Voice of the people are often neglected, same as sound in film that audience don’t care. Two sound recordists are working on final mix of a short film. Will their sound be heard by someone? Official Selection: 2017 Venice International Film Festival-Orizzonti Short Film Competition,Italy 2017 Berwick Film and Media Arts Festival-New Cinema Competition ,UK 2017 Indie Cork Film Festival,Ireland 2017 Busan International Film Festival,South Korea 2017 International Short Film Festival of Cyprus-International Competition,Cyprus 2017 QCinema International Film Festival,The Philippines 2017 Valladolid International Film Festival,Spain (Special Mention) 2017 International Short Film Festival Winterthur-International Competition,Switzerland (Special Mention) 2017 Zagreb International Film Festival,Croatia 2017 International Sound and Music Film Festival,Croatia 2017 Curta cinema-International Competition,Rio de janiro-Brazil 2017 Panorama De Coisa-International Competition,Brazil 2017 Chaktomuk Short Film Festival,Cambodia 2017 Short Universe,Pisa-Italy 2017 San Diego Asian Film Festival,USA 2017 Ekadeshma Short Film Festival,Nepal (Best Short Film) 2017 Salamindanaw Asian Film Festival-Short Competition,The Philippines 2017 2Annas International Film Festival,Latvia 2017 Singapore International Film Festival,International Short Film Competition,Singapore(Best Director for Short Film Competition,Youth Jury Prize) 2017 Jogja Netpac Film Festival,Light of Asia-Short Film Competition,Indonesia 2017 Lecce Film Festival,Italy 2017 Colorado Dragon Film Festival 2018 Vilinius International Short Film Festival,Lithuania 2018 International Film Festival Rotterdam,The Netherlands 2018 Clermont Ferrand-Labo Competition,France 2018 Nepal International Film Festival,Nepal 2018 Glasgow International Short Film Festival,Scotland 2018 Short Waves Film Festival,Poland 2018 Ifva-Asian New Force Competition,Hong Kong (Special Mention) 2018 Regensburg International Short Film Festival,Germany 2018 Akbank Short Film Festival,Istanbul-Turkey 2018 Friss Hus Film Festival,Hungary(Special Mention) 2018 BioBiocine International Film Festival,Chile 2018 Flatpack Film Festival,UK 2018 Gyeonggi Film School Festival,Korea 2018 Shorties Film Festival(Best Directing) 2018 Working Title Film Festival,Italy(Best Short Film) 2018 Leiden Short Film Experience,The Netherlands 2018 Rooftop Film Festival,USA 2018 Kayseri Film Festival,Turkey 2018 Santiago del Estero Film Festival,Argentina 2018 One Shot Film Festival,Armenia 2018 The Norwegian Short Film Festival,Norway 2018 Next International Short Film Festival,Romania 2018 Palm Spring Short Fest,USA 2018 Shorts International Film Festival,Triesta-Italy 2018 Sardinia Film Festival,Italy 2018 Taipei Film Festival,Taiwan 2018 Curtas Vila do Conde International Film Festival,Portugal


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Friday, July 27, 2018

An infertile nail salon owner decides to confront her husband, the salon’s shuttle driver, whom she suspects of sleeping with one of her employees. Written & Directed by Lu Han OFFICIAL SELECTIONS: Palm Springs International Shortfest 2018, USA New Orleans Film Festival 2017, USA Los Angeles Asian Pacific Film Festival 2018, USA Denver Film Festival 2017, USA LA International Short Film Festival 2017, USA Seattle Asian American Film Festival 2018, USA Irvine International Film Festival 2018, USA RiverRun International Film Festival 2018, USA Independent Film Festival Boston 2018, USA DeadCenter Film Festival 2018, USA HollyShorts Film Festival 2018, USA Asian Film Festival of Dallas 2018, USA San Diego Underground Film Festival 2018, USA Asians on Film Festival 2018, USA Glass City Film Festival 2018, USA SENE Film, Music & Arts Festival April 2018, USA NewFilmmakers Los Angeles 2018, USA Big Shoulders International Film Festival 2018, USA Film Outside the Frame 2017, USA International Changing Perspective Film Festival 2018, Turkey Beeston Film Festival 2018, UK SHORT to the Point 2018, Romania Canada China International Film Festival 2018, Montreal, Canada. Figari Film Fest Official Film Library 2018, Italy Cannes Short Film Corner 2018, France Hong Kong Arthouse Film Festival Fall Edition 2017, Hong Kong AWARDS: Best Narrative Short – TERMINUS Conference + Festival 2018, USA Best Ensemble Cast – Asians on Film Festival 2018, USA


