Saturday, December 30, 2017

As the days shorten and the darkness progressively eats away the light, an amazing transformation happens in the northern hemisphere skies. A lot of astronomers and stargazers prefer summertime to look up at the stars, probably because conditions are better and the brightest part of our own galaxy, the milky way is more visible, even with the naked eye. Although fainter, the ‘winter’ part of the milky way and the rest of the winter sky harbor countless unsuspected gems, if one knows how to find and capture them! 

 In the late Fall, you can still get a glimpse at the bright core of our galaxy sink down under the horizon just after sunset, along with its dark hydrogen gas lanes, Lagoon and trifid nebulae, and Saturn. Later, you can catch Scutum (shield constellation) and its dark nebulosity set in the south west/west. In the movie, this part is visible in many scenes but my favorite one is by far as it sets on La Palma shores behind a thunderstorm accompanied by red sprites, airglow and zodiacal lights.Then, take a peek at one of my favorite areas of the winter sky: the Swan constellation. I presented it to you (also on the cover), so that you can see it from different perspectives, but the best is probably at a narrower angle to show the beautiful magenta colors of the H-alpha emission nebulae (North-American, Pelican, Sadr region or IC 1396). I also included a scene where the ‘Summer Triangle’ of Cygnus (formed by Deneb, Sadr, Delta Cygni, and Gienah) is photobombed by an overhead aurora borealis. Continuing along the winter milky way, I included a shot of the Heart and Soul nebula. Rising on the other side of the hemisphere, we are now looking at the outer edge of our galaxy, where very little light comes from fewer stars, nebulae and dark clouds (in comparison to the core!). I wanted to show you a very novel scene combining the hot Pleiades stars reflecting their blue light onto passing gasses and the California nebula glowing blood red! The next area I want to emphasize is winter’s most emblematic: Orion. I wanted to maximize the different colors and brightness this constellation has to offer while shooting it in a series of single shots: the orange of Betelgeuse and the blue of Rigel, the gigantic red-glowing Barnard’s loop, the inevitable shell-like Orion nebula along with the running man nebula, the horse-head nebula, the flame nebula, Lambda Orionis nebula… Further away from the winter milky way doesn’t mean dull at all, au contraire! Look at the magnificent Andromeda galaxy (M31), the size of 6 full moons- rise above the tree line! What about the iconic Big Dipper being photobombed by some pillars of Icelandic and Canadian aurora borealis? What about these iridescent marbles at the very start of the video? Those are twinkling Sirius, Capella (bottom left) and Vega (upper right) emphasized by the real-time out-of-focus setting to reveal the hypnotic shift in light and colors of these twinkling stars created by our own atmosphere! You will probably miss a lot of night sky events if you only watch the video once! Don’t blink, you might miss a lot of meteors (Perseids, Orionids, Draconids, Leonids…), iridium flares, low-orbit satellites, red sprites. What about those satellites that seem to ‘follow’ each other in some deep-sky scenes? Those are geosynchronous satellites normally hovering over a fixed point of the Earth, but the motion of the star tracker allows them to move whereas the sky is now immobile. I am sure professionals and amateurs will spot many more features, all you have to do is sit back and gaze! 

The goal of this series of astro-lapses ‘Galaxies’ and especially this second opus was a way for me to push the limits of single astrophotography. However beautiful and numerous they are, wide-angle shots of the milky way moving against a foreground became less interesting to me as I got to shoot more and more astro-timelapses. I became more interested in exploring the possibilities that modern lenses, sensors and techniques could give, so I started using medium-format and astromodfication to take advantage of a wider light spectrum and show the red colors of H-alpha emission nebulae that are so ubiquitous in the winter part of the sky. I also wanted to improve the quality of the shots, so I used a square light pollution filter for shots at more than 50mm (Lonely Speck’s Pure Night LP filter), and a star tracker for some of the scenes to increase sharpness and details (Vixen Polarie). It was very important for me to prove that deep-sky time-lapses can be very interesting and successful, whether they hold a foreground or not, because so many things can be happening the sky (airglow, meteors, satellites, haze giving a temporary glow to the stars…). All shots have been recorded over the past year and in different countries (France, Switzerland, Spain, Iceland, Denmark and Canada). I will gladly give more details upon request. Thanks a lot for watching!


