Music : Clément Osmont, Olivier Defradat - Voices : Marianne James - Sound : José Vicente & Yoann Poncet – Studio des aviateurs Film d'animation réalisé dans le cadre de la formation cinéma d'animation 3D de l'école ESMA (promotion 2016). / Animated film directed during the ESMA CG Animation & FX Master Degree (promotion 2016) © ESMA - Ecole Supérieure des Métiers Artistiques

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Videoclipe da faixa-título “Tu”. Direção: PANAMA Produção: Panama Filmes Animação 2D e Stop-motion: Bruno Mazzilli Direção de Arte: Bruno Mazzilli, Filipe Franco e Thany Sanches Fotografia: Caio Mazzilli Montagem: Filipe Franco Coreografia e Cenografia: Thany Sanches Maquiagem: Leon Gurfein Contraregra: Thiago Araújo Assistente de Produção: Caio Carvalho Produtor Gráfico e Impressor: Dan de Carvalho Recorte de papel: Alexandre Teles, Bruno Levorin, Jana Paim, Mariá Portugal, Vica Ginde, Wilson Breda e Panama Agradecimentos: Fábio Yamaji, Felipe Stoco, Nino Andres, Alexandre Barbosa, Melissa Kawahara, Marina Oruê, Douglas Garcia, Valentina Martelli, Sofie Havskov Jensen, Ione Sanches, Otto, Sofia Ramos, Dr. Luiz Rossetto, Filipe Vaz, Carolina Wegbecher Produção Executiva: Level Company

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Beautiful Idiot takes you on a ride through the mindset and motivations of those who feel driven to pursue greatness, how it can feel to fall short, and the consequences of reaching a lofty goal when the struggle to get there has defined you for so long. Featuring professional freeride mountain bike rider Brett Rheeder. http://bit.ly/2n5BZJH Directed by - Harrison Mendel and Robb Thompson Written by - Anders J. Svensson Featuring - Brett Rheeder With - Elliot Friesen and Austin Friesen Produced by - GRAIN and Harrison Mendel Executive Producers - Dustin Brady, Andrew Shandro, Robb Thompson, Steve Seeley, Kent Toth, Brett Rheeder and Harrison Mendel Director of Photography - Harrison Mendel Principle Cinematographer - Liam Mullany Additional Cinematography - Seger Nelson and Brody Jones Editors - Harrison Mendel and Shelley Fried Colorist - Steve Seeley VFX - Calvin Sun Title Design - Shelley Fried Music Composer - Windmills, Cory Myraas, Mitch Lee Sound Design and Mix - Mitch Lee and Taylor Richardson VO - Brad Avenyou Special Thanks - David Chambers Gloria Miller Terran Wright John Wright Silver Star Bike Park Cam Sorenson Brad Baker Oscar Gordon Phil Gaudette Snowbird Lodge Skyride Bike Shop Terence Geisbrecht Bike Mag Nicole Formosa Anthony Smith Will Ritchie Clif Bar Bryan Cole Nor-val Rentals Tony Friesen Monica Friesen BX Press Missy Builders - LOFT Bike Parks Dustin Gilding Austin Davignon Alexander Chisholme Silver Star Bike Park Cam Sorenson Jason Martin Ben Byers Ben Schlieth Matt Dennis Noah Brousseau Ben Imrich Logan Imrich Matt Macduff Corbin Selfe Bryan Sciuk Brett Rheeder Simon Mclaine Liam Mullany Harrison Mendel Robb Thompson Jeremy Wiess Seger Nelson