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“Well, as a female actress you get really good at crying and taking your clothes off—sort of like how the male actors get really good at sword fighting and having all the dialogue.” —Matilda Ridgway in The Guardian A working theatre actor questions her calling when she plays Lady Macduff in an increasingly violent production of Shakespeare’s Macbeth, with an internationally celebrated auteur director. A Victorian College of the Arts film Written & directed by Sunday Emerson Gullifer Produced by Alexandra George Cinematographer: Jack McAvoy Editor: Andrew Kristiaman Composer: Kelly Ryall Sound: Lachlan Harris & Thom Kellar, Folklore Sound & Music Production Designer: Daphne Do Costume Designers: Ashton Langdon & Greta Thompson-Weiner Fight Choreographer: Felicity Steel Starring Matilda Ridgway (Cannes Palme D'Or nominee The Guests), Mark Leonard Winter (Cleverman, Top of the Lake: China Girl), Charlotte Nicdao (Please Like Me, Thor: Ragnarok), Amanda LaBonte (Wentworth) & Matt Boesenberg (Underbelly: Squizzy) Contact // sunday@sundayfilms.com.au sundayfilms.com.au/tomorrow facebook.com/sundayfilms.au twitter.com/sundayfilms_au imdb.com/title/tt5891658 #andtomorrowfilm FESTIVALS // Sydney Film Festival 2017 (World Premiere) Telluride Film Festival 2017 (International Premiere) Munich International Festival of Film Schools 2017 (European Premiere) Heart of Gold International Short Film Festival 2017 Flickerfest International Short Film Festival 2018 For Film’s Sake Festival 2018 St Kilda Film Festival 2018 AWARDS // Winner – Best Performance in an Australian Short Film, Flickerfest International Short Film Festival 2018 Winner – Luggi Waldleitner Award for Best Screenplay, Munich International Festival of Film Schools 2017 Winner – Best Masters Narrative Production, Victorian College of the Arts Graduate Awards 2016 Highly Commended – Dendy Awards for Australian Short Films, Sydney Film Festival 2017 Nominee – Best Direction in a Student Film, Australian Directors’ Guild Awards 2017 Nominee – Best Editing in a Drama Non-Feature, Australian Screen Editors’ Guild Awards 2017 Nominee – Best Actor, St Kilda Film Festival 2018 Nominee – Best Tertiary Short Fiction, ATOM Awards 2017 Nominee – Sarah Watt Award for a female director, Victorian College of the Arts Graduate Awards 2016 Marketing assistance provided by Screen Australia This film received funds through Creative Partnerships Australia under the Australian Cultural Fund This film is the grateful recipient of a VCA & MCM Faculty Graduate Student Assistance Grant © Victorian College of the Arts 2016


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Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman Lukas Hyrman Alex Seltzer Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry. Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure. The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body. The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke. —- References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks http://bit.ly/2O76dZ7 More on Jeff Jones’s research on Slime Mould http://bit.ly/2Nyj3i8 Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform https://nus.edu/2O1vNPr Thomas Diewald http://bit.ly/2NyjHMA http://bit.ly/2O7N2i0 David Reeves http://bit.ly/2NyjIA8 http://bit.ly/2O8OmkD Touch Designer http://bit.ly/2NyjJUI Optical flow in Nuke http://bit.ly/2O8kzIL