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Monday, December 25, 2017

A skateboard project by Will Dias written and directed by Filipe Zapelini http://bit.ly/2ztOJOi The crowd is his element, as the air is that of birds and water of fishes. His passion and his profession are to become one flesh with the crowd. […] To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world—impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito.“ (Charles Baudelaire). This condition allowed Will to walk the streets with no apparent purpose, but secretly aware of the history of the places where he passed and the possibility of aesthetic adventures that every detail of the city - his architecture - represents. In the era of Liquid Modernity, Will moves over his skating across the metropolis like a fish in a river, ignoring divisions and barriers, taking forms, occupying spaces, diluting certainties, beliefs and practices. "If a tree falls in the forest and no one is near to hear, does it make any noise?” This is a fundamental question for a philosophical and mental experiment that raises doubts about observation and knowledge of reality. If Will was not realized this work would exist? It is in this context that Filipe Zapelini becomes essential - without his gaze “the essence of this reality would not have been perceived by reason.” by Francis Bacon. CREDITS Starring: Will Dias Director: Filipe Zapelini Cinematographer: Mika Altskan Photographer: Ricardo Napoli Illustration and Animation: Guilherme Arduin and Marcello Akira Motion Graphics: Rafa Cézar Edit: Filipe Zapelini Colored: Sid Pires Curator: Francis Bacon Producer: Jacob Gottlieb Soundtrack: Fantasia, 1940 and Zimbo Trio, 1964 Sound Design: Thiago Gautério SPECIAL THANKS C.J Ahlgren Fernando Branco Francis Bacon Gabriel Honzik Guilherme Krolow Jacob Gottlieb Juliana Vargas Lennon Vallinas Licia Arosteguy Marcello Akira Mika Altskan Rafa Cézar Raul Carrasco Ricardo Napoli Rodrigo Pires Santa Transmedia Sommwhere Gallery


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A stop-motion short by Daniel Sterlin-Altman. “Hilarious and refreshing” - The Concordian “not unlike David Lynch’s ‘Blue Velvet’” - Ars Independent Festival Mum’s calling, and Lisa isn’t pleased. “Hi, It’s Your Mother” is a shocking tragi-comedic stop motion short about family and blood(y) ties. (French subtitled version: http://bit.ly/2kOql5h) Facebook page: http://bit.ly/2l28048 Website: http://bit.ly/2kN3h78 Awards: *Winner* Grand Jury Prize- TAIS Animation Showcase, 2017, Canada *Winner* Prix du public/ Audience Award Best Short Film, Image+nation LGBT Festival du Film Montreal-2016 *Winner* Best Academic Film, Festival Stop Motion Montreal- 2016 *The Concordia University Stop Motion Award, Mel Hoppenheim School of Cinema- 2016 *Best Screenwriting Award, Concordia Film Festival- 2016 *Nomination for Best Production Design Award, Concordia Film Festival- 2016 Select Screenings (Full list: http://bit.ly/2l28dnW) Official Selection- Sardinia Queer Short Film Festival, 2017, Italy Official Selection- TWIST: Seattle Queer Film Festival, 2017, USA Official Selection- Milwaukee LGBT Film/Video Festival, 2017, USA Official Selection- Stuff MX Film Festival, 2017, Mexico Official Selection- Linoleum International Contemporary Animation and Media Art Festival, 2017, Ukraine Official Selection- Inside Out Toronto LGBT Film Festival, 2017, Canada Official Selection- NewFest, 2017, USA Official Selection- Lausanne Underground Film and Music Festival, 2017, Switzerland Official Selection- QUEER-STREIFEN, 2017, Germany Official Selection- Queer Film Festival MEZIPATRA, 2017 Official Selection- Cinema Queer Intl Film Festival Stockholm, 2017, Sweden Official Selection- Korea Queer Film Festival, 2017, South Korea Official Selection- TAIS Animation Showcase, 2017, ON Canada Official Selection- Fantasia Film Fest, 2017, QC Canada Official Selection- Nonplussed Fest, 2017, USA Official Selection- Vienna Independent Shorts, 2017, Austria Special Screening- Annecy Animation Festival, 2017, France Official Selection- Connecticut LGBT Film Festival, 2017, USA Official Selection- Outfest Los Angeles LGBT Film Festival, 2017, USA Official Selection- OUT HERE NOW: The Kansas City LGBT Film Festival, 2017, USA Official Selection- Fest Anca International Animation Festival, 2017, Slovakia Official Selection- Athens Animest, 2017, Greece Official Selection- The Torino LGBTQI Film Festival, 2017, Italy Official Selection- The Norwegian Short Film Festival, 2017, Norway Official Selection- Stuttgart Festival of Animated Film, 2017, Germany Official Selection- Anima Brussels, 2017, Belgium Official Selection- Image+Nation Film Festival, 2016, QC Canada Official Selection- Les Sommets du cinema d'animation, 2016, QC Canada Official Selection- UK Jewish Film Festival, 2016, UK Official Selection- LesGaisCineMad Festival Internacional de Cine LGBT de Madrid, 2016, Spain Official Selection- International Animated Film Festival KROK, 2016, Russia Official Selection- Mix Copenhagen LGBT Film Festival, 2016, Denmark Official Selection- Festival Stop Motion Montreal. 2016, Canada- WINNER of Best Academic Film Award Official Selection- Ottawa International Animation Festival, 2016, Canada Official Selection- Ars Independent Festival, 2016, Poland Official Selection- “Midnight Madness” Guanajuato International Film Festival, 2016, Mexico Official Selection- Pinx Festival, 2016, Belgium Press: http://bit.ly/2kNbgkJ http://bit.ly/2l28gjC http://bit.ly/2kMQlxT http://bit.ly/2l287wA Voiced by Naomi L., Elie Waitzer Sound Design by Sylvain Paradis Music Composition by Joshua Bucchi Music mix by Rebekah Wineman Sound mix by Matthew Lederman Supervised by Shira Avni ©Daniel Sterlin-Altman 2016 Mel Hoppenheim School of Cinema- Concordia University Supported by: The Fine Arts Student Alliance (FASA) Concordia Council for Student Life (CCSL)


