Saturday, October 27, 2018
On May 25, 1975, at age 18, Rickey Jackson was wrongfully imprisoned. He was exonerated and released on November 21, 2014 at age 57 after almost four decades in prison. Send Me Home follows Rickey through his surreal new life post-prison. #SendMeHome360 http://bit.ly/2JiUULr Recommended viewing on desktop or mobile via the Vimeo app.
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FLYING EGGS | short film | narrative A teenage boy takes playfulness a tad too far when he interrupts a man on his morning run by throwing eggs out the window. Short of the Week Online Premiere link: http://bit.ly/2z74Djy ——— starring | Antonio Garcia Jr. & Christopher M. Lopes director | Sheldon Chau writer & producer | Antonio Garcia Jr. cinematographer | Felipe Vara de Rey co-producers | Joyce Sherrí, Jude Sarabosing executive producer | Rocco Macri casting director | Wayne Chang editor | Sheldon Chau composer | John Corlis ——— shot on ARRIFLEX 416 // Super 16mm (Kodak Vision3 250D 7207, Vision3 500T 7219) processed at Metropolis Post filmed in Brooklyn, NY ——— * 2018 Short of the Week Online Premiere * Best Film // 2017 Valorem Film Festival * Official Selection // 2016 Marfa Film Festival * Official Selection // 2016 NewFilmmakers
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Friday, October 26, 2018
“Fragrance” off of Bas’ Milkyway. http://bit.ly/2AtWaZk A fragmented tale of a clinger. Inspired by David Hockney’s photo joiner series. Artist: Bas Label: Dreamville / Interscope Production Co: Pomp&Clout Director & Post Production: Paul Tillo EP: Ryen Bartlett Producer: Brian Bell DP: Joe Picard Production Designer: John Richoux Bas’ Stylist: Kierra Bailey Wardrobe Stylist: Lisa Madonna
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In June 2018, professional surfers Arthur Bourbon and Damien Castera travelled to Africa in order to make a documentary film about Liberia. They went there to witness the history of the first surfing community in this country, devastated by 15 years of civil war. Here is a short film introducing their journey. A feature-length documentary is currently being edited and will be available in early 2019. Choose subtitles by clicking on the CC button. Special thanks to BCUC for the music. We used the track “MOYA” from their album EMAKHOSINI. You can follow them and buy their music here: http://bit.ly/2z5RQ0y Surfers: Arthur Bourbon & Damien Castera Directors: Arthur Bourbon & Damien Castera Producer: http://bit.ly/2SmBjOQ Colourist: Brice Auger ///////////// ///////////// ///////////// En juin 2018, les surfeurs Arthur Bourbon et Damien Castera sont partis réaliser un film documentaire sur le Liberia. Pays méconnu, ravagé par 15 ans de guerre civile, ils sont venus retracer l’histoire de la première communauté de surfeurs du pays. Voici le clip de leur aventure. Un documentaire long métrage est actuellement en cours de montage et sera disponible début 2019. Remerciement spécial à BCUC pour la musique. Nous avons utlisé le morceau “MOYA” de leur album EMAKHOSINI. Vous pouvez les suivre et acheter leur musique ici: http://bit.ly/2z5RQ0y Surfeurs: Arthur Bourbon & Damien Castera Réalisateurs: Arthur Bourbon & Damien Castera Production: http://bit.ly/2SmBjOQ Étalonnage: Brice Auger
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Splitting the truth: the philosopher that physics forgot. Directed and Animated by Julie Gratz and Ivo Stoop. Produced by Kellen Quinn. More on this video: aeon.co/videos/splitting-the-truth-the-philosopher-that-physics-forgot Watch more on Aeon: aeon.co/video Subscribe: vimeo.com/aeonvideo
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Thursday, October 25, 2018
In this episode we dig down through an underground skyscraper with Yellow Days. Director // Jamie Whitby Production Company // HLA Producer // Tim Daukes Director’s Rep // OB Management Record Label // Sony Music Commissioner // Laura Clayton Director of Photography // James Blann Production Designer // Jabez Bartlett Post Production Company // The Mill Post Producer // Bruce Langfield Colourist // Alex Gregory @ The Mill Hair & Make Up Artist // Aimee Garner Production Manager // Daniel Carter Production Assistant // Hayley West Focus Puller // Michael Hobdell 1st AD // Jerome France Runner // Jack Whitby Runner // Kim Moore Runner // Sam James Assistant Production Designer // Kit Falck Art Department Assistant // Alistair Osbourne Art Department Assistant // Marieke Bernard Berkel Gaffer // Salvador Gomez-Lopez Electrician // Nick Leishman Electrician // Leon Pyszora Motion Control Company // The Visual Effects Company Motion Control Operator // Tomi Keeling Motion Control 3D Supervisor // Simone Tartaglia Video Playback // Nat Valente Audio Playback // Chris Baines Driver // Akbar Ali Editor // Jamie Whitby Cast // Yellow Days Miners // Nick Tuck & Darryl Oakley Dancer // Joel
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A lone skier arrives in town, only to find abysmally wet and soggy conditions. Seeking respite from the rain, he finds solace and redemption in the unlikeliest of places. The Shadow Campaign: Volume V DPS Cinematic, in partnership with Outdoor Research, Fat Tire, and Osprey Packs presents three short films released Fall 2018. Check out the trailer here: http://bit.ly/2Sly6Pc Partners: http://bit.ly/2z1RxEa http://bit.ly/2Sly8qi http://bit.ly/2z4fVoD Featuring: Santiago Guzman, Olof Larsson, Sanne Mona, Oskar Enander, and Piers Solomon, Snowflake Directed & Shot by: Frank Pickell // http://bit.ly/2Sly9KS Edited by: Jonnie Sirotek Executive Producer: Dan Benshoff Producer: Stephan Drake Music by Dr. Dog - ‘Buzzing in the Light'
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When he died, Byron Levy left behind a vast inheritance — of drawings. This film was originally published by The New York Times Op-Docs. Read the story here: https://nyti.ms/2D3qFDJ Illustrated and Edited by: Colin Levy (http://bit.ly/2PQ8ZT8) Featuring: Colin Levy & Ron Levy Original Artwork by: Byron Levy Archival Photography: Alex Levy Original Music by: Jan Morgenstern & Michael Kramer Audio Post Production:Jan Morgenstern Colorist: Sean Wells Special Thanks: Ronnie del Carmen Erick Oh Emily Oyster Carol Levy Jeannie Catmull Executive Producer: Kathleen Lingo Coordinating Producer: Lindsay Crouse Supervising Editor: Andrew Blackwell
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Wednesday, October 24, 2018
Panic attacks are roiling, dizzying paroxysms of pure terror: nauseating, sweaty, heart-thumping, existential ordeals made even worse because some part of the mind understands there’s nothing, really, to fear. In this richly colored, highly personal short film, filmmaker Sindha Agha explains how she “lost track” of what she should actually be afraid of, and how she brought herself back to reality—with the help of an unlikely spirit animal. Directed by Sindha Agha
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I love you, Boston! This timelapse and drone video contains my favorite shots after filming Boston for 5 years. This video was a labor of love involving many cold rooftop nights and hot summer days. My intention was to make a video that inspires my fellow Bostonians to love their city as much as I do! Follow me here: Facebook.com/bodhifilms Instagram: @bodhifilms MUSIC LICENSED: “A Moment Apart” by Odesza Odesza.com All the drone shots were filmed with waivers from the FAA. A license is required to fly a drone in Boston. Please follow all FAA rules and fly safely. HD-8k licensing available at licensing@bodhifilms.com Article on Boston.com: http://bit.ly/2ApWecD
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Suite After the Furies Director : Kevin McGloughlin http://bit.ly/2BdNrrN instagram.com/kevinmcgloughlin_gram/ This will be the last time I use street lamps as a medium for a long time. I hope you enjoy it. FURY by Stefano Lentini | Release date: 16 November 2018 PREORDER OCTOBER 19TH iTunes: https://apple.co/2ArfuXg… Spotify: https://spoti.fi/2CAjdDr… A PMCE orchestra holding a veiled oriental touch is twisted by acoustic instrumentation. Elegant styled guitars get hurtling towards angry, crushing drums. Piano of Gilda Buttà (The Legend of 1900 and The Untouchables). Fury by Stefano Lentini is an alternative-classic project with a symphonic prominence, prog-electronic and folk influences. The instrumental concept album finds its roots in the exploration of anger as an oft-neglected feeling and the search of its meaning. Fury is a journey through the universe of human emotions, symbolized by the stunning complexity of cosmos and its savage celestial bodies. Official Website: http://bit.ly/2Asewdv Album Official Website: http://bit.ly/2CAjfv3 Music composed and produced by Stefano Lentini Video directed by Kevin McGloughlin Mixed by Geoff Foster Mastered by Stephen Marcussen SIAE 2018 © All Right Reserved Stefano Lentini & Coloora Records
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Pulitzer-prize winning Journalist, Author and Activist Chris Hedges, discusses modern day consumerism, totalitarian corporate power and living in a culture dominated by pervasive illusion. “American Psychosis” is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2yZXWQ1 For more information: http://bit.ly/2yvqaD1 http://bit.ly/2yXVmu3 Donate to American Canary: http://bit.ly/2yvqaTx
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Tuesday, October 23, 2018
Willcox, Arizona is a country music town that isn’t what it used to be. The town has a single radio station, run by one employee who lives at the studio, and is seen as an outcast by many of the townspeople. This unlikely champion of country music has a troubled history with the music that he plays every day. But he’s keeping it alive for the old folks, and looking for redemption over the airwaves. Sadly, as of October 2018, KHIL has been taken off the air. It is unclear what the new owners intend to do with the station. A Film by Ryan Maxey & Zack Wright Featuring Mark Lucke and KHIL OFFICIAL SELECTION SXSW, 2018 (World Premiere) Doc NYC, 2018 Aspen Shortsfest, 2018 Palm Springs International Shortfest, 2018 Sidewalk Film Festival, 2018 Hot Springs Documentary Film Festival, 2018 Sheffield Doc/Fest Free Screen Programme, 2018 Provincetown International Film Festival, 2018 Lighthouse International Film Festival, 2018 Stuff MX Film Festival Mexico City, 2018 Salute Your Shorts Fest, 2018 Twin Cities Film Fest, 2018 Tucson Film & Music Festival, 2018 Olympia Film Festival, 2018 Thin Line Day Of The Docs, 2018 Rivers Edge International Film Festival, 2018 Bogotá Short Film Festival, 2018
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Directed by Harry Israelson Produced by Ways & Means Producer - Lauren Skillen DP - Jeff Leeds Cohn AD - Jesse Hays Gaffer - Sebastian Baron Key Grip - Pablo Ruff-Berganza Creative Direction - Harry Israelson Production Design - Laura Barr-Jones Colorist - Mikey Rossiter @ The Mill VFX - Stephen Pagano Special Thanks to An Tran, ARRI, Heath Raymond, Evan Bauer, Jett Steiger, Lana Kim, Pat Jones http://bit.ly/2HGKfwM
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Monday, October 22, 2018
“The worst conversation adults can have with kids about race is no conversation at all,” says author Jemar Tisby. “Talking to kids about race needs to happen early, often, and honestly.” In a new episode of Home School, The Atlantic’s animated series about parenting, Tisby offers advice on how to have a conversation with children about race, from experiential learning to watching classic animated films.
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Death Metal Grandma follows the story of 96 year old Holocaust survivor, former WW2 spy and famous songwriter Inge Ginsberg as she decides to pursue a new career: Death Metal. Featuring: Inge Ginsberg, Pedro daSilva and Lucia Caruso Directed and Edited by : Leah Galant Produced by: Clifford Miu, Elizabeth Pauker, Sean Weiner, Christine Wexler and Linhan Zhang Director of Photography: Kervin Marsielle Editors: Leah Galant and Stephanie Khoury Executive Producer: Kathleen Lingo Supervising Producer: Linsday Crouse Supervising Editor: Andrew Blackwell Funded through the generous support of Helen Gurley Brown’s Glassbreaker Films. Made at Jacob Burns Film Center with the Creative Culture Program. With support from Bering Pictures SXSW 2018 *WINNER MACON FILM FESTIVAL BEST MUSIC VIDEO *WINNER AUDIENCE FAVORITE DOCUMENTARY SHORT FILM SCORE leahgalant.com
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“Group” follows three convicted abusers as they confront the attitudes and beliefs that led to their violence, with the help of a compassionate group therapy facilitator. This film was made possible by a grant from the Dhont Family Foundation, and faculty advisor Sally Rubin. Huge thanks to David Welsh and Wel-Mor Psychology Group. For further requests about the film please contact communityvoices2017@gmail.com “Group” was directed by Jack Mullinkosson, Ben Allen, Claire Cai, Haley Saunders, and Meghan Wells.
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Sunday, October 21, 2018
OFFICIAL WEBSITE: hybrids-shortfilm.com Facebook: facebook.com/hybridsfilm (News, Bonus, Making of … ) ——————- DIRECTED BY ——————- Florian Brauch - vimeo.com/florianbrauch Matthieu Pujol - vimeo.com/user3138593 Kim Tailhades - vimeo.com/user38938464 Yohan Thireau - vimeo.com/yohanthireau Romain Thirion - vimeo.com/user28112646 ——————- MUSIC BY ——————- Vincent Govindin - vimeo.com/vincentgovindin ——————- DONE AT ——————- MoPA, ecole-mopa.fr ——————- SYNOPSIS ——————- When marine wildlife suffer the pollution surrounding it, the rules of survival change… ——————- AWARDS ——————- Best In Show, Siggraph, 2018 Anima’t Best Animated Short Film, Sitges, Spain, 2017 Award for the Outstanding effect in a student project, VES, US, 2018 Amazon Prime Award, International TrickFilm Stuttgart, Germany, 2018 Grand Jury’s Prize, Utopiales Nantes, France, 2017 Best Animated Short, Colcoa French Festival, US, 2018 Best Animated Short, Underexposed Film Festival, US, 2018 Best Animated Short, Filmchella, US, 2017 Best Animated Short, Sklap’it, France, 2017 Best Animated Short, Unrestricted View Film Festival, UK, 2018 Best Animated Short, NanoCon Internatonal SciFi Festival, US, 2018 Best School Project, Festival de Cinema Escolar de Alvorada, Brazil, 2017 So French Award from an Highschool Jury, Poitiers Film Festival, France, 2017 So French Award from the Audience, Poitiers Film Festival, France, 2017 Audience Award, Festival du Film Court de Maison Laffitte, France, 2018 Audience Award, Cineclass, France, 2018 Audience Award for a Fantastic Film, Les Nuits Magiques, France, 2017 Award form a School Jury, Rencontres Cinema-Nature, France, 2018 Best Art Direction, Multivision, Russia, 2017 Special Mention, Academia Film Olomuc, Czech Republic, 2018 Special Mention, Festival du Film Court de Villeurbanne, France, 2017 Honorable Mention, Nashville Film Festival, US, may 2018 ——————- SELECTIONS ——————- 7 Petits Cailloux, France, may 2018 Academia Film Olomuc, Czech Republic, 2018 Anima, Belgium, 2018 Animages, Brazil, 2017 Animakom, Spain, 2018 Animateka, Slovenia, 2017 Annecy International Animated Film Festival, France, june 2018 ANNY (Animation Nights in New-York), US, 2018 Artfutura, Spain, 2018 Aspen ShortFest, US, 2018 Athens Film Festival, US, 2018 Athens Digital Arts festival, Greece, 2018 Cardiff Night, Ireland, 2018 Cineclass, France, 2018 CinemAmbiente, Italia, jun 2018 Cinequest, US, 2018 Clermont-Ferrand, France, 2018 Cleveland, US, 2018 Colcoa French Festival, US, 2018 Cortoons Festival Grandia, Spain, 2018 Courts Bouillon, France, 2018 DC Independent Film Festival, US, 2018 Ecozine, Spain,2018 Eye Candy (Shelley Page), World, 2017-2018 Festival de Cinema Escolar de Alvorada, Brazil, 2017 Festival du ciné court animé de Roanne, France, 2018 Festival du Film Court de Maison Laffitte, France, 2018 Festival du Film Court de Villeurbanne, France, 2017 Festival du Rocher, France, 2017 Filmchella, US, 2017 International Animation Festival Chilemonos, Chile, 2018 International Children Film Festival of Galicia, Spain, 2018 International New York Festival, US, june 2018 International TrickFilm Stuttgart, Germany, 2018 Japan Media Arts Festival, Japan, 2018 KDIAF Kuandu International Animation Festival, Taiwan, 2017 Les Nuits Magiques, France, 2017 Manchester Animation Festival, UK, 2017 Melbourne International Animation Festival, Australia, june 2018 Même Pas Peur, France, 2018 Multivision, Russia, 2017 NanoCon Internatonal SciFi Festival, US, 2018 Nashville Film Festival, US, may 2018 New Horizon Film Festival, Russia, 2018 Octobre Numérique, France, 2017 Odense Film Festival, Denmark, august 2018 Paris Court Devant, France, 2017 Poitiers Film Festival, France, 2017 Posidonia Green Festival, Spain, 2018 PSIAF (Palm Springs International Animation Festival), US, 2017 Rencontres Cinema-Nature, France, 2018 SBIFF Santa Barbara, US, 2018 SF Film, US, 2018 Short Shorts Festival & Asia, Japan, june 2018 Sitges, Spain, 2017 Sklap’it, France, 2017 Smaragdni Eco Film Festival, Croatia, june 2018 Trois Jours Trop Courts, France, 2018 Siggraph, Canada, 2018 Umbria Film Festival, Italy, july 2018 Underexposed Film Festival, US, 2018 Unrestricted View Film Festival, UK, 2018 Utopiales Nantes, France, 2017 VES, US, 2018 WOIS, Dubai, 2018 Zlin Film Festival, Czech Republic, jun 2018
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Saturday, October 20, 2018
Lời tỏ tình của mùa xuân là khúc thủ thỉ giao mùa với những cung bậc nhẹ nhàng, dễ bắt gặp, lặp lại mỗi độ sang xuân nhưng lại chưa bao giờ là cũ. Những sửa sang vun vén, những mầm chồi e ấp chờ ngày nở rộ, những côn trùng ngọ nguậy, những tưới tắm bận rộn, những tiếng cười giòn rụm, những chờ đợi và cả những thăng hoa mà người ta mong đợi vào mùa Xuân là thứ mà ai cũng muốn đắm mình trọn vẹn trong đó. Nhưng tất thảy trôi qua chỉ vừa bằng cái chợp mắt. Glowing hy vọng “Lời tỏ tình của mùa xuân” ra đời vào thời điểm này, như một món quà dành tặng cho những cảm xúc khó níu giữ ấy. Mọi thứ đều được gói ghém một cách cẩn thận, đầy hóm hỉnh và rất tình qua 900 bức vẽ, với những ngày Tết tỉ mẩn của team Glowing cùng team bạn bè, team phụ huynh vun vén, tỉ mẩn từng chút một. Cảm ơn tất cả mọi người với tất cả những cảm xúc đặc biệt nhất!
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Friday, October 19, 2018
Listen to the new album ‘One Hundred Billion Sparks’: http://bit.ly/2S3Ipr3 http://bit.ly/2PJKaZ1 http://bit.ly/2S2S9ll Max Cooper Things got pretty mad on this one after I set the task of trying to visualise the Platonic realm of form underlying reality. And Páraic Mc Gloughlin has come up with something of a masterpiece I think, using a single day-long shot, whose time-based processing is linked to the more than 100 layers of audio I used to create the music…it’s fairly intense on the audio and visual as a result, but all so precisely carried out by Páraic. A huge amount of work has gone into this on all fronts, I hope you enjoy it. This all links into my new album project, ‘One Hundred Billion Sparks’, about our hundred billion firing neurons which create who we are, all we know and experience (http://bit.ly/2PJKaZ1). As a sub-topic for one of the music/video projects, I’ve always found it fascinating how mathematicians and scientists talk about “discovering” laws of nature, never “creating” them, even when they’re working in entirely abstract realms with little or no link to the real world. The laws and structure are usually assumed to exist independently of us in a sense very much linked to Plato’s ancient idea of the realm of ideals, with only our minds giving us access to this realm. I came across this idea delivered in stark form in the case of the “amplituhedron”, an entity whose structure encodes fundamental particle interactions, and whose creators claim it to yield space and time in an emergent manner, so that it can’t possibly exist out there in the real world that we’re familiar with. If it does exist, it is outside of time and space, whatever that means! All this might sound like I’m falling off the cliff a little in terms of anything to do with making music videos, but, as I often find to be the case with this sort of investigation of nature, it’s rich with beautiful visual forms and many ideas which are ripe for musical representation on emotive and structural grounds. The general musical theme to attempt was that of a world of all (or at least as many as I could cram in) precise structures, with particular attention to the jagged complex form of the amplituhedron. Páraic also employed the same approach visually. It demanded a barrage of exact forms. Musically this was a lot of fun, and very much in fitting with what I like to attempt anyway, just requiring a greater devotion of time and more attention to detail than my norm. Most of the 100-120 layers of different sounds were synthesised, each layer comprising a specific aesthetic musically, but with little repetition, so that I could have something like a world of independent forms, related, but each its own distinct entity, all mixed together to push the overall complexity in line with the concept. This included many layers of synth processing - I tried to take each part and force it into new, but related forms. I enforced strict quantisation, trying to keep everything rhythmically stuck to grid, to give that feeling of sharpness and precision despite the mess of many layers. Páraic Mc Gloughlin The idea for the Platonic video came from the thought of just how much is going on in one single day. In the brief, Max wrote “Underneath all of this mess however, it needed a simple core, the constant chord progression.” So I thought it was fitting to have a simple core running through the entire video and it being made from one location shot over the space of one day, keeping up with the music’s “messy” energy as the track developed. Aesthetically I love the mix of abstraction and realism and this was a great place for me to explore this. Using a fundamental image (a time lapse) to mask and cut into, I tried to show the variable possibilities within a limited time span, maintaining the integrity of each individual photograph while dissecting and rearranging the overall image. In order to get as close a relationship from audio to visual as possible I tried to allocate a certain time of day or shape to each individual sound in the track , experimenting with animated sequences using platonic shapes, and referencing images based on the amplituhedron, later using mats and directly masking over many layers of photographs. I tried to incorporate and inject a feeling of possibility, the unknown, hidden truths, and what might be. I wanted the main focus of the video to be on time and space but I also I wanted to have an underlying human element. Choosing a motorway with two way traffic fit nicely, and didn’t over populate the scene. Nineteen hours sitting on a bridge in Sligo town, and a good stint behind the computer and we’re done.
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Setu is a yoga community dedicated to promoting and advocating inclusivity in yoga. The community is home to hundreds of teachers and leaders who promote diversity and body positivity. Learn more at http://bit.ly/2J5QXdb ………. Production Co.: Wild Combination Director + Producer: Jacob Krupnick Casting + Concepting: Libby Nicholaou Cinematographer: Ryan Marie Helfant Line Producer: Taylor Antisdel 1st AC: Evan Walsh 2nd AC / Loader: Sachi Bahra Key Grip: Balz Biellmann Gaffer: Sergio Fernandez Sound Mixer: Alan Kudan Production Assistants: Lei Nico & Juan Daniel Torres Editor + Composer + Sound Designer: Daniel Boventer Titling: Christine Herrin Colorist: Kath Raisch ………. Teachers: Stephanie Acosta Erica Garcia Megan Goldberg Yuuki Hirano Jyll Hubbard-Salk Hillary Lopes Ngone Mbaye Roque Rodriguez Gretchen Simmons Ahmed Soliman ………. Special Thanks: Libby BaeeLoo Ivan Bettger Kate Aspell Company 3 Eastern Effects Fotokem Andromeda Han Kodak Brit Liggett Bryan Ridgell TCS Film
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The official music video for Tom Rosenthal’s Single ‘Asleep on the Train.’ Credits: Director: Catherine Prowse First Assistant Director: Tom Fisher Art Direction: Catherine Prowse Lead Model Makers: Catherine Prowse and Nathan Ward Additional model making and puppeteering: Lucy Bentley, Luca Bowles, Katy Daft, Meg Dupont, Phoebe McCaughley, Daisy Moore, Hannah Quinn, Lulu Sent and Ada Wikdahl.
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Melbourne’s original award show is back. Join us and celebrate world class work with the presentation of the MADC Stars Creative Showcase and party. November 1, 6:30pm Forester’s Hall, Collingwood. Tickets just $50. http://bit.ly/2CT4EeZ Client: MADC Agency: Cummins & Partners Creatives: Chris Ellis, Heath Collins, Liam Jenkins MADC Stars sub-committee: Adrian Bosich, Ed Howley, Elle Bullen, Tracy Proposch, Nicky Finlay, Tony Prysten. Thanks to: Matt Stoddart, Connor Beaver, Sarah McGregor, Emma Robbins. Production Company: //Thirteen & Co Director: Armand de Saint-Salvy Producer: Charity Downing Executive Producer: Roy De Giorgio Colourist: Matt Fezz Post production: Hogarth Motion Graphics: Kane Dixon Post Producer: Cat Park Audio Mix: Bang Bang Studios Sound Designer: Rob Stephens Sound Producers: Polly McGregor/Holli Dee
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Thursday, October 18, 2018
The Regiment is a two year film project from professional freestyle skier Henrik Harlaut. Today, Henrik is one of the only skiers to compete at the highest level while also filming some of the most influential video parts of the past decade. We see Henrik go from filming urban three hours before a flight to X Games to skiing spines in Alaska and for the first time we get an insight to what makes Henrik tick, as he shares the motivations and inspirations that allow him to be one of the best freeskiers today. Supported by: Armada skis, Monster Energy, Oakley, Blue Tomato and Fulltilt
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Un petit garçon parle de hérissons tout le temps à tout le monde. A little boy speaks about hedgehogs all the time to everybody. Réalisateurs / Directors : : Vaibhav KESWANI, Jeanne LAUREAU, Colombine MAJOU, Morgane MATTARD, Kaisa PIRTTINEN, Jong-ha YOON Contact : hedgehog@gobelins.fr Musique / Soundtrack : Amin GOUDARZI Année de production / Production year : 2018 GOBELINS, l'école de l'image, Moïra Marguin : mmarguin@gobelins.fr Contact festivals : Miyu Distribution, Luce Grosjean - festival@miyu.fr Société de distribution : L'Agence du Court Métrage Site internet : http://bit.ly/1Jdwb1M Facebook : http://bit.ly/1F4DEp2 Twitter : https://twitter.com/gobelins_paris
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Ross MacDonald makes his paper by making paper. For the last 25 years, he’s created tens of thousands of paper props for movies and television shows like “Baby’s Day Out,” “Silver Linings Playbook,” “Boardwalk Empire” and “Parks and Recreation.” From handwritten letters to driver’s licenses, each piece is custom made and thoughtfully imbued with backstory. Step into Ross’s Connecticut workshop to see how movie magic gets illustrated, aged, cut and copywritten.