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A young boy discovers the stone head of an ancient black English king buried in the Dartmoor countryside. Throughout his childhood he idolises the king, the discovery comes to define his whole identity. But as an adult he comes to realise that his recollection of the head and the king are false memories. Directed by Zhang + Knight Producer - Martha McGuirk Executive Producer - Luke Tierney Production Manager - Alex Jefferson Production Co-Ordinator - Hayder Hoozeer Production Assistant - Natalie Steiner Casting - Charlotte Lowdell 1st Assistant Director - Tom Lancaster 2nd Assistant Director - Darren Baba Cinematographer - Ruben Woodin-Dechamps Steadicam Operator - James Chesterton 1st Assistant Camera - Rich Savage 2nd Assistant Camera - Francesca Zucchini Camera Trainee - Christopher J Orr 1st Assistant Camera (pickup) - Cristina Cretu Gaffer - Peter Bishop Art Director - Zoë Klinck King Eke’s Head - Rod Vass King Eke’s Head - Lois Vass Historical Tablet Designer - Kate Klinck Historical Tablet Printer - Ge Feng Prop Delivery - Frank Luscott Costume Designer - Taff Williamson Styling Assistant - Sara Mtimet Editor - Ellie Johnson (tenthree) Colourist - Daniel De Vue (glassworks) Post House - Glassworks Post Producer - Victoria Taylor 3d VFX Artist - Julian Johnson 2d VFX Artist - Leanne Pletersky Additional VFX - Ling Ling Sound Design - Robert Ashton Catering - Dawn Vooght (delicious dartmoor) Runner - Billy Langdown Runner - Chantal Miles Runner - Drew Graver Runner - Ben Cohen Young Ato - Charlie Cunningham King Eke - Cornell John Grandma - Karole Bilas Queen Eke - Shereen Russell King’s Advisor - Trevor Lewis King’s Advisor - Daniel Childs King’s Child - Memphis Dixon King’s Child - Joshua JL King’s Child - Kyal Madiba King’s Child - Johnathan King’s Child - Leon Bus Passenger - Darrell Bilas Bus Passenger - Andrew Bilas Bus Passenger - Stephen Shephead Bus Passenger - Mike Howdle Bus Passenger - Elizabeth Low Special Thanks Luke Jacobs Aleks Ugarow Craig Game George Rumsey Matt Suddaby Brenda + Joe Cunningham John Dracup + Dracup Family Kelly Amundsen Shaylah Duncan Stijni Mulder (Headland Warren Farm) Jean Avery Seraphine Tumbridge Jonathon Ng Dartmoor Annex Panavision Panalux Wavend Produced by FRIEND London


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TEMPLE is a conceptual monochrome short film, following skateboarder Sammy Montano on a journey through the Balkans and its fallen monuments. It was essential to transcribe them with respect according to our vision, to spiritualize the expression of their magnificent forms, timeless aesthetics and monumental dimensions. Confronting them with skateboarding allowed us to animate this notion of freedom and exploration. Sammy Montano places himself as a central witness, being both the representation of this quest but also its outcome. It represents the doubt that animates each of us in the face of the unknown and this constantly renewed desire to take step in search of the answers to our deepest beliefs. This film is a personal art project, a pure reverence and tribute to these monuments, better known as « Spomeniks » and their legacy. Learn more about these beautiful structures and the history of the people who built them via the Spomenik Database: http://bit.ly/2zKqXD5 Written and Directed by Pierre David & Douglas Guillot Starring Sammy Montano Produced by Cavalerie Director of Photography Douglas Guillot & Pierre David 16mm Camera operator Yentl Touboul Music Composer & Sound Designer Paul Sabin Voice Over by Douglas Rand @ Studio 31dB Sound Mixing by Francesco Porcellana @ Studio 31dB Art Direction Michal Sukup Technical Support by Vantage Paris Thanks to Josh Barrow • Anton Myhrvold • Stéphane Quester • Marina Jego • Arsene Lefrancois • Kodak Film London Shot on RED EPIC W w/ Hawk Anamorphic V-lite Vintage ‘74 x1.3 • Bolex Rex5 Super 16 MUSIC : All rights included @Paul Sabin @Flower duet “Audio Network Limited” @ritual production “Drug Cult” http://bit.ly/2uqqaBV @@31Db Studio - Nilla Pizzi Buy it here : https://apple.co/2Lnt4Or