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Thursday, December 21, 2017

Florence is considered one of the most beautiful cities in the world with its overflow of palaces, churches and museums filled with masterful paintings and sculptures. Timelapse & Edit by Kirill Neiezhmakov e-mail: hyperlapsepro@gmail.com http://bit.ly/2DpqmVa http://bit.ly/2pbn1WO http://bit.ly/2DpqnII Youtube: https://www.youtube.com/watch?v=ifepuwAMoqQ Music: Uplift by SkyProductions Equipment: Canon 60d, 70d, 5ds Tokina 11-16 mm 2.8 Samyang 8 mm 3.5 Canon 17-55 mm 2.8 Canon 70-200 mm 4L Canon 16-35 mm 2.8L Canon TS-E 17 mm 4L Manfrotto 190 carbon tripod Software: Adobe After Effects, Lightroom, LRTimelapse Tuscan cuisine, incredible boutique shopping, and mesmerizing views at every turn, the city of Florence is nothing short of spectacular. Known worldwide as the birthplace of the Renaissance, Florence embodies the spirit of ancient Italy and has managed to preserve it for nearly 700 years. With over 350,000 who call the city home, and nearly 1.5 million who reside in its surrounding metropolitan area, Florence skillfully fuses the past with the present, creating a unique time capsule of ancient aesthetics housed within a hustling, bustling world of modern day Italy. Containing a wealth of preserved artistic and architectural masterpieces, the city is home to almost one-third of the world’s artistic treasures, according to UNESCO, an organization which designates world heritage sites to preserve the world’s most important cultural locations and artifacts. With a near countless number of art galleries and over 45 museums – including the Uffizi gallery, the world’s best collection of Italian Renaissance art, and the Galleria dell'Accademia, home to the legendary statue of David – it is no wonder why the city captures the hearts and imaginations of all who visit. From the ancient churches and stunning buildings that line the city streets to the priceless artistic masterpieces created by Michelangelo, Botticelli, and Giotto housed within Florence’s galleries, the city is bursting with art and culture. Florence’s influence can be felt in more than just the world of art. The capital of the region of Tuscany, Florence is the birthplace of the Italian language. It was famed Italian author Dante Alighieri and other writers such as Boccaccio and Petrarca who were the first to begin writing in a language other than Latin. Florence was also the first city in all of Europe to have paved streets. With its rich history and incomparable influence on modern Italian life, Florence certainly changed the way that most view Italy. Una città che ha mantenuto inalterato il proprio fascino e lo splendore del passato. Così si presenta Firenze, capoluogo della Toscana. Una città incantevole che non smette mai di sorprendere, con i suoi capolavori d’arte, i marmi colorati delle chiese e le architetture che ne rievocano il fasto e il ruolo svolto nello sviluppo della cultura e dell’arte rinascimentale. Cuore pulsante di Firenze è Piazza del Duomo, con il complesso monumentale della Basilica di Santa Maria del Fiore - sormontato dalla maestosa cupola del Brunelleschi -, il Battistero di San Giovanni - magnifico esempio di romanico fiorentino -, il Campanile di Giotto - un capolavoro di architettura gotica fiorentina. Alle spalle del Duomo sorge il Museo dell’Opera di Santa Maria del Fiore, dove è possibile ammirare una preziosa raccolta di opere provenienti dalla Cattedrale, dal Battistero e dal Campanile. Piazza della Signoria rappresenta il polo storico della vita civile e ospita la trecentesca Loggia dei Lanzi, la Fontana di Nettuno e il Palazzo della Signoria o Palazzo Vecchio, uno dei monumenti-simbolo della città, davanti al quale sorgono alcune famose statue tra cui una copia del famoso David di Michelangelo. Accanto alla piazza vi è la maestosa Galleria degli Uffizi, sede di uno dei musei più importanti del mondo, che include opere di Botticelli, Michelangelo, Leonardo da Vinci e molti altri grandi artisti. Elemento architettonico di particolare rilievo della Galleria è il Corridoio Vasariano progettato dal Vasari alla metà del Cinquecento che collega la struttura con Palazzo Vecchio e con Palazzo Pitti.