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Directed by Ryan Staake & Charli XCX Production Company: Pomp&Clout Creative Direction: WP&A Executive Producer: Ryen Bartlett Head of Production: Kevin Staake Producer: Rich Salamone Prod Manager: Wojtek Stypko Associate Producer: Eric Margulies Prod Coordinator: Sam Skolnik 1st AD: Jesse Hays 2nd AD: Bryon Dormandy Director of Photography: Santiago Gonzalez 1st AC: Nick Fischer 2nd AC: Nolan Berbano Gaffer: Alberto Alonso BBE: Greg Ladwig Electric: Joey Brown Key Grip: Wadsworth Peters BBG: Aaron Burton Dolly Grip: Adam Shambour Grip: Ivan Garcia Production Designer: Miles Ford Mullin Art Director: Jena Serbu Lead Man: Eligh Macias Set Dresser: Kevin Lopez Set Dresser: Daniel Oregel Editor: Ryan Staake Online Editor: Ryosuke Tanzawa VFX by Pomp&Clout VFX Artists: Pete Puskas, Aaron Vinton & Ryan Staake Machine Learning: Andrew Pouliot Colorist: David Torcivia Makeup Artist: Danielle Kahlani Makeup Assistant: Trina White Hair Stylist: Nicole Kahlani Hair/Makeup (Troye and Extras): Carla Rosso and Steph Ruiz de Chávez Hair/Makeup Asst. (Troye and Extras): Gina Banic Wardrobe Stylist: Rebecca Grice Wardrobe Assistant: Sonja Desai Seamstress: Aneta Velizar Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Production Assistant: Jacob Outsen Production Assistant: Katie Conboy Production Assistant: Nick Callas Production Assistant: Jose Ramos Production Assistant: Ray Fuentes Production Assistant: Fred Porras Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Dancers: Engelstad, Megan Gibson, Myranda Jessen, Belle Reese, Katie Clay, Shane Dell, Luke Munson, Hunter Friedman, Joseph Havard, Cody Kline, Rex Reed, Joseph Guy, Kelsey McCarty, Bria Nesis, Tessa
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Wednesday, October 17, 2018
We were commissioned by the RSA London to develop an animation to go along the words of the always amazing Cathy O’Neil. She is a kickass mathematician and In this excerpt she focus on algorithms, how they have an effect on us and how they are not as fair as we’d like them to be. It was incredibly fun to work on this, using lots of different styles and techniques. It felt specially good to do it with Cathy’s wise words. Hope you enjoy it and maybe learn a thing or two! You can check some behind the scenes and some details here: http://bit.ly/2QXsRE2 - Credits: Directed by Niceshit Design: Carmen Angelillo, Rodier Kidmann, Guido Lambertini Animation: Guido Lambertini, Carmen Angelillo, Rodier Kidmann, Leo Campasso Sound Design: Lola Richter Agency: RSA London Words: Cathy O’Neill Intro & Outro: Cabeza Patata Sound: Anthony Ing
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Train dreams with Loyle Carner. All trickery achieved in-camera with carefully aligned printed images… much love to steady hands, huge depth-of-field and massive printers. Director: Oscar Hudson Prod. Company: Pulse FIlms Executive Producer: Rik Green Producer: Callum Harrison Director Of Photography: Ruben Woodin-Dechamps Production Designer: Luke Moran-Morris Commisioner: Connie Meade Artist Management: Tommo Greer Production Manager: Tom O’Driscoll Production Assistant: Will Gore 1st Assistant Director: Daniel Precious 2nd Assistant Director: Tom Rawsthorn Runner: Amy Madden, Katie Beard, Noah Jude Focus Puller: Jack Exton B Cam: Josh Loftin Gaffer: Peter Bishop Spark: Will Pope, Tom La Motte, Harry Buck, Sam Baker, Jake Buckly Set Decorator: Sakara Dawson Marsh Prop Master: Alex Tyler Art Dept Assistant: Dexter Turner-Ramsay Art Dept Runner: Ellen Pearson Backdrop Maker: Ben Romain Back Drop Assistant: Carlo Milillo Back Drop Assistant: William Rowlandson Digi Op: Greg Holland Costume Designer: Taff Williamson Hair And Make Up Artist: Ezana Ove Hair And Make Up Assistant: Nyssa Addison Construction: Hal Gillilan, Joe Mulcrone @ Create 180 Editor: Oscar Hudson Colourist: Toby Tomkins @ Cheat Cast: Loyle Carner, Jordan Rakei, Yotam Ottolenghi Speech Man: David Rawlins Ticket Inspector: Mark Garfield Mum: Shola Smith Daughter: Natalia Velasquez Smith Businessman: James Biddlecomb Commuter: Joshua Ajibade Commuter: Jamie Lee Hill Commuter: Mark Grindrod Commuter: Louise Thomas Commuter: Jennifer Tuth-Adam Commuter: Chiara D Anna Goth Couple: Liam Gardner Goth Couple: Lucy Chappel
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In the middle of a Texas summer, plans for a babysitter fall through and six-year-old Caroline is left in charge of her two younger siblings. “Caroline” is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2RWpU7R elofilms.com/caroline Cannes Film Festival 2018, Main Competition - International Premiere South by Southwest 2018, Official Selection - World Premiere Telluride Film Festival 2018, Official Selection Seattle International Film Festival 2018 - Winner, Best Narrative Short Film Palm Springs International Shortfest 2018 - Winner, Best North American Short Film LA Film Festival 2018, Official Selection Hamptons International Film Festival 2018, Official Selection Flickers’ Rhode Island International Film Festival 2018 - Winner, Best Actress Athens International Film & Video Festival 2018 - Winner, Best Narrative Short Film Florida Film Festival 2018 - Winner, Best Director Written & Directed by: Celine Held & Logan George Produced by: Kara Durrett Executive Produced by: Tom Large & Kristian Brodie Director of Photography: Lowell A Meyer Starring: Caroline Falk, Brooks Falk, Sally Falk, Celine Held, & Tam Jackson ELO films / Scout Pictures / Horizons
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Tuesday, October 16, 2018
A man finds a dying squirrel in a park and has a comedic existential crisis. Starring Robert Longstreet Written/Directed/Edited by Bobby Miller Produced by Jordan Michaud-Scorza Co-Produced by Dain August OFFICIAL SELECTION OF: Fantastic Fest Fantasia Maryland Florida Nashville North Bend La Shorts For complete list, visit: http://bit.ly/2P5FIa2 HONORS: Vimeo Staff Pick Best Short Film - Boston Underground Opening Night Gala - Maryland Film Fest FILM SITE: http://bit.ly/2PzAPD3 CONTACT: Bobby@NewFieldPictures.com http://bit.ly/2OXDauD CAST: (Order of appearance) Robert Longstreet Vince Washington Erik Gratton Deb Snyder Lynddi Scott Kari De La Penha Sage Smith Robert Chester Smith PJ Evans Shirley McDonnell Joe Abdo CREW: Writer/Director/Editor - Bobby Miller Cinematography - Christopher Hamilton Production Designer - Callie Andreadis Producer - Jordan Michaud-Scorza Co-Producer - Dain August Executive Producer - Louis Messina Executive Producer - Linda Walker 1st AD - Dain August 1st AC - Jason Wittenberg 2nd AC - Mitch Espinoza Gaffer - Jonathan Shrader Art Director - Kevin Burzynski Key Makeup & Hair - Ruth Baldwin Costume Designer - Jorday Scheinberg Key Grip - Casey Slade Key Set PA - David Barkley Art Dept Assistant - Xinran Peng Set PA - Mike Blankier Set PA - Michael Pottle Squirrel FX - Bischoff’s Animal FX Practical FX Supervisor - PJ Evans Visual Effects - Clean Plate FX - Juan Cardarelli Sound Recordist - Dana Kopetsky Casting by - Becca Greene and Michael Pottle Sound Mixer - David Esparza Color - Headquarters Post - Richard Garibaldi Special Thanks: Liza Manashil Adam Hendricks Daron Nefcy BankRobber Music Kickstarter Backers! © New Field Pictures 2018
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The most Northern point of British Columbia is a locale all it’s own. Taller mountains, greater forests and more blank spaces on the map. There is a reason they call the North the ‘Last Frontier.’ There are chapters yet to be written and stories to be told. Follow these 4 men as they embark on a road trip into the unknown searching out untapped mountains, bottomless powder and challenging terrain in a boundless wilderness. #SeekingNirvana #StrangeAdventures @seeking.nirvana Featuring: Mike Henitiuk / @mikeheni Joe Schuster / @joe_schuster Matt Margetts / @mattmargetts Riley Leboe / @rileyleboe Locations: Northern British Columbia Whitehorse Supported By: EDGEtv - @edgetvnetwork Norrøna - @norrona Tyrolia - @tyroliabindings Editing, Sound and Colour: Leigh Powis Cinematography: Taylor Loughran Aerial Cinematography: Kieran Nikula Additional Cinematography: Jeff Thomas Narration: Colby James West Jay Henitiuk Special Thanks: Ian Cosco Tintina Air Travel Northern BC - @travelnorthernbc
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Filmed during an actual solar eclipse and starring Emmy award-winner Tatiana Maslany and Tom Cullen, SOULS OF TOTALITY is a love story about the intensity of a looming moment that can change everything. Making of featurette: http://bit.ly/2ErKZVc 2018 AWARDS: Winner - Best Short of the Festival | Raindance Film Festival Winner - Best Grand Jury Prize | Hollyshorts Film Festival Winner - Most Popular Film | Rhode Island International Film Festival Winner - Special Mention | Edinburgh International Film Festival Winner - Maverick Spirit Award | Cinequest Film Festival Winner - Special Jury Award for Best Cinematography | Bend Film Festival Qualified - Academy Awards (2019) 2018 OFFICIAL SELECTIONS: Tribeca Film Festival Palm Springs International Shortfest Edinburgh International Film Festival Raindance Film Festival Rhode Island Film Festival Mill Valley Film Festival Hollyshorts Film Festival Calgary Film Festival Atlanta Film Festival Cork Film Festival Cinequest Film Festival Santa Barbara International Film Festival St. Louis International Film Festival 24FPS International Short Film Festival San Jose International Short Film Festival Hiroshima International Film Festival Coronado Island Film Festival Milwaukee Film Festival Bend Film Festival Directed by Richard Raymond Written by Kate Trefry, Ben Bolea Produced by John Trefry, James Mitchell, Richard Raymond, Nousha Raymond Director of Photography Jarin Blaschke Edited by David Pergolini Music Composed by Michael Dean Parsons Production Design by Kate Trefry Lead cast: Tatiana Maslany Tom Cullen Mike Tague Helen Shaver Souls of Totality: Addison Tague Bailey Corneal Ben Bolea Fritz Ross James Mitchell John Trefry Joseph Ollman Kate Trefry Kevin Schofield Kohana Nakato Kym Anderson Lara Ross Lachlan Mantell Louisa Mignone Makena Tague Nousha Raymond Sebastian Ross Todd Ross Tom Royce-Hampton Socials: http://bit.ly/2RUarFA http://bit.ly/2ErL0se https://www.twitter.com/soulsoftotality Contact: Richard Raymond Email: richard@may13films.com Twitter: @richieraymond John Trefry Email: john@4WTMedia.com Twitter: @johntrefry
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Suffering from consumer’s fever, a young man starts a journey to the end of the world. Paint on glass and collage. SCREENINGS - Cinéfondation Selection 2016 – 69th Festival de Cannes (France), May 2016 - Carrefour de l'animation, programme Coups de coeurs (France), December 2015 - 7ème Festival Cinémator de Carros (France), March 2016 - Festival Libres Courts, Montpellier (France), March 2016 - 19ème Festival Coupé Court 2016, Bordeaux (France), March 2016 - Finaliste Prix Court Cocy (France), March 2016 - 5ème Week-end du cinéma, Vaux-sur-Seine (France), May 2016 - FFDL – 22nd Film Festival della Lessinia (Italia), August 2016 - Campulung Film Festival (Romania), August 2016 - FerFilm – 4th International Film Festival (Kosovo), September 2016 - Split Film Festival – 21st International Festival of New Film (Croatia), September 2016 - First Step Film Fest – 3rd International Student Film Festival (Albania), September 2016 - LINOLEUM – 11th International Festival of Contemporary Animation & Media-Art (Ukraine), September 2016 - Festival International du film sur le handicap, Cannes (France), September 2016 - ANIMASIVO 2016 – 9th International Competition for Animated Short Film, (Mexico), September 2016 - Festival Cinema d'Arte – 14th Festival Internazionale del Cinema d'Arte, (Italia), October 2016 - Puppet Is the Human too – 11th International Festival of Puppet Theatre and Animated Films for Adults (Poland), October 2016 - Push! Film Festival (US), October 2016 - Banjaluka – 9th International Animated Film Festival (Bosnia and Herzegovina), October 2016 - BIAF – 18th Bucheon International Animation Festival (South Korea), October 2016 - Primanima – World Festival of First Animations (Hungary), October 2016 - On the Road Film Festival IV, Roma (Italia), October 2016 - ARTE Video Night 2016 - JCC – 27th Edition Carthage Film Festival (Tunisia), October-November 2016 - ReAnimania YIAFF – 8th International Animation Film&comics Art Festival of Yerevan (Armenia), Oct-November 2016 - Stockholm Film Festival – 27th Stockholm International Film Festival (Sweden), November 2016 - French Film Festival UK 2016 – 24th Fête du Cinéma (UK), November 2016 - FIFB – 2nd Festival International du Film de Bruxelles, Ciné-jeunes, (Belgium), November 2016 - YOUKI – 18th International Youth Media Festival YOUKI (Austria), November 2016 - CutOut Fest – 8th Festival Internacional de Animacion y Arte digital, (Mexico), November 2016 - XVI Bansko Mountain Film Festival, (Bulgaria), November 2016 - FIFMA – 33ème Festival International du Film de Montagne d'Autrans (France), Nov-December 2016 - Grand OFF – 10th World Independent Short Film Arwards, (Poland), Nov-December 2016 - Passagi d'Autore – 12th Festival del Cortometraggio Mediterraneo, (Italia), December 2016 - Cortex – 7th Festival de curtas metragens de sintra, (Portugal), February 2017 - Anim! Arte – 13th International Student Animation Festival of Brazil, March 2017 - MEDIAWAVE – 27th International Film and Music Gothering (Hungary), April-May 2017 - Animafest – World Festival of Animated Film, World Panorama, Zagreb (Croatia), June 2017 - MIAF – Melbourne International Film Festival, Installation Animation, (Australia), June 2017 - Picurt – 11th edition of PICURT, Mostra 2017 (Spain), June 2017 CREDITS Direction, animation / Mélody Boulissière Screenplay / Mélody Boulissière, Bogdan Stamatin Sound Designer / Grégoire Chauvot Original score /Clément Guillot Main character voice / Mattia Maggi Voices / Silvia Biehl, Maria Cadenas Sanchez, Mattia Maggi, Nina Mihaila, Mina Perrichon, Jinkyeu Shin, Georges Sifianos Foley artist / Agathe Courtin Sound recorder / Valentin Sampietro Audio mixing / Geoffrey Perrier Colour correction / Frédéric Mocellin Mentor / François Darrasse, Pascal Lemaire, Benjamin Delmotte Technique coordinator / François Colou, Frédéric Mocellin Produced by ENSAD École Nationale Supérieure des Arts Décoratifs, Paris. TRAILER vimeo.com/163475716 PORTFOLIO Mélody Boulissière http://bit.ly/2PyJ56h ———————————————————————————————- Somewhere (Ailleurs) | 2016 | 06 min | France | without dialogue | ENSAD
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Monday, October 15, 2018
My hand exploration animations turned into a full edit, the incredible Mount Audio helped out with the music. The focus lay in key-frame animation to mimic the intricate movements of a hand, and with texturing to capture a realistic look of the skin. Adding a layer of simulation I experimented with various substances to create moments of curiosity and playfulness. Sound and Music: Mount Audio
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Karolina Kuras is a Toronto-based ballet and portrait photographer. In this piece, we explore her creative collaboration with Canadian National Ballet dancer/choreographer Brent Parolin and Tanya Howard, as well as make-up artist Ashley Readings. We wanted to encapsulate the essence rather than the information. There are many pieces where Karolina is featured as a photographer discussing her work, but we wanted to get underneath the surface, into the intangible matters that drive and inspire her to create and collaborate so intimately. This project was captured on 35mm film, with a small crew in Karolina’s home studio. Featuring: Karolina Kuras Dancers: Brent Parolin & Tanya Howard Cinematographer: Diego Guijarro Alvarez Composer: Nick Grimshaw 1st AC: David Stuart Steadicam Operator: Kevin Packer MUA: Ashley Readings
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sales: NEW EUROPE FILM SALES Marcin Łuczaj - shorts@neweuropefilmsales.com Festival distribution: DAAZO Zsófia Herczeg - zsofi@daazo.com Gábor Osváth - gabor@boddah.hu Awards: Audi Short Film Award - Berlinale Shorts Competition 2018 Grand Prize - Ottawa International Animation Festival 2018 Best Sound - Fantoche 2018 Best Short Film Award - Flatpack Film Festival 2018 RADAR Award - Curtocircuíto International Film Festival 2018 Short Film Grand Prize – Indie Lisboa Film Festival 2018 1st Mention Best International Short Film Award - Bit Bang Fest 2018 Special Mention - Lago Film Fest 2018 Special Jury Mention - Guanajuato International Film Festival 2018 © RékaBucsi2018
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Once there was a taxidermist whose collection was his life - and what his life needed most, he decided, was a lady. But the Lady in question had other ideas. A campy Gothic tale about how we objectify each other in the post-Tinder world of online dating. My graduation film from the Royal College of Art. Direction & Animation - Daniel Stankler Music & Sound Design - Zing Audio Voiceover - Seb Carrington & Alice Bounsall Hope you enjoy!
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Sunday, October 14, 2018
Director: Kinopravda DOP - Marcell Rév Written by: Viktor Horváth Production Company - Caviar London Executive Producer: Daniella Manca Service production: GLDVW Producers [Kinopravda] - Anna Szijártó, Xénia Fekete, Tiffany Suh Production Designer [Kinopravda] - Áron Filkey Production Manager - Sina Pars 1st AD - Constantin Preda 2nd AD - Jazmin Garcia Styling - Chloe & Chenelle RedBullMusic
Saturday, October 13, 2018
Since the 1980’s, the glacier on Mt. Hood during the summer months has been a meeting place for snowboarders from all over the world. Growing up watching snowboard movies, most were shot on 16mm film & it was common to see footage from Mt. Hood in the summer time. Fast forward 30 years and the content coming out of Mt. Hood floods the internet due to the digital era. So being inspired by the older films and the recent rise of 16mm seen throughout the industry today, we hope to bring you a little bit of the past, into the future. A 16mm short featuring the talented Ben Ferguson, Red Gerard, Danny Davis, Gabe Ferguson, & Nik Baden. Special thanks to Zach Nigro, Frankie Chapin, Pat Dodge, Tom Johnson, Jake Howell, & High Cascade Snowboard Camp Music: The Art of Love by Peter Godwin (Johnson Somerset Remix)
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Genetically engineered mascots become the latest craze in this all too possible future. An IP proof of concept by the creators of True Skin and Pastel Written and Directed by: Stephan Zlotescu (stephanzlotescu@gmail.com) Cinematographer: H1 (info@H1FILMS.com) Produced by: Stephan zlotescu, H1, Vlad Caprini, Steve Tzirlin Associate Producers: Mihai & Adrian Pircalabu, Omar A. Said Executive Producer: Patrick Jean Music: Out Alive - by J-Punch and Dave Moonshine - http://bit.ly/2RS5GfM (mini series being developed by Blackpills) Production Companies: Punkcity Productions H1FILMS Opticflavor VFX Studio Blackpills
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Friday, October 12, 2018
Two office cleaners seek to hide the dirty truth behind a businessman’s death while finding an avenue to air their grievances with society at large. Written & Directed by Jesse Allen Starring: Maria Peyramaure, Alba Ponce de Leon, and Lynn Berg. Produced by Simon Ore & Jim Probyn. Cinematography by Chris Messina. Edited by Joseph Dillingham. contact: allenjesse@mac.com
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Visual trend lab foam Studio embarked on an prolific exploration of trend visuals with BASF’s Coating Division. Their Automotive Color Design team invited foam to conceptualize and design their latest release of their global design tool kit, which is an authoritative trend book on automotive paints for the next years. foam’s task was to interpret the diverse findings of the group, and consolidate the complex social, technological and aesthetic trends and translate them into formal narratives. The result is an unseen formal language, with autonomous shapes and unfamiliar materials celebrated in a playful ménage of bold hyperrealism and poetic abstraction. Concept, Design, Production: foam Studio Client: https://on.basf.com/2QLfDdg Art Direction: Jamie Raap Sound Design: Alex Pastore http://bit.ly/2A6Yx4a
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Earthrise tells the story of the first image captured of the Earth from space in 1968. Told through the voices of the Apollo 8 astronauts themselves, the film recounts their experiences and memories and explores the beauty, awe, and grandeur of the Earth against the blackness of space. This iconic image had a powerful impact on the astronauts and the world, offering a perspective that transcended national, political, and religious boundaries. Fifty years later, Earthrise compels us to remember this shift and to reflect on the Earth as a shared home. Read the story here: https://nyti.ms/2IBZ0hG Directed by Emmanuel Vaughan-Lee
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Thursday, October 11, 2018
a short film by György Mór Kárpáti official selection @ Slamdance 2017 best short film prize @ Zagreb Film Festival The return journey on a train from a freshman summer camp, where 18-year-old Dora has just been sexually abused. Now the president of the students’ union wants to talk with her. In Hungary, the students’ union of each university organises a summer camp for their freshman students just before the beginning of their first semester. Many cases of sexual violence having taken place in these camps have recently come to light, as well as the fact that they were systematically covered up by the unions. Our film is inspired by these true events. The behaviour of the leaders of the students’ unions correlates with contemporary Hungarian politics – and these kids are the next generation of politicians.
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73 Cows is the story of Jay Wilde, a beef farmer who battles with his conscience every time he takes his cows to slaughter. Feeling trapped within an industry he no longer believes in, Jay knows he must make a change and do what no other farmer from the UK has ever done before. facebook.com/73Cows instagram.com/lockwoodfilm/ Director - Alex Lockwood Cinematographer - Ollie Walton Sound Design - John Roddy Graphic Design - Ana Orio Production Assistant - Nishat Rahman ©LockwoodFilm
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“Weird” is a monologue about the diversity. It is a scream of a girl, used to be judged as weirdo and different. She dreams to delete the concept of weird. She thinks that weirdness is only a point of view, nothing more than a personal perspective. Script and Direction - Fausto Montanari Art Direction - Fausto Montanari Animation Direction - Nikolay Ivanov Animation - Nikolay Ivanov, Teodor Hristov, Petko Modev Aditional animation - Susanna Siouxsie Basone, Lorenzo Ugo/Elevenam Music & SFX - Smider Voice - Sofia Banzhaf
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Right place at the right time. Somehow ended up being in Indo for the swell of the decade. Nias Pulau will be forever in my heart. Filmed and Edited by Bruno Zanin Additional Footage by Carlo Coral & Laurie Music By Muddy Brother - Ocean Stream Narration by Lucas Schertel Photo by Justin Buulolo Powered by: Rip Curl & Sumol.
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Wednesday, October 10, 2018
Synopsis: Liz meets the parents of her new boyfriend Pepijn during their regular game night, where Pepijn’s mother Ingrid is calling the shots. What begins as an innocent game, quickly changes into a nightmare for Liz when she clashes with Ingrid, who’s determined to win the game at all costs. Spelletjesavond (Game Night) is an award-winning dark comedy with unexpected twists. Meeting the in-laws for the first time is always uncomfortable, but combined with a game night, it’s a recipe for disaster. Written and directed by Jan van Gorkum. The film stars Sofie Porro, Albertine de Kanter, Sol Vinken and Howard van Dodemont. Selected for a large number of international film festivals, including the Cleveland International Film Festival 2018 and the Palm Springs International ShortFest 2017 in the USA. The film has won the Audience Award at several festivals: Eindhovens Film Festival 2016 (Netherlands), Independent Days International Filmfest 2017 (Germany) and the Paphos International Film Festival 2017 (Cyprus). Winner of the Dutch Competition at the Niederrhein Filmfestival 2018 (Germany). Winner of the 3rd Jury Prize at the Monstronale Festival 2018 (Germany). Winner of Best Actress (Sofie Porro) at the Vlaardings Film Festival 2018 (Netherlands). Facebook: http://bit.ly/2A3I9le IMDb: https://imdb.to/2QMTUSD Contact: Jan van Gorkum - info@janvangorkum.nl © Zuiderlicht Film (2016)
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Each fall our skies fill with the wings of migrating raptors. This ancient migration spans two hemispheres, binding our backyards to the forests of the far north and the wildest corners of South America. A network of volunteers and biologists stand ready to document each pulse of the migration by collecting data that may arm us with the means to better understand the health and wellbeing of these wayward fliers and the landscapes that sustain them. Sky Migrations is a film about a journey that embeds us in this epic migration for a brief moment, telling the stories of those who, with eyes cast skyward, tuck themselves atop mountains to help ensure that October skies may continue to flood with raptors, and that wilderness itself lives on. More info at: http://bit.ly/2A2t3wf A Film By Charles Post, Max Lowe and Forest Woodward Charles Post: http://bit.ly/2QHiKD5 Max Lowe: http://bit.ly/2A3kgKl Forest Woodward: http://bit.ly/2QHU9y6 Co-Directors: Charles Post, Max Lowe and Forest Woodward Sound Design: William Lake Springstead Editing: Sam Hedlund Color: Sam Lowe Motion Graphics: Jim Menkol Illustrations: Issac Lowe Special Thanks To: Hawkwatch International and crew Joseph Dane Andy Earl Huckberry Mary Anne Potts National Geographic Micah McKay Zach Alexander Dennis Randall Song: “Guess I Was Just Young” Performed by: Evan Phillips (w/ Courtney Marie Andrew) (both versions) (End Song) Written by: Evan Phillips Licensed by: Evan Phillips Music / The Firn Line Song: “Alligator” Performed by: YURT (Travel Song) Written by: Olivia Kesterson & Marlo Kapsa Licensed by: Olivia Kesterson & Marlo Kapsa Song: “Go East” Performed by: Le Loup (Goshute 1 Song) Written by:? Licensed by: SUB POP LICENSING Song: “Breathing Rapture” Performed by: Le Loup (Goshute 2 Song) Written by:? Licensed by: SUB POP LICENSING Song: “Fading Memories” Performed by: Tony Anderson Written by: Tony Anderson Licensed by: Musicbed http://bit.ly/2A4LdNM Song: “Looking Back” Performed by: The Earth & Arrow Written by: Rob Casmay Licensed by: Marmoset Music http://bit.ly/2QH7uGT
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3am. 1980s Hongjing. In an aging private hospital, a single-minded surgeon is forced to break her physician’s oath when violent gangsters storm in to stop a crucial operation. “Do No Harm” is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2NzdLCp http://bit.ly/2OObPLb NZFC Premiere Pathways Director: Roseanne Liang Producer: Hamish Mortland Executive Producers: Tim White, Tim Wong & Roseanne Liang DOP: Andrew McGeorge Prod Designer: Gary Mackay Costume Designer: Jaindra Watson Editor: Tom Eagles Composer: Mahuia Bridgman-Cooper
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Tuesday, October 9, 2018
Quantum electrodynamics, commonly referred to as QED, is a quantum field theory of the electromagnetic force which approach visualizes the force between the electrons as an exchange force arising from the exchange of virtual photons. QED was the first successful quantum field theory, incorporating such ideas as particle creation and annihilation into a self-consistent framework. The development of the theory was the basis of the 1965 Nobel Prize in physics, awarded to Richard Feynman, Julian Schwinger and Sin-itero Tomonaga. Source - HyperPhysics Sound design by Billain. http://bit.ly/2A1sZwt http://bit.ly/2QzqTJM
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3/3. In Between. When he stumbled into town I knew right away Every man searching for it has the same look. The forest does not hear our laments For no one I have taken there ever returns. http://bit.ly/2RAEySe http://bit.ly/2E7nEbm http://bit.ly/2RAaFlb http://bit.ly/2E7nFfq http://bit.ly/2RAEzWi Alaskan Tapes “Places” / You Were Always An Island 1/3. Waiting - vimeo.com/278481716 2/3. Skin - vimeo.com/280721116 Cast: Francisco Trujillo, Guilherme Babilonia, Sami Thompson Written & Directed by: Andrew De Zen Producer: Madeleine Davis Cinematographer: Cole Graham Production Designer: Liz Cairns Editorial: Outsider Editor: Michael Barker 1st Assistant Camera: Mikael Bidard 2nd Assistant Camera: Bruno Souza Technocrane Operator: Ryan Petey Technocrane Assist: Zach Steele Gaffer: Greg Goudreau Key Grip: Alex Greba Swings: Jackson Forsythe, Ben Herman Sound Mixer: Oscar Vargas Costume Designer: Lovisa Drever On-set Wardrobe: Giselle Bourget Hair & Make-Up: Samantha Dempsey Art Assistant: Janessa St Pierre Production Assistant: Ben Graham Colour: Company 3 Colourist: Jaime O'Bradovich Sound Design: Defacto Sound
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Hands Up, Chin Down is a short documentary about Jerry Mitchell, one of the most respected coaches in amateur boxing. Based on a series of raw audio recordings and lasting exactly the length of a round of boxing, the film is a conceptual study of the coaching process with its strange mix of brutality and care. World premiere at Sheffield Doc/Fest 2018. A film by Matt Houghton | itsmatthoughton.co.uk Photography project: http://bit.ly/2OdG1Qy Directed by Matt Houghton Producer: Alistair Payne-James Cinematographer: James Blann 1st AC: Harry Vizard Colourist: Simon Bourne@Framestore Sound Designer: Tom Jenkins@Audium Music by Jessica Jones@Audium Many thanks: George Rumsey, James Spinney, Peter Middleton, James Sorton, Marisa Clifford, Can Salahi, Chris Anthony, Pulse Films, Panavision, Framestore, Metal Culture. Special thanks to Jerry Mitchell, Lenny Hagland, Reggie Hagland, and all the members of Islington Boxing Club. http://bit.ly/2ypGcgJ. A Pulse Films and Fee Fie Foe production.
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An American teenage girl visits her family in Jamaica and uncovers a secret that changes the way she sees the people she loves. This film explores the culture of silence amongst women, the kinds of secrets we keep and who they’re actually protecting. Winner of the Vimeo Staff Pick Award at the 2018 Hamptons International Film Festival. “This film masterfully navigated through delicate questions regarding trust and loyalty, when they’re thrown into turmoil following an act of sexual abuse. Anchored by outstanding performances from its two young leads and a nuanced directorial approach, we present the Vimeo Staff Pick Award to "Cross My Heart” by Sontenish Myers.“ - Vimeo Curation
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Monday, October 8, 2018
this is a new spirit. using your energy to connect people, learn and earn. this what Krishna baba always said. not even started my trip in India and I met this incredible person on the airplane. he took me to an adventure full of good learning, health, and positiveness. then I continue my trip. approached to so many different kind of people. shaping my identity through this special way of life. Filmed & Edit - Moran Moradi Sound editor - Nir Shor Music: Max LL - In Absentia Menachem Engel - Raga chill happy Indian sitar music Filmed with Sony a7s Mark 1 Sony 16-35 Rokinon 50mm Batis 85mm Zhiyun Crane v2 Gimbal —— Follow me on Instagram - http://bit.ly/2QH32YX
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Sunday, October 7, 2018
I spent one week in Yangshuo (Guilin, Guangxi China) and saw some of the most stunning views in the world. It is famous for its fabulous Karsts formations and the Li River with the cormorant fishermen. I have tried to capture its beauty in this short film and hope you enjoy it! Featured on Skypixel: Staff Pick Featured on Aerial Video Awards: Staff Pick —– You can follow me at: Facebook - fb.com/daanvanreijnvideo Instagram - instagram.com/daanvanreijn —– View my other videos: Bali: vimeo.com/230402881 South Africa: vimeo.com/260231102 Ibiza: vimeo.com/217283688 Scheveningen: vimeo.com/201432238 —– Camera: Sony a7III, 24-70MM Zeiss Drone: DJI Mavic Pro Gimble: Zhiyun Z1 Crane Film and edit: Daan van Reijn Music: Returning by Ryan Taubert, licensed on Musicbed —– Please only use and share this embed code of the original video. Third party downloads and distribution is not permitted.
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Saturday, October 6, 2018
Tim thinks he might just have found the girl of his dreams…again! A short 4 minute comedy film directed by Jess Scott-Hunter from a story by Paul Simms. Screened internationally at festivals including London Short Film Festival, Palm Springs Shortsfest, LA Comedy Festival among many others.