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Original Track Produced by Brodinski & Joan Mael Peneau @ Saint Gohard Studio Written & Performed by Peewee Longway Mixed by Eric Najar Mastered by Sam John @ Precise http://bit.ly/2zH7Dq5 Cast: Simon Kotyk, Pierreck Destrebeck, Edward Jackson, Bo Hope, Peter Dach Director: Pavel Brenner Cinematographer: Christopher Ripley Executive Producers: Salim El Arja, Jordan Cardoso Producer: Julia Kostenevich Associate Producer: Jean Kim Production Company: Couscous Saumon Production Designer: Pierre Pell Set Decorator: Eloise Ayalla Costume Designer: Penelope Strintz Storyboard Artist: Joy Sun Poster Layout Artist: Joy Sun Poster Color/Lighting Artist: Aleksandr Brodsky Poster Illustrator: Maxim Kozhevnikov Editor: Flora Volpeliere Makeup Department Head: Amy Mary Wilson Stunt Coordinator: Tim Mikulecky 1st AD: Siddarth Prakhash 1st AC: Jacob Perry Steadicam Operator: Parker Brooks Gaffer: Genevieve Evans Best Boy: Sebastian Love Key Grip: John Nguyen Visual Effects Supervisor: Max Colt Visual Effects Editor: Gloria FX Visual Effects Producer: Dmytro Nekrasov Visual Effects Art Director: Tomysh Kuzmytskyi Post Production Supervisor: Salim El Arja Sound Mixer: Gabe Stewart Sound Design: Smider Re-recording Mixer: Nicolas Petitfrere Sound Effects Editor: Daniele Del Virgilo Production Assistant: Maria Aus Catering: Naima Genitempo Accountant: Franck Roy Special thanks to Brodinski, Will Hoopes, Kim Chapiron, Cooper Vacheron, Kodak, Metropolis Post, Deck of Aces, Smider and Gloria FX


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Working late is a killer! Stuck at the office working overtime, Ralph must race home before nightfall… or his terrible secret will be let loose. facebook.com/overtimemovie instagram.com/overtimemovie twitter.com/overtime_movie * * * * * Awards/Accolades: SPECIAL MENTION: Celluloid Screams - 2016 AWGIE NOMINEE: Australian Writers Guild - 2016 SPECIAL MENTION: Fantastic Fest - 2016 OPENING NIGHT FILM: St Kilda Film Festival - 2016 Official Selection: Vimeo Staff Pick: Online - 2018 Film Shortage: Online - 2018 Film Front: Novi Sad, Serbia - 2017 Shnit: Worldwide - 2017 SPASM: Montreal, Canada - 2017 Létrange: Paris, France - 2017 Popcorn Frights: Miami, USA - 2017 Scare LA: Los Angeles, USA - 2017 Grossman: Ljutomer, Slovenia - 2017 Imagine: Amsterdam, Netherlands - 2017 Florida Film Festival: South Orlando, USA - 2017 Film Fest Petaluma: Petaluma, USA - 2017 Landshut Short Film Festival: Landshut, Germany - 2017 Portland International Film Festival: Portland, USA - 2017 Flickerfest: Sydney, Australia - 2017 Ithaca Fantastik: Ithaca, USA - 2016 Another Hole in the Head: San Francisco, USA - 2016 Celluloid Screams: Sheffield, UK - 2016 Horror Show Hot Dog: Twin Cities, USA 2016 ScreamFest LA: Los Angeles, USA - 2016 Telluride Horror Show: Colorado, USA - 2016 Fantastic Fest: Texas, USA - 2016 Manhattan Short: Worldwide - 2016 Cinefest Oz: Perth, Australia - 2016 Fantasia: Montreal, Canada - 2016 Palm Springs: Palm Springs, USA - 2016 St Kilda Film Festival: Melbourne, Australia - 2016


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Monday, July 9, 2018

BLOOMS: Strobe Animated Sculptures Invented by John Edmark

By: Pier 9
Source: https://vimeo.com/pier9

Blooms are 3-D printed sculptures designed to animate when spun under a strobe light. Unlike a 3D zoetrope, which animates a sequence of small changes to objects, a bloom animates as a single self-contained sculpture. The bloom’s animation effect is achieved by progressive rotations of the golden ratio, phi (ϕ), the same ratio that nature employs to generate the spiral patterns we see in pinecones and sunflowers. The rotational speed and strobe rate of the bloom are synchronized so that one flash occurs every time the bloom turns 137.5º (the angular version of phi).* Each bloom’s particular form and behavior is determined by a unique parametric seed I call a phi-nome (/fī nōm/). -John Edmark

John Edmark is an artist, designer, and inventor. He teaches at Stanford University.

Website: http://bit.ly/2J85nYt

To learn how blooms are made visit: http://bit.ly/2NAsHl0

And more about the Pier 9 Artist in Residence program here: https://autode.sk/2J5uvPv

Cinematography and editing by Charlie Nordstrom

Music – “Plateau” by Lee Rosevere – http://bit.ly/2NFBvWL

*For this video, rather than using a strobe, the camera was set to a very short shutter speed in order to freeze individual frames of the spinning sculpture.