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ABOUT. *WINNER - Kinsale Shark Award for Best International Film Craft for TV, Cinema and Online 2016 (Bronze) *OFFICIAL SELECTION - CINANIMA International Animated Film Festival of Espinho - Portugal 2017 *OFFICIAL SELECTION - ENCOUNTERS Short Film and Animation Festival 2017 *OFFICIAL SELECTION - SUPERTOON International Animation Film Festival 2017 *OFFICIAL SELECTION - LINOLEUM International Contemporary Animation Festival 2017 *OFFICIAL SELECTION - BAFF British Animation Film Festival 2017 *OFFICIAL SELECTION - NYC 14th Animation Block Party 2017 *OFFICIAL SELECTION - Annecy International Animation Film Festival 2016 (Commissioned Films) *OFFICIAL SELECTION - Manchester Animation Film Festival 2016 *OFFICIAL SELECTION - East End Film Festival 2017 “Invisible Barriers”, is a short animated film Directed, Designed and Animated by Mustashrik, produced with Partizan Animation. Commissioned by the organisation, Girl Effect via Freuds, the film was created as a manifesto to lead a new campaign that aims to support and encourage girls to believe in themselves in difficult regions around the globe, where societal change and growth is needed and should be positively encouraged. Collaborating with the powerful poetry of spoken word artist Bassey Ikpi, this animation hopes to lead an inspiring charge for girls of all ages - to let them fly, because they can change the world. Girl Effect is an organisation launched in 2009 at The World Economics Forum in Davos, its a movement by the NIKE Foundation in collaboration with the NoVo Foundation, United Nations Foundation and multiple partners. CREDITS. Client - Girl Effect Agency - Freuds Agency ECD - Seb Royce Agency Producer - Valerie Messersi Director - Mustashrik Mahbub Production - Partizan Producer - Alex Halley Production Manager - Leo Green Concept Design - Mustashrik Mahbub Art Direction - Mustashrik Mahbub Illustration - Mustashrik Mahbub Layout - Mustashrik Mahbub Lead Animator - Mustashrik Mahbub Clean Up Animator - Mustashrik Mahbub Animator - Xavier Ren Animator - Max Clifford Art Department Assistant - Katy Beveridge Lead Compositor - John Malcolm Moore Assistant Compositor - Luke Simpson Sound Studio - Wave Sound Design - Ed Downham Poet - Bassey Ikpi (Production Year : 2016)