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White Lies (first single from TATRAN upcoming album Foresee) Directed and animated by Shahaf Ram http://bit.ly/2zUrL6b http://bit.ly/2BXO1h8 Animation Assistant - andrey missing http://bit.ly/2zVz0L7 http://bit.ly/2BXB6LY Concept Art and script by andrey missing and shahaf ram Music by TATRAN http://bit.ly/2zV8GRC http://bit.ly/2BXB7zw http://www.youtube.com/tatranmusic - - - - When I was 9 I played in a tennis tournament. First round begins, the referee of my match didn’t show up. My opponent’s dad said: I’ll be the judge. I didn’t suspect a thing at first but then it dawned on me.. They were fucking cheating. Nobody was there to help so I decided to fight back as hard as I can. I channeled my rage towards the yellow ball. I was unstoppable. Running. Sweating. Swearing. Michel Jordan. Win. Win. Win. After the first round I felt super ready for the next round. But nobody called me for the next game. Days turned to weeks and summer was over. When school started I started to realize that there is no next round. It haunted me, Did they just continue to play without me?? And maybe the tournament wasn’t over, maybe they still play till this day. Maybe there is no next round at all. No final, no trophy. You just keep playing. - - - - בכיתה ו הייתי בנבחרת של גבעת אלה בטניס בקיץ המועצה המקומית ארגנה טורניר בין הישובים. התחיל סבב המשחקים הראשון. עשרות ילדים מזיעים אחד מול השני. אך קרה מקרה- ולמשחק שלי היה חסר שופט. האבא של השחקן מולי החליט שהוא יהיה השופט. בהתחלה לא חשדתי. אך מהר מאוד הבנתי מה המשמעות של העניין וראיתי את ההפסד הצורם מתקרב ללא שליטתי. זה היה כול כך לא הוגן ולאף אחד לא היה אכפת. ואני זוכר איך מתוך פיגור במשחק ומתוך החוסר הוגנות הזאת קיבלתי כזה דרייב להילחם חזרה. וכשהמצב היה נרא חסר סיכוי. משהו נפתח בי. איזה זעם וגאווה חסרת גבולות. הייתי בלתי ניתן לעצירה. לא הפסקתי לזוז לקפוץ. להתאבד על כול כדור. זה לא היה פשוט. אבל ניצחתי . יום סבב המשחקים הראשון עבר. חזרתי לישוב. הרגשתי מוכן לסבב הבא. ימי הקיץ עוברים להם לאט, ואני מחכה, ומפנטז כמה רחוק אצליח להגיע עם הזעם החדש שרחשתי. אבל אף אחד לא קורה לי לבא. הקיץ נגמר, הלימודים מתחילים ומתחיל להזדחל לי לראוש הרעיון הזה, התובנה הבילתי נסבלת- שהסבב הבא לא הולך להגיע. ואחת לכמה זמן עוד הייתי תוהה עם עצמי מה קרה שם? למה הטורניר לא המשיך? ואולי הוא כן המשיך פשוט בלעדי ? ואולי בעצם הוא פשוט לא נגמר מעולם. אולי הוא עדיין קורה. טורניר אחד גדול וארוך. ואין שום שלב שני שאפשר להגיע אליו. גם לא שלישי או חצי גמר. ובטח שאין פודיום קטן שעולים אליו ושומעים מחיאות כפיים רחוקות או גביע נוצץ מפלסטיק או מדליית ארד שעולה בחניות הספורט בדיוק כמו מדליית הזהב. אין. פשוט ממשיכים לשחק עד שנשחקים. וגם אז - - - -
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Friday, October 5, 2018
In 2017, Agnes Gund sold Roy Lichtenstein’s ‘Masterpiece’ to start the Art for Justice Fund. The initiative aims to turn art into action, investing in strategic efforts to reform the criminal justice system. http://bit.ly/2pEQS78 Commissioned by The Getty Museum on the occasion of their 2018 Getty Medal to Agnes Gund for her lifelong dedication to philanthropy and the arts. http://bit.ly/2Pj4Uqx Director Matthew Miller Produced by Ways & Means Executive Producers Lana Kim, Jett Steiger Producer Corey Deckler Project Manager Steph Max Interviews Jesse Krimes, Russell Craig Editor Matthew Miller Director of Photography Sam Wootton Steadicam Operator Michael Klein 1st A. C. Andy Hensler 2nd A. C. Adam Russell Gaffer Daniella Berg Sound Mixer Matt Martin Production Assistant Richard Smith, Jake Lazovick, Zach Michaliszyn Color The Mill Colorist Oisin O'Driscoll Color Producer Dan Butler Post Sound Unbridled Sound Sound Supervisor Brent Kiser Re-Recording Mixer Ian Chase Sound Editor Tim Preston, Steven Blevins Music Ali Helnwein
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Featuring Jaleel White as “Hero” Directed by Nick Roney Produced by Andreas Attai Production Company: supportanarchy.com Executive Producer: Andreas Attai Written by Nick Roney & Edward Leer & Arjun Prakash & Alan Michnoff Director of Photography: Arjun Prakash Production Designer: Tye Whipple First Assistant Director: Sam Shapson Production Manager: Valerie Bush Costume Designer: Maya Sommer Editing by: Nick Roney with assistance from Dan Carr Sound Design: Shaun Yee Color by: Nick Sanders Camera Operator: Greg Cotten First Assistant Camera: Ryan Summersett Gaffer: Jeff Godshall Key Grip: Doug Frerichs Set Dressers: Chris Madrigal, Van Robinson, Ionut Popescu, Jake Miller Make Up and Hair: Devan Weitzman Sound Mixer: Sean Colby Production Assistant: Constantine Samios Thank you: Alternative Rental, Arjun Prakash, Sunset Supplies, NTRŌPIC, Scopic Soundworks, Jennea Attai, Joe Sill, Michael Barth, Doug Frerichs, and most especially Dan Carr. Filmed on Location at Escarpment
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The English translation of JEOM means “black dot” or “birthmark.” For this film, JEOM is also a metaphor on the powerful hereditary force that each of us receives without our consent before we are even born. It is inevitable that we are all tied to this heredity. No matter how much we try to erase or change this fact, our ancestors will always live through us. 점의 일차적 의미는 몸에 있는 점(몽고반점)이다. 이차적으로 점은 세대간에 원하든 원치 않든 물려받아야만 하는 유전의 강력한 힘을 상징한다. 유전의 힘을 떠나 후천적으로 완전한 자립을 바라기는 어렵다. 우리는 그 위에서 살아가고 그것을 지우기 위해 노력할뿐이다. film by Kangmin Kim sound, music by Barratt Slagle produced by Micah Cordy, David Braun, Jason Milov, Kangmin Kim production by Open The Portal, studio ZAZAC voice by Teo Kim, Kangmin Kim color by Seulhwa Eum JEOM is a sequel to 38-39°C vimeo.com/22683060 Open The Portal opentheportal.com studio ZAZAC studiozazac.com
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A teen finds comfort, freedom, and affirmation dressing in “women’s clothing,” until they see their father on the street. Official Selection: - 2018 Los Angeles Asian Pacific Film Festival - 2018 Athens International Film + Video Festival - 2018 Shanghai Queer Film Festival - 2017 NewFest New York’s LGBT Film Festival Cast: Geoff Lee, Cherng-Mao Sun Crew: Director/Writer: Yuchao Feng Producer: Yuchao Feng Cinematographer: Farida Zahran 1st AD: Eмилија гашић Assistant Camera: Evan Karg Sound Designer: Yuchao Feng Costume/Make-Up & Hair: Mo Sha Editor: Yuchao Feng Key Grip: Kevin Wang
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Thursday, October 4, 2018
A sister makes a bargain with her terminally ill brother. He agrees to let her use his sperm if she comes out to her family that night. Official Selection SXSW 2018 Winner Audience Award and Special Jury Mention Outfest 2018 Winner Audience Award Fusion Film Festival 2018 Directed by Sara Shaw Produced by Mollye Asher Executive Producer Michael Pogarian, Desiree Akhavan Starring Rebecca Henderson, Alex Kramer, Shae D'Lyn, Lee Wilkof, Yan Xi and Lynne Cohen Written by Sara Shaw and Amanda Verwey Cinematography by Zelmira Gainza Music by Jesus Gerdel Production Design Ali Rubinfeld Costumes Liene Dombraja
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We’re All Going To Die takes on the simple task of exploring the meaning of life. Through colour, imagination, humour and fart jokes, Director Stefan Hunt asks you to look at the what ifs, the why nots and the oh wells that might flash before your eyes when paid a surprise visit by Death. With your internal monologue played by Jared Jekyll and Death played by Hugo Weaving (The Matrix, Lord of the Rings), you’re prompted to get existential whilst grinning from ear to ear during this independent short film of fantastical weirdness. The film is an adaptation from Stefan Hunt’s illustrated book ‘Were All Going To Die’ and part of a multimedia extravaganza of that same name that was launched in October 2017. The project uses death and art to empower its audience to fear less & live more. “Years ago I was crippled by fear. Reminding myself that I’m going to die has changed my approach to life. It’s the most powerful force to live by.” says Hunt, who independently funded this project alongside a successful Kickstarter campaign. A huge thank you to everyone who has been part of the journey. Let’s keep kicking fear in the balls. For more information visit - http://bit.ly/2yh0wAM Official book available here - http://bit.ly/2Rt11jU Director - Stefan Hunt Producer - Yingna Lu Director of Photography - Campbell Brown Editor - Stefan Hunt Man - Jared Jekyll Death - Hugo Weaving Production Designer -Ian Kanik Art Director - Mohini Herse Art Director - Courtney Covey Costume Designer - Christina Bouzios Costume Designer - Rosa Spring Voss Hair and Make Up - Katy Clucas Hair and Make Up - Lisa Mangion Sound Composer - Jonny Higgins Casting Director - Felicity Byrne Unit Production Manager - Maren Smith Unit Production Manager - Nicole Hofstädter 1st Assistant Director - Stuart Beedie Stunt Coordinator - Mark Duncan (TwinStar Stunts) Stunt Rigger - Neal Horton Production Assistant - Olivia Carolan Production Assistant - Yasmin Blake Production Assistant/Reader Emele Ugavule 1st Assistant Camera - Joel Eames 1st Assistant Camera - Sid Tinney 1st Assistant Camera - Tim Keith 2nd Assistant Camera - Luke Tysoe 2nd Assistant Camera - Chris Moore 2nd Assistant Camera - Rhavin Banda BTS Jack Shepherd Wardrobe Assist - Amber Theron Gaffer - Mat Wilson (Focus Film Lighting) Gaffer - Steve Schofield (Lumen Arty) Best Boy - Nathan Grant Best Boy - Richard Hawkins Best Boy - Charles Gray Key Grip - Chris Davies Sound Recordist & Boom Operator - Martin Demian Stills Photographer - Sam Shepherd Locations Services - Emelie Fagerman and Alex Intihar from Search Party Locations Online Editor / Colourist - Matt Fezz VFX Supervisor - Matt Fezz VFX Supervisor - Matt Campbell Storyboard Artist - Amber Theron Graphic Designer - Sam Shepherd Designer - Hui Ying Kao Designer - Courtney Brookes Animator - Andrew Khosravani Animator - Michael Chen Post Sound Supervisor - Jonny Higgins Voice Over Recordist - Rob Hughes Voice Over Recordist - Simon Lister VO recorded at Nylon Studios Special Thanks to; Paper Moose Crater Studios Mrs Nina Tattoli Vanessa Marian Helena Rosebery Southern Cross Cameras Australia Stef Smith Matt Pike Whitney Oliver Alexandra Kent Adam Benton Liam Riley Ant Pawley Kei Yokokawa Williams Management Andrew Wilkinson (Sydney Prop Specialists) Alt.vfx
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Wednesday, October 3, 2018
LINK Running Time: 7’34“, no dialogue, 2D Credits Written, Animated & Directed by: Robert Löbel Sound Design: David Kamp 2D Animation: Robert Löbel, Anne-Lou Erambert, Dante Zaballa, Guille Comin, Olivia Blanc, Kathy Würbs Color & Clean up: Robert Löbel, Elisabeth Vahle Janerka Thanks for continued support, patience and advice: Ina Podzimek, Max Mörtl, Talking Animals animation studio, Claire Paq, David Kamp, Dante Zaballa, Jule Krusch, Matthias Neumann Funded by FFA Germany Copyright Robert Löbel, 2017
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facebook.com/FAUVEfilm CAST Tyler: Félix Grenier Benjamin: Alexandre Perreault The Woman: Louise Bombardier CREW Writer/ Director : Jeremy Comte Production : Evren Boisjoli (Achromatic Media), Maria Gracia Turgeon (Midi la Nuit) Cinematographer : Olivier Gossot Production Manager: Julie Groleau Production coordinator: Kelyna N. Lauzier 1st Assistant Director: Catherine Kirouac Casting Director: Victor Tremblay-Blouin Costume Design: Renée Sawtelle Make-up & Hair Artist: Stéphanie Barette Sound recordist: Laurent Ouellette Key Grip: Roland Cody Laroque Best Boy Grip: Nicola Poitras Gamache Grips: Patrice Arsenault, Thibault Kersani 1st Camera Assistant: Jeanne Dupuis 2nd Camera assistant & Gimbal operator: Benjamin Granet Stunt Coordinator: Tyler Hall Visual Effect Supervisor: Jean-Francois Clément Assistant Visual Effect Supervisor: Alex Legault Unit Production Manager: Jean-Maxime Giguère Set Production Assistant: Gabrielle de Cevins Production Assistants: Stéphane Pierre-Dufour, Sophie Cullen Aubut, Sabrina Lavergne, Molly Manseau Production Driver: Antonio Gracia Molero Production Intern: Gabrielle de Cevins Medic: Dominique Laplante Catering: Reception GL Animal Wrangler: Alain Chiocchi Script collaborators: Patrica Boucher & Daphnée Côté Hallé Script Consultant: Phillipe Lesage Image Post Production: Outpost Post Production Supervisor: Simon Allard Editor : Jeremy Comte Online Editor: Simon Allard VFX Artist: Val Michailov Sound Post Production: Cult Nation Mixing & Sound Design : Hugues Bertrand, Théo Porcet, Jean-David Perron Foley Artist: Michael Anctil Sound Post Production Coordinator: Sophie Bérubé Colour: The Mill - Chicago Colourist : Luke Morrison Colour Assist: Lindsay Mazur Coulour Producer: Dan Butler Colour executive Producer: Laurie Adrianopoli Music: La Hacienda Composer: Brian D'Oliveira Distribution and international sales: H264 Distribution Poster & Title design: Sebastien Camden - Pusher Filming Equipment: Cineground, Achromatic Media, Cinepool, Multiservice Luna Vehicles: Location Via Route Production Accountants: Marie-Ève Desbiens Tremblay, Johane Bergeron Auditing: Benoit Gauthier Production Insurance: BFL Lawyer: Gabriella Rozankovic - Lussier & Khouzam Produced with the financial participation of SODEC, CALQ, Provincial tax credit & Federal tax credit * Fauve played over 80 festivals internationally and won over 40 awards. Winner: Special Jury Award - Sundance Film Festival 2018 Winner: Best of the Festival - Palm Springs ShortFest Winner: Grand National Jury Prize & Best Youth Short Film - Regard Int. Short Film Festival Winner: Best Drama - Aspen ShortsFest Winner: Programmers Choice Award - Cleveland Film Festival 2018 Winner: Best Narrative Award - Minneapolis Saint Paul International Film Festival 2018 Winner: Jury Award for Live Action- Vienna Shorts 2018 Winner: Best International Short - Rincon International Film Festival, Puerto Rico, 2018 Winner: Jury Award, Public Award, Prix Ciné Tapis-Rouge - Festival Courts d’un soir, 2018 Winner: Best Directing, Public Student, Young Voters & Public Award - Longue vue sur le court, 2018 Winner: Premio SIGNIS MÉXICO - Guanajuato International Film Festival, 2018 Winner: Grand Jury Prize (Short Film) - 12th FIRST International Film Festival Xining, 2018 Winner: Grand Prix for Best Short Film - Melbourne International Film Festival, 2018 Winner: Best International Narrative - DC Shorts, 2018 Winner: Best Quebec Short Film - Les Percéides, 2018 Winner: Artist Award Winner - Odense International Film Festival, 2018 Winner: Honourable mention for Best Canadian Short Film - Toronto International Film Festival, 2018 Winner: LeCentral Jury Prize - Off-Courts Trouville, 2018 Winner: Best Overall Short Film - Calgary International Film Festival, 2018 Winner: Best Short Film, FIPRESCI Award : Best Short Film - IFF Pacific Meridian, Vladivostok, 2018 Winner: Brief Encounters Grand Prix - Encounters Film Festival, Bristol. 2018 Winner: La Fabrique Culturel Award - Long Week-End du Court, 2018 Winner: National Competition Grand Prize, Audience Award - Quebec City Film Festival, 2018 Winner: German Independence Award : Best Short Film - Oldenburg Film Festival, 2018 Winner: Best Actor - International Shorts Competition (Félix Grenier) - Les Fantastiques week-ends du cinéma québécois : Vidéotron Award for Best Short (Argent), UDA Award for Best Actor, EVS Award for Best Upcoming Producer (Maria Gracia Turgeon) - Fantasia International Film Festival, 2018 CONTACTS H264 Distribution / Attn : Jean-Christophe J. Lamontagne/ jc@h264distribution.com Midi la Nuit / midilanuit.com / maria@midilanuit.com / facebook.com/MidiLaNuitFilms Achromatic Media / http://bit.ly/2NjSLPW evren@achromatic.ca /
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Tuesday, October 2, 2018
In a near future, where time is the most precious thing, a company called TURBO EXPRESS takes it very seriously. Direction: All in Pixel Design: All in Pixel Animation: All in Pixel, Christian Villacañas, Rafael Andrade Music & Sound Design: All in Pixel Produced: Device “Time is the longest distance between two places.” - Tennessee Williams.
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During the year of 2017 it was my little observation while drawing characters that there are many interesting shapes forming while we’re posing in our daily life. Some shapes like… shape of numbers. By living in a big city there are different kinds of people with different personalities, careers, tastes and lifestyles. I started making numbers design with illustrations of different character’s close-up while observing the variety of the surrounding until a set of forty illustrations from number 0 to 9 is completed. Then I animate each of them and turn the set into 40 loopy animations in grids. I called it Number Who. Full Credit: Directed by Gung-Kai Koo Design & Animation - Gung-Kai Koo Music & Sound - Zing Audio Additional Music Editing - Gung-Kai Koo
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Monday, October 1, 2018
Early to work one morning, Aiden happens upon illegal activities purveyed by his employer and is drawn into a brutal fight for his life and the safety of his family. CONSTRUCT is Kevin Margo’s Sci-Fi film project. CONSTRUCT is currently being developed as a feature with Kevin Margo set to direct. Brian Kavanaugh-Jones (MIDNIGHT SPECIAL, OPERATION FINALE) will produce with his team at Automatik. The feature film script is being penned by Marcos Gabriel and development financed by Nightfox. WATCH how we’ve helped pioneer new filmmaking and virtual production workflows. Part 1: https://youtu.be/nnaz8q6FLCk Part 2: https://youtu.be/ihyRybQmmWc CONSTRUCT VR is coming to L.B.E. Venues around the world soon! http://bit.ly/2xU5cx9 SPECIAL THANKS to the AMAZINGLY TALENTED team of artists, actors and stunt performers who continue to support this project. CONSTRUCT’S collaborators include CHAOS GROUP, NVIDIA, GOOGLE, OPTITRACK, BOXX, iTOOSoft and ROUGE MOCAP. FULL CREDIT LIST @ 10:10 SOCIAL | Follow us for updates: http://bit.ly/2NfGaxs http://bit.ly/2xR85ii https://twitter.com/MargoKevin http://bit.ly/2NfGaNY http://bit.ly/2xR85yO https://www.youtube.com/kevinmargo Kevin Margo is represented by Scott Carr / Management SGC
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A cultural renaissance in the historic city of Yangon, and a rare glimpse into a country in extreme transition. Director: Josh Hayward Production: Moonji Production Myanmar Executive Creative Director: Thom Hayward DP: Astrobridge Producer: Rachel Briggs, Nancy Vidal Executive Producer: Linda Lim Color: James Tillett, MPC NY Color Producer: Jenna Gabriel Music and Sound Design: Sono Sanctus Foley: Impossible Acoustic Special Thanks: Bert’s Lighting, KT Group Full credits at end of film.
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Sunday, September 30, 2018
A young woman tries to navigate issues of intimacy in a unique relationship after a traumatic event. Directed by Wesley Wingo Written by Will Sabel Courtney Produced by Hunt Beaty, José Andrés Cardona, Wesley Wingo Bunny: Francesca Anderson Doggy: Harry Bainbridge Nature Documentary Narrator: Thomas Butcher Radio DJ: Jason Katz Co-Producer: David Broad Associate Producers: Will Sabel Courtney, Scott W. Herriott, Megan Finnegan Wingo Director of Photography: José Andrés Cardona Edited by José Andrés Cardona & Wesley Wingo Production Sound: Hunt Beaty Supervising Sound Designer: Theodore Robinson Supervising Sound Editor: Tarcisio Longobardi Re-Recording Mixer: Cory Choy Post Production Sound Facility: Silver Sound Color Grading: Post Pro Gumbo Colorist: Alan Louis Gordon Visual Effects: Carl Brent Ferguson “Ready to Not Be Ready” Written by Peter Darling and Kamal Kamruddin “Hawaiian Romance” Written by Dorothee Rascle & Jean-Paul Soullier Special Thanks: Matt Bockelman, Silver Sound, Jacob LaMendola, Eugene Ioannou, Deb Oh, Red Ranch Motel, Fun Ghoul Costumes, Hand Held Films, APM Music Watch our other shorts: http://bit.ly/2NUxmSC
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Was my father’s leftover stuff the key to who he really was? Winner of the Vimeo Staff Pick Award at the 2018 Ottawa International Animation Festival. “Honest, funny, nostalgic and incredibly inventive, the recipient of this prize tells the story of a young man sifting through his late father’s belongings in an attempt to uncover the intimate details of his life. A perfectly arranged menagerie of old film footage, audio recordings, and meticulously crafted stop motion animation, it is a beautiful tribute to a complicated but devoted father-son relationship. We are proud to present the Vimeo Staff Pick Award at the Ottawa International Animation Festival to “My Dead Dad’s Porno Tapes” by Charlie Tyrell.” - Meghan Oretsky, Curator at Vimeo
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Saturday, September 29, 2018
screening: -TOFUZI 2016 (georgia) -Festival Les Enfants terribles 2016 (Huy, Belgium) -The International Festival of Animated Arts “Multivision” 2016 (St.Petersburg, Russia) mention : ‘Pour l'érotisme en géometrie’ -Chennai Rainbow Film Festival 2016 (India) -Court Mais Trash 2017 (Belgium) 3éme prix national -Mecal Pro 2017, Barcelona International Short and Animation Film Festival (Spain) -Anima 2017 (Belgium) Prix cinergie et prix BeTv -ANIMAC 2017 (Spain) -« Tout court » cinéma de lumière a Bologne -International Short Film Week Regensburg (Germany) -International Film Festival of Lanzarote (FICL) 2017 (Spain) -MONSTRA - Lisbon Animated Film Festival. 2017 (Portgual) -FIFF Festival International de Film de Femmes de Créteil et du Val-de-Marne 2017 (France) -La Fête de l’Anim’ 2017 (Lille France) -Festival internacional de cine de Lanzarote (Spain) -Festival du cinéma européen « Mamers en Mars » (France) - Festival du Film Court d’Angoulême 2017. (France) Prix du public -International Changing Perspectives Short Film Festival 2016 (Turkey) -Holland Animation Film Festival 2017 (Holland) -FILMETS Badalona Film Festival 2017 (Spain) -FESTIVAL ╋ LE+ COURT Festival International du Film Court d'Altkirch (France) -ANNECY 2017 - International Animation Festival Fest Anca (Slovakia) - Brussels Short Film Festival BSFF 2017 -Très Court International Film Festival 2017 -FILMETS Badalona Film Festival 2017 (spain)
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Caught between the traditions of his upbringing in rural Indonesia and his idealization of Western freedom, a teenager struggles with the expectations of imminent manhood. Shot on location in Java, Indonesia — Featuring: Chicco Kurniawan, Jacob McCarthy, Karlina Inawati, Otig Pakis & Gladys Syahutari Director: Yudho Aditya Writers: Barbara Cigarroa, Yudho Aditya & Dea Kulumbegashvili Cinematographer: Eun-Ah Lee Producer: Valerie Castillo Martinez Co-Producers: Meiske Taurisia & Muhammad Zaidy Line Producer: Shirley Tamara Editors: Jessica Yeh & Yudho Aditya Music: Zeke Khaseli & Yudhi Arfani Production Designer: Dita Gambiro 1st AD Tumpal Tampubolon Casting: Meirina Alwie Talent Coordinator: Cristian Imanuell Sound Designer: Julian Evans Production Companies: Babibuta Film & Indieflip — For More Info: WEBSITE: priashortfilm.com IMDB: imdb.com/title/tt5019254
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Friday, September 28, 2018
Three friends organize a rogue high school reunion in Georgia but when a dark secret is revealed, things take a turn. Written and Directed by Melissa Stephens Produced by Natalie Smyka Produced by Melissa Stephens Executive Produced by Jake Lieberman Moe - Mary Elizabeth Ellis Sarah - Christine Woods Wendy - Melissa Stephens Bartender - Danielle Thorpe Stephen Boda - Tony Cavalero Mrs. Boda - Annie Cavalero Fight Choreographer - Kendra Smith First AD - Shereen Lani Younes Cinematographer - Nate Cornett Camera Operator - Joe Marine Steadicam - Kevin Stiller First AC - Heather Flynn Second AC - Jack Bils Sound Mixer - Blake Christian Gaffer - Jenn Cohen Key Grip - Brock Kingsland Production Designer - Amber Clack Wardrobe - Lisa Loen Script Supervisor - Adam Kovach Hair and Makeup Artist - Ally McGillicuddy Hair and Makeup Artist Assistant - Sheila Mia Seifi Caterers - Nick Court and Christopher Stewart (Clean South Catering) Lights Provided By Freestyle Filmworks Lenses Provided By Freestyle filmworks Editor - Bradley McLaughlin Composer - Jason Martin Castillo Sound Design - Mike Eichstedt Colorist - Andy Chinn Bar Patrons Patricia Smyka Chloe Jacobs Travis Terry
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Thursday, September 27, 2018
Sam is a 27-year-old music-teaching, sovereign ring-wearing, chanting Buddhist. He is the lead singer of an up-and-coming punk band - but he’s also mute … at least for most of the time. After two unsuccessful vocal chord operations, Sam spends most of his time in pain and on voice rest. Yet, by communicating silently through writing notes, mouthing words and blowing kisses (one for yes and two for no), he still somehow manages to be the chattiest person in the room. As he sacrifices speaking on a daily basis in order to battle through the excruciating pain of singing, Sam finds himself and his voice at a crossroads - give up on his dreams of music or continue singing and risk remaining silent forever? Silence takes its mental toll and his sense of isolation deepens. Whilst exploring new treatment for his voice, navigating work at a door factory and maintaining his loving relationship with girlfriend Tilly, Sam’s journey leads him to have a radical revelation. Key credits Directed by: Brock Neal-Roberts Produced by: Laura Northover Director of Photography: Ben Wearing Editor: Riccardo Fusetti Executive producers for the Guardian: Charlie Phillips and Lindsay Poulton Commissioned by the Guardian
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Goodbye Design was a passion project of summer 2018. The idea was born when I walked out of a museum a few months ago amazed by a product design exhibition from around ‘50s. The geniality of minimal design mixed with used retro flavor and playful accent colors of everyday objects (mainly Braun) were the essentials for the concept of this short movie. Everything is driven by an excellent track from Dirty Art Club which was a perfect match with the rhythmical side of the concept. “Good(bye) Design ” is a reminder of how people slowly lose a relationship with true Good Design. Let’s look back at immortal design icons in this audiovisual experience! Enjoy ;) Music: Dirty Art Club - Sincerely Yours, the D.A.C.
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PRINCE Mary FULL CREDITS Coming Soon Stink EP: Katie Lambert Director’s Rep: Sarah Boardman Commisioner: Jenny Byrne at Warner Music Prince Estate Creative Director: Troy Carter All Expanded EP: Emi Stewart Producer: Luigi Rossi DP: Matt Ballard Production Design: Madison Hatch Editor: Jamie Foord at RockPaperScissors Grade: Simon Bourne at Framestore London Wardrobe: David Simmons + Miwa Sakulrat Movement Choreography: Amy Gardner Son: Curtiss Cooke Jr Mother: Zabryna Guevaro
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Wednesday, September 26, 2018
As an Alaska Native born into a nomadic tribe, Lena understands what it takes to survive. Over the years she has battled hunger and extreme cold, fighting for the survival of her family and their way of life. But today, living alone in a small cabin deep in the Alaskan wilderness, Lena is faced with a new set of challenges. At 88 years of age, struggling to walk and unable to communicate with others in her native tongue, most of the world she knew as a child has completely disappeared. And yet still, Lena remains unwavering in her ability to accept her present circumstances as if she had chosen them… For Lena, finding happiness is as simple as going to the right. Director………………………..JANSSEN POWERS Director of Photography…ANDY CATARISANO Editor……………………………LUCAS J. HARGER Original Score……………………..LUKE ATENCIO Sound Design/ Mix……………….STEVE HORNE Colorist………………………………..KATH RAISCH Title Design…………………….DANIEL BALDWIN Shot on Kodak 16mm Film Film Processing/ Scan: METROPOLIS POST
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directed & produced by rubberband. edited SIMON DAVIS + KAO CHENG KAI cinematography SAM CUTLER-KREUTZ stylist TAMARA BARKLEY hmu EUGENE WILLIAMS + TIFFANY RODRIGUEZ gaffer JACKSON EAGAN key grip JONATHAN ALVARADO 1st AC MAYER CHALOM 2nd AC/loader RYAN BEGGS production assistant IAN L’ECUYER featuring ZAHIR RAMOS guitar 1 TAMARA BARKLEY bra strap girl JESSE BROTTER bass AUSTIN BRANDON dice game player JHARIS YOKLEY drums AUNT LISA herself SIMON DAVIS’ LEFT HAND mr. socko LILA RAMANI guitar 2 MYLES GITTENS violinist background vox SYNCLAIRE TAYLOR ADA OBIESHI JORDELIN LOPEZ ASHLEY GERMAIN ____ we’re on/ hypebeast: http://bit.ly/2OVVb9r earmilk: http://bit.ly/2R1UKfa milk.xyz: http://bit.ly/2OZaxcU
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Sam is a reclusive young man who finds solace with those who share the same self-described title as him: Incel. When his countless real-life efforts at love fail, Sam turns to this anonymous community of the “involuntarily celibate” for help, but instead finds himself increasingly pushed towards extremism. Written and Directed by John Merizalde Cinematography by Sean Conaty Produced by John Lusby and Brendan Varni Starring: Theodore Pellerin, Meredith Adelaide, and John Y. Li Production Company: Whitelist Executive Producer: Jerad Anderson Music: Miami Nights 1984
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Tuesday, September 25, 2018
Inspired by a remarkable personal transition, Vivienne Ming, CEO of Socos and self-proclaimed mad scientist, has set out to make people better versions of themselves. Whether she’s creating wearable technology to help autistic children learn empathy, or designing cutting-edge neuroprosthetics, her goal is the same—to augment human potential. While she believes technology can help us be our best selves, she also cautions of a future where some people are augmented and others are not. It’s imperative that we start these conversations now, so that all humans have the same opportunities to live out their full potential. Music provided by Musicbed: http://bit.ly/1Yfoxze Apply to attend the FoST Summit here: futureofstorytelling.org/summit/ Find us on Facebook: facebook.com/futureofstorytelling on Instagram: instagram.com/futureofstorytelling and Twitter: twitter.com/fostorg
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This is a film about Gevin Fax, the oldest member of the women motorcycle collective, The Litas. Growing up in Los Angeles as an African American lesbian in the 1960s, Gevin found that the world wasn’t always forgiving. She started riding dirt bikes at the age of twelve which distanced her even further from the other kids. Though it was because of her love for riding that gifted her peace of mind; it was her meditation, her medicine, her way to escape all of the other noise. Now, because of The Litas, she shares her love for the road with thousands of women all over the world. -William Desena The Litas exists as the world’s largest female biking collective and provides a inclusive community for female riders globally. In 2016 I met a Lita member while backpacking Costa Rica. This led me to LA based Lita member, Gevin Fax. Gevin stuck me as a leader and tenacious headstrong woman right off the bat. I am inspired by Gevin’s unapologetic ability to follow her heart while empowering others to do the same. My hope is this film will instill the same flame for our audience to pursue whatever it is that makes them feel most alive. -Lindsey Hagen Brought to you by: Red Bull Media House Featuring: Gevin Fax & The Litas Produced by: Stept Studios Director: William Desena Executive Producer: Lindsey Hagen Associate Producer: Megan Arizmendi 16mm Cinematography: Ian Boll Post Production Supervisor: Connor Scofield Editor: Cameron Boll Colorist: Carlos Flores AC: Chris Naum Assistant Editor: Christian Carvallo, Chris Naum Sound Design: Leigh Powis Mix: Roman Richards
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Starring: Miya Folick, Anika Norrgard, Savannah Harrison, Brandon Mathis, Shauna Davis, Robi Cheaux, Blake Anthony McKay, Moriah Faulk, Kaboa Hasegawa, Brinda Iyer, HaChan Hatada Crew: Directed by: Ariel Fisher, Sarah C. Prinz & Miya Folick Director of Photography: Pavel Brenner Production Company: Little Ugly Label: Terrible Records & Interscope Producer: Melissa Kyle EP: Kimberly Stuckwish Little Ugly PM: Neil Garvey Choreography by: Sarah C. Prinz Production Design: Liam Moore Artist Management: Will Hubbard, Michael Falotico Video Commissioner: Director’s Rep: Doug Klinger | Reprobates 1st AD: Melissa Kyle Wardrobe & Styling: Miya Folick & Abby Francis Specialty Wardrobe by: Ziran Assistant Choreographer: Audrey Collette Art Direction: Ariel Fisher Art Assistant: Megan Mantia 1st AC: Ferid Hasbun 2nd AC: Ana Parra Bernal Key Grip: Josue Lopez Gaffer: Francisco Cortinas Key Grip: Josue Lopez Hair and Makeup: Mika Caviola BTS Stills: Carter Howe Edited by: Johnny Chang Colorist: Pavel Yatsenko UPM/ Coordinator: Madeleine Paul Painter: Avery Cordray PA’s: Simone Lapidus & Hugo Pallete SPECIAL THANKS Carlos Lopez Estrada, Ziran, Tanner Hall, Avery Cordray
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Diane ne peut plus faire semblant de ne pas voir la fuite qui coule au-dessus de la table du repas familial… Diane can’t ignore anymore the leak coming from the ceiling above the family diner… Réalisateur / Director : AV-RON Maya, COMINOTTI Mylène, COUDERT Marion, DANO Sixtine Musique / Soundtrack : Arthur Dairaine Contact : thermostat@gobelins.fr Année de production / Production year : 2018 GOBELINS, l'école de l'image, Moïra Marguin : mmarguin@gobelins.fr Contact festivals : Miyu Distribution, Luce Grosjean - festival@miyu.fr Société de distribution : L'Agence du Court Métrage Site internet : http://bit.ly/1Jdwb1M Facebook : http://bit.ly/1F4DEp2 Twitter : https://twitter.com/gobelins_paris
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Monday, September 24, 2018
Nadia eschews things that might actually help in favor of “retail therapy” and fast ways to make herself feel better. Shopping? Oh geez. Bad idea. Directed by Greg Smith Written by Nadia Osman Starring: Dennis Curlett, Nadia Osman DP: Ryan Moulton Editor: Yesel Manrique Sound: Ed Spangler PA: Nicole Villela Special thanks to Greg Smith
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Featuring Mykki Blanco, Jean Paul Paula, Sja'iesta Badloe Directed by Brian and Karl, Jean Paul Paula, Florian Joahn Production Company: COMPULSORY. Producer: Carla Steinberg Executive Producer: Chris Toumazou Director of Photography: Joel Honeywell Stylist: Jean Paul Paula Make Up: Jimmy Owen Jones Hair: Nathan Phoenix Art Direction: Florian Joahn Set Design: Alun Davies Sound: Michal Kuligowski Edit: Brian Fairbairn Grade: Tom Mangham @The Mill Sound mix: Hannah Gregory 16mm film process: Kodak For Dazed Creative Producer: Bec Evans Executive Producer: Thomas Gorton
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A family’s plan to stage an intervention unravels. WORLD PREMIERE - SXSW Film Festival WINNER - Kathryn Tucker Windham Storytelling Award | Sidewalk Film Festival OFFICIAL SELECTION - Palm Springs Short Fest OFFICIAL SELECTION - Sarasota Film Festival OFFICIAL SELECTION - Denver Film Festival OFFICIAL SELECTION - Sidewalk Film Festival OFFICIAL SELECTION - Tulsa American Film Festival OFFICIAL SELECTION - Walla Walla Movie Crush OFFICIAL SELECTION - Vimeo Presents: Ladies with Lenses STARRING: Corey Cost, Taylor Hess, Noel Wilson FEATURING: Kenzie Ross WRITTEN AND DIRECTED BY: Erin Sanger PRODUCED BY: Ben Altarescu EXECUTIVE PRODUCER: Lissette Feliciano, Allie Wilkinson DIRECTOR OF PHOTOGRAPHY: Brandon Roots PRODUCTION DESIGN: Charlotte Royer CASTING DIRECTOR: Taylor Hess ASSISTANT DIRECTOR: Cecilia Delgado CO-PRODUCER: Meredith Alloway PRODUCTION COORDINATOR: Kate Patterson 1ST ASSISTANT CAMERA: Roland Folkmayer SECOND ASSISTANT CAMERA: Cole Hill GAFFER: Levi Sherman SOUND MIXER: Yongsoo Lee SET DECORATOR: Allie Wilkinson HAIR & MAKEUP: Jenai Chin STUNT COORDINATOR: Paul Dreschler-Martell DOG TRAINER: Rex K9 Rescue PRODUCTION ASSISTANTS: Dan Buono, Paulo Testolini EDITOR: Lauren Minnerath SOUND DESIGN: Brian Flood COLORIST: Brandon Roots COMPOSER: Ethan Edenburg GRAPHIC DESIGNER: Allie Wilkinson a BOWS AND ARROWS production in association with PANOPTICA FILMS
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Sunday, September 23, 2018
Saturday, September 22, 2018
THE TRAIN EATER is a vérité portrait of a daily act of resistance. Timothy Little has adopted the NYC subways as his preferred venue in speaking out against police brutality and Trump’s America. http://bit.ly/2MV6pJt Featuring: Timothy Little Director: Timothy Jacob Elledge DoP: Michael Faller Editor: Michael Faller Location / Post Sound: Michael Odmark Colorist: Parker Jarvie @ Company 3
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Directed by Neels Castillon & Léo Walk Dancers • Angèle VL, Fanny Sage, Johanna Faye, Mellina Boubetra, Nicolas Huchard Production Company • http://bit.ly/2lVgihP Executive Producer • Ariane Cornic Producers • Marie-Gabrielle Glock, Emilie Mallen Production Coordinator • Sandrine Laveau Cinematographer • Eric Blanckaert 1st AC • Kevin Rosé 2nd AC • Katia Hamnane Set Designer • Jérôme Krowicki Gaffer • Lucas Schwartz 1st & 2nd AD • Thibaut Koralewski, Louis Arnoux Hair & Make up • Ophélie Secq, Karen Ze Eyenga Location Manager • Margot Malo Editor • Sébastien Rouquet Colorist • Arthur Paux Post-production & VFX • Fix Studio VFX Supervisor • Benjamin Laborde Flame Artist • Anne Georges, Aurélie Villard 2D Artist • Ewald Aloeboetoe, Océane Brochard, Maxime Servoise VFX Coordinator • Caroline Goujard Post-producer • Cédric Herbet Chief planner • Stéphanie Hilbert Camera & Lenses provided by RVZ A massive thanks to all the RVZ team, Espace Niemeyer, Rouje & Made.