©2015 John Edmark



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ご苦労様 - Gokurōsama is a 2016 graduation movie from MOPA (Supinfocom Arles), France. The story revolves around an old Japanese lady who gets stuck during her morning routine of preparing bentos in her shop, nested in the bottom floor of a supermall. Her young assistant decides to take it upon herself to help her by bringing her to a chiropractor a few floors above. Sounds simple enough, right? The team: ✦ Clémentine Frère • krz.artstation.com ✦ Aurore Gal • auroregalportfolio.wordpress.com ✦ Yukiko Meignien • yukikomeignien.wordpress.com ✦ Anna Mertz • annamertzportfolio.wordpress.com ✦ Robin Migliorelli • ronindesbois.tumblr.com ✦ Romain Salvini • romainsalvini.tumblr.com The beautiful music was composed by Matthieu Dulong from the MAAAV • soundcloud.com/matthieu-dulong Follow the movie on Facebook: http://bit.ly/2u7yFC2 ✨ ———————————————————————————————————————————- ご苦労様 - Gokurōsama est un film de diplôme de la promo 2016 de MOPA (Supinfocom Arles). Une grand-mère japonaise se bloque durant sa routine matinale de préparation de bentôs dans son petit magasin, au sous-sol d'un grand centre commercial. Sa jeune assistante tente alors de l'amener au chiropracticien qui se trouve quelques étages plus haut. Ca a l'air simple, dit comme ça, non? L'équipe: ✦ Clémentine Frère • krz.artstation.com ✦ Aurore Gal • auroregalportfolio.wordpress.com ✦ Yukiko Meignien • yukikomeignien.wordpress.com ✦ Anna Mertz • annamertzportfolio.wordpress.com ✦ Robin Migliorelli • ronindesbois.tumblr.com ✦ Romain Salvini • romainsalvini.tumblr.com La musique a été composée par Matthieu Dulong, du MAAAV • soundcloud.com/matthieu-dulong Suivez le film sur Facebook: http://bit.ly/2u7yFC2 ✨


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BLOOMS: Strobe Animated Sculptures Invented by John Edmark by Pier 9

https://vimeo.com/116582567/42ccb06671 Blooms are 3-D printed sculptures designed to animate when spun under a strobe light. Unlike a 3D zoetrope, which animates a sequence of small changes to objects, a bloom animates as a single self-contained sculpture. The bloom’s animation effect is achieved by progressive rotations of the golden ratio, phi (ϕ), the same ratio that nature employs to generate the spiral patterns we see in pinecones and sunflowers. The rotational speed and strobe rate of the bloom are synchronized so that one flash occurs every time the bloom turns 137.5º (the angular version of phi).* Each bloom’s particular form and behavior is determined by a unique parametric seed I call a phi-nome (/fī nōm/). -John Edmark

John Edmark is an artist, designer, and inventor. He teaches at Stanford University.

Website: http://bit.ly/2J85nYt

To learn how blooms are made visit: http://bit.ly/2NAsHl0

And more about the Pier 9 Artist in Residence program here: https://autode.sk/2J5uvPv

Cinematography and editing by Charlie Nordstrom

Music – “Plateau” by Lee Rosevere – http://bit.ly/2NFBvWL

*For this video, rather than using a strobe, the camera was set to a very short shutter speed in order to freeze individual frames of the spinning sculpture.

©2015 John Edmark



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Montaña de Oro State Park encompasses roughly 8,000 acres of fog shrouded coastal hills and coastal bluffs that abut the rocky shorelines of south Estero Bay on Central California’s coast. It’s undeveloped coastline and undulating, rhythmic singletrack offer a quick and easy dream-like getaway for various local and visiting trail user groups. It’s evident enough that the trails here didn’t build themselves, nor did the access to them come easily granted – especially for mountain bikers. The Central Coast Concerned Mountain Bikers have been instrumental on both fronts. The Central Coast Concerned Mountain Bikers (CCCMB) is a group of volunteer trail enthusiasts from the Central Coast of California that formally organized in 1989 to help build and maintain multi-use trails in the region, as well as to protect and advocate for mountain bike trail access. Since their inception CCCMB has helped build over 40 miles of new trails and serves as the primary maintenance organization for an extended network of over 100 miles of trails. Together with California State Parks, CCCMB is designing and building a new two-mile trail at Montaña de Oro to enhance connectivity between existing trails, and to improve the user experience for mountain bikers and other trail users. Read more: http://bit.ly/2zrFSBI Featuring: Jason Fitzgibbon Director: Jason Fitzgibbon/Octave Zangs Cinematography/Editing/Color Grading: Octave Zangs Original Soundtrack and Sound Design by: Octave Zangs Produced by Tillak and Zangs Films. Shot on RED Epic Dragon and DJI cameras. http://bit.ly/2m0uPWE | http://bit.ly/2ucyDIj