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1080p & Headphones recommended. – We don’t know yet what is inside a black hole, we know it is a singularity, a point where every theories we know dont work anymore. One of the possibilities is called “The White Hole Theory”, a sort of exit from the black hole, a point where everything is born, including space and time. Some compare it to the Big Bang. INTRA tells the visual story of this theory, a journey from the black to the white hole, a cosmic tale of death and birth… As a tribute to Nolan’s Interstellar, this second short after NOVAE goes deeper into our conception of cosmos, interpreting the unknown to propose a vision of the most extreme celestial object of our Universe… – Nous ne savons pas encore ce qu'il y a dans un trou noir, nous savons qu'il y a une singularité, un point où toutes les règles de la physique s'effondrent. Une des possibilités est appelée “la théorie du trou blanc”, un sorte de sortie du trou noir, un point où tout est né, y compris l'espace et le temps. Certains le comparent même au Big Bang. INTRA est une vision fantasmé de cette théorie, un voyage du trou noir au trou blanc, un conte cosmique de naissance et de mort… En hommage à Interstellar de Nolan, ce second court-métrage après NOVAE interprète l'inconnu pour proposer une vision de l'objet céleste le plus extrême de notre univers… – Directed by Thomas Vanz Co-directed with Nano Lab Piano by Julien Marchal Violon/Mix by Jonathan Fitas Programmer Pim Schreurs Additional Music/ sound-design : Thomas Vanz See more : Thomas Vanz’s website : thomasvanz.com Facebook : Thomas Vanz Instagram : @thomas_vanz Inquiries : thomasvanz404@gmail.com Nano Lab Vimeo : vimeo.com/nanolab Jonathan Fitas’s website : http://bit.ly/2B8SxKq Julien Marchal Facebook page : http://bit.ly/2yT1lxY Pim’s simulation : http://bit.ly/2BchULl FEATURED ON - DESIGNCOLLECTOR http://bit.ly/2ySZCsE - MOTIONCOLLECTOR http://bit.ly/2B9hOV1 - IAMAG.CO http://bit.ly/2ySC5rU - ROBOTMAFIA http://bit.ly/2B9F4SD - DIYPHOTOGRAPHY http://bit.ly/2yUpyUO - LEBLOGPHOTO http://bit.ly/2B9uifc


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In a timely story about love triumphing over fear, we created a short festive animation that would rival any Christmas advert in the cuteness stakes! Now in its 6th year, our company-wide shorts programme encourages experimentation in the studio and a culture of creative collaboration. Everyone in the studio has the opportunity to pitch their idea, and everyone votes for their favourite, making it unique and democratic. This year Simone Giampaolo & Francesco Mazza won the vote and steered the studio together to make this short. We hope you enjoy it & wish you a very happy Christmas from all at Blue Zoo :) Production Company: Blue Zoo Animation Studio Directed by: Francesco Mazza & Simone Giampaolo Art Direction & Design: Francesco Mazza Animation Direction: Simone Giampaolo Music: Brollyman Narration: Darren Altman Lead Modeller: Pietro Licini CG Supervisor: Gherardo Zurla Modelling & Texturing: Pietro Licini, Mélanie Gras, Hannah Wong Head of Look Dev: Negar Bagheri Grooming & Look Dev: Arthur Tibbett, Hannah Wong Rigging, simulation and FX: Anthony Delliste Lead Animator: Simone Giampaolo Animators: Jim Sweeting, Owen Fern, Zoé Risser Lighting TDs: Hannah Wong, Gherardo Zurla, Steven White Compositing: Hannah Wong, Elaine Thomas, Negar Bagheri, Gherardo Zurla Additional Art: Izzy Burton Pipeline Team: Jay Tsang, Phil Stewart Producer: Tom Box Production Managers: Lizzie Hicks, Negar Bagheri Voice Effects: Alec Smith Sound Design & Mix: John Sutherland VO Sound Engineer: Dom Boucher @ The Sound Company Special Thanks: Brollyman and Matthew Slater, Adam Shaw, Damian Hook, Joe Kinch, Dane Winn, Sophie Rekasowski, Carole Baskin, Catherine Gallo, Jacques Gauthier, Fabrizia Spera, Alessandra Battaglia and all our families. To help protect endangered big cats, please make sure to support: Felidae Conservation Fun (http://bit.ly/2CAOIuz) Big Cat Rescue (http://bit.ly/2kx1Ict)