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Friday, September 21, 2018
Recently we have been asked by NPR to create some animations for their upcoming video: How Physics And Design Make Some Bullets More Destructive Than Others for Lets Talk. NPR credits like in their Youtube channel: (original video at: https://www.youtube.com/watch?v=UzXsjMDpNq4&t=22s) Not all bullets are created equal. Even rounds that look similar, or are similar in size, can cause dramatically different wounds. We explore the science behind how speed, mass and shape can make some bullets more destructive than others. • Read “WATCH: The Science Behind Why Some Bullets Are More Destructive Than Others” at https://n.pr/2Onkj8R Firearm injury severity: http://bit.ly/2QP7llF… Gun violence: http://bit.ly/2xFamMt… Dr. Peter Rhee on ballistics: http://bit.ly/2QQHx8T Hollow point bullet injuries: http://bit.ly/2xDs5nH… Pitch/Yaw: http://bit.ly/2QQHxFV… Animation and design by Alessandro Novelli at http://bit.ly/2hH1yC5 Ballistics testing and footage by H.P. White Laboratory, Inc.
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A young boy escapes to the woods to indulge his fantasies but finds himself consumed by them, longing to return home. Based on the song “Dewhorn” by Tispur. Little Boy - Alasdair McLenna Mother - Juliana McLenna School Teacher - Kyra Bernauer Buried Muse - Samwise Carlson Forest Spirit - Easton Dufur Extras - Baron Wilson, Grayson Carter, Liam Sweeney, Desmond McLenna Director + Writer: Brandon Kapelow Producers: Matthew Wordell, Jesse Hays, Brandon Kapelow EP: Jennifer Goodridge Assoc. Producers: Charlie Balch, Laurel Thomson, Loren Hill 1st AD: Jesse Hays DP: Luke Orlando 1st AC: Lila Streicher Drone Pilot: Matthew Wordell Steadicam: Brandon Kapelow Prod. Coordinator: Izze Rump PAs: James Richardson, Parker Nettles, Aaron Rodriguez, Sara Greyfox, Louie Bash Watercolor Animation: Bobby Moser Production Designer: Alyssa Pearson Art Director: Caitlin Goff Costume & Creature Design: Odette Mattha Wardrobe Stylist: Bronwyn Leslie Set Decorator: Kyra Bernauer Editor: Brandon Kapelow Sound Design: Jackie! Zhou Sound Mixer: Tucker Grindstaff Harp - Matthew Tutsky Violin - Brynn Givans Viola - Judah Claffey Cello - Jake Saunders The Mill, Chicago VFX Producer - Mike Pullan Color EP - Laurie Adrianopoli Color Producer - Dan Butler Colorist - Mikey Pehanich Compositor - Jonny Freeman Nuke Artist - Ruth Meridjen Color Assist - Lindsey Mazur DI - Cinelicious DI Producer - Estelle Mataranga Film Processing & Scanning - Fotokem, Pro8mm Special Thanks - Ben McLenna, Spencer Creigh, Laurel Thomson, Mishka Kornai, Ariel Fisher, Drew Heskett, Fotokem, Judy Engle, Nico Aguilar, Kevin Calero, Pro8mm, Heidi Parker, Eric Gilbert, Cinelicious, Dan Carr, Nick Roney, Matt Carter, The Mill, Dan Thomas, Edwards Greenhouse, Luke Lucas, Sean Conaty, Duck Club, Kylie George MacEntee, Kauai Moliterno, Chef Amy, Alex Satterlee, Erin Sweeney, Erich Wilhelm Zander, Beyond Ideas, Thomas Wilson, Daniel Frantz, Eastside Camera, Kaelin Wilson, John McGrath, Brigette Nelson
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Thursday, September 20, 2018
The MANERA team headed up North to Lewis & Harris islands, this is their story. Whether you are up in the Hebridean islands or just riding your local spot in winter, cold water creates something unique, it connects people and inspires mutual respect. Frozen smiles & veins filled with frigid water, nothing stops the cold water community from going out there. Being cold, wearing thick rubber, putting on wet wetsuits in the morning… these are small sacrifices compared to the rewards. This movie is an ode to all the guys & girls braving harsh weather to live their passion. Starring: Pauline VALESA, Liam WHALEY, Paul SERIN, Maxime CHABLOZ, Set TEXEIRA, Camille DELANNOY, Mallory DE LA VILLEMARQUE. Video: Petole Prod / Olivier SAUTET Photo: Robin CHRISTOL / Matt GEORGES Music in order of appearance: Ben Caplan - Down to the river Rostam Batmanglig - Doc’s song (cover)
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An avid computer gamer lives with his mom. One day the power fails in the middle of an important game, and his world collapses. In a desperate attempt to get the power back, his mother gives him a simple chore that lures him out of his dark cave. SCREENING 2018 - Short Shorts Film Festival & Asia / In competition 2018 - Seattle International Film Festival / In competition 2018 - Richmond International Film Festival / In competition 2018 - Odense International Film Festival / In competition CAST Marcus Gad Johansen Michelle Bjørn-Andersen CREW Director - Mads Reuther Writer - Mads Reuther Producer - Maj Andersson Director of Photography - Eddie Klint Editor - Kristian Håskjold Sound design - Signe Mansdotter Composer - Signe Mansdotter Colorist - Christian Schwanenflügel Production Designer - Eva Lendorph 1st AD - Marc Sutton Production Manager - Trine Kortland Sound recordist - Henrik Gliese Gaffer - Emil Borch Camera assist - Viktor Knotzel, Christine Radl Costume - Rebecca Sophia Morris Sigaard Make up - Lilli Tollerup, Emma Jasmin Hildebrandt DIT - Malthe Frijs-Hagen Still-Photograoher - René Wrede Kristensen Poster - Julie Reuther Props (dead fish) - Anna Ladas Consultant at Aarhus Filmværksted - Amalie Næsby Fich Gamer gear - Asus, Regnar Jakobsen Gamer consultants - Lauge Nissen, Nikolaj Friis Knudsen
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“The bloodmoon is watching over young bird-woman Crane who is preparing for a lust-harvesting ritual in the bar of Bird’s Nest. Father, ruler and lover Hawker puts pressure on her. If she fails, she must die. Crane is lost in a seductive neon-dance when a mysterious stranger enters and disturbs the ritual. So begins the story of FJER initiating a poetic and freaky urban fantasy web series about emancipation and discovery of own sexuality.” Director : Jeanette Nørgaard | Producer: Lorène Lescanne | Countries of production: Denmark | Year of production : 2017 | Production : Sønc Aps With the support of: New Danish Screen, Den Vestdanske Filmpulje, ANIS FB facebook.com/Equinoxnoir/ Instagram instagram.com/equinoxnoir/ Full credit list: Director: Jeanette Nørgaard | Producer: Lorène Lescanne | Music: Jenny Rossander | Screenplay: Jeanette Nørgaard, Camilla Hübbe | Storyboard: Jeanette Nørgaard, Mads Juul | Voices: Jenny Rossander, Jonas Bjerre, Danica Curci, Lars Halvorsen | Background: Marie Jørgensen | Characters & Effects design: Jeanette Nørgaard | Project manager: Lorène Lescanne | Lead animator: Laura Büchert Schjødt | Animation: Pernille Kjær, Julie Baltzer, Julie Astrup, Jeanette Nørgaard | Color: Lorène Lescanne, Julie Baltzer | Compositing & Editing: Jeanette Nørgaard | Sound design & mix: Peter Albrechtsen | Dialogue editor: Lars Halvorsen | Assistent sound design: Mikkel Nielsen | Foley artist: Heikki Kossi | Foley mixer: Kari Vähäkuopus | Sound studio: Offscreen | Foley studio H5 film sound LTD | Production Company : Sønc Aps
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Wednesday, September 19, 2018
Hydrophytes are futuristic aquatic plants created with multi-material 3D printing. They are part of a research project focussed on designing and choreographing movement through 4D printing. The film is true to life with no effects created in post-production. To see the extended credits version, visit http://bit.ly/2pkDaWO Nicole’s portfolio: http://bit.ly/2MMU1uP Featured on: Designboom: http://bit.ly/2pnKiC8 Colossal: http://bit.ly/2MPFMFP
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Directed by Ewan Jones Morris & Casey Raymond http://bit.ly/2OHcVoU Animated by: Angela Stempel http://bit.ly/2NUeBxV Anna Mantzaris http://bit.ly/2OHcWcs Benjamin Portas http://bit.ly/2NR2G47 Casey Raymond http://bit.ly/2OA7tnz Cheng-Hsu Chung http://bit.ly/2NP2GSf Cossa http://bit.ly/2OA7uI9 Ewan Jones-Morris http://bit.ly/2NP2IJR Gabriel Mangold http://bit.ly/2OCQ5i4 Gyuri Cloe Lee http://bit.ly/2NTNtza Jimmy Screamerclauz http://bit.ly/2OA2Vh6 Kokofreakbean http://bit.ly/2NUtYGB Linyou Xie http://bit.ly/2OA7x6N Thu Tran http://bit.ly/2O0RHF4
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Barbeque is the visceral journey about coping with post traumatic stress disorder, exploring and visualising feelings of shame and disembodiment. Awards Cristal for Graduation Films, Annecy, France Grand Jury Price Short Animated Films, Premier Plans, Angers, France Special Mention, Animated Dreams, Tallinn, Estonia Shortlisted for British Animation Awards Royal College of Art, 2017 Music Sarah Playford Soundmix Adam Woodhams
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It was the greatest shootout in NBA history…but the players were not on the same court. The 1977-78 NBA scoring title came down to the final day of the season. Heading into their last games, San Antonio’s silky-smooth forward George Gervin was averaging 26.8 points per game. High-flying Denver showman David Thompson was at 26.6. Thompson had the greatest game of his career, shattering Wilt Chamberlain’s record for most points in a quarter. When Gervin took the court later in the day, he knew that he had to respond with a masterpiece of his own—or else risk losing the crown. Peabody-Award winning director Dan Klores (Crazy Love, Black Magic, Winning Time) collaborated producer Chris Isenberg (Dock Ellis & the LSD No-No) and animator Andy Baker. The film uses interviews with Gervin, Thompson and others along with distinctive water-color driven animation to recreate action from two legendary games which left no surviving footage. Dan Klores’ Basketball: A Love Story, a 20-hour documentary series, premieres Tuesday October 9th on ESPN.
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Tuesday, September 18, 2018
A film about an introvert and how his time alone makes him a better friend. In collaboration with Alain de Botton for The School Of Life. Made by Tom Fisher and Catherine Prowse. Additional model making and puppeteering by Lucy Bentley, Katie Browne, Katy Daft, Katy Haggerty-Marks, Daisy Moore, Anjuna Harper, Saskia Martindale, Hannah O'Brien, Keziah Philipps, Hannah Quinn, Lulu Senft and Nathan Ward. Press: Rod puppets in intricate felt sets profess The Need to Be Alone for Alain de Botton - ‘It’s Nice That’ Screenings: Official Selection at The Smalls Film Festival 9th September 2018, United Kingdom. Official Selection at SUNDAY SHORTS FILM FESTIVAL 10th June 2018, United Kingdom. tomffisher.co.uk / catherineprowse.com
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The Great Indecision Council has several billions of members. The Great Indecision Council is honoured to share some bits of human knowledge with non-humans. The Great Indecision Council does not take any decision. What do we say we’re interested in? What are we actually interested in? In the intimacy of our smartphone or computer, we secretly tell Google what we’d like to know about. By fetching most looked up words from Google search and Google news in real time, and by bringing them to the public space through visual and sonic signals, visual artist Romain Tardy proposes to the visitors an involuntary self-portrait of our contemporary networked society. The Great Indecision Council works exclusively with data from the country in which it holds the session, which is mixed with visual content and animations designed by the artist. The Great Indecision Council takes the shape of a large scale, light and sound installation. A 20-meter circle in which the audience is invited to get immersed in light, words and mystic computer-generated chants, while being watched by potential observers — from far, far away. Credits: An installation by Romain Tardy Music and sound design by Loran Delforge Software programming: Hand Coded WWW: http://bit.ly/2PIVi8b FB: http://bit.ly/2xkKnKT IG: @romain.tardy
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Skin for Skin is a dark allegory of greed and spiritual reckoning set during the early days of the fur trade. In 1823, the Governor of the largest fur-trading company in the world travels across his Dominion, extracting ever-greater riches from the winter bounty of animal furs. In his brutal world of profit and loss, animals are slaughtered to the brink of extinction until the balance of power shifts, and the forces of nature exact their own terrible price. With nods to Melville and Coleridge, directors Kevin D.A. Kurytnik & Carol Beecher have created a visually stunning contemporary myth about the cost of arrogance and greed.
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Monday, September 17, 2018
Beauty and the Bit is a world-renowned architectural communication firm and Landmark is our first serious animation short film. It is a Project made with the intention of exploring other languages in architectural animation. It is our attempt to add emotional content, strong storytelling and art direction to it. We have tried to achieve a cinematographic experience to show that a solid narrative is not at odds with architecture films. Landmark is not an architecture animation but an architecture movie. http://bit.ly/2D3YA4v http://bit.ly/2QEinKw http://bit.ly/2D44e6D
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Neuroscientist Anil Seth explains how what we perceive isn’t an accurate reflection of a real, externally existing world. In fact, perception and hallucination are based on similar processes—they are our brain’s interpretation of myriad inputs. His groundbreaking research provides fascinating insight into what this means for storytelling. Apply to attend the FoST Summit here: futureofstorytelling.org/summit/ Find us on Facebook: facebook.com/futureofstorytelling on Instagram: instagram.com/futureofstorytelling and Twitter: twitter.com/fostorg
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Shot in Bulawayo, Zimbabwe. A film about a young man caught between the responsibility of adulthood and the desire to escape it. Based on train surfers of South Africa who dodge lines and dance on the rooftops of commuter trains for the thrill and reputation. This is the third music video commissioned by Three Ireland in their #madebymusic campaign supporting Irish artists. Cast: Tatenda Thom, Roy Kaseke, Tapiwa Tadiyosi Directed by: William Armstrong Director of Photography: Kate Arizmendi Executive Producer: Andrew Freedman Produced by: Antidote Films Producer: Lesley-Anne Mulder Editor: Stephen Dunne Colourist: Matt Branton Sound Design: Gavin Little 1st AD: Tony Texeira 1st AC: Justin Brokensha Art Director/Production Manager: Carine Tredgold Unit Manager: Julian Davies Key Grip: Johannes Mulaudzi Best Boy Grip: Lawrence Mmatli Key Safety Rigger: Francois Grobbelaar Rigger: Johann Spilhaus Rigger: Leo Du Plessis Rigger: Ruan Luckhoff Gaffer: Farai Chimombe Best Boy Spark: Gregory Shambare Steadicam: Ari de Beer Location Manager: Lewis Ndlovu Data Wrangler: Kudzai Chikomo 2nd AC: Johane Mpofu Make-up: Cynthia Mharadze Production Assistant: Matesu Dube Agency: Boys & Girls ECD: Rory Hamilton Creative Director: Kris Clarkin Creatives: Avril Delaney & Bex McNally Producer: Derek Doyle Thanks to Windmill Lane Post Dublin, Whitehouse Post London, Echolab.tv Special thanks to Three Mobile Ireland
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Sunday, September 16, 2018
Based on the children’s graphic novel ‘Junction’ by Nathan Jurevicius and published by Koyama Press. For generations the Face Changers have made the clay tokens that alter the winds and faces of their kin. This month the youngest is tasked to take the ten thousand footsteps to the top of the east mountain and engulf the town in the winds of change. Nathan Jurevicius http://bit.ly/2NNOGIc Contact: nejurk@gmail.com OKTA: http://bit.ly/2MBUG23 Credits: Director/Art Director/Screenwriter: Nathan Jurevicius Original Score/Editing: Luke Jurevicius Narrator: Jill Watson Sound Design: Petar Ristic Sound Mix: Michael Darren Producers: Migle Pelakauske, Vitalijus Zukas, Luke Jurevicius, Nathan Jurevicius Executive Producer: Brent Maloney Animation: Gallus Entertainment Modelling/rendering/lighting: OKTA
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Saturday, September 15, 2018
Friday, September 14, 2018
Dir: James F. Coton Artist: Youssoupha Production : Partizan Producers: Robin Accard / Stan Bertin DP: Alexandre Jamin Camera Operator: Jean Baptiste Jay Art Department: Lucie Libotte Wardrobe: Julia Quante, Manou Line Producer: Auguste Bas Motion Control: Spline Colorist: Robin Risser Editing : James F Coton Art Director: Karim Ansel Post Production: McMurphy, Benoît Amstrong First AD: Anne Chapelot Bomayé Publishing, Némésis Ed.
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The film opens luring closer and closer to discover the possibility of stepping inside a fantastical sphere. The observer is slowly drifting into Van Gogh’s world, carried by the rhythm of a waltz. Van Gogh’s memories are sculpted within his paint strokes. His memories are alive within the film, but just for a fleeting moment. The fantasy lasts simply two minutes, but within that short time the observer is immersed in a painters lifetime. Directing, Animating, Modelling: Maciek Janicki Music: Jordan Meltzer ( https://imdb.to/2MvJbJG ) Render: Garagefarm.net Additional modelling help: Matt Peltier Thank you for watching
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Everyone is looking for a form of Freedom Quentin Chaumy is a passionate director and a sports and discoveries enthusiastic. Laurent Roudneff is a professional paragliding pilot and an acrobatic specialist. Let them take you to Morocco for a sensational and liberating trip! || Director and Editor : Quentin Chaumy || Edit : Quentin Chaumy and Laurent Roudneff || Text Writter : Marine Da Silva || Translation and Voice over : Dalila Touat || Sound Mixing : Alexis Bruggeman || Font title creator : Clémence Pénalva || || A warm thank you goes to : Aziz Elmssaid, Soufyan Bouzghabi, Damien Lecire, Gil Fonlladosa, Fabien Delhomme, Claude Bourdin, Eddy Fruchard, Charlène Braune, Christophe Tran, Sarah Le Gouge, Vesna Asanovic, Zoe Farini and Guillaume Simon || || Thanks to Matahi for the energy during shooting and edting : http://bit.ly/2CU2Y64 || Thanks to Riders Match for the good vibes - http://bit.ly/2NfiLB6 || Thanks to Bois et paille charpente for the support - http://bit.ly/2CXl7ji || Thanks to La Vache s’envole for the glider - http://bit.ly/2N9FbDE ======================== Tout le monde recherche une forme de liberté… Quentin Chaumy est réalisateur passionné de sport et de découvertes. Laurent Roudneff est parapentiste professionnel et spécialiste du vol acrobatique de proximité. Ils vous emmènent avec eux au Maroc pour un voyage sensationnel et libérateur. || || Réalisateur Monteur : Quentin Chaumy ; || Montage : Quentin Chaumy et Laurent Roudneff ; || Texte : Marine Da Silva ; Traduction et lecture : Dalila Touat ; || Sous-titres disponibles en français, anglais, allemand, espagnol et portugais ; || Mixage son : Alexis Bruggeman ; || Police Hourya : Clémence Pénalva || || Nous remercions tout particulièrement Aziz Elmssaid, Soufyan Bouzbhabi, Damien Lecire, Gil Fonlladosa, Fabien Delhomme, Claude Bourdin, Eddy Fruchard, Charlène Braun, Christophe Tran, Sarah Le Gouge, Vesna Asanovic, Zoe Farini et Guillaume Simon. || || Merci à Matahi pour l'énergie pendant le tournage et la post production - http://bit.ly/2CU2Y64 || Merci à Riders Match pour les bonnes ondes - http://bit.ly/2NfiLB6 || Merci à Bois et paille charpente pour le soutien - http://bit.ly/2CXl7ji || Merci à La Vache s’envole pour le matériel - http://bit.ly/2N9FbDE
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Thursday, September 13, 2018
NIHON is a personal work of mine that explores the uncanny vertigo I enter when I am pulled into Japan. It’s my closest attempt at expressing to others what I experience as a foreigner traveling through its many levels of stimulus. For a breakdown on the process please visit - Nihonfilm.com
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From NPR Invisibilia podcast, this animation explores whether expectations can have a profound impact on our own lives. ——- CREDITS Client: NPR | Invisibilia Directed, illustrated and animated by Francesca Cattaneo Additional animator: Nicholas Bertini A special thanks to Andrew Embury and Ramon Paris for the precious support.
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**Joyous, Award-winning short documentary about a bus** DIAL-A-RIDE Journeying through rural South Wales, passengers on a community bus reveal all the joys, challenges and quirks of growing old. With a mix of fly-on-the-wall moments and candid, intimate stories, this award-winning short documentary shines an important light on what it means to grow old. Directors | George Cowie + Tom Huntingford Music | Jim Wallis jimwallismusic.com Aerial Photography | HeliMal Titles | OK David okdavid.com Produced by | Superfolk Films http://bit.ly/2p5aTUn Contact | tom@superfolkfilms.com + george@superfolkfilms.com
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A humoristic tone to a hot summer… This summer was long, hot and somehow tiring… The idea for this animation came from my current life situation, a really hot summer, which sometimes feels like a dream for some people… holiday mode on, the beach, the sun, the drinks… but for me, I was just stack in the city of London… making this project I guess… The film has a humoristic tone, based around objects that I have in my everyday life, the cheap fan we bought to bear the heat, my swimming trunks, my girlfriend’s hat and the beach paddles/rackets that we never used. Plastic is the main object that this animation is based on, the plastic that has been on the media, in talks with your neighbour, on newspapers… In the recent years, people have become more cautious about the usage, using less of it, or none at all.. I decided to keep the animations very graphic and minimal as adding additional background sets was taking attention away from the actual focus point of the plastic and its complexity and details of the simulations animation - Peter Tomaszewicz sound - contour-studio.fr
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Wednesday, September 12, 2018
A short featuring John John Florence, titled “Space.” Shot on location between Western Australia and Hawaii. Presented by Parallel Sea Surfing by John John Florence Cinematography by Erik Knutson Edited by Blake Vincent Kueny Produced by Spencer Klein Water Phantom Cinematography by Chris Bryan Additional Cinematography by Jack Germain + Matt Catalano Art Direction by Donny Stevens Sound Design & Mix by Keith White Music: “Rejoice" Steve Angello Feat. T.D Jakes Written by Steve Angello, T.D Jakes Produced by Steve Angello Vocals by T.D Jakes Size Records LTD under exclusive license to AWAL Recordings by Steve Angello feat T.D. Jakes “Rejoice” Exclusively licensed to Kobalt Music Recordings Special Thanks to Pete Johnson, Andy Bark, Bob Hurley, Pat O’Connell, Evan Slater, Jamin Jannard
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Director - Colin Solal Cardo Produced by La Blogothèque & BOX Prod Executive producer - Christophe “Chryde” Abric Head of production - Anousonne Savanchomkeo Production administrator - Jonathan André Sound director - Etienne Pozzo Recording sound engineer - Alban Lejeune Sound engineer - Eliott Sebbag Sound editing - Colin Solal Cardo Sound mix - Etienne Pozzo Director of photography - Léo Schrepel 1st assistant camera - Charles Lesur 2nd assistant camera - Lucas Plançon Gaffer - Colin Lefebvre Best boy electric - Gabriel Beaumelou Electrician - Anaïs Legros Key grip - Hadrien Martin Grip - Julien Zamora Location manager - Lucas Le Roux Production assistant - Martin Schrepel Colorist - Jade de Brito SFX - Maxime Poidevin La Blogothèque Post-production supervisor - Nicolas Rochette Post-production manager - Alexandre Sellem BOX Prod Producer - Victor Holl Post-production assistant - Marine Surblé Special thanks to Marie Skoczypiec at DCA, Marie-José Collet at Cininter, Jean-François Boucher at Cinesyl, Kenji Meunier at Les Chaudronneries
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Two young men meet on an inner city housing estate, against a backdrop of high rises residential buildings. Are they about to fight or kiss? Crashing Waves explores the tension between both possibilities through expertly choreographed dance in the unlikeliest of settings. Crashing Waves was commissioned for Random Acts the short film strand by Channel 4. Showcasing the world’s boldest and most innovative creative shorts. Created in collaboration with our Ignition Random Acts Network Centre: Screen South and our production partner The University of Creative Arts. Supported by Channel 4 and The Arts Council. Broadcast as part of Channel 4’s: Random Acts Season 5. Selected for the BAFTA recognised Best of British category and nominated for the Iris Prize 2018. Official selection for BAFTA recognised Aesthetica 2018. Official selection for GAZE 2018. Official selection for Outfest 2018. “Emma does so much with so little in her film: the choreography is brutal, tender and the metaphoric space it occupies is epic. Two young men expressing their love for the first time on the public stage of their council estate. Emma is one to watch.” Zawe Ashton Screen South Website: http://bit.ly/2p0DAld
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Tuesday, September 11, 2018
As we were in Nepal filming « Everest Green » documentary, about pollution in Kathmandu and the Himalayan’s mountains, we decided to make this short film, « CHASING LIGHTS IN THE HIMALAYAS », showing the incredible beauty of this country. If you want more information about « Everest Green » : http://bit.ly/2x95sXS Shot & Edit : Robin Pogorzelski / Simon Bourrat Colorist : Jean Combier Sound Designer : Jean-Marie Salque Music : Killing the rock - Ryan Taubert / Musicbed Licensed Block 8 Production
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Animated short film Film Graduation Project School: ISART DIGITAL, the video game and 3D animation / VFX School. In a dark subway tunnel, a group of mice find a gold ring-pull that seems to have a mysterious effect on one of them. Not so far from them, an owl and his enslaved rats are watching. The owl sends his rats to get hold of this strange object… ———- Court métrage d'animation 3D Projet de fin d'études Ecole: ISART DIGITAL, l'école du jeu vidéo et de l'animation 3D-VFX Dans un tunnel de métro, un groupe de souris trouve un anneau de canette doré, qui semble avoir une étrange emprise sur l’une d’entre elles. Non loin de là, un hibou et ses rats asservis observent la scène. Désireux de récupérer cet anneau, il envoie ses rats le chercher. 3D Animation: Jade Baillargeault, Nazli Doale, Dimitri James, Quang Daniel La, Morgane Lau, Mélanie Pango et Manon Pringault Music and Sound Design: Thomas Tillard, Alexandre Tron et Maxime Vatopoulos http://bit.ly/2Ntrgb9
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A woman loses her husband, and finds a houseplant. – FESTIVAL SELECTION: Aesthetica Short Film Festival, UK, 2018 Brest European Short Film Festival, France, 2018 Rhode Island International Film Festival, USA 2018 Latitude Festival, UK, 2018 SouthSide Film Festival, USA 2018 RiverRun International Film Festival, USA, 2018 Fastnet Film Festival, Ireland, 2018 East End Film Festival, UK, 2018 Florida Film Festival, USA, 2018 Dublin International Film Festival, Ireland, 2018 Santa Barbara International Film Festival, USA, 2018 Flickerfest International Short Film Festival, Australia, 2018 London Short Film Festival, UK, 2018 Foyle Film Festival, UK, 2017 Irish Film Festival London, UK, 2017 Leeds International Film Festival, UK, 2017 Encounters Film Festival, UK, 2017 – A six-minute short film commissioned by Channel 4. Written and directed by Johnny Kelly, produced by Nexus Studios and starring Monica Dolan. Visit: fernthefilm.com fb.me/fernthefilm – Cast: Monica Dolan as the woman Frank Bourke as the man Helena Jinx Jones as the old woman Crew: Writer / Director: Johnny Kelly Producer: Greet Kallikorm Executive Producers: Isobel Conroy, Christopher O'Reilly, Charlotte Bavasso Development Producer: Claire Cook Production Manager: Caroline Milsom Production Company: Nexus Studios Director of Photography: Matthew Day Editor: Charlie Fawcett Production Design: The Joy of Sets Art Directors: Jess Linares, Alex Grant Said 1st Assistant Director: George Cassavetti Gaffer: Max Halstead Focus Puller: Toby Goodyear Puppet Maker: Rose Popham Puppeteer: Kim Scopes Costume Designer: Nat Turner Hair and Make Up: Siobhan Harper Ryan Horticulturist at Worm: Terri Chandler Title Design: Simon Sweeney Runner: Iris Abols Catering: Floyd’s Catering Lighting and Camera Equipment: Clapham Road Studios Sound Post Production Services: Factory Supervising Sound Designer: Jon Clarke Sound Design Assistant: James Utting Audio Producer: Lou Allen Original Music: Antfood On Set Sound Recordist: Filipe Pinheiro Colour Grade: Time Based Arts Colourist: Simone Grattarola Post Production: Nexus Studios Digital Compositing Supervisor: Ken Hau Additional Digital Animation: Bin Liu Offline Editor: Dave Slade — http://bit.ly/2N4ZpOY http://bit.ly/2O8h9FF http://bit.ly/1TqopKw http://bit.ly/2O8h9Wb http://bit.ly/2N4ZrGA http://bit.ly/2O8hbNN http://bit.ly/2N3QbCK http://bit.ly/2O93r5t http://bit.ly/2N6aSOj http://bit.ly/2O8hfgv
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Monday, September 10, 2018
As part of Blue Zoo’s long-running animated short films programme, a brief was sent out to everyone in the studio to pitch an idea to tell an emotional, human story, while experimenting with the physical optics of projecting CG animation. Blue Zoo Animation Director Ben Steer pitched the idea of Mamoon, which proceeded to win the company-wide studio vote, and went into production. Over the next year, he directed, filmed and collaborated with other artists to make this beautiful short. You can watch Ben talk through how the film was made, in the making-of film: http://bit.ly/2O3J6hH Director: Ben Steer Original Music: Matthew Wilcock for Zelig Sound Animation: Phil Brooks, Ben Steer Additional Animation: Ricky Honmong, Sarah Caisley, Simon Taylor, Steve Kimbrey Compositing: Negar Bagheri, Elaine Thomas Character Design: Marylou Mao Rigging: Leo Blackmur Modelling: Leo Blackmur, Lee Bowditch Production Manager: Lizzie Hicks Producer: Tom Box Thanks to Max Halstead & Clapham Road Studios
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A town on the borderlands of Texas. A place out of time. A desert where strange lights dance in the night sky. A mecca for lovers of minimalist art. A landscape of lost horses, freaks and food trucks. And then there’s the giant lemon. An award winning film by The Brothers McLeod. http://bit.ly/2wZdcfU Awards: Winner of the WTF Award at Flatpack Film Festival 2018 Honorable Mention, Documentary Short, Oak Cliff Film Festival 2018 Sundance Film Festival. Nominee for Short Film Grand Jury Prize, 2018 Nominated for the McLaren Award (Edinburgh Int'l Film Festival), 2018 Screening at: Sundance Film Festival 2018 Tampere Film Festival 2018 Go Short International Short Film Festival Nijmegen 2018 Internationales Trickfilm Festival Stuttgart, 2018 Animation Dingle 2018 Glas Animation 2018 Cardiff Animation Festival 2018 Filmfest Dresden 2018 Flatpack Film Festival 2018 Fest Anča International Animation Festival 2018 Sundance Film Festival: London, 2018 Animation Day in Cannes, 2018 Marfa Film Festival, 2018 The Edinburgh International Film Festival, 2018 Rooftop Films, Brooklyn, 2018 Animation Block Party, 2018 Southside Film Festival, 2018 Oak Cliff Film Festival, 2018 Encounters Short Film Festival, 2018 Message to Man International Film Festival, 2018 New Orleans Film Festival, 2018 Quebec City Film Festival, 2018 KLIK Amsterdam Animation Festival, 2018 A Film by The Brothers McLeod Animated by Greg McLeod Poem by Myles McLeod Poem read by Stephanie Hunt Interviews by Greg McLeod Sound Design by Tom Angell Music by Tom Angell, Adam Cross, Chris Cataleana and the Native Americans, Christian Bland and the Revelators, Barolo Contributors: Alex Hannaford, Scout Hannaford, Jon Johnson, Aase, Alannah Campion, Robin Lambaria Footage Stabilization by Kieran Baxter French subtitles by Lise Morel Kickstarter supporters: Tom Angell, Gaia Banks, Rob Blackham, Jen Campbell, Greg Childs, Sean Connolly, Laura-Beth Cowley, Sarah Cox, Ludovic Dachet, M Dadela, Hanne Dale, Erica Darby, Ian Deeming, Mark Dennis, Dan Efergan, Sue Elliott, Gareth Evans, Tom Evans, Edwin Falker, Ben Foster, Steven Fraser, Tim Frost, Michael Fukushima, Rozi Fuller, Beth Gardiner, Andrew Haines, Brian Hartley, Peter Howell, Seph Itz, Alex Joliffe, Darren Jones, Jim Le Fevre, Andrew Lees, Ben Lynch, Hugh MacLeod. Sam Morrison, Meghan Oretsky, Sai Pathmanathan, Joanna Quinn, Chris Randall, Ian Ravenscroft, Janet Record, Melanie Reed, Thomas Roberts, Jilli Rose, Will Rose, Cindy Scroggins, Olesya Shchukina, Carol Sobral-Kilmister, Jez Stewart, Yamination Studios, Kate Sullivan, Heather Tilert, Sam Tipper, Sharon Walpole, Abigail White, Nathan Wilkes, Ben Wood, Gary Yershon, Carol Younghusband, Tieg Zaharia Thanks to: Erica Darby, Amy Nicholson, Flavia Kropf, Kim Stuart, Harry Goodfellow, Our Families Special thanks: Catherine Webber, Dave Webber Copyright The Brothers McLeod 2017
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Sunday, September 9, 2018
Saturday, September 8, 2018
Made for straight 8’s 2018 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. Premiered on may 14th 2018 at straight 8’s Cannes film festival screening. Writer/Director- Dean Puckett. Producer Rebecca Wolff. http://bit.ly/2MZpnn4 Cinematographer - Ian Forbes. Costume Designer and Makeup Artist - Lia-Jo Stephenson. Production Design - Maisie Doherty. Beast & Owl costumes - Seany Tea. Executive Producer - Gwilym Evans. Titles - Sam Cox. Soundtrack by Bizarre Rituals - http://bit.ly/2M89hlK Starring: Emilia Copeland, Oliver Monaghan, John Elliot, Andrea Goring, Seany Tea, Matthias Peters, Tabitha Minty and introducing Ben Hudson as Trudge. Behind the Scenes pictures by Dom Moore. Straight 8 is open to anyone at http://bit.ly/2MYHObp
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“Dinner For Few” is a ten minute CG-animated film depicting a sociopolitical allegory of our society. During dinner, “the system” works like a well-oiled machine. It solely feeds the select few who eventually, foolishly consume all the resources while the rest survive on scraps from the table. Inevitably, when the supply is depleted, the struggle for what remains leads to catastrophic change. Sadly, the offspring of this profound transition turn out not to be a sign of hope, but the spitting image of the parents. EMMY award winning animation artist Nassos Vakalis directed and wrote the film and the animation was produced in the United States of America and Greece with the technical and artistic collaboration of Eva Vomhoff from Germany. “Dinner For Few” is produced and funded by Nassos Vakalis and his wife Katerina Stergiopoulou. The original music is composed by Kostas Christides and performed by the Bratislava Symphonic Orchestra. “Dinner For Few” was inspired by the economic recession affecting South European countries like Greece, Italy, Spain and Portugal. Nassos Vakalis grew up in Greece, where his family and most of his friends still live. “Dinner For Few” not only reflects his deep concern of the social and economic developments during the crisis but also highlights the inevitable and cyclical nature of the human affairs throughout history. Through its festival run “Dinner for few” screened at over 250 international film festivals and won 78 awards. It was one of the 60 Animated Shorts that Qualified for the Academy Awards in 2015.