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Music video directed and produced by CANADA PRODUCTOR EJECUTIVO OSCAR ROMAGOSA DIRECTORA DE PRODUCCIÓN ALBA BARNEDA JEFE DE PRODUCCIÓN XAVIER VARA DIRECTOR DE FOTOGRAFÍA DANI FERNÁNDEZ ABELLÓ DIRECTOR DE ARTE JOSÉ TIRADO VESTUARIO CRIS QUER MAQUILLAJE Y PELUQUERÍA JAVIER CEFERINO COREOGRAFÍA CHARM LA DONNA CASTING LANE CASTING MONTAJE CARLOS FONT CLOS SONIDO DIRECTO CARLES PRATS CAST TOREROS Kevin Reyes Rodriguez, Alfonso Lopez Mellado, Jesús Llobregat Férriz, Joaquin Carrillo Carpio, Pedro Aparicio Bastias BAILARINAS Natalia Palomares Pascual, Paula Alcaina Rodríguez, Beatriz Ortiz De Zevalios Infante, Gisela (Ela) Arnal Romero, Luisina Susel Sanchez Sosa, Natalia Resino Mancilla, Sheila (Shee), Benito Hernández, Sonia Ayats Ferrés, Alicia Aroca Lopez, Ainhoa Alfonso Utresilla, Paula Alcaina Rodríguez, Beatriz, Ortiz De Zevalios Infante, Gisela (Ela) Arnal Romero, Luisina, Susel Sanchez Sosa, Natalia Resino Mancilla, Sheila (Shee), Benito Hernández, Sonia Ayats Ferrés, Alicia Aroca Lopez, Ainhoa Alfonso. SOLDADOR Yovani Fonseca Enriquez SKATER Mathew Yenez Zuniga CAZADOR Boris Meier Sàlvia STUNT MOTO Sarah Lezito STUNT ATROPELLO Sheila Frias Perez PRECISION DRIVER Daniel Vallecillos Henestrosa CONDUCTOR TORO David Urbina Rico CREW COORDINADORA DE PRODUCCIÓN ÀGATA BERT PRIMER ASISTENTE DE PRODUCCIÓN ANNA SALGADO ASISTENTES DE PRODUCCIÓN XIMENA FLORES, JAVIER BOTELLA, MARTÍ TORREBADELLA JEFA DE LOCALIZACIONES CRISTINA TAPIA ASISTENTE DE LOCALIZACIONES SANTIAGO GARCÍA JEFE DE SET MIGUEL MICHAVILA AUXILIARES DE PRODUCCIÓN MARTA VIVES, NOEMÍ SAÉZ, CARLES ALTARRIBA, MIGUEL PEÑA, ÁLVARO RODRIGUEZ, NANI ROIG, ARNAU SORIA, VICTOR RADOSELOVIS, CARLOS GARCÍA, ORIOL RECASENS AYUDANTE DE DIRECCIÓN DIEGO NUÑEZ SEGUNDO AYUDANTE GEMMA SELLARÈS TERCER AYUDANTE DANIEL VELÀZQUEZ AYUDANTE DE CÁMARA KENNETH SANTOS ASISTENTE DE CÁMARA CLAUDIA PURSALS SEGUNDO ASISTENTE DE CÁMARA NONNA SERRA VIDEO ASSIST. JOEL PEREZ STEADYCAM JOSE A. SANTOS STEADYCAM ASSIST. JOAN PLANELLES KEY GRIP DAVID ARRÉS / OSCAR CANO MAQUINISTA TONI ESPEJO TECH GRIP XAVI OTERO, DANI DE JUAN, RODRIGO ALVAREZ JEFE DE ELÉCTRICOS MARC LLUSIÀ BEST BOY FERRAN SERRA T´ÉCNICO DE MESA RAÚL PEÑA ELÉCTRICOS CARLES ROMÀN, JAUME MUNTADA, FRANCISCO BERJILLOS, MIQUI PÉREZ, ALBERT PIRAÑA AUXILIAR EDO DE ARMAS AYUDANTE DE ARTE TERESA MONTANUY ASISTENTE DE ARTE TÁMARA PÉREZ, ALBA ADÁN, ADRIÀ PORTA ATREZZISTA JOSUE RUIZ, JAMES GRIMES, ORIOL MONTADA, PITU FERNÁNDEZ, SOFÍA DE FRANCO, ARTURO CAIPA, KEVIN SAKE, TOMEU SUBIRATS, DANI FERNÁNDEZ, MARTA RIAÑO, ARNAU GASSO STORYBOARD IGNASI MORENO PRIMER ASISTENTE DE VESTUARIO ALBA AIXUT ASISTENTES DE VESTUARIO ALEXA BARRIOS, NATALIA CASTILLO MERITORIO DE VESTUARIO SABITRI DIEZ DISEÑO BORDADO BANDERILLAS CLAUDIO MENDEZ SUPERVISORA ESTILISMO ROSALÍA LA PILI ASISTENTES DE MAQUILLAJE Y PELUQUERÍA MARIA LIAÑO, LAURA SANS, ANDREA TRENADO, ELISA PALLONI, ALBA PESAS, JORGE ZUNICA, DAVID LÓPEZ JEFE DE EFECTOS ESPECIALES JUAN CARLOS DAVILA TÉCNICOS DE EFECTOS ESPECIALES MARCELO GUSTAVO FARIAS SOBRINO, JOSEP BERTRAN ROZADA, DAVID LILLO, EDUARDO TORIO, MARTÍ BARTRA FOTO FIJA BERTA PFIRSICH ASISTENTES DE CASTING CRISTINA CAPOTE, MAIA CASTELLÓ, XAVIER ÁLVAREZ, LAURA AZEMAR. ASISTENTE DE MONTAJE BERNAT UDINA DISEÑO TÍTULOS DE CRÉDITO JUDIT MUSACHS COORDINADORA DE POSTPRODUCCIÓN @ CANADA MARINA M. CAMPOMANES POST PRODUCCIÓN @ CANADA ÁLVARO POSADAS LABORATORIO CINELAB LONDON TELECINE LABORATORIO @ CINELAB PAUL DEAN TELECINE @ METROPOLITANA MARC MORATÓ POSTPRODUCCIÓN MATHEMATIC SUPERVISOR VFX EN RODAJE YANN ALDABE SUPERVISOR VFX ANTHONY LYANT COMPOSITORES 2D ANNE-SOPHIE BERTRAND, MATHIEU GIRARD, MICKAËL GOUSSARD, ANTHONY LYANT, CLÉMENT GERMAIN PRODUCTOR VFX GUILLAUME MARIEN POST PRODUCTORA NADÈGE MOREAU AGRADECIMIENTOS ESCUELA TAURINA DE JAEN, HECTOR GIRÒ & DAVID GIRÓ @SERVICE VISION, LUÍS JIMENEZ @ZEFERINO, JAUME JORDANA, AITOR MENDEZ, PAU LÓPEZ, LAURA GARCÍA, PELONIO PRESS, MARIA ESCOTÉ, XXL COMUNICACIÓN, VICTOR VON SCHWARZ, CHERRY MASSIA, KLING, AU REVOIR CINDERELLA, KRIZIA ROBUSTELLA, AMERICAN SOCKS, GREAT TOMORROW, CARLES VILA, VICTOR COLOM,

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Possibly set in 1942 or 1805, a WW2 soldier finds himself lost and in search for war. “WAR” is this week’s Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/war

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