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Tuesday, July 3, 2018

Hope. What a beautiful, vital thing that can fuel any negative into a positive - any setback into action. However, like most vital things in life, hope cannot merely exist without a cost - often the cruel reminder of what we’ve either lost, still don’t have or could potentially lose. After all, there’s got to be something to hope for and against. It’s that very reason why I felt the need to commemorate the end of this month’s Pride festivities using the visuals I recently captured (during SF Pride Weekend 2018) mixed with the final testimonial of Harvey Milk - recorded mere days before his assassination on November 27, 1978. There’s just something rather uplifting, somewhat bittersweet and certainly intriguing to me about hearing the raw audio of Harvey’s last intentions while also observing the now mainstream, present-day Pride Parade, for there are things to rejoice about (overall acknowledgement of the LGTQIA+ community) while also making sure we keep some aspects in check (branded consumerism disguised as support). For me, queer pride lasts all year and is far more than a simple hashtag or rainbow-colored-product. Queer Pride is a reminder of all the sacrifice, loss and struggle that has come before me. That’s always at the forefront of my celebrations and I hope you feel a bit of that bittersweet energy in this vignette as we move into July and the remainder of this year - told through the voice of someone who genuinely believed in the power of hope. In short, I do believe that hope fueled us then and that more hope will reaffirm us now and into the future. We just gotta stay vigilant while we also “give [‘em] hope.”


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Monday, July 2, 2018

Official Jakob Owens Kauai, Hawaii Travel Film! Subscribe to TheBuffNerds: http://bit.ly/subBuffNerds More Travel Films: http://bit.ly/2lvOU6i Contact me at bookingjop@gmail.com for any interest in purchasing this stoke footage. FOLLOW DRECTOR @JAKOBOWENS: »Instagram: @JakobOwens (http://bit.ly/2KAf8Uf) »Twitter: @JakobOwens (https://twitter.com/JakobOwens) »Email: bookingjop@gmail.com People in video: @derekowensheart @Onlyfuturistic @@samwoozphotography @willcinematic Drone footage by @@samwoozphotography »CAMERA GEAR USED IN THIS VIDEO: Computer: MacBook Pro: http://amzn.to/2hWFHRg CAMERAS: Canon 1dx markii: http://amzn.to/2i4I8l1 Sonya7sii: http://amzn.to/1SQoeY9 Lexar 128GB Memory Card (A7sii): http://amzn.to/1XhsLV4 128GB cfast card: http://goo.gl/pH6Fqo LENSES: Canon 70-200mm f2.8 Lens IS II Lens: http://amzn.to/1YfioRE Canon 100mm Macro f2.8: http://amzn.to/2nu4pM6 Canon 16-35mm f4 lens: http://amzn.to/1ROPO5J Sony 16-35mm FE F4: http://amzn.to/2e0HtA9 77mm Tiffen ND Filter Set: http://amzn.to/23ia2w5 RIGS: Devin Graham Glidecam: http://amzn.to/23i7L42 Full Frame Sensor Cleaner swabs: http://amzn.to/1MSM3j2 HARDRIVES: Lacie 1TB thunderbolt/usb3 drive: http://amzn.to/1oCUC5U BACKPACK: Think Tank Camera Bag: http://goo.gl/lVRzzp »Website: http://bit.ly/2ILoG9V »Products/Merch: http://bit.ly/1Tamh9p »BuffNerds Video & Business Manual: http://bit.ly/2hNUpOB Credits: Music By: Martia Cupelli Produced by: BuffNerdsMedia Footage captured by: Jakob Owens Kauai Hawaii. Filmed on the Canon 1dxmarkii and Glidecam. Kauai is one of my favorite places on Earth!


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