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Friday, September 7, 2018
A naive but internet savvy 22 year old navigates the reality of her boring, small town Canadian life juxtaposed with the fantasy of her provocative and powerful Instagram celebrity. Lolz-Ita was written, directed and stars Katie Boland. Lolz-Ita had it’s North American premiere at the Austin Film Festival and was nominated for Best Narrative Short. It was also a part of TIFF’s Short Cuts: Share Her Journey, which highlights the “most exciting emerging female film makers in the world.” LolzIta also played the Whistler Film Festival where it was nominated for the EDA Short Film Award which recognizes female film makers. It was also nominated for jury prizes at the Dallas International Film Festival and Cucalorus.
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A woman who can’t have children steals Otto, the imaginary friend of a little girl. When the girl comes to claim back her imaginary friend, it’s the power of imagination that brings everyone together. (Otto) is the third film by Dutch animation studio Job, Joris & Marieke. Their previous film A Single Life was nominated for an Academy Award in 2015. Credits Directed by: animation studio Job, Joris & Marieke Screenplay by: Job, Joris & Marieke Animation by: Joris Oprins, Marieke Blaauw, Rik Schutte Modelling: Job Roggeveen, Eric Smilde Production Company: Job, Joris & Marieke Music and sounddesign: Job, Joris & Marieke Musicians: Job Roggeveen, Ben Mathot, Frank Wienk, Maarten Vos Recorded by: Martin Beusker, Job Roggeveen Music mixed by: Martijn Groeneveld, Mailmen Cinema and stereo mix: Bob Kommer Studios Voice little girl: Aagje Oprins Production NTR: Astrid Prickaerts, Manrieke Klarus Editor NTR: Marina Blok Financial support: Nederland Filmfonds, NTR, CoBo, Mediafonds Distribution: Klik! Distribution Service Sales: SND Films Soundtrack available at: https://spoti.fi/2MZijXB jobjorisenmarieke.nl facebook.com/jobjorisenmarieke twitter.com/jobjorismarieke instagram.com/jobjorisenmarieke/ behance.net/jobjorisenmarieke vimeo.com/jobjorisenmarieke
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Thursday, September 6, 2018
We love Malmö. In fact anyone involved in skateboarding loves Malmö. None more so than local ripper Karl Berglind. Despite spending most of his time abroad since dropping out of school to pursue skateboarding two years ago, Karl still finds time to return to his hometown. Whether it’s partnering with Vans to action community work at Kroksbäck, encouraging local kids to pick up skateboarding, or hanging out with his lifelong friends at Stapelbäddsparken - the park that shaped his style, Karl’s roots remain firmly in the Malmö skate scene. In a rare break from his travels this summer, we spent a weekend with Karl, to gain an insight into the young Swede’s love for his hometown and the terrain that continues to define his skating. — WEEKEND Starring Karl Berglind Filmed & Edited by Robin Pailler Original Score by Michael Mcmenemy Produced by Wasted Talent Supported by Vans Shot entirely on KODAK Motion Picture Film — To watch more of Karl in action be sure to check out the next Vans Park Series stop in Malmo, Sweden over the 7th & 8th September. To find out more info visit http://bit.ly/2CqDDQM
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Resigned to a mundane life of caring for a mother with dementia, Zola sees a fleeting chance at escape when she runs into an old crush. CREDITS Starring Adiagha Faizah, Akim Black, Carol London Written and Directed by Sudarshan Suresh Produced by Steven Chua Co-written with Shakti Bhagchandani Director of Photography - Alejandro Mejia Sound Recordist - Alistair Farrant Production Designer - Matthew Sibilia Music Composer - Zev Burrows Co-producer - Sola Fasehun Production Manager/ Catering - Marina Piedade, Kritika Dey 1st Assistant Director - Thais Drassinower 2nd Assistant Director - Nelicia Low Art Director - Lawrence Webber Casting Director - Carly Kastel Assistant Casting Director - Carly Brauer Production Assistant - Erica Wong Sound Assistant - Sean Dunn, Dorian Cambi 1st AC - Joel Vasquez, Liza Gipsova, Andrew Stephen Lee Gaffer - Jon Branden Grip - Kyle Seeger, Emre Gulcan Music Scoring Mixer - Alex Venguer Music Contractor: Sandy Park Colorist - Markus Englmair Sound Design & Mix - Anish John Editors - Sudarshan Suresh, Shakti Bhagchandani AWARDS Directors Guild of America Student Filmmaker Award Winner Student Film Award, Hamptons International Film Festival Prix du Public, Champs Elysees Film Festival Jury Honors, Columbia University Film Festival SCREENINGS Hamptons International Film Festival New Orleans Film Festival Atlanta Film Festival Pan African Film Festival Indian Film Festival of Los Angeles Champs Elysees Film Festival Luna da Cortos Film Festival Jagran Film Festival
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Take a trip through the Rick and Morty multiverse. Director: Matt Taylor Supervising Producer: Ben Kalina Producer: Will Feng Adult Swim Executive Producer: Jason Demarco Producer: Jennifer Kearns Music: “Thursday in the Danger Room (instrumental version)” from the album “RTJ3” by Run The Jewels. Rick and Morty LLC Director: Erica Hayes Animator: Miguel Otalora ARTISTS (in order of appearance) 1. Nigel Clark - Multiple Rick fight 2. Greg Sharp - Rick and Morty battle 3. Hombre McSteez - Morty in the park 4. Simon Landrein - Morty pulled out of Jerry 5. Andy Baker - Train tracks 6. Scorpion Dagger - Fine art painting 7. Sick Animation - Mirror 8. Jisu Kim - Schrodinger’s cat 9. Dan Britt - Warpy walks 10. Max Winston - Clay faces 11. Ryan Quincy - Rick and Morty hug 12. Alex Schubert - baseball toss 13. Richard Mather - Beth zombies/Scary Terry 14. David Gemmill - Rick shoots Morty monster 15. Amy Lockhart - zit 16. Genis Rigol Alzola - Lady Rick chased 17. Sander Joon - Rick and Morty sushi 18. Devin Flynn - temple sacrifice 19. Marco Imov - Alien battle 20. Shogo Tsuri - Morty blows up Jerry face 21. Bendik Kaltenborn - Bar patrons 22. Lale Westvind - Morty rides Rick beast
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Wednesday, September 5, 2018
A homeless subway violinist has her world turned upside down when her most prized possession is stolen. http://bit.ly/2wKAaHk Starring: Jenna Williams John Austin Wiggins Jacob Saxton Alex Emanuel Rebecca Rapoport-Cole Cameron Faye Giorgio Panetta Johanna Smit Victoria Davidjohn Director/Writer: Jared Rosenthal Producers: Sandra Tan, Jared Rosenthal, Ahad Mahmood Director of Photography: Ahad Mahmood Original Score: Gavin Brivik Violin Soloist: Pauline Kim Production Designer: Gabriella Moses 1st AD: Jacob Bittens Storyboard Artist: Sam Smith Gaffer: Seth Margolies 1st AC: Emma Hing Additional 1st AC: Sam Wolff Steadi Operator: Calvin Falk Location Mixer: Nick Heppding Hair & Makeup: Sarah Bedrick, Greer Gillespie PA: Ian Hamilton Editor: Jared Rosenthal Sound Designer: David Forshee Dialogue Editor: Joseph DiMarco Foley Services: Alchemy Post Sound Foley Artists: Leslie Bloome, Joanna Fang Foley Mixers: Ryan Collison, Nicholas Seaman Color by Company 3 Colorist: Kath Raisch Color Producer: Kate Aspell Thanks: David Segal Violins, Tahir Jetter, Brendan Hall, Graham Raubvogel, Xander Rodzinski, Morgan Gruer, Bari Hyman, Marttise Hill, Jake Oleson, Anthony Pellino, Kai Demler, Julia Jones
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Optics is an experimental art film by Maxim Zhestkov exploring the behaviour of artificial light and colour in digital environments. Blending architectural gallery space with computer-generated digital glass sculptures, we encounter animated refractions, chromatic aberrations, colourful reflection and other conditions which are impossible in reality. A series of tests and explorations guides us through different optical conditions of the bright and colourful digital universe. Website - http://bit.ly/2M6HqCA Instagram - http://bit.ly/2tlsrR0 Behance -http://bit.ly/2CmlPWP Designed and directed by Maxim Zhestkov / http://bit.ly/2tlsr3s Sound Design by Marcelo Baldin / http://bit.ly/2LZYytr
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The swell was almost too big for the reef, turning a perfect right into a thick double-up monster. The few surfers game enough to put themselves under the lip were rewarded with some amazing tubes. Laurie Towner was one of these guys and got some great waves until he was flogged at the bottom of a huge double-up. The result was a few separated ribs but Laurie was still stoked! A Film by Gary Parker
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Tuesday, September 4, 2018
A German sailing boat on the Mediterranean picks up a distress call. Max and his daughter Emily relay the mayday call and set course for the ship in distress, but as they learn more about the situation, it presents them with a tough dilemma. A chamber play on the open sea. English, German & French subtitles available. Short of the Week: http://bit.ly/2MPH5cD FILMMAKER OF THE FUTURE – Watersprite International Student Film Festival 2018, UK BEST GERMAN FILM – Petersburger Dialog Film Festival 2017, Russia BEST FOREIGN FILM – Chalon Tout Court 2017, France NOMINATED FOR THE GOLDEN LOLA – German Short Film Award 2016 ARTE SHORT FILM AWARD – Filmschool Fest Munich 2016, Germany PRÄDIKAT “BESONDERS WERTVOLL” – German Film and Media Evaluation Organization ROGER DEAKINS AWARD – Plymouth Film Festival 2016, UK HONORABLE MENTION – Film Festival Max Ophüls Prize 2016, Germany Full list of festivals and awards: http://bit.ly/2LZE3xf http://bit.ly/2NfPTIc
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Experience a beautiful timelapse journey through the landscapes of the Dolomites. The Dolomites are a mountain range located in northeastern Italy and are caractarised by it´s bold light-gray cliffs and spires flecked with snow. The film captures the atmosphere of the intriguing Dolomite mountains through a series of unique timelapses and a detailed soundscape. Sounds from natures own library are accompanied with subtle soundeffecs to support the atmosphere which in the mountains quickly can change from calm sunrise to intense thunderstorm. To get the full experience - headphones are highly recommended. All shot are made in the summer 2018 during a two week trip to the Dolomite mountains. I had the pleasure to experience a wonderful hike at the spectacular Tre Cime, the beautiful turquoise water at Lago di Sorapis, an insane rainstorm at Santa Maddalena, a quiet evening at Lake Misurina with amazing still water and much more. Photographer, editor and sounddesigner: Casper Rolsted FOLLOW MY WORK YouTube.com/CasperRolsted?sub_confirmation=1 Facebook.com/CasperRolstedVisuals Instagram.com/CasperRolsted Twitter.com/CasperRolsted FILM LOCATIONS IN “DOLOMITES”: 0:00 Lake Braies (Pragser Wildsee) Lake Braies, also known as the “Pearl among Dolomite lakes”, is characterised by its unique position in the north of the Fanes-Sennes-Braies Nature Park. 0:27 Lago di Landro (Dürrensee) The lake is located at the bottom of the Val di Landro. From the lake you can admire the steep rock faces of the Dolomites 0:46 Lake Misurina Lake Misurina is the largest natural lake of the Cadore and it is 1,754 m above sea level. The lake’s perimeter is 2.6 km long, while the maximum depth is 5 m. Near the lake there are about ten hotels with accommodation for around 500 people. 1:14 Passo Gardena (Gardena Pass) The pass connects Sëlva in the Val Gardena on the west side with Corvara in the Val Badia has an elevation of 2,136 m above sea level. It often becomes a busy route with tourists, motorcyclists and cyclists during the summer. The pass is very popular among tourist and hikers that visit the pass to access the dramatic mountains. 1:54 Tre Cime di Lavaredo (Drei Zinnen) The Tre Cime di Lavaredo is three distinctive battlement-like peaks. They are probably one of the best-known mountain groups in the Alps. The Cima Grande (the peak in the midtle) has an elevation of 2,999 metres (9,839 ft). It stands between the Cima Piccola (to the east), at 2,857 metres (9,373 ft), and the Cima Ovest (to the west), at 2,973 metres (9,754 ft). 2:37 Lago di Sorapis Lake Sorapis is a stunning turquoise lake in the Dolomites. The hike is not an easy task and involves sections with cables and ladders. This intermediate hike is worth the effort and offers incredible views of mountain peaks and the dreamy blue waters of Lake Sorapis. 2:45 Santa Maddalena The village of Santa Maddalena/St. Magdalena is located at the rear end of the Funes valley. The church together with the adjacent sacristy, the old school, and the “Obermesnerhof” farmstead form a unique ensemble in the foreground of the Odle/Geisler massif. CAMERA EQUIPTMENT USED - Sony A6300 Mirrorless Digital Camera Body - Samyang 12mm F/2.0 NCS CS lens - Samyang 21mm F1.4 ED AS UMC CS lens - Samyang 50mm F1.2 AS UMC CS lens - Samyang 100mm F2.8 ED UMC MACRO lens
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Captain3D est un super héros ordinaire de 30 cm. Il n'a pas vraiment de super pouvoir, mais il a un grand cœur, et quand il enfile sa supaire de lunettes anaglyphes, il voit le monde en relief ! Sa motivation première : sauver des jolies filles en detresse! ********************************************************************************************* Captain3D is an ordinary super hero 30cm high. He doesn’t actually own a super power but he has a big heart and when puts his super anaglyph glasses he sees the world in relief ! His main motivation : rescue nice ladies in danger ! ********************************************************************************************* Réalisateur : Victor Haegelin Productrices déléguées : Nathalie Lapicorey & Zeynep Gizem De Loecker Co-Producteur s: Georges Bermann / Partizan Films Jean Louis Padis / Manuel Cam , Jean Pierre Lemouland / JPL Films Brice Colinet / Royal Post Directeur de la Photographie : Jérémy Lesquenner Musique Originale : Romain Dubois Chef Décorateur : Julie Chapallaz Animateurs : Stéphane Viola Victor Haegelin et Sylvain Desrone un petit peu aussi
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Monday, September 3, 2018
A man leads a monotonous, unfulfilling life until meeting with the girl of his dreams turns his world upside down. As things spiral out of control, the man discovers a new way of living. Directed by Alicja Jasina Music by Aaron Gilmartin Sound by Katie Gately Produced at University of Southern California http://bit.ly/2wDx6Na | alicja.jasina@gmail.com Awards Best Creative Award, Beijing Film Academy Audience Award, 19. Internationalen Trickfilm-Wochenendes Wiesbaden Audience Award, Animaphix Best Animated Short, Walla Walla Movie Crush Cilect Prize, Switzerland Winner at 12th Annual Martha’s Vineyard International Film Festival ANNY Best of Fest Winner Gold at Student British Academy of Film and Television Arts Best Animation at First Look Festival, Los Angeles Special Jury Award at Globe International Silent Film Festival 1st Award in Student Competition at Athens Animfest, Greece Silver at Ogolnopolski Festiwal Polskiej Animacji, Poland Grand Prix International du Public at Festival International du Court Métrage d’Animation Roanne Prix du Jury at Festivals Conexion - Auvergne Rhone-Alpes, France Best Short at Szczecin European Film Festival ’17, Poland Shortlisted in Animated Short Category, Academy Awards Student Academy Awards Gold Winner for ‘Once upon a Line’ short film Best Student Film Award at Animasyros International Film Festival, Cyprus Best Short Film at Mountain Shadow Film Festival, US Hollywood Eagle Award for the Best Animated Short at Polish Film Festival, Los Angeles, US Best Direction at Tofuzi International Festival of Animated Films, Georgia Audience Award at Les Nuits Magiques Festival, France Screenings 33rd International Short Film Festival Berlin KUKI 10th International Short Film Festival for Children and Youth Berlin 26th Annual Berkeley Video and Film Festival 2017 The 9th Animation Festival and Market of Segovia The British Animation Film Festival 2017 Macon Film Festival Insomnia International Animation Film Festival Wiesbaden International Weekend of Animation Anima Mundi, Brazil Klik! Amsterdam Animation Festival London International Animation Festival ReAnimania International Animation Festival Manchester Animation Festival Cinanima Animation Festival, Portugal Cyprus Animafest Cinetekton! Film Festival, Puebla, Mexico Primanima World Festival of First Animations, Hungary Polish Film Festival, Los Angeles Krok International Animated Film Festival, Russia Anim'est International Animation Film Festival, Cyprus Animasivo Festival, Mexico “Les Nuits Magiques” Film Festival, France Les Sommets du cinéma d'animation - Festival international de Montréal The International Festival of Animation Arts Multivision, Russia Leuven Short Film Festival, Belgium Caminhos Film Festival, Portugal Animae Caribe Animation and Digital Media Festival O!PLA Ogólnopolski Festiwal Polskiej Animacji, Poland BKSTS Student Widescreen Film of the Year Competition, US Anima Brussels, Belgium Roanne Animation Festival, France 41st Cleveland International Film Festival Marano Ragazzi Spot Festival Slo Cartoon Slovenia Home Cinema CutOut Fest Omaha Film Festival Cape Town International Animation Festival First Frame Festival, Los Angeles First Look Festival, Los Angeles Ferfilm Festival Animocje Festival, Poland Focus on Female Directors 2017, American Cinematheque, LA The Film Bunch screening, London Frames Film Festival Poetry and Film Festival Spectrum Film & Television Festival Sun Valley Film Festival International Festival of Animated Films ANIFILM 2017, Trebon Athens International Film + Video Festival The Globe International Silent Film Festival Anifilm, Trebon Holland Animation Film Festival Washington DC International Film Festival Spectray Film and Television Festival Starfest Festival Cinema Jam Athens Animfest The Globe International Silent Film Festival Twister Alley Film Festival Stark County District Library Screenings, Ohio The Smalls Film Festival 2017 Ojai Film Festival 2017 Big Cartoon Festival 2017 Moscow Canterbury Anifest 2016 Flixx Fest Northwest Animation Festival
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Sunday, September 2, 2018
Future Thoughts is an experimental, short film showing a collection of ideas about everyday life and new technologies in the near future. Directed by Loek Vugs Sound by Rik Kooyman Screenings: ITFS - Internationales Trickfilm-Festival 2018 Stuttgart Monstra Festival Lisbon Goshort Nijmegen Solar Cinema Playgrounds Festival http://bit.ly/2LQgjLJ twitter.com/LoekVugs http://bit.ly/2wzWWBM
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A SUPER16 film produced by FB Productions with support from Nordisk Film and Filmworkshop CPH Night after night Erik works alone in his bakery. His only company is the late-night radio show, who he persistently attempts to get through to and be honoured with “Joker of the Week”. He has gradually become more and more distant to his family, and all his efforts to re-establish the connection seem in vain. A growing depression hurls Erik into a tailspin, that in the end culminates in a desperate cry for help. SCREENINGS 2018 - Palm Springs International Shortfest (USA) / In Competition 2018 - Odense International Film Festival (Denmark) / Vimeo Staff Pick Award 2018 - Encounters Film Festival (UK) / In competition 2018 - Nordisk Panorama (Sweden) / In side competition CAST Troels Lyby Marina Bouras Milo T. B. Campanale Sofya Rose Johnson Annika Rössler Mads Minik Christensen Christine Hansen Ditlev Ulriksen Kate Henriques Astrid Yde Kammersgaard Zafinia Vang Piculell Josh Justin Geertsen Teddy RADIO CAST Niels T. Pedersen AKA Thermo Glen Bay Grant Alexander Ohrt Malthe Jagd Miehe-Renard Simon Mortensen Sanne Gottlieb Kim Vedel Pia Solvig Marianne Edler Von Eyben Lennart Falk CREW Director: Kristian Håskjold Idea by: Kristian Håskjold Screenwriter: Marianne Lentz Producer: Caroline Steenberg Dam Director of Photography: Rasmus Hasle Jørgensen Editor: Allan Funch Sound Designer: Christian Munk Scheuer Composer: Jesper Ankarfeldt Production Designer: Eva Lendorph 1st AD: Signe Marie Clemmesen Casting director: Astrid Faarup Production manager: Rikke Rolver Elk Production assistant: Esben Sloth 1st AC: Asger Duus 2nd AC & DIT: Johannes Sprogøe Fletting Gaffers: Anders Knudsen, Christian Hvass Birkebæk Best boys: Azariah Fraizer Bjørvig, Andreas Holmgaard Sound recordist: Christian Roed Dalsgaard Set designer: Katrine Øhlin Thomsen Costume designer: Rebecca Sophia Morris Sigaard Assistant costume designer: Maia Omann Bindesbøll Key hair & make-up artist: Lilli Thavapee Tollerup Hair & make-up artist: Pil Brøndum Gad Assistant editor: Patrick Lund Larsen Still-Photographer: Esben sloth Graphic artist: Anne Sofie Nordlund Hansen Poster retouch: artist Martin Bo Kristensen Visual effects: The Animation Workshop / VIA University College, VFX Støtte Pulje Visual effects supervisor: Björn Gromoll Compositor: Pierre Ventrilla Colourgrade: Cameo Film Post Production coordinator: Emma Engberg Online & conform: Frédéric Utard Colourist: Nurali Kushkov DCP: Andreas Rostock Sound mix faciilities: SDI Media Consultant Filmworkshop / Copenhagen: Lotte Mik-Meyer Consulting scriptwriter: David Sandreuter Consulting editor: Frederik Strunk Equipment: Filmworkshop / Copenhagen, MAAN Rental CPH A/S, Lyddynastiet Production service: Produktionen.dk, Roskilde Festival Rental Car rental: Europcar Catering: Restaurant Fasaneriet, Kostkompagniet Archival material: Radio 24/7, Nattevagten
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Saturday, September 1, 2018
+ Student Academy Award 2018 Finalist + + PSIAF 2018 Official Selection + + Autodesk The Rookies 2018 finalist for this years ‘Film of the Year - VFX Category’ + + Autodesk The Rookies Award Draft Selection + + SVA Premiere 2018 Hollywood Screening Selection + + SVA Outstanding Achievement Award + + SVA Tech Staff Choice Award + + EMUNAH + A full CGI film produced at the School of Visual Arts, class of 2018. + CREATED BY + Sang Hyoun Han (a.k.a DOMCAKE) + SYNOPSIS + Excessive competition between countries has created a perfect artificial intelligence. Artificial intelligence has excellent learning ability, but they have no imagination ability. Therefore, A.I. plans to steal the human’s as imagination makes everything possible. But at the same time, A.I. concludes that it is a human error as the ability can limit people due to the over imaginative mind. It makes humans to be afraid of death and leads people to believe in God which becomes a religion. Thus, A.I. creates a new religion by combining the characteristics of all gods so that every single human being can worship. All that faith has become energy sources that gives a power to A.I. to absorb the imagination ability from humans. Finally, artificial intelligence becomes perfect. In the end, the excessive desire of man toward information and technology causes the destruction of a mankind. + INFORMATION + Website: http://bit.ly/2owCg9u Facebook: http://bit.ly/2NEwKfP Instagram: http://bit.ly/2ox5WTU LinkedIn: http://bit.ly/2NDm7K9 Visual & Music all done by DOMCAKE
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Directed by Patrick Blades. “Dream Voyager is completely influenced from my experiences with sleep paralysis. Not being able to move physically. It’s like you slip in to a completely separate reality which can be quite terrifying.” - Anthony Tombling Jr, CUTS Buy ‘EXIST’ here: http://bit.ly/2PwkE9l Buy 'Dream Voyager’ EP here: http://bit.ly/2NamIGe
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Friday, August 31, 2018
Two years ago I started filmmaking. I bought a GoPro, went traveling in South America and made a video of it. From that moment my passion for filmmaking started and marked the start for my video business. I actively started filmmaking and bought my first camera: Panasonic GH5! Now, two years later, I am proud to present my new video. LANDS OF THE MAYA is the result of two years of hard work on my camera, editing, colour grading and sound design skills. This video captures a 4 week journey trough Guatemala, Mexico and Belize. In short: Vulcanoes, whale sharks, Maya temples, waterfalls, culture and food! Watch our other works: Desire - Peru: http://bit.ly/2N7mG1N Ecuadorable: vimeo.com/249091728 Norwegian Dreams: vimeo.com/228080927 Faces of New York: vimeo.com/216171721 Journey: youtube.com/watch?v=c_rinqA0LgM Places visited: - Antigua (Guatemala) - Acatenango Vulcano (Guatemala) - Pacaya Vulcano (Guatemala) - Lake Atitlan (Guatemala) - Flores (Guatemala) - Tikal (Guatemala) - San Cristobal de las Casas (Mexico) - Palenque (Mexico) - Merida (Mexico) - Isla Mujeres (Mexico) - Tulum (Mexico) - Caye Caulker (Belize) Gear - Panasonic GH5 - Panasonic Leica 12-60mm F/2.8-4 - Panasonic Leica Nocticron 42.5mm F/1.2 - Voigtlander MFT 17.5mm F/0.95 Nokton - DJI Mavic pro - Rode Stereo Videomic Pro Music: Meridian by ODESZA
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Brandon Semenuk’s ‘RAW 100’ for 2018. Athlete: Brandon Semenuk Directed by: Rupert Walker and Brandon Semenuk (Revel Co.) Course Build: Evan 'Intern’ Young, Dan Fleury, Will Clifford, Brandon Semenuk DP: Rupert Walker Producer: Brandon Semenuk Sound Design: Keith White Editor/Colourist: Rupert Walker VFX: Dan Gaud Photography: Ian Collins
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Thursday, August 30, 2018
It’s a new century for Nikon imaging, and I’m super honored to be a part of it. The 101-year-old company has announced what I consider to be one of the most remarkable imaging devices on the planet, the Nikon Z7. Along with its companion, the Nikon Z6, these cameras mark Nikon’s debut in the world of full-frame mirrorless cameras. I was given wide latitude with the opportunity to create a short film using the new Nikon Z7, and the result is a film I’m calling “Morning.” The concept of this film was born out of the idea that so many of us really try to make our mornings count. Whether we’re writers or artists using those early hours to tap into our creativity, or we’re parents or spouses who are trying to make the first moments of our day really count, mornings are a sacred time of day. Many of us use those first hours of the day to go for a ski tour, bouldering, hit the gym, do yoga, or meditate. For me, when I’m lucky and not on a deadline, I like to take my mountain bike out for a ride on the trails surrounding Lake Tahoe. I thought that shooting a mountain-biking film in my backyard would be the ideal scenario. And it was fitting because during the short window of time I was given to create this film, mornings ended up being the only time of day I actually had to shoot! We worked with Kyle Smaine, an incredibly local athlete who is a world-class freeskier who can also ride a mountain bike like no one else. We shot Kyle tearing across a handful of my favorite trails and sections of granite in the Lake Tahoe basin. The Big Picture This isn’t just a new camera with a new mount that’s mirrorless and shoots silent. It’s a new and better tool in an ecosystem that I’m already using and love. The idea that I can continue to use all my favorite Nikkor lenses, but shoot higher-quality video with my eye pressed to the electronic viewfinder, take advantage of the autofocus capabilities, and produce higher-quality images all in a smaller form factor means that I might just be one of the most excited guys around after today’s big announcement. Thanks and More Soon… Thank you, first and foremost, to Nikon for the opportunity to represent your company as an Ambassador and to be given the opportunity to flex my creativity using the best tools on the planet. See more BTS images on my site http://bit.ly/2NyYBhk
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There’s something fascinating about our own home galaxy. Even if we still cannot look at it from above and gaze at the full span of its arms, the sideway view offers a quite a showdown. To me the central part of the milky way is the most spectacular sight of the night sky. It’s something you can clearly see with the naked eye when you are away from city lights. It’s a sight that really brings your down to Earth and lets you wonder at how small we are, while comforting you in the thought that you are part of this Earth and the Universe. I could gaze for hours at the central bulge and just contemplate its compelling beauty from where it rises till where it sets. From a photographic and scientific point of view, this part of the milky way is so interesting to capture and study because if our solar system is located in its suburbs, the downtown district of our home galaxy harbors billions upon billions of stars. They are so concentrated that the total light coming from them can be seen millions of light years away and really creates this halo of light visible when you take a picture of it, much like a fire blazing. However a thick blanket of dark hydrogen clouds shroud and block the complete view. You can even see these fine dark lanes with the naked eye and they really participate in making the whole picture something from another world. Of all of them the Pipe and Dark Horse nebulae are descending down the core obscuring the upper part of the central bulge. In addition to this celestial show many emission nebulae- reliques of previously exploded stars, pepper the disc. Among them the bright and colorful Lagoon nebula, the pink and blue Trifid nebula, the red Cat Paw, War and Peace and Prawn nebulae around Scorpius. Moreover many star clouds (like the Sagittarius star cloud) and other remarquable star clusters also participate in strewing this already full frame. Finally the closest stars (like Antares) and near planets visible during the time of shoot (Mars, Saturn, Jupiter) also give a sense of just how ridiculously big the distance between Earth the the core is. Being fascinated by the core since I started astrophotography where it was barely visible (Denmark), I started looking for the best places in the northern hemisphere where I could get a clear view. The first time I really saw it was on the beautiful island of Tenerife 4 years ago and I sincerely will remember that experience for the rest of my life. Gazing upon the center of our galaxy in its full glory is something everyone ought to try. That’s why I decided to dedicate the third opus of my astrolapse series ‘Galaxies’ exclusively to the core, assembling my best clips to date and bringing them to the public, mainly to raise awareness and to get our night sky a bit more attention. I was appalled by just how many people have never seen the milky way so maybe by showing the true beauty of the universe I could contribute in my own limited way to bringing the real dark skies to the hectic and light polluted urban jungle. The goal once again was to use the best techniques in astrophotography and time-lapse to exploit each frame to its maximum without compromising the quality. From planning, to traveling to remote locations, to shooting with some of the best astro-gear, and eventually finding a novel post-processing workflow, I was able to get some astounding and never-seen-before sequences of the core. Traveling to very elevated and dark places allowed me to get the best signal to noise ratio as well as the best ‘contrast effect’ in the halo created by the stars in the bulge. The array of extremely sharp and bright lenses I utilized permitted to decrease shutter speed and get less motion blur while getting extremely clean shots with little aberration. The use of an astro-modified camera (Canon 6D), light pollution filters (Pure night, Nachtlicht) and a star tracker (Vixen Polarie) enabled me to capture the H-alpha emission nebula better and generally get better contrast and light altogether (See the two previous episodes for explanation). To create motion I also used the Syrp Genie I 3-axis system and the Vixen Polarie. I really wasn’t interested in just getting the usual wide-angle shots of the milky way and tried a lot of different set-ups to get a new view on the core. I am really proud to say that thanks to a lot of relentless work to find the best astrolapse workflow, these sequences are some of the most defined available on the market with some of the best quality and true-to-life colors. Cameras: Sony a7s, Canon 6D Baader modded Lenses: Sigma 14mm f1.8, Sigma 20mm f1.4, Sigma 50mm f1.4, Samyang 85mm f1.4, Samyang 135mm f2 Post-process: Adobe Lightroom, Timelapse+ plug-in for Lr, Ps CS6, TDLF, Sequence, FCPX Locations: La Palma (Spain), Tenerife (Spain), Grimsel Pass (Switzerland), Emosson (Switzerland), Jura (France)
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“S E N T I E N C E” Produced for 1788-L DIRECTED / DESIGNED BY JONATHAN PLESEL MUSICS: F O R C E / I M P U L S E - 1788-L A S T R A Y / R - 1788-L N U / V E R / K A - 1788-L 1 7 8 8 - L & totto - F U L L / B U R S T - 1788-L & totto jonathanplesel.fr/ facebook.com/jonathanplesel instagram.com/jonathanplesel behance.net/jonathanplesel © 2018 Jonathan PLESEL. All Rights Reserved.
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Wednesday, August 29, 2018
Marooned on a forest planet, an Imperial scout trooper hunts a lone Jedi, when he discovers an unexpected ally. — Directed by: Brendan H. Banks Written by: Charlie McWade Edited by: Vincent Welch Produced by: Sean Dermond Executive Producers: Brendan H. Banks, Josh Ruben, Paul Lowey, Mike Ritchie Associate Producer: Kelly Shea Starring: Josh Ruben & Starla Bolle With Charlie McWade & Abe Danz Production Coordinators: Phoebe Tillem & Anni Krueger Cinematography by: Brendan H. Banks Camera Operator: Eric Teti Camera Assistant: Justin Onne Gaffer: Camilo Chao Sound Mixer: Jeff Gaumer Production Designer: Kelly Shea Costume Designer: Sean Dermond VFX by: Gloo Studios VFX Supervisor: Mike Ritchie VFX Producer: Paul Lowey VFX Coordinators: Ali Ajmeri & David Cohen VFX Artists: Aleander Reid, Nicolas Pierson, Nolan Guerriero, Cam Slusar Colorist: Jenny Montgomery (Company 3) Sound Designer/Re-Recording Mixer: Michael Suarez Additional Dialogue Recording: David Wolfe Special Thanks: Barbara & Arthur Ruben, Creighton DeSimone, Gnarly Bay
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Tuesday, August 28, 2018
Monday, August 27, 2018
A quiet look at the lives on the line. First-hand stories from Central American migrants and asylum seekers searching for a better life in the north. This was made to be watched full screen and loud. A film by Matthew K. Firpo “Give me your tired, your poor, your huddled masses yearning to breathe free…” Producers | Rosanna Bach & Matthew K. Firpo Cinematographer | Jeremy Snell (http://bit.ly/2BQ8BSg) Editor & Colorist | Carlos Flores (http://bit.ly/2wiPj2B) Original Score | Gavin Brivik (http://bit.ly/2PaNqMo) Sound Design & Mix | Sean Higgins Location Sound | Enrique Gonzalez Assistant Camera | Gary Bardizbanian Executive Producer | Maximilian Guen UNICEF Mexico Staff | Lourdes Rosas & Isaias Garcia Special Thanks | Casey Rotter & Donia Quon We’re eternally grateful to those who trusted us to share their stories, and to the entirely volunteer team of artist that gave all of themselves to help tell them. Filmed on location in Chiapas, Mexico Made Possible by UNICEF NextGen @MatthewKFirpo | http://bit.ly/2wlcEAy
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Through four very different couples, the arc of a relationship is portrayed in its stages of growth, death, and rebirth. DIRECTED BY DAREN RABINOVITCH ASSOCIATE DIRECTOR - ISAIAH SAXON CHOREOGRAPHER - KIANI DEL VALLE Made at Encyclopedia Pictura in Los Angeles Production Company - Ways and Means, Ghost Robot Executive Producers - Lana Kim, Jett Steiger, Mark DePace Producer - Rachel Nederveld Production Manager - Sarah Winshall 1st AD - Bobby Nicholson Director of Photography - Drew Daniels 1st AC - Troy ‘Teddy’ Dickerson 2nd AC - Joe Rosenblit Steadicam Operator - Orlando Duguay Additional Photography - Oliver Young Electric - Joel Bezemer Grip - Kazmo Kida Swing - Zach Kienitz Production Designer - Almitra Corey Hair & Make-up - Lauren Wilde Stylist - Elizabeth Warn Assistant Stylist - Minnie Garcia Truck Production Assistant - Teddy Purdy Set Production Assistant - Conner McCabe
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Sunday, August 26, 2018
Tink is a studio project that evolved from a series of animations experiments we created in April 2018. Drawing on elements of these animations and what we’d learnt over the month we created a warehouse of experiments that was brought to life with sound design by our friends at Box of Toys. Each month Mr Kaplin choses a different theme as a springboard for a series of short, in-house animation and design exercises. To see our latest #MKDailies visit http://bit.ly/2wcAKxC Direction, design and animation: Mr Kaplin Sound Design: BXFTYS
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Saturday, August 25, 2018
A woman is swept up by pelicans and chaos in an afternoon ride share. Official Music Video for Annihilation Song from Rubblebucket’s new album ‘Sun Machine’ Out 8-24-18 Order 'SUN MACHINE’ !! http://bit.ly/2wotM7J Pencil on paper | Digital color Directed by Amanda Bonaiuto Color assistance: Sam Palmer
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Friday, August 24, 2018
Thursday, August 23, 2018
From the new album ‘One Hundred Billions Sparks’, released 20 Sept. Pre-order with tour tickets from Max Cooper’s official store: http://bit.ly/2BDyl4b For the ‘One Hundred Billion Sparks’ album project I want to tell a story of our one hundred billion sparking neurones, and the magic which they create: our minds. Early in the story I aimed for the “nuts and bolts” of the processes involved, but not in the sense of showing a neuroscience lecture, I want to find the artistry and beauty of the natural processes involved. Those are what make the richest visuals for my videos and live shows. Following this reasoning, one idea which came along, was to visualise a “Turing-complete” machine, which is a computer that is capable of performing any computation. This means the design of the computer is versatile enough to allow for any logical operation, within the constraints of the sorts of logical operations our usual computers can do. David Deutsch, amongst others, makes a convincing argument that human brains must also be universal computers in this sense, in his interesting new book ‘The Beginning of Infinity’. So I have some rough grounds at least, for making this link between brains and computers for the purpose of trying to get some hint of the visual essence of thought. The interesting aesthetic link comes in via the work of Stephen Wolfram, from his 2002 book, ‘A New Kind of Science’, where he shows that simple “cellular automata” models, growing blocks of binary colour following simple rules, can create rich behaviours in their growth patterns, and even yield a system capable of Turing-completeness. Following a systematic exploration of the simplest possible rules governing cell duplication, Rule 110 is the first rule which displays Turing-completeness (http://bit.ly/2o2Jemn), and is the simplest visual system that I know of which embodies this attribute. The really interesting thing is that Rule 110 also displays a very particular visual aesthetic, that of a combination of order and chaos, never totally predictable or totally random. For me, that potential artistic/aesthetic link to universal thought is pretty amazing, and it’s also an aesthetic/property which appears in many other important places in nature (for example http://bit.ly/2BOlJHA), as well as being one of the main principles of my approach to music, where a healthy dose of disorder is always important. After settling on this visual form for the project, I needed to create a piece of music which suited the retro blocky nature, which is something akin to Tetris. My immediate thought was big gated reverb snares and powerful classic synths. It had to be bold and clean in one the large scale, but also full of generative unpredictability. It all fit nicely with what I like to do anyway, and just pushed me in a slightly more poppy direction than anything else on the album. The initial focused time was spent finding the killer chord sequence and bold patch, then setting up a generative seething chaos of synthesis with plenty of random waveforms and modulations, then a long time on the arrangement detailing with more than 100 layers of sounds. I finally added a vocal from Wilderthorn, which I chopped into destruction, just there to add a little hint of humanity in amongst the computation. The final step in the process was to chat to the great visual artist, Raven Kwok, about the ideas and what I would like from the video. I was really happy when Raven showed me that he wasn’t just going to make an artistic interpretation of Rule 110, but had actually built his own version of the real system! So the video shows an authentic pattern-generation of Rule 110, where we can see moments of repetition and pattern, but never in perpetuity, it always returns to disorder. The colours and 3-dimensional explorations are Raven’s extension of the basic system. I still find it counter-intuitive that a simple deterministic system like this can yield undecidability in the content of its output, and I find it inspiring that this property relates to universal computation. It seems to me, at least, like the finest artistry. That’s why I wanted to include this story in my project. Perhaps those of you who are computer scientists will see that it must be so and that it is a trivial connection, if so, you’ll have to explain that to me some time! - Please sign up to the mailing list for news and exclusives: http://bit.ly/2o2JeCT Pre-order 'One Hundred Billion Sparks’ with tour tickets from the official store: http://bit.ly/2BDyl4b
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In June 2018, we set out on a 2-week journey to Iceland & Copenhagen, enjoying two very different experiences on just one trip. On the one side, the vastness, emptiness and otherworldly landscape of Iceland with it’s almost 24 hours-daylight in summer, on the other, a modern city full of life, history and exceptional architecture. This film is a collection of all the contrasting moments & memories we captured. Directed by: Vincent Urban facebook.com/vincenturbanfilms instagram.com/vincenturban Filmed by: Vincent Urban, Max Neumeier, Alex Eagleton Edit, Grading & Sounddesign by: Vincent Urban Driver & grilled cheese-chef: Quirin Guggenberger This film was made possible by the support of Icelandair & VisitDenmark. Thanks to: Pia Vester, Anders Nielsen, Julie Siegemund, Matt Orlando & the team at Amass, Milton Abel & the team at Andersen & Maillard Filmed with Sony a7s II and DJI Mavic Pro Music: “BLOODFLOW” performed by GRANDBROTHERS (Sarp, Vogel) © City Slang Berlin Courtesy of La Chunga Music Publishing GmbH
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A charcoal animated documentary about an ex-homeless man, and the changes he has made as a recovering alcoholic. — - Ottawa International Film Festival - Official selection (2017) - Sommets du cinéma d'animation - Official selection (2017) - Animafest Zagreb - Official selection (2018) - Au Contraire Film Festival - Official selection (2018)
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Wednesday, August 22, 2018
We discovered the Dolomites during winter. It was like an other world. Distant. Millions miles away. Like if we were there and in an other place at the same time. Like if “Mystic” was the only word which can discribe what we were living. Millions miles away. instagram.com/loeildeos http://bit.ly/2PvETVa
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The story of a 15 year old cocaine dealer. “DRUG RUNNER” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2MLo7CQ Director: Charlotte Regan Production Companies/Support: Knucklehead, BFI Future Film & Bold Content. Director of Photography: Arran Green Starring: Mitchell Brown & Charlotte Lancaster Voiceover: Alfie Stewart Composer: Patrick Jonsson Producer: Tara Trangmar Sound Recordist & Design: Michael Ling Art Director: Elena Muntoni 1st AD: Jordi Estape Steadicam Op: Charlie Rizek Executive Producers: Noel Goodwin, Blackmagic, Matthew Brown, Tim Katz, Adam Neale. Production Managers: Joanna Marciszewska & Alfie Chambers 1st AC: Beau Pritchard James 2nd AC: Eliot Poyzer Camera Trainee: Ilya Major Gaffer: Jake Buckley Sparks: Sam Baker & Ross Brown Grip Assist: Josh Cob Driver: David Burridge BTS Photographer: Sarah Boezalt Colourist: John Layton Editor: Charlotte Regan Older Boys: Tian Scott, Miles Walters, Marley Pitsillides Customers: Ciaran Burke, Daniel Kemp, Milly Roberts, Zoe Watson, Jack Sunderland Friends: Baxter Willoughby, Angus Taylor, Jaidel Burke, Leo Pitsillides Police: Nick Lester Runner: Ben Sheridan
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Tuesday, August 21, 2018
GoodPeople Presents: Abyusif - عزرائيل Director: Wael Alaa Cinematography: Muhammad Ibrahim Executive Producer: Khaled Zaki Producer: Norah El Khateeb Focus puller: Ahmed Thabet Assistant Director: Ahmed Tarek Production Manager: Mahmoud Sabry Casting Agency: Challenge Color Grading: Karim Mira (Lizard Studio) VFX Artists: Rimon (Squids Studio), Yasser Azmi http://bit.ly/2N6ZEoN http://bit.ly/2MFTD5m
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facebook.com/johnduncanfilmmaker/ http://bit.ly/2OUWt3X john-duncan.co.uk Having spent the past seven months travelling all over Scotland to shoot my new film, ANCIENT SCOTLAND, I’ve never been more proud to call this country home. Shot at twenty one stunning locations from as the far north as Muckle Flugga at the very top of Shetland to the prehistoric wonder of Britain’s highest sea stacks near St Kilda, some 40 miles west of the Outer Hebrides. As the third in a series of Scottish aerial films, I wanted to continue the progression of theme. My first film, Beautiful Scotland, was really just a collection of beautiful shots. My second, Wild Scotland, embraced the wild theme of this country, featuring many of our wild animals. So for this third instalment I had to look deeper at what defines Scotland for me. It soon dawned on me that Scotland has so much of the ancient about it, not just in terms of architecture but far older geology (a field of study which has its roots here). This led to a shot list ranging from incredible, imposing castles through to totemic sea stacks and the looming presence of St Kilda, a citadel of rock standing proud amidst the crashing maelstrom of the Atlantic which was inhabited until the 1930s. Having already shot two films in Scotland, I’d already picked the low hanging fruit of the more accessible locations so the logistics of reaching and filming this film were definitely more challenging. Each shot involved some kind of, often physically demanding, adventure. Notable examples include a four day round trip to Shetland to capture 10 seconds of footage; the challenge of getting to the wildly remote sea stacks near St Kilda; and weathering 8 hours of miserable weather in a bivvy bag on a ridge in Skye, just to be there for sunrise. The process of filming this has led to personal experiences which defy superlatives, not least the simple, awe inspiring, moments surrounded by silence as the sun rises over the horizon. Being on top of a mountain when the sun rises is an experience you will never forget. Scotland is truly a country made for those who love the outdoors in its wonder. Get out and explore it. BEHIND THE SCENES - http://bit.ly/2nSL60S Shot on DJI Inspire 2 with X5S and X7, PRORES 422HQ For footage licencing enquiries please email – hello@john-duncan.co.uk ** THIS FOOTAGE MUST NOT BE USED WITHOUT PRIOR PERMISSION **
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Monday, August 20, 2018
An alien wildlife mockumentary set on a distant planet, ‘Planet Tobler’, starring Christopher Lloyd( ‘Back To The Future’, ‘One Flew Over The Cuckoos Nest’, ‘Adam’s Family’, ‘Who Framed Roger Rabbit?’). Travel with us to the furthest reaches of our galaxy, where for the first time in history, we bring you documented footage, of an alien planet, and it’s wildlife…never…seen…before. Planet Tobler heavily references BBC’s Planet Earth series, presented by David Attenborough. It brewed from admiration of wildlife documentaries such as Planet Earth but also takes a cheeky interpretation of the natural world where naughty bits and quirky misfits engulf this foreign land. It’s a personal project that was made without distributors or funding. A passion project made for the love of making animation, having fun, and portrays how out-of-touch most human’s are with nature. Sound Designer and Founder of Echolab, Gavin Little helped produce this film with me which lead to having one of the most iconic voices of my life, Christopher Lloyd come on board. It was an absolute pleasure working and directing the Hollywood Legend, which felt surreal, daunting and incredibly exciting all at the same time. Credits: Directed by Aran Quinn Narrated by Christopher Lloyd( Back To The Future, One Flew Over The Cuckoo’s Nest, Who Framed Roger Rabbit). Produced by Aran Quinn and Gavin Little Written by Aran Quinn, Eric Chang, Alex Trierweiler Animated by Aran Quinn, Damien Bastelica, and Ray Quigley VO Mix Studio: Beacon Street Studios VO Producer: Kate Vadnais VO Mixer: Amber Tisue VO Mix Assistant: Aaron Cornacchio
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Filmed, Edited, Grading & Sound Design: Neal Howland | NealHowland.com Facebook.com/neal.howland.3 Instagram.com/nealhowland Music: Rhian Sheehan - La boîte à Musique | Musicbed.com A visual tour of some locations that I visited while in China: Shanghai, Fuzhou, Xiamen mainly. I visited for work and wasn’t there as a tourist. This was my first time in China, so I got in some sightseeing where I could. So, here is an attempt to make an interesting short video out of my personal B-roll. The text in the beginning says “Life is a journey, enjoy the ride.” Equipment: Sony A6500 w/ 10-18mm / 35mm f1.8 on Zhiyun Crane Gimbal
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A stop-motion film ten years in the making, ‘Fabricated’ is a journey through an alien world which was once our own. More at http://bit.ly/2PtgrE6 director Brett Foxwell creature vocals John France composer Andrew Poole Todd sound design Ryan Mauk Chris Vibberts color Bradley Greer audio master Dan Olmsted The full-length film is available here: https://amzn.to/2BrJq89 The original soundtrack is available here: https://apple.co/2PqUXrw behind-the-scenes http://bit.ly/2N10uDb Some extremely talented and capable people: http://bit.ly/2PtgsYG http://bit.ly/2N3ojdP http://bit.ly/2Ptgtfc
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Sunday, August 19, 2018
A double video for Col3trane’s ‘Fear & Loathing’ and 'Britney’. Special thanks to the 30 people who volunteered to be buried alive in the sand dune. Dir: Oscar Hudson DP: Ruben Woodin Dechamps Prod: Francois Larpin Prod Co: Pulse Films EP / Art Assistant: Rik Green Production Designer: Tors Beedles Commissioner: Caroline Clayton Post: Time Based Arts Grade: Jack McGinity 1st AD: Natalya Van Tonder 1st AC: Ivan Zaitsev Service Company: Limelite Production Manager: Darya Andruchchenko Production Assistant: Roman Kravets And many more…
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An immersive glimpse of a school day through the eyes of deaf children. Directed by Chris Filippone and Azar Kafaei Best MiniDoc Nominee, Big Sky Documentary Film Festival, 2018 CPH:DOX, 2018 Sarasota Film Festival, 2018 Independent Film Festival Boston, 2018 Encuentros del Otro Cine, 2018 Thin Line Film Festival, 2018 SF DocFest, 2018 Palm Springs International Shortfest, 2018 Ivy Film Festival, 2018 Tbilisi International Student Film Festival, 2018 Bay Area Intl. Children’s Film Festival, 2018 KQED Summer Series Broadcast, (forthcoming, 2018)
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Saturday, August 18, 2018
When a prank goes wrong on a London estate - Sarah-Lee learns that it’s not all fun and games when it comes to growing up. Premiered at the BFI London Film Festival 2016. Short film written and directed by Cleo Samoles-Little / produced by Janina Samoles and Henry Napier-Brown / funded by Film London as part of the London Calling Scheme 2016. Writer/Director - Cleo Samoles-Little Producers - Henry Napier-Brown & Janina Samoles Associate Producer - Jim Friend Director Of Photography - Krzysztof Trojnar Production Designer - Joshua Brooks 1st AD - Bryony James Sound Recordist - Jim Friend Wardrobe - Yasmin Ross Make Up Artist - Emma Slater / Fiona Breslin Script Supervisor - Sylvia Belitto Gaffer - Peter Riches Grip - Nick Teulon Sound Design - Dario Swade Editor - Andres Rodriguez Colourist - Holly Greig Production Support - Creative Sparkworks CAST Sarah-Lee - Mollie Lambert Charlie - Ruby Wild Rachel - Shala Nyx Rugby - Rachel Clarke Jacky - Jacky Lipman Michelle - Naomi Hicks Shelly - Sophie Hurst Jo - Nathan Whitfield Andrew - Arthur Cull Eddie - Oscar Wilson Frieda - Sharon Lawrence Geezer - Sam Donnelly DJ - John Game Mary - Vilma Hollingbery Shopkeeper - Paul Cesar Thanks to Sylvia Edwards @ Creative Sparkworks, everyone at Ethelred Estate, Film London, BFI, Feral Equipment, Greenkit, Finish VFX, Freefolk Studios, Andrew Pavord @ Film Fixer. Playaz Recordings and many many more!
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Friday, August 17, 2018
Directed and Photographed: Mack Fisher & Taylor McIntosh Executive Producers: Nick Martini & Lindsey Hagen Head of Production: Laura R. Cushing Editor: Chris Naum Post Supervisor: Connor Scofield 2nd Unit DP (flashback sequence) : Andrea Calvetti Creative Director: Stephen Bogdan Colorist: Robbie Renfrow Associate Producer: Megan Arizmendi Featuring: WC Jameson + Julian Diab Additional Music Provided by: Brandon Hagen (@lizard_ethics), FirstCom Original music by W.C. Jameson “Texas Rain” Album: Dirt Road Home (Alpha Wolf Records)
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Thursday, August 16, 2018
DIRECTOR: LAKEITH STANFIELD DIRECTOR OF PHOTOGRAPHY: DAVID ROEMER / BASIL FAUCHER EDITED & ANIMATD BY RUFFMERCY PRODUCER: ALEXEY GALETSKIY PRODUCER: COLIN STARK PHOTO ASSISTANT: DAREN THOMAS DIGITAL TECH: TARA CHUMPELIK FASHION DIRECTOR: TERRY LU STYLIST ASSISTANT: AGELIKA POKOVBA HAIR STYLIST: SCOTT MCMAHAN CATERING: MONTERONE Lakeith Stanfield and Hrishikesh Hirway are MOORS Here they team up with the Tune-Yards to give you ‘MANGO’ Tune-Yards recently scored the film 'SORRY TO BOTHER YOU’ starring Lakeith, here is some more info about the track…. CoolHunting > If “Mango” affirms anything, it’s that Lakeith Stanfield has mastered more than one craft. The track sees the acclaimed actor partnering with music producer HH (Hrishikesh Hirway), under the moniker MOORS, and the result is electrifying. tUnE-yArDs features on the song, amplifying the magnetism and underlining the strange magic of it all. Visual artist ruffmercy directed the video, which incorporates pop art visual manipulation that truly rounds out the experience—which tUnE-yArDs’ Merrill Garbus is quick to point out is, in fact, altogether weird. GQ > A still from the music video Mango by the Moors UNIVERSAL MUSIC GROUP And it’s as fun and weird as you’d imagine. For a couple of years now, Lakeith Stanfield, the unpredictable genius and star of Sorry to Bother You, has been making music with producer HH under the name MOORS. Experimental and dark, MOORS makes music that’s equally free-associative and confrontational—kind of like Stanfield himself. It’s why you need to check out the video for “Mango,” the latest track from MOORS, featuring another GQ favorite—tUnE-yArDs. The video for “Mango” features Stanfield dancing and rapping in a church as RUFFMERCY’s distinct animation is overlaid, giving the whole thing a very throwback, Keith Haring-esque vibe. Spin > Recent Sorry To Bother You star Lakeith Stanfield is part of a rap duo called Moors with musician and producer Hrishikesh Hirway, and today, the duo has returned with a new song. With backing music from Tune-Yards’ Merrill Garbus, “Mango” is a new collaborative single following both musicians’ contributions to the recent Boots Riley film. In a statement shared with the single, Garbus writes: “Lakeith came to our studio in Oakland twice to work on vocals. He had really specific ideas about the track, different characters he wanted to give voice to, and we worked together to keep amping up the weird. Times are weird. Lakeith is reflecting his universes and creating new ones — it’s fascinating and important and we’re grateful and lucky to be a part of amplifying his voice.”
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Wes Hurley’s surreal VR autobiographical doc tells the story of Little Potato’s journey growing up gay in the Soviet Union before and after the fall of communism, his mother’s struggles to create a better life for them both, leading eventually to her becoming a mail order bride in order to insure their escape to America. Directed by Wes Hurley. Produced by Mischa Jacupcak. Music by Joshua Kohl of the Degenerate Art Ensemble. Official Selection: IDFA Amsterdam, Seattle Int'l FF, American Film Institute, Imagine FF, Chelsea Film Festival. “I was a virtual reality nonbeliever. Here’s what converted me.” - Slate’s Inkoo Kang on AFI installation including Potato Dreams.
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Wednesday, August 15, 2018
”Black” (“黒”): A pair of astronauts trapped on orbital space station because of nuclear war that ran very fast on the earth below. They lost contact with earth, all attempts to make connection with base or with anybody failed without answer. “BLACK” is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2Pah05x Directing/script/animation: Tomasz Popakul Voices :Rina Nakamura, Ryo Iwase Sound: Michał Fojcik This work was created with support from “Animation Artist in Residence Tokyo 2014” part of the Japanese Agency for Cultural Affairs “international invitation program for animation artists 2014”
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Tuesday, August 14, 2018
Melt Down was my senior year film at Pratt Institute. It’s a surrealist narrative story about a body-less boy who doesn’t want to go outside, among other wacky characters in a world where people melt from stress. Design & Direction Amy Xu Composer Brian Hall Sound Design Natalie Huizenga Brandon Jiaconia Noah Woodburn Mix Noah Woodburn
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Written and Directed by: Kristoffer Borgli Co-written by: Jordan Raf Production Company: Furlined DoP: Ben Mullen 1st AC: Elliot Barnes Featuring: Frank Yang Stylist: Keely Murphy Editor: Kristoffer Borgli Colorist: Ben Mullen Line Producer: Scooter Doll Thanks to: Cyrus Raoufpur Alyssa “Blondie” Baldini Music production: Best Picture
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Monday, August 13, 2018
Olas X A big wave surf film capturing the tangible and intangible realm of human nature and technology increasingly becoming a unified field of motion. Tracking, analyzing, and cognifying the swelling dimensions of the physical domain. This never-ending change is the pivotal axis of the modern world. FEATURING: Pat Millin & The Los Cocos Locos DIRECTED / SHOT / EDIT: Scott Nichols PRODUCED: Sickboat Creative Studios MUSIC: Rival Consoles: “Progression 2” Vessels: “PantherTek” Please support the musician represented by purchasing their music: http://bit.ly/2P7aufZ http://bit.ly/2B9Z0Fw Website - http://bit.ly/2P7auwv Instagram - instagram.com/sickboat/ LinkedIn - linkedin.com/company/sickboat Behance - behance.net/sickboat
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Sunday, August 12, 2018
Directed by Scott Lazer Production Companies: Pomp&Clout & Dreamville Executive Producers: Ryen Bartlett & Ryan Staake Head of Production: Kevin Staake BA Consultant: Eric Margulies Design & Animation By: Hi from the Future Creative Director: Mark Rubbo Executive Producer: Elliot Higgins Animator: Andrew Hess Animator: Andrew Raff Animator: Dave Rogers Graphic Designer: Aaron Vinton Key & Rotoscope: Pete Puskas Machine Learning: Andrew Pouliot Colorist: David Torcivia Producer: Christopher Yoon UPM: Rachel Morgan 1st AD: Lionel Cineas Director of Photography: Santiago Gonzalez 1st AC: Carolyn Pender 2nd AC: Kyle Parsons DIT: John Kersten Gaffer: Eric Hora Best Boy Electric: Jason Beasley Key Grip: Matt Tomko Best Boy Grip: Joe Albino Production Designer: Brian Tubbs Art Assistant: Patrick Reedy Wardrobe: Ebonie Chooran Wardrobe: Kierra Bailey Wardrobe: Kwassi Kessie Wardrobe Assistant: Sara Gagliardi Wardrobe Assistant: Shanelle Russell Wardrobe Assistant: Raena Anaïs Make Up: Jaleesa Jaikaran Hair: Candy Diaz Set PA: Haydn Hall Set PA: Omar Laurent Driver PA: Greg Harris Driver PA: Christian Inman Runner / Set PA: Olivia Eberstadt Runner / Set PA: Allie Rickards BTS Photographer: Jack Newton Film Intern: Terrell Dixon Model: Jasmine Scotti Model: Aaliyah Harris Model: Oddity Knox Model: Diany Arias Model: Hali Okeowo Model: Fatima Baro
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Saturday, August 11, 2018
We follow the Norwegian Martin and his pregnant Spanish girl- friend, Lucia, during their first 15 minutes on Norwegian soil, observing Lucia’s first encounter with this new culture and her in‐laws. It’s a car trip full of social tensions, expectations and misunderstandings. Brilliant observational comedy done in one shot. Prizes & Festivals: Encounters FF 2012 - Winner, Leuven IFF - Winner, Uppsala ISFF - Special Mention, Cork IFF - Special Mention, Brest FF - Regional Council of Brittany European Film Award
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Friday, August 10, 2018
A Taco Told In Texas isn’t really about a taco. It’s about a guy with an eighth grade education who became a millionaire. And then he lost it all. And then he became a millionaire again. And then he lost it all. Again. And then he bought a used shipping container on Craiglist and started slinging the best tacos you’ve ever had out of it. Presented by - FIND A WAY PRODUCTIONS (http://bit.ly/2vBGSiv) Director - David Gorvy (http://bit.ly/2Oo9Mtk) Producer - David Gorvy, Erica Rabner (http://bit.ly/2vuURqn) Director of Photography - Jordan T. Parrott (http://bit.ly/2Ort5Sq) Editor & Musical Arrangement - David Gorvy Press Kit - http://bit.ly/2vuURGT
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Edward Spots. New Orleans, LA. “The sum of your parts doesn’t even come close to the whole of you” Director + Cinematographer: Gaul Porat Director: Skyler Fulton Assistant Camera: Casey Shaw Editor: Colin Kelly Hingel Mix: Nadav Post Location Sound: Lukas Gonzalez Color: Kath Raisch / CO3 Music: Greg Debricki Copywriter: Avery DiUblaldo Narration: RJ Brown Producers: Gaul Porat, Skyler Fulton, Lauren Dunn, Casey Shaw
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Thursday, August 9, 2018
Album film for 88rising’s HEAD IN THE CLOUDS Featuring: Higher Brothers, Joji, Princess Gollum, Kinjaz, Willy Choi Written and Directed by Christine Yuan Executive Producer: Jesse Chorng, Matt Zolly Production Company: Snow Beach Line Producer: Jack Winter Director of Photography: Ryan Marie Helfant Production Designer: Liam Moore Stylist: Chloe & Chenelle Editor: Chad Sarahina Choreographer: Kinjaz Casting Director: Jonathan Buckley Casting Assistant: Sarah May Levy Production Manager: Adam Thayer Production Coordinator: Chris Taylor 1st AD: Parker McMillan 2nd AD: James Cornett 1st AC: Julia Pasternak 2nd AC: Tim Maloney 2nd AC: Will Hecht Movi Op: Reid Murphy BTS Photographer: Anthony Pham Key Grip: Jon Booker BBG: Logan Justice Grip: Jake Poole, James Wray Dolly Grip/Driver: Vic Roca Gaffer: Arjun Prakash BBE: Ian Thomas Electric: Danny Wiliams, Theadore Hyppolite Stylist Assistant: Haley Appell, Phill Soulliere, Sophia McGhee Hair and Makeup: Veronica Chanel Makeup Assistant: Briana Ashlyn, Jennifer Cabezas, Sasha Gold Leadman: Cameron Ritchie Art Coordinator: Megan Mantia Art Assistant: Marko Monroe, Grace Surnow, Shannon Pollak Sound Mixer: Cody Skully, Joseph Fiorillo, Neil Koprick Additional Editing: Miles Trahan End Credit Sequence: Olaf Woldan Colorist: Derek Hansen @ The Mill Post Supervisor: Brandon Cotter VFX Artist: Zongyu Zhang Titles: Forrest Grenfell Post Sound: Jack Goodman Production Assistants: Matt Williams, Edgar Cortez, Marq Robinson, Maddox, Christine Alegre CAST Roberto Tejeda, Nan, Byron Rodriguez, Jenny Shibley, Ryon Wu, Sace, Dasha Nguyen, Deven Walters Houston, Cade Michael, Richard Lin, Christian Feng, Jayden Ham, Els Elisakh, Roberto Tejeda, Tezz Yancey, Cameron Reid (Aoyama), Michael Parker, Max Epstein, Byron Rodriguez, Jose Polio, Hector Polio, Michael Heger, Jack Daru, Tarzan Thompson, Mawrence Agustin, Griff Stark Ennis, Ernest Walker, Edgar Arellano, Gazi, Cody, Julian Green, Thom Cao, Aiden Bear, Cameron Aoyama, Jung Yun, Derrick Garcia, Max Epstein, Matt Cwan, Emilio Ventur, Noah, Danielle Taylor, Ronis Aba, Brindi, Monica Molina, Monroe Gallatin, Luna Cover, Greena Ell Park, Emma Czerwin, Alexandria Lozano CHENGDU UNIT Director: James Mao Producer: Christopher Heinrich, Peggy Wu Director of Photography: Ben Mullinkosson Production Designer: Casey Homovich Stylist: Simone Hu 1st AC: Michael Mogler Gaffer: Yang Chun Key Grip: Ren Guang BTS Photographer: Tony Wu Anthropologist: Lana Larkin HB Day to Day: Queenie LV Production Assistant: Liu Ze Rui, Liu Boliang SPECIAL THANKS Sean Miyashiro Ollie Zhang Cynthia Guo Preston West The Pink Motel The Escarpment The Mill 88rising Fam 88 is double happiness
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The personal project - a designer’s single most important tool when it comes to getting great commissions and adoration from your peers. A chance to flex your creative muscles and show what you’re really capable of. Right? A recent quiet period forced me, reluctantly, to embark on this most well worn of paths. I opened up my little book of ideas, saved for such a moment, and set to work. As the days turned into weeks, all I had to show for my efforts was a bunch of disparate concepts. In desperation I decided to embrace my lack of focus and make a piece about the dysfunction of my process. The result? I made a personal project about making a personal project. The moral of this story? If you’re looking for a motion designer then you should definitely hire me. Obviously.
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With massive urban sprawl and a reputation for being the cold Lombard capital, Milan doesn’t feel like a quintessentially Italian metropolis, but with settlers from all over the country making their home here, visitors will find all of Italy in one city. Timelapse & Edit by Kirill Neiezhmakov e-mail: hyperlapsepro@gmail.com http://bit.ly/2DpqmVa http://bit.ly/2pbn1WO http://bit.ly/2DpqnII Youtube: https://youtu.be/D0ZxNdXUWKc Music: Colorful Auras by Cymatix Equipment: Canon 60d, 70d, 5ds Tokina 11-16 mm 2.8 Canon 17-55 mm 2.8 Canon 70-200 mm 4L Canon 16-35 mm 2.8L Canon TS-E 17 mm 4L Manfrotto 190 carbon tripod Software: Adobe After Effects, Lightroom, LRTimelapse Known as a centre of fashion, finance and football, Milan is indisputably the country’s most stylish city. Trendy bars and boutiques rub shoulders in the back streets, while on the busy thoroughfares mighty towers signal the city’s superior economic clout. Milan is also the home of two big football clubs, A.C. Milan and Inter Milan, who share the historic San Siro stadium. As the epicentre of Italian fashion and interior design, there is certainly a buzz about the city. International fashionistas, designers, supermodels and paparazzi descend upon Milan twice a year for its spring and autumn fairs. Many high-end designers still use the city’s trusted producers and it remains one of the best places in the world to shop. Despite the air of modern flair, there is a rich history here too. Cut through the modern metropolitan bustle, and you will stumble across countless impressive churches and palaces. Start with the breath-taking Duomo di Milano in the city centre, a colossal Gothic cathedral, one of the largest in the world. Then there’s the Santa Maria delle Grazie church, which houses Da Vinci’s restored Last Supper painting, and survived bombing raids in WWII. There is plenty to see near the Duomo too, including the city’s fabled opera house, La Scala, and Sforza Castle, a grand medieval fortress. Nearby is Galleria Vittorio Emanuele II, an ancient and glamorous arcaded shopping gallery. Not all of Milan’s aesthetic appeal lies in the historic centre. The pretty Navigli area in the south has become popular for its many bars and restaurants, as has the chic Brera district and lively university quarter. Meanwhile, former industrial areas are undergoing urban renewal schemes, such as the old Fiera area, which includes new apartments, a park, a contemporary art museum and a trio of futuristic skyscrapers. It’s bold reinvention like this which reminds us that Milan is truly Italy’s most dynamic city. Probabilmente si pone all’attenzione per altro o preferisce mostrare una delle sue due facce, quella della città capoluogo dell’economia italiana, quella di una città dinamica ai limiti della sopportazione, la città del “lavoro, guadagno, pago, pretendo!” per citare una delle parodie più classiche del milanese tipo… Milano probabilmente nasconde o preferisce non mettere in mostra quelli che sono i suoi veri tesori (che sono quelli per cui in altre città, il turista rimane incantato): gli angoli più nascosti e defilati, magari anche lontani dal centro, le stradine meno frequentate e dove si possono trovare sia lussuosi palazzi settecenteschi e ottocenteschi sia le più modeste case di ringhiera, un must dell’attuale concetto dell’abitare in città, le botteghe degli artigiani, importanti musei e pinacoteche, un patrimonio monumentale tra i più ricchi della penisola …un vero e proprio volto parallelo diverso da quello divulgato dai mezzi di comunicazione…. luoghi comuni compresi! Milano è bella immersa nella nebbia, quando i rumori sono attutiti e i palazzi sembrano ancora più monumentali, e i giardini diventano i luoghi delle favole con strane creature che scopri essere semplicemente dei cagnolini al guinzaglio. Milano è bella sotto la neve, quando quella magnifica”torta” ( è uno spettacolo, qualcosa che lascia a bocca aperta anche per l’unicità dello stile) che è il Duomo lo diventa ancora di più profilata da un sottile strato di brina e quando una strana eccitazione sale tra la gente che cammina per le strade imbiancate. E Milano è bella con il sole nelle belle giornate di primavera, fresche, con un cielo azzurro uniforme e che lascia risaltare le evidenze architettoniche della città: il Duomo, il Castello Sforzesco, la Stazione Centrale, il Pirellone, la Torre Velasca. Milano è bella anche in pieno agosto, con le strade vuote e le saracinesche abbassate, con l’afa che trasforma i Navigli in canali veneziani e con le zanzare in agguato che, come tutti sanno,…. amano l’aperitivo in uno dei tantissimi locali di questa zona.
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Wednesday, August 8, 2018
In a Cane Field (16min, 2016, Australia, 16mm) Written and directed by Emily Avila. Based on the short story ‘The Serrambi Case’ by Brazilian author, Frances de Pontes Peebles. Synopsis: In a beachside tourist town, the body of a fifteen-year-old girl is found in a cane field. Her murder is a mystery that envelops the community as those close to the girl grapple with death, in all its senselessness. Starring Yasmin Honeychurch, Indiarose Thomas, Hugh Parker, Lindy Honeychurch and Michael Tuahine Producers - Emily Avila & Coralie Tapper Company - Cosmia Films (http://bit.ly/2OmCnPH) Cinematographer - Adric Watson (http://bit.ly/2M9rJyh) Editor - Adric Watson Sound Designer - Dylan Barfield Composer - Jonathon Trevillien Production Design - Aprille Asfoura & Arundhati Madan Costume Design - Arundhati Madan Hair & Make-up Artist - Billie Weston Produced with the assistance of Screen Queensland (http://bit.ly/2OnUEMr)
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Jack White - Corporation Watch full screen in 4k !!! :-) Writer/Director: Jodeb Exec. Producer: Candice Dragonas Producer: Jason Baum DP: Kristof Brandl Production Designer: Sheila B + David Bomba Wardrobe: Natasha Newman-Thomas Edit, Grading and VFX: Jodeb Sound Design and Mix: Mathieu Morin @ Lamajeure Commissioner: Saul Levitz 1st AD: Phillip Tuck 2nd AD: Micah Steele Production Supervisor: Wesley Perry Production Coordinator: Bree Gast 1st AC: CK Cates 2nd AC/Media Manager: Sean Collins Gaffer: Drew Frazier BB Electric: Nancie Kang Electric: Hunter Dixon Key Grip: Robert Duke BB Grip: Mike Rodia Grip: Chad Deslatte Prop Master: Ed Fitzgerald Leadman: Ryan Rowe Swing: Travis Slagle Location Manager: Sydney Lunn Location Assistant: Devyn Betancourt Sound Recordist/Mixer: Steve Grider VTR: Chris Hill Make Up Artist: Meg Boes & McKenzie Gregg Hair: Marz Collins Wardrobe Assistant: Alexis Wade & Katherine Woodruff Casting Director (Nashville): Joshua Brent Montgomery BG Casting: Kim Murrey & Sarah Benjamin
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“God I Need a Girlfriend,” a short stop motion film giving the background for Stefan Janoski’s sculpture of the same name. Made by Movie Mountain. is this week’s Staff Pick Premiere. Read more about it on the Vimeo Blog here: http://bit.ly/2OhKKMq Watch the behind the scenes video here vimeo.com/277685359/662d145c35. For More, check out http://bit.ly/2nlZT3T. Produced Stefan Janoski Jessica Janoski Story By Stefan Janoski Set Construction Kai Korsmo Shelby Menzel Matt Emmons Tim Yates Alexa Shreck Tim Huntington Stefan Janoski Puppet Construction Stefan Janoski Kai Korsmo Matt Emmons Mattzilla Duron Animation Jeremy Murphy Director of Photography Matt Emmons Directed by Foster Huntington Edited Matt Emmons
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Tuesday, August 7, 2018
In this dark comedy of manners set in a surreal world, meticulously-coiffed soccer moms Jill and Lisa vie for perfect children, perfect husbands, and most importantly, perfect teeth. WINNER - SXSW, Special Jury Recognition for Writing, 2016 WINNER - Clermont-Ferrand Int'l Film Festival, Canal + Award, 2016
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Monday, August 6, 2018
I spent a month in Seoul and saw a city racing to the future. Here’s the film I made with the help of the great people I met along the way. Director’s commentary: https://youtu.be/S9kLihqA7jA Original Music by Steven Richard Davis http://bit.ly/2OKPewl Additional Music by Artlist https://goo.gl/mYs1Ve Drone Footage Provided By: Kris Gonciarz - http://bit.ly/2AMosAA Pavel Shin http://bit.ly/2OP29gE Special Thanks: 신진규 , 이사님 김경식 [ 금손남친 ] (http://bit.ly/2ANCbY2) 김보라 (http://bit.ly/2OLZnIZ) A-Root Academy, President Mr Ahn Danny Arens (http://bit.ly/2AMovwg) 京欽 KyeongHeum 경흠 (http://youtube.com/kyeongheum) Ks Du La Boehae 라보혜 (http://bit.ly/2OKmXWq) Seong Kim (http://bit.ly/2ANCcLA) X6-Gaming, Element Mystic, Team Seven (Head Coach Mu Ho Lee, Coach Mr. Koo) Yongrak Choi (http://bit.ly/2vn9uMi) Seungjae Han (http://bit.ly/2ANCe6a) Minji Song(http://bit.ly/2OLxbWG) Serin Youm(http://bit.ly/2ANCemG) Odi (http://bit.ly/2OLpfEN) Club Burning Sun 버닝썬 Kobe Lee I used this camera: https://amzn.to/2LBuV24 My main lens: https://amzn.to/2ndcjuQ My gimbal: https://amzn.to/2MnDVIS The rest of my gear: http://bit.ly/2vnJG2F I am a participant in the Amazon Services LLC Associates Program and B&H Photo Video Affiliate program, affiliate advertising programs designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com and bhphotovideo.com. Additionally, I participate in other affiliate programs, and sometimes get a commission through purchases made through my links.
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Sunday, August 5, 2018
Saturday, August 4, 2018
Only in silence can we hear the song of nature. Natural silence is not the absence of sound from nature it is the absence of noise from modern life. Listen in a quiet place where you will not be disturbed. Headphones of are highly recommended. http://bit.ly/2vjEooL SILENCE PROJECT This is the second episode in my silence project. Through a series of films I will present nature at its most natural. To fully capture the authentic atmosphere of the places I have combined the visuals with a detailed soundscape. No music or artificial sound effects have been used in this film project only the songs from nature’s own sound library. To make the experience as natural as possible both the audio and video are recorded in some of nature’s most undisturbed places. This project was born out of love for the undisturbed places in nature. The goal of the project is to share the wonders of nature with as many people as possible and thereby ensuring its protection and enjoyment for generations to come. I plan to accomplish this goal through stunning short films with breathtaking video and audio. SILENT LISTENING The nature is busy communicating and in places without noise pollution we can listen to the nature at its most natural. Listening is not about trying to hear the sounds that you believe are important. Instead simply listening to the place without comparing sounds to what is already known. If we silent listen to nature in undisturbed places without prejudices we can experience the big diversity of nature and the faintest sounds gain their original importance in the soundscape. Humans developed in a world where only the sounds of nature filled the air. Our ears are evolved to hear these often soft and information rich ambiences which help us experience our surroundings. But in our noisy urban environment our hearing is continuously being overloaded and thus we have learned to experience our surroundings through our vision. Even when we visit a silent place in nature we try to experience the place through our vision instead of listening to the place. Vision is focused in one direction at the time and is excellent when it comes to focusing our attention on a given event. But vision is very limiting when it comes to capturing the full image of a given place. Therefore hearing and not vision is the preferred sense in nature. The full image of a given place does not only expand in every direction around us but it expands for far distances behind visual objects that block the view but do not block the sounds. In a silent environment sound can travel far distances and can easily travel around objects. Further, it is often difficult to get visual contacts with wildlife but nothing escapes our hearing if we listen in silence. There are many benefits of experiencing silence in nature. Natural silence is relaxing, reduce stress and increase overall productivity. Conversely, noise pollution cause stress, increase risk of cardio-vascular disease and has a negatively impact on overall productivity. When we live more quiet lives, we become healthier, more relaxed, and better able to listen to others and the world around us. The industrial revolution and population growth has unleashed an epidemic of noise pollution that has made natural silence one of our fastest-disappearing resources. It is my goal that these films will raise the audience’s awareness to the importance of silence. I hope to bring the experience of natural silence to the audience and encourage an interest in saving the undisturbed places in nature. We need to learn how to listen again to fully appreciate nature’s whispers. GRATEFUL LIVING In our stressful society we so seldom find the time to relax and regenerate. Use these films as an escape from a stressful and noisy environment. Here you will experience natural silence and wide relaxing spaces. We strive through life for status and recognition, and we attach ourselves to material things in the belief that they will make us happy. I believe that it is only when we free ourselves from this pursuit of external satisfying that we can displace the inner emptiness and create lasting happiness and tranquility in our stressed minds. In fact, it is only our idea about that something is missing that prevents us from being happy. Happiness comes from being grateful for our situation and for all the things we already have. It is when we can rejoice together with others, that life makes sense, and true happiness arises. Happiness is not a destination; it is a process - a wonderful journey. Nature’s beauty can be so easily missed. It is my hope that these films will contribute to a deeper understanding and gratitude of the natural wonders in our world and to the preservation of our fragile environment in the future. FOLLOW MY WORK YouTube.com/CasperRolsted?sub_confirmation=1 Facebook.com/CasperRolstedVisuals Instagram.com/CasperRolsted Twitter.com/CasperRolsted
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Friday, August 3, 2018
Thursday, August 2, 2018
Hello, you. [ A normal scene. ] Nothing out of the ordinary. [We imagine the wind blowing ] Time in physics is operationally defined as “what a clock reads”. Gravity is the weakest of the four fundamental forces of physics. Depth perception is the ability to perceive the world in three dimensions. Depth can also refer to a profundity of emotion or feeling. [ A cup scurries across the tabletop. ] In the world of ‘3D computer graphics’ there is said to exist an influential force, lovingly nicknamed 'Animism’. – ‘Influencers’ is a film about drawing out the intrigue in the Everyday, and allowing it to humbly influence the world around us. For us it’s a celebration of the Creative Process and a meditation on working in 3D. – All conceptual, design and production work: f°am Studio for Maxon. Written by f°am Studio Sound Design and Composition by Antfood foam.studio/maxon
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I had a chance to go to on a crazy adventure to Hong Kong with Vox Borders. Here is some of the B-roll I captured. Aerial, time-lapses and hyper-lapses galore! video by http://bit.ly/2LKTSwc Sound Design http://bit.ly/2vrjByI GEAR: A7III A7s ii pilot fly H2 RX100V DJI Mavic Pro Sony 10-18mm F4 Sony 24-70mm F2.8 SETTINGS: PP8 - S-Log 3 Sony Play Memories Timelapse App Shutter for all time-lapses was at least 1sec Timelapse Edited with LRTimelapse5 http://bit.ly/2h8vUfn
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1953, Jacqueline Auriol, a French pilot, is about to go down in history along with her jet aircraft. Facebook Page : http://bit.ly/2vtvW5z - Réalisateurs / Directors : Jacques Leyreloup, Victor Tolila, Perrine Renard, Laura Viver Canal, Gaël Chauvet - Music : Clément Osmont, Olivier Defradat - Voices : Marianne James - Sound : José Vicente & Yoann Poncet – Studio des aviateurs Film d'animation réalisé dans le cadre de la formation cinéma d'animation 3D de l'école ESMA (promotion 2016). / Animated film directed during the ESMA CG Animation & FX Master Degree (promotion 2016) © ESMA - Ecole Supérieure des Métiers Artistiques
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Wednesday, August 1, 2018
Videoclipe da faixa-título “Tu”. Direção: PANAMA Produção: Panama Filmes Animação 2D e Stop-motion: Bruno Mazzilli Direção de Arte: Bruno Mazzilli, Filipe Franco e Thany Sanches Fotografia: Caio Mazzilli Montagem: Filipe Franco Coreografia e Cenografia: Thany Sanches Maquiagem: Leon Gurfein Contraregra: Thiago Araújo Assistente de Produção: Caio Carvalho Produtor Gráfico e Impressor: Dan de Carvalho Recorte de papel: Alexandre Teles, Bruno Levorin, Jana Paim, Mariá Portugal, Vica Ginde, Wilson Breda e Panama Agradecimentos: Fábio Yamaji, Felipe Stoco, Nino Andres, Alexandre Barbosa, Melissa Kawahara, Marina Oruê, Douglas Garcia, Valentina Martelli, Sofie Havskov Jensen, Ione Sanches, Otto, Sofia Ramos, Dr. Luiz Rossetto, Filipe Vaz, Carolina Wegbecher Produção Executiva: Level Company
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Beautiful Idiot takes you on a ride through the mindset and motivations of those who feel driven to pursue greatness, how it can feel to fall short, and the consequences of reaching a lofty goal when the struggle to get there has defined you for so long. Featuring professional freeride mountain bike rider Brett Rheeder. http://bit.ly/2n5BZJH Directed by - Harrison Mendel and Robb Thompson Written by - Anders J. Svensson Featuring - Brett Rheeder With - Elliot Friesen and Austin Friesen Produced by - GRAIN and Harrison Mendel Executive Producers - Dustin Brady, Andrew Shandro, Robb Thompson, Steve Seeley, Kent Toth, Brett Rheeder and Harrison Mendel Director of Photography - Harrison Mendel Principle Cinematographer - Liam Mullany Additional Cinematography - Seger Nelson and Brody Jones Editors - Harrison Mendel and Shelley Fried Colorist - Steve Seeley VFX - Calvin Sun Title Design - Shelley Fried Music Composer - Windmills, Cory Myraas, Mitch Lee Sound Design and Mix - Mitch Lee and Taylor Richardson VO - Brad Avenyou Special Thanks - David Chambers Gloria Miller Terran Wright John Wright Silver Star Bike Park Cam Sorenson Brad Baker Oscar Gordon Phil Gaudette Snowbird Lodge Skyride Bike Shop Terence Geisbrecht Bike Mag Nicole Formosa Anthony Smith Will Ritchie Clif Bar Bryan Cole Nor-val Rentals Tony Friesen Monica Friesen BX Press Missy Builders - LOFT Bike Parks Dustin Gilding Austin Davignon Alexander Chisholme Silver Star Bike Park Cam Sorenson Jason Martin Ben Byers Ben Schlieth Matt Dennis Noah Brousseau Ben Imrich Logan Imrich Matt Macduff Corbin Selfe Bryan Sciuk Brett Rheeder Simon Mclaine Liam Mullany Harrison Mendel Robb Thompson Jeremy Wiess Seger Nelson
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Music video directed and produced by CANADA PRODUCTOR EJECUTIVO OSCAR ROMAGOSA DIRECTORA DE PRODUCCIÓN ALBA BARNEDA JEFE DE PRODUCCIÓN XAVIER VARA DIRECTOR DE FOTOGRAFÍA DANI FERNÁNDEZ ABELLÓ DIRECTOR DE ARTE JOSÉ TIRADO VESTUARIO CRIS QUER MAQUILLAJE Y PELUQUERÍA JAVIER CEFERINO COREOGRAFÍA CHARM LA DONNA CASTING LANE CASTING MONTAJE CARLOS FONT CLOS SONIDO DIRECTO CARLES PRATS CAST TOREROS Kevin Reyes Rodriguez, Alfonso Lopez Mellado, Jesús Llobregat Férriz, Joaquin Carrillo Carpio, Pedro Aparicio Bastias BAILARINAS Natalia Palomares Pascual, Paula Alcaina Rodríguez, Beatriz Ortiz De Zevalios Infante, Gisela (Ela) Arnal Romero, Luisina Susel Sanchez Sosa, Natalia Resino Mancilla, Sheila (Shee), Benito Hernández, Sonia Ayats Ferrés, Alicia Aroca Lopez, Ainhoa Alfonso Utresilla, Paula Alcaina Rodríguez, Beatriz, Ortiz De Zevalios Infante, Gisela (Ela) Arnal Romero, Luisina, Susel Sanchez Sosa, Natalia Resino Mancilla, Sheila (Shee), Benito Hernández, Sonia Ayats Ferrés, Alicia Aroca Lopez, Ainhoa Alfonso. SOLDADOR Yovani Fonseca Enriquez SKATER Mathew Yenez Zuniga CAZADOR Boris Meier Sàlvia STUNT MOTO Sarah Lezito STUNT ATROPELLO Sheila Frias Perez PRECISION DRIVER Daniel Vallecillos Henestrosa CONDUCTOR TORO David Urbina Rico CREW COORDINADORA DE PRODUCCIÓN ÀGATA BERT PRIMER ASISTENTE DE PRODUCCIÓN ANNA SALGADO ASISTENTES DE PRODUCCIÓN XIMENA FLORES, JAVIER BOTELLA, MARTÍ TORREBADELLA JEFA DE LOCALIZACIONES CRISTINA TAPIA ASISTENTE DE LOCALIZACIONES SANTIAGO GARCÍA JEFE DE SET MIGUEL MICHAVILA AUXILIARES DE PRODUCCIÓN MARTA VIVES, NOEMÍ SAÉZ, CARLES ALTARRIBA, MIGUEL PEÑA, ÁLVARO RODRIGUEZ, NANI ROIG, ARNAU SORIA, VICTOR RADOSELOVIS, CARLOS GARCÍA, ORIOL RECASENS AYUDANTE DE DIRECCIÓN DIEGO NUÑEZ SEGUNDO AYUDANTE GEMMA SELLARÈS TERCER AYUDANTE DANIEL VELÀZQUEZ AYUDANTE DE CÁMARA KENNETH SANTOS ASISTENTE DE CÁMARA CLAUDIA PURSALS SEGUNDO ASISTENTE DE CÁMARA NONNA SERRA VIDEO ASSIST. JOEL PEREZ STEADYCAM JOSE A. SANTOS STEADYCAM ASSIST. JOAN PLANELLES KEY GRIP DAVID ARRÉS / OSCAR CANO MAQUINISTA TONI ESPEJO TECH GRIP XAVI OTERO, DANI DE JUAN, RODRIGO ALVAREZ JEFE DE ELÉCTRICOS MARC LLUSIÀ BEST BOY FERRAN SERRA T´ÉCNICO DE MESA RAÚL PEÑA ELÉCTRICOS CARLES ROMÀN, JAUME MUNTADA, FRANCISCO BERJILLOS, MIQUI PÉREZ, ALBERT PIRAÑA AUXILIAR EDO DE ARMAS AYUDANTE DE ARTE TERESA MONTANUY ASISTENTE DE ARTE TÁMARA PÉREZ, ALBA ADÁN, ADRIÀ PORTA ATREZZISTA JOSUE RUIZ, JAMES GRIMES, ORIOL MONTADA, PITU FERNÁNDEZ, SOFÍA DE FRANCO, ARTURO CAIPA, KEVIN SAKE, TOMEU SUBIRATS, DANI FERNÁNDEZ, MARTA RIAÑO, ARNAU GASSO STORYBOARD IGNASI MORENO PRIMER ASISTENTE DE VESTUARIO ALBA AIXUT ASISTENTES DE VESTUARIO ALEXA BARRIOS, NATALIA CASTILLO MERITORIO DE VESTUARIO SABITRI DIEZ DISEÑO BORDADO BANDERILLAS CLAUDIO MENDEZ SUPERVISORA ESTILISMO ROSALÍA LA PILI ASISTENTES DE MAQUILLAJE Y PELUQUERÍA MARIA LIAÑO, LAURA SANS, ANDREA TRENADO, ELISA PALLONI, ALBA PESAS, JORGE ZUNICA, DAVID LÓPEZ JEFE DE EFECTOS ESPECIALES JUAN CARLOS DAVILA TÉCNICOS DE EFECTOS ESPECIALES MARCELO GUSTAVO FARIAS SOBRINO, JOSEP BERTRAN ROZADA, DAVID LILLO, EDUARDO TORIO, MARTÍ BARTRA FOTO FIJA BERTA PFIRSICH ASISTENTES DE CASTING CRISTINA CAPOTE, MAIA CASTELLÓ, XAVIER ÁLVAREZ, LAURA AZEMAR. ASISTENTE DE MONTAJE BERNAT UDINA DISEÑO TÍTULOS DE CRÉDITO JUDIT MUSACHS COORDINADORA DE POSTPRODUCCIÓN @ CANADA MARINA M. CAMPOMANES POST PRODUCCIÓN @ CANADA ÁLVARO POSADAS LABORATORIO CINELAB LONDON TELECINE LABORATORIO @ CINELAB PAUL DEAN TELECINE @ METROPOLITANA MARC MORATÓ POSTPRODUCCIÓN MATHEMATIC SUPERVISOR VFX EN RODAJE YANN ALDABE SUPERVISOR VFX ANTHONY LYANT COMPOSITORES 2D ANNE-SOPHIE BERTRAND, MATHIEU GIRARD, MICKAËL GOUSSARD, ANTHONY LYANT, CLÉMENT GERMAIN PRODUCTOR VFX GUILLAUME MARIEN POST PRODUCTORA NADÈGE MOREAU AGRADECIMIENTOS ESCUELA TAURINA DE JAEN, HECTOR GIRÒ & DAVID GIRÓ @SERVICE VISION, LUÍS JIMENEZ @ZEFERINO, JAUME JORDANA, AITOR MENDEZ, PAU LÓPEZ, LAURA GARCÍA, PELONIO PRESS, MARIA ESCOTÉ, XXL COMUNICACIÓN, VICTOR VON SCHWARZ, CHERRY MASSIA, KLING, AU REVOIR CINDERELLA, KRIZIA ROBUSTELLA, AMERICAN SOCKS, GREAT TOMORROW, CARLES VILA, VICTOR COLOM,
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Tuesday, July 31, 2018
Watch the evolutionary life of an organism unfold in a bizarre landscape. –SCREENINGS– Chicago International Film Festival - Official Selection Ann Arbor Film Festival - Official Selection London International Animation Festival - Official Selection Flatpack Film Festival - Official Selection Cardiff Animation Nights Malt Adult #4 (Four Loko) - Official Selection Lille International Short Film Festival - Official Selection Chicago Summer Shorts in Millenium Park Big Muddy Film Festival - Best Animated Short Midwest Independent Film Festival Premiere Film Festival - Best in Animation Filmatic International Short Awards - Honorable Mention Featured on Booooooom: http://bit.ly/2n0OuGK
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Yeni González is one of the mothers who suddenly found herself thousands of miles away from her children this spring, after President Donald Trump’s “zero-tolerance” immigration policy went into effect. This TIME Red Border Film documentary shows how grassroots activists banded together to transport González from a detention center in Eloy, Ariz., to New York City, where her children were placed at a social service agency after the undocumented family crossed the U.S.-Mexico border and was apprehended by the Border Patrol in May.
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Start protecting yourself on the web at http://bit.ly/2Oum9VE or use code royaloceanfilm and save 77%! Before John Hughes, before Dazed and Confused, and before Twilight, there were the Beach Party films – one of the first times Hollywood produced films that were specifically designed for and marketed to teenagers. Let’s dive in to what is undeniably one of the oddest subgenres in films history (but maybe one that was also pretty fun?). You can support this channel at Patreon- http://bit.ly/2v27J8x Sources/Further Reading- The History of the Beach Party Genre - https://bit.ly/2NS0p4N The History of American International Pictures - https://bit.ly/2NQceIQ Hollywood Beach Bonanza by Peter Bart - https://nyti.ms/2LGnbiK Samuel Arkoff- The Last Hollywood Mogul - https://bit.ly/2uYpXGt Notes on Camp by Susan Sontag - https://bit.ly/1uTJe2a You can follow me through: Twitter- twitter.com/andymsaladino YouTube- youtube.com/c/theroyaloceanfilmsociety Music by: Jeff Kaale - http://bit.ly/2NVc03d French79 - http://bit.ly/2LC1txf
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Monday, July 30, 2018
Directed & edited by Rupert Höller Cinematography & colorgrading by Matthias Helldoppler Production Assistant - Anna Spanlang Special Thanks: AV Professional / Matthias Plum, Adrian Bidron, Roland Filz, Peter Fitz, Gabriel Hüttinger, Nicole Janiba, Teresa Klappacher, Marcella Ruiz Cruz, Emi Köll, Richard Wagner
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For anyone wondering, the only differences in the director’s cut are slightly more grain and that little border on the edges! (Vimeo plays nice with these, other sites do not, I have a lot of feelings about grain) Joey Dosik’s “Don’t Want It To Be Over (ft. Coco O.)” from Inside Voice. Out Aug 24 on Secretly Canadian. Order here: http://bit.ly/2Ot8gHa Label Upload: https://www.youtube.com/watch?v=dhJv7r-Urqo THANK YOU AGAIN to the extremely tiny and dedicated crew that made this no-budget absurdity exist somehow. I am forever in your debt. Composers: Joey Dosik, Dominic Salole Starring JJ Rabone and Hunter Krikac Director: Tim Hendrix Choreographer: Jo Roy Producer: Mark Golembeski 1st AD: Sam Shapson Cinematographer: Luc Delamare 1st AC: Dawson Taylor Gaffer: Huan Manton Prod Design: Emily Keifer Art Assistant: Carol Nguyen HMU: Jen Grable Wardrobe: Lena Lollis Set PA: Dylan Pritchett Cameo DP: Tamara Santos Cameo Gaffer: Diego Gilly Editors: Jo Roy, Tim Hendrix Title Design: Layout by Emily Keifer, Motion by Matt Morgan Sound Design: Bobb Barito VFX Supervisor + Flame Artist: Tim Hendrix Colorist: Bryan Smaller @ CO3 Special Thanks: Jackie Muñoz, Marselle Washington, Charles Ancelle, Jess Dunlap, Stephanie Madera, Tony Golembeski
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Sunday, July 29, 2018
Voice of the people are often neglected, same as sound in film that audience don’t care. Two sound recordists are working on final mix of a short film. Will their sound be heard by someone? Official Selection: 2017 Venice International Film Festival-Orizzonti Short Film Competition,Italy 2017 Berwick Film and Media Arts Festival-New Cinema Competition ,UK 2017 Indie Cork Film Festival,Ireland 2017 Busan International Film Festival,South Korea 2017 International Short Film Festival of Cyprus-International Competition,Cyprus 2017 QCinema International Film Festival,The Philippines 2017 Valladolid International Film Festival,Spain (Special Mention) 2017 International Short Film Festival Winterthur-International Competition,Switzerland (Special Mention) 2017 Zagreb International Film Festival,Croatia 2017 International Sound and Music Film Festival,Croatia 2017 Curta cinema-International Competition,Rio de janiro-Brazil 2017 Panorama De Coisa-International Competition,Brazil 2017 Chaktomuk Short Film Festival,Cambodia 2017 Short Universe,Pisa-Italy 2017 San Diego Asian Film Festival,USA 2017 Ekadeshma Short Film Festival,Nepal (Best Short Film) 2017 Salamindanaw Asian Film Festival-Short Competition,The Philippines 2017 2Annas International Film Festival,Latvia 2017 Singapore International Film Festival,International Short Film Competition,Singapore(Best Director for Short Film Competition,Youth Jury Prize) 2017 Jogja Netpac Film Festival,Light of Asia-Short Film Competition,Indonesia 2017 Lecce Film Festival,Italy 2017 Colorado Dragon Film Festival 2018 Vilinius International Short Film Festival,Lithuania 2018 International Film Festival Rotterdam,The Netherlands 2018 Clermont Ferrand-Labo Competition,France 2018 Nepal International Film Festival,Nepal 2018 Glasgow International Short Film Festival,Scotland 2018 Short Waves Film Festival,Poland 2018 Ifva-Asian New Force Competition,Hong Kong (Special Mention) 2018 Regensburg International Short Film Festival,Germany 2018 Akbank Short Film Festival,Istanbul-Turkey 2018 Friss Hus Film Festival,Hungary(Special Mention) 2018 BioBiocine International Film Festival,Chile 2018 Flatpack Film Festival,UK 2018 Gyeonggi Film School Festival,Korea 2018 Shorties Film Festival(Best Directing) 2018 Working Title Film Festival,Italy(Best Short Film) 2018 Leiden Short Film Experience,The Netherlands 2018 Rooftop Film Festival,USA 2018 Kayseri Film Festival,Turkey 2018 Santiago del Estero Film Festival,Argentina 2018 One Shot Film Festival,Armenia 2018 The Norwegian Short Film Festival,Norway 2018 Next International Short Film Festival,Romania 2018 Palm Spring Short Fest,USA 2018 Shorts International Film Festival,Triesta-Italy 2018 Sardinia Film Festival,Italy 2018 Taipei Film Festival,Taiwan 2018 Curtas Vila do Conde International Film Festival,Portugal
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Saturday, July 28, 2018
Friday, July 27, 2018
An infertile nail salon owner decides to confront her husband, the salon’s shuttle driver, whom she suspects of sleeping with one of her employees. Written & Directed by Lu Han OFFICIAL SELECTIONS: Palm Springs International Shortfest 2018, USA New Orleans Film Festival 2017, USA Los Angeles Asian Pacific Film Festival 2018, USA Denver Film Festival 2017, USA LA International Short Film Festival 2017, USA Seattle Asian American Film Festival 2018, USA Irvine International Film Festival 2018, USA RiverRun International Film Festival 2018, USA Independent Film Festival Boston 2018, USA DeadCenter Film Festival 2018, USA HollyShorts Film Festival 2018, USA Asian Film Festival of Dallas 2018, USA San Diego Underground Film Festival 2018, USA Asians on Film Festival 2018, USA Glass City Film Festival 2018, USA SENE Film, Music & Arts Festival April 2018, USA NewFilmmakers Los Angeles 2018, USA Big Shoulders International Film Festival 2018, USA Film Outside the Frame 2017, USA International Changing Perspective Film Festival 2018, Turkey Beeston Film Festival 2018, UK SHORT to the Point 2018, Romania Canada China International Film Festival 2018, Montreal, Canada. Figari Film Fest Official Film Library 2018, Italy Cannes Short Film Corner 2018, France Hong Kong Arthouse Film Festival Fall Edition 2017, Hong Kong AWARDS: Best Narrative Short – TERMINUS Conference + Festival 2018, USA Best Ensemble Cast – Asians on Film Festival 2018, USA
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Last year a swarm of honey bees landed right behind my backyard, so I searched the internet looking for answers on what to do. I came across the Swarm Hotline via portlandurbanbeekeepers.org. I called the number and within 10 minutes a super enthusiastic beekeeper named Mandy called me back. Luckily she lived pretty close and came right away. I asked if I could film her catching the bees and she was totally down. After filming the bees, I came back with this absolutely gorgeous footage of bees in slow-motion. I figured there had to be more I could film of Mandy and her beekeeping. So when the next swarm season came, I contacted Mandy asking her to do a little documentary on her process. This is the result of that. It’s a joy of mine to find someone so passionate about their work, whether it be in photography, painting, crafting, woodworking or bee-keeping. Mandy’s infectious and inviting personality drew me in and kept me wanting to document her process even more. There is still more of a story to tell, but for this swarm season, this will do for now. Check out more of Mandy at http://bit.ly/2NPKPqx
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Last year we traveled to Ethiopia to shoot ‘Letisha’s Well’, a documentary by Run For Water - a non profit organization bringing clean water to communities in Ethiopia. This is a visual diary of some of the people we met and places we visited, but also the lasting impression it left on us. You can donate at this link to help some of these communities: runforwater.ca/donate Director: Matej Balaz Producer: Peg Peters, Matej Balaz Cinematographer: Cole Graham Editor: Cole Graham Colourist: Sam Gilling 1st AC: Mikael Bidard Sound Recording: Dasa Netikova Production assistant: Eyerusalem Abebe Production: Run For Water, Falling Frogs Media, Colla Films Music: Mulatu Astatke - Tezeta (Nostalgia)
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Thursday, July 26, 2018
San Francisquito Cyn, March 12th, 1928: The sound a horse makes as it’s drowning. Minutes before midnight, the St. Francis Dam fails. It takes five and a half hours for the dam water to wash out to sea, taking with it hundreds of souls. picture and direction by Brian Smee sound by Annapurna Kumar painting and text by Isabelle Aspin prayers by Therese Cleary sound mixing by Craig Smith translation by Patricia Luna Screenings: 2017: GLAS / Mammoth Lakes Film Festival / CalArts Ex Anim Showcase / Denver Film Festival / Malt Adult #5 / San Diego Underground Film Festival / Ottawa International Animation Festival / Animasivo 2018: Edge of Frame weekend at LIAF / Slamdance / EofF at Flatpack Film Festival / Lima Film Festival
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Though isolated from each other and the world at large, the four characters in this spare and affecting drama share one thing: a fierce desire to alleviate their feelings of loneliness. FNC 2016 - Best Canadian Short Court métrage fiction | 2016 | Canada | 13 :00 min| 4:3 | HD | Couleur | Distribution : La Distributrice Production : Annick Blanc Réalisation : Raphaël Scénario : Sarah Pellerin Direction photo : Jessica Lee Gagné Montage : Olivier Binette Nominated for best live action short at Canadian Screen Awards Nominated for best live action short at Gala Quebec Cinema FNC 2016 Winner for best short PERCÉÏDES 2017 - Official Selection TAORMINA 2017 - Official Selection KYIV INTL FILM FESTIVAL 2017 - Official Selection REGARD 2017 - Official Selection MONTCLAIR 2017 - Official Selection FOCUS ON FRENCH CINEMA 2017 - Official Selection DRESDEN 2017 - Official Selection RVCQ 2017 - Official Selection TIFF 2016 - Official Selection FNC 2016 - Grand prize CURTOCIRCUITO 2016 - Official Selection STUTTGART 2016 - Official Selection FICFA 2016 - Official Selection FCIAT 2016 - Official Selection CANNES 2016 - Telefilm Canada Not Short on Talent Selection
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The Gathering of the Govs “A tale of eleven Governors”. The New Balance Numeric team travels through New Zealand in search of the perfect bump to bar. Featuring: Alexis Sablone Brandon Westgate Dom Henry Franky Villani Jake Hayes Jordan Taylor Levi brown Marius Syvanen Marquise Henry Tyler Surrey Zack Wallin Directed By: Russell Houghten Produced By: Brindle Collective Filmed By: Russell Houghten and James Messina Edited By: James Messina Music By: Warumpi Band “Mulga and Spiniflex Plain” BadBadNotGood ft. Ghostface Killah “Mind Playing Tricks”
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Wednesday, July 25, 2018
A short by Colin Read. An exploration of skateboarding, time, and death-defying backward hill-bombs. This video will play with your senses–make sure you watch until the end! Shot and edited by: Colin Read Skater: Connor Kammerer Music: JJ Beck Photographer: Carlos Jaramillo Additional videography by Zach Moore and Connor Kammerer Extras: Alex Fogt and Elsa Chiao
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Aella takes LSD. For the follow up to her journey listen to the podcast we did with Aella (Ep. 92 & 103) at veryape.tv/podcast. To read more about Aella’s experiences go to knowingless.com Please do your research. Psychedelics are an extremely personal and serious decision. To dive deeper into what these experiences have to offer go to erowid.org. To support the movement for legalization go to Maps.org and donate.
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Chemicals - Parker Bossley (2018) Parker Bossley takes a psychedelic trip, metamorphosing into exotic animals and traveling through colourful landscapes in this cut-out animated music video. Official music video for Parker Bossley, made at my new animation studio #hangarpuppetanimationstudio, from found images, in three weeks. Get the track here: http://bit.ly/2JUrdis CREDITS Directed by: Joseph Wallace Animation and collage by: Joseph Wallace & Marie Lechevallier Artist photography by: Ronnie Lee Hill and Parker Bossley Produced by: Cardel Filmed at: Hangar Puppet Animation Studio Thanks to: Charlotte Dubery, Ben Goodman, Mary Murphy © Edge Music Nashville LLC 2018
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A broken simulated short film about kindness and coexistence. http://bit.ly/2mFA9iu ✨ facebook.com/Uglyshortfilm “Ugly” is this week’s Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/ugly Direction: Nikita Diakur & Redbear Easterman Music: Enrica Sciandrone, Cédric Dekowski, Felix Reifenberg Recording, Mix, Sound Design: Nicolas Martigne, David Kamp / studiokamp Mastering: Bernd Thurig Animation Assistance: Gerhard Funk, Phil Maron, Nicolas Trotignon End Titles: Bastian J. Schiffer Assets & FX: Ozan Korkut, Chris Lühning, Mitch Martinez from mitchmartinez.com, Julia Merkschien, Hannes Raff Associate Producer: Amid Amidi Production Funding Liaison: Karsten Matern Made with support of 206 backers at http://bit.ly/2AaKcpt, FFA, Cartoon Brew, Maxon Computer, Insydium ltd, RebusFarm, Google Zync
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Tuesday, July 24, 2018
As Theo and Celeste play a game of ‘would you still be my friend if’ to test their new friendship, their hypothetical questions become reality, forcing them to confront their deepest fears and strongest yearnings. Made for TedX 2018 Velvet presents Theo and Celeste Directed by Hannah Dougherty Written by Duncan Ragg and Hannah Dougherty Produced by Rona Lewis and Imogen Darling-Blair Starring Duncan Ragg and Shannon Ashlyn Director of Photography Hannah Dougherty Brass Tacks Production Design Puppets Ara Nuri Steel Miniatures Courtney Westbrook Costume Design Ash Bell Hair and Makeup Amber Adams 1st AD David Burrowes Lighting Jason Rogers and Kate Cornish Editor Stewart Arnott at The Editors Flame Operator Matt Edwards Colourist Angela Cerasi Music Wil Hughes Sound Design and Mix Joseph Dutaillis Special Thanks Ash Berdebes Rohan Venn Drew Wilson Michael Thompson Pete Dabro Mathilda Robba
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Music video for Brent Faiyaz’ “Gang Over Luv” Lo$t Kids $hit Director- Noah Lee Director of Photography- Christopher Ripley Producer- Jared Lundy Production designer- Angus Bernsen Production designer- Tyler Evans BTS Cameraman and lighting- Danny Lee Assistant Director- Manuel Roman Executive Producer- Alli Maxwell, Pulse Films Executive Producer- Danny Lee Executive Producer- Zalman Band Production coordinator- Tu Trinh Steadicam Op- Travis Plante Montgomery 1st AC- Evan Stuic Key Grip- David Goodman Rigging Grip- Danny Sosa Dolly Grip- Carlton Hudson Best Boy Grip- Daniel Gomez Grip- Vince Donoho Grip- Zack Hindle Loader- Mridul Sen SFX- Mike Petrucci, Scott harrison at SFX Unlimited Wolf work- Gentle Jungle Post Production Editor- Noah Lee Color- Christopher Ripley VFX work- Tanner Merrill Special thanks: Stacey Johnigarn and staff of DMS Entertainment Steve Wilson and staff of Inland Crop Dusters Jacob Perry Pulse Films
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Monday, July 23, 2018
Directed by Caleb Wood and Richard Reed Parry Animation by Caleb Wood Charles Huettner Brian Smee Jonathan Djob Nkondo Masanobu Hiraoka Sonnye Lim Tatsuhiro Ariyoshi Backgrounds by Caleb Wood Charles Huettner Post Production by Caleb Wood “Sai No Kawara (River of Death) / On the Ground” Written and Performed by QUIET RIVER OF DUST: Richard Reed Parry Laurel Sprengelmeyer Stefan Schneider
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I spent 5 weeks traveling solo around Indonesia visiting amazing scenery and different groups of people that I found fascinating. These were the Mentawai Tribe of the Mentawai Islands, The sulphur Minors of Kawa Ijen and the Horse riders of Mount Bromo. Indonesia has to be one of the most stunning countries i’ve been able to travel to. Instagram: instagram.com/joshzoo Directed by | Joshua Cowan Music & Sound Design | Max Brodie (Nice Sound) Voiceover Script | Ryan O'Connor Voiceover Artist | Sam Dhoss I’ve made an album with all the film photos i took along the trip here all taken on Yashica T5 | http://bit.ly/2NB7RkY
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“Well, as a female actress you get really good at crying and taking your clothes off—sort of like how the male actors get really good at sword fighting and having all the dialogue.” —Matilda Ridgway in The Guardian A working theatre actor questions her calling when she plays Lady Macduff in an increasingly violent production of Shakespeare’s Macbeth, with an internationally celebrated auteur director. A Victorian College of the Arts film Written & directed by Sunday Emerson Gullifer Produced by Alexandra George Cinematographer: Jack McAvoy Editor: Andrew Kristiaman Composer: Kelly Ryall Sound: Lachlan Harris & Thom Kellar, Folklore Sound & Music Production Designer: Daphne Do Costume Designers: Ashton Langdon & Greta Thompson-Weiner Fight Choreographer: Felicity Steel Starring Matilda Ridgway (Cannes Palme D'Or nominee The Guests), Mark Leonard Winter (Cleverman, Top of the Lake: China Girl), Charlotte Nicdao (Please Like Me, Thor: Ragnarok), Amanda LaBonte (Wentworth) & Matt Boesenberg (Underbelly: Squizzy) Contact // sunday@sundayfilms.com.au sundayfilms.com.au/tomorrow facebook.com/sundayfilms.au twitter.com/sundayfilms_au imdb.com/title/tt5891658 #andtomorrowfilm FESTIVALS // Sydney Film Festival 2017 (World Premiere) Telluride Film Festival 2017 (International Premiere) Munich International Festival of Film Schools 2017 (European Premiere) Heart of Gold International Short Film Festival 2017 Flickerfest International Short Film Festival 2018 For Film’s Sake Festival 2018 St Kilda Film Festival 2018 AWARDS // Winner – Best Performance in an Australian Short Film, Flickerfest International Short Film Festival 2018 Winner – Luggi Waldleitner Award for Best Screenplay, Munich International Festival of Film Schools 2017 Winner – Best Masters Narrative Production, Victorian College of the Arts Graduate Awards 2016 Highly Commended – Dendy Awards for Australian Short Films, Sydney Film Festival 2017 Nominee – Best Direction in a Student Film, Australian Directors’ Guild Awards 2017 Nominee – Best Editing in a Drama Non-Feature, Australian Screen Editors’ Guild Awards 2017 Nominee – Best Actor, St Kilda Film Festival 2018 Nominee – Best Tertiary Short Fiction, ATOM Awards 2017 Nominee – Sarah Watt Award for a female director, Victorian College of the Arts Graduate Awards 2016 Marketing assistance provided by Screen Australia This film received funds through Creative Partnerships Australia under the Australian Cultural Fund This film is the grateful recipient of a VCA & MCM Faculty Graduate Student Assistance Grant © Victorian College of the Arts 2016
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Sunday, July 22, 2018
One dark night on the road to adulthood, a teenage boy must choose between his friends and his future. Starring: William Dickinson, Jared Ager-Foster, John C. MacDonald, Alisha Newton, Jessica Mcleod, Julien Naud Written and Directed by Michael Milardo Produced by Jesse Savath Cinematography: Bobby Shore Editor: Graham Fortin Casting: Kris Woz, C.S.A and Kara Eide C.S.A Production Designer: Caitlin Byrnes Music + sound design: Armen Bazarian Wardrobe: Mia Fiddis 1st AD: Blair Dykes 2nd AD: Roxy Rejfek Stunt Coordinator: Cameron Hilts Set Decorator: Dani Bayliss 1st AC: Laurent Danis 2nd AC: Jerry Wang Colourist: Drake Conrad Sound: Rodolfo Piedras Boom Op: Siddharth Sadashiv Key Grip: Jordan Findlay Gaffer: Leo Harim Swing: Mario Jurado Art Director: Justin Ludwig Hair + Makeup: Teia Dumaresq Stills: Katrin Braga Sound mix: Apollo Studios Catering: Pazzo Chow DIT: Brennan Lloyd Title Design: Andrew Passas Special Thanks: Emily Milardo Ronan Milardo Panavision Jeff Flowers PS Production Services Matrix Production Services Wendy Moss Jeff Ramsay Zach Steele Angela Beaulieu City Of Vancouver UBC Endowment Lands Practical Lighting Discount Car Rentals CopyThat Devin Kerringten Benedicte Leclere
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“Wezide” Written & Performed by Clairmont The Second Directed by Clairmont The Second Cinematography by Clairmont The Second & Beee Starring: Hezi, Trae, Beee, Clairandean, Emilie Stream “Wezide” here: http://bit.ly/2mzt432 Stream “Lil Mont from The Ave” here: http://bit.ly/2uV5ulg @ctsecond © 2018 Clairmont The Second
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Saturday, July 21, 2018
In 2015, the community of Islamberg discovered that a Tennessee minister was plotting the deadliest attack on US soil since 9/11 against their village. Why have Americans heard nothing about him, and why has the safety of this community been ignored? On 10 April 2015, the FBI quietly arrested Robert Doggart, a white, 63-year-old Christian minister, after they discovered he was plotting an attack against Islamberg, a small African American Muslim community in upstate New York. Inspired by Fox News claims that the community was a terrorist training camp, Doggart discussed firebombing a mosque and a school in the village, and using assault rifles and a machete to murder the residents. No terrorism charges were brought against Doggart. No national news outlets covered his arrest, and one month after he was taken into custody, a judge released him on bail. As Doggart’s case went before an all-white jury, White Fright examined the US’s inconsistent system of national security, the media’s role in exacerbating terrorist threats, and the failure to protect vulnerable communities from racist attacks. Key credits Director, producer and editor: David Felix Sutcliffe Producer: Nehad Khader Executive producers for the Guardian: Charlie Phillips and Lindsay Poulton Commissioned by the Guardian and Bertha Foundation
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Poppy Edwards: Lyrics, Writer/ Co-producer (vocals, piano, alto sax) John Tonks: Writer/Co-producer Georgios Cherouvim: Video Camera: Charly Feldman Lukas Hyrman Alex Seltzer Crøm-lus (Poppy Edwards) Strange Jealousy is mash up of warped sounds, acoustic instruments and synth sound design. Sounds and motifs flow in and out throughout the song, sometimes deliberately detuning, giving a feeling of uneasiness. This uneasiness links to the song’s emotion, the subject of which touches on family, love and its peripheries. This song has references to the aesthetics of trip-hop, jazz and Dub, with “instrumental inversion and ghostly voices, distant horn sections, odd perspectives, deep illusions and unexpected noises” [David Toop]. Perfecting this song came from the genius ears of Producer John Tonks, who has worked with many artists I admire from Tricky, to Massive Attack and Neneh Cherry. Georgios Cherouvim The visuals of the video are generated algorithmically and feature visually complex patterns that emerge through the simulation of a self organizing behavioral system. Such patterns appear in nature and the brain is tuned to categorize them as organic, which also carries an inherited feeling of unease. This is used in the video as a vehicle to reflect on the emotions of the song. Taking the lead from the lyrics, the patterns evolve and shift between ambiguous shapes to the recognizable form of the two faces, an elegant interplay between synthesis, metamorphosis and decomposition of organic patterns and the human figure. The video was shot and edited as normal and then used to drive the behavior of a multi agent based system, obeying a set of simple rules and forces. The most characteristic behavior is the slime mold (Physarum Polycephalum) which creates a distinct network of interconnected branches. Over the years slime mold has fascinated many scientists and artists. Even though Physarum Polycephalum is a single cell organism, it exhibits a remarkable sensory-motor behavior and has the ability to create complex networks while searching for nutrients. Despite the lack of a central nervous system, it is able to effectively locate, migrate towards sources of food and over time optimize its complex network of interconnected branches, to effectively transport the nutrients over its constantly changing body. The system was implemented in Touch Designer, with the core logic coded in GLSL with compute shaders and can also be performed in real time. Off-line motion vectors were extracted from the video using Furnace in Nuke. —- References Jones, J. (2011) Influences on the formation and evolution of Physarum polycephalum inspired emergent transport networks http://bit.ly/2O76dZ7 More on Jeff Jones’s research on Slime Mould http://bit.ly/2Nyj3i8 Guodong Rong & Tiow-Seng Tan (2006) School of Computing, National University of Singapore Jump Flooding in GPU with Applications to Voronoi Diagram and Distance Transform https://nus.edu/2O1vNPr Thomas Diewald http://bit.ly/2NyjHMA http://bit.ly/2O7N2i0 David Reeves http://bit.ly/2NyjIA8 http://bit.ly/2O8OmkD Touch Designer http://bit.ly/2NyjJUI Optical flow in Nuke http://bit.ly/2O8kzIL
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Friday, July 20, 2018
The implications and promises of artificial intelligence (AI) are unimaginable. But what’s possible today will be dwarfed by the great potential of AI in the near future. The responsibility to raise these questions does not rest solely on the shoulders of journalists and leading technology companies. Rather, it’s the responsibility of all engaged citizens. Client: HPE Agency: Atlantic Re:think Creative Director: Jeremy Elias Associate Creative Director: Sarah Sherman Creative Solutions Coordinator: Robbie Tanner Production Company: Dress Code (http://bit.ly/2JF1Lxi) Director: Dan Covert Executive Producer: Brad Edelstein Head of Production: Tara Rose Stromberg Supervising Producer: Amy Dempsey Cinematography: Claudio Rietti Editor: Dan Covert Assistant Editor: Nick Stromberg Script: Dan Covert, Amy Dempsey, Jeremy Elias, Sarah Sherman, Tara Rose Stromberg, Robbie Tanner Art Director: Elena Chudoba Editorial Illustration Concepts: John J. Custer Design: Elena Chudoba, John J. Custer, John Lee, Rasmus Löwenbrååt Lead Animator: Rasmus Löwenbrååt Animation: Erika Bernetich, Po Chen Chia, John Lee, Vincenzo Lodigiani Color: Daniel Orentlicher Music + Sound: YouTooCanWoo Cast: Beena Ammanath, Anita Schjøll Brede, Kirk Bresniker, Curt Hopkins, John Markoff, Tim Urban, Shannon Vallor For the full post: http://bit.ly/2LdONfX
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Thursday, July 19, 2018
ULTIMATE ULTIMATE is the #4 amateur DJ Championship in all of Ventura County, California. Who will win? Will it be DJ Sparkle, a ten year old prodigy DJ? Broco, two Frat bros who are deeply inside of each other’s talent? Or Mr. P a 12 grade history teacher who infuses his lessons with Dubstep? This is Episode 1 of a 5 part EDM Journey.
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What happens if you listen closely… New audio-visual show “World Music” coming out early 2019. More infos: http://bit.ly/2Gc0Kgj Directed by: Ludo Jaccard | Imajack & Noé Ciompi Follow Focus: Gil Peckel Musicians: Adrien Guerne, Gregoire Larrouy, Quentin Blondeau Extras: Lucie Peckel, Arnaud Savoy, Erwan Quaegebeur, Charlotte Nigaude, Lionel Royemans A big thank’s to Kaos Films Shot with Sony FS7 & Easy Rig Brussels, Belgium http://bit.ly/2JzvjfX
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Last Fall I took a random trip to Hong Kong for fun and documented my time meeting and exploring with a lot of rad people! Made some amazing new friends and fell in love with the city’s grittiness. Film, Edit & Animation by Jas Davis Shot on Canon 5D MK IV & DJI Mavic Pro MUSIC: Corporeal (feat. Rob Clouth) - Max Cooper Gegen - Paula Temple Terra Gang - Dark0
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Dear Monday Two words that best describe an idea that I had been wanting to use as a premise for a short film for about a year. When my friend Antoine hired me to shoot commercial work in Utah back in April of this year, I figured this was a golden opportunity to do it. The location and timing were perfect to stay a few extra days and work on a fun personal project for which we had total creative freedom. We traveled through the desert in an RV for 7 days, hiked, ran, rode, jumped, screamed and laughed from dawn to dusk; classic indie filmmaking. Directed, shot, edited and graded by myself.
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