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TO BUILD A FIRE a film by Fx Goby In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature. Based on the short story by Jack London “To Build A Fire” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2C1yYjl Directed by Fx Goby A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand In coproduction with Nexus Productions Charlotte Bavasso Chris O’Reilly Fx Goby Films & Pictures Carabine Productions Christel Delahaye Lead animator Christian Boving-Andersen Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker 2D FX animation Matt Timms Animatic Fabrice Fiteni Art director Tristan Ménard Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi Visual Researches Colin Bigelow Fx Goby Oren Haskins Hélène Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge Clean up production supervisors David Blanche Jessica Lewis Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia Brzezińska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters 3D modelers Dorianne Fibleuil Michal Firkowski 3D rig Pete Addington Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost Editing Fx Goby Narrated by Tony Fish Original music Mathieu Alvado Composed and recorded with the support of the SACEM in association with ALCIMÉ (Aubagne International Film Festival) Performed by Members of the LONDON SYMPHONY ORCHESTRA Conductor Mathieu Alvado Orchestra manager Sue Mallet Recorded at AIR Studios Sound engineer Geoff Foster Pro Tools Assistant Tom Bailey Preparation Pro Tools session David Menke Copyist Norbert Vergonjanne Music mixing Samy Cheboub Sound post-production FONIC Sound supervisors Jake Roberts Barnaby Templer Sound design and mix Barnaby Templer Sound effects editing and recording Chris Swaine Foley artist Sue Harding Sound engineer voice JM Finch Editor voice Marty O’Brien Colour grading Jack McGinity / Time Based Arts Administration ACC Caroline Garmirian Christophe Sanlaville Communication Benoît Berthe Élodie Moïsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen Community Manager Alexander Lawrence Genevieve Stow Interns Chloé Mazzani Robin Soulisse Camille Jacques Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, Hélène Béjat, Benoît Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, Sébastien Fournier, Philippe François-Steininger, Emilie et Jean-Sébastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, Hélène Leroux, Tristan Ménard, Chris O’Reilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet Acknowledgements to our sponsors Light My Fire® – Christian Ludwig Katadyn® – Steven Le Guellec Leatherman® – Roger Bjorklund & Julie Knapp A.R.T. SURVIE & Théo The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable. Christophe Taudière Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman Pôle Pixel et Rhône Alpes Cinéma Marie Le Gac, Grégory Faes, Emmanuel Bernard, Sébastien Thomas, Lauriane Mégny Lumières Numériques Pierre-Loic Précausta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby Hélène & Jean-Louis Rodeghiero Catherine & François Corberand, Cécile Nédélec, Claire Ageneau Saul Nash With the participation of France Télévisions Head of Acquisitions – Short Film Programming Christophe Taudière International distribution France Télévisions Distribution


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Tuesday, December 12, 2017

This inspiring documentary follows the heroic efforts of the Rescate Ambar volunteer Paramedics, a group that sacrifices sleep and safety to provide medical attention to the thousands of motor vehicle accidents that plague the Dominican Republic. Filmmaker Mark Bone embedded himself with the team for an honest look at people who face life and death every day. License the footage: http://flmsp.ly/lcsnrs Learn more about the film: http://flmsp.ly/lcnrsc Go behind-the-scenes on the blog: http://flmsp.ly/vrscbl For more information on how you can help Rescate Ambar visit: http://bit.ly/2nQAO44 Directed by: Mark Bone Cinematography by: Mark Bone, Matti Haapoja Edited by: Mark Bone Featuring: Rescate Ambar Paramedic & Emergency Response Team, Puerto Plata. Executive Producers: Franke Rodriguez, Jennifer Rodriguez, Richard Cureton, Luc Frappier Co-Producer: Jessica Gray, Jason Gray Story Editor: Matt Donne Post Production Supervisor: Brad Neweduk Post Production: Matrx Colorist: Clinton Humoth at Alter Ego Post Colour Producers: Jane Garrah, Cheyenne Bloomfield at Alter Ego Post Supervising Sound Editor and Mixer: Josh Brown Dialogue Editor: Matt Hearn Sound Editor: Nadya Hanlon Additional Editing: Matt Laughlin Trailer Editor: Mikaela Bodin Trailer Post Production Sound: Farm House Studios Drone Operators: Genesis Raye, Matti Haapoja Dominican Production Coordinator: Alejandro Gomez, Krissie Sullivan, Genesis Raye On-set Translators: Alejandro Gomez, Krissie Sullivan Post Production Translator: Alejandro Gomez. Val Mata, Rafael Estrella Production Company: Revolver Films Inc Nations are Fragile: Written & Composed by Tim Mann


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SYNOPSIS Life is liberty in a CAGE. CAGE represents a situation that is filled with a lot of constraints, or a habit or an addiction that is hard to get rid of. This project is to present a Chinese cultural and traditional visual style to audiences. On the other hand, CAGE tries to inspire them to recall their memory and consider what is the meaning of life to them individually. ———————————————————– DIRECTOR STATEMENT My story depicts a period of a concubine’s bound life. She has gained a lot since being consumed by her man in both dream and reality. In reminiscence, as she remembers her life from the end back to the beginning, she has vivid dreams that evoke her longing desire. She finds it hard to disengage from her current situation, because the path in her dream is breaking and falling apart. She could not go back, even in the dream. Finally, she is disconnected from her dream and brought back into reality. In a blink of an eye, she looks at the emperor and carefully starts to serve the emperor as shown in the opening scene. According to my grandmother’s story of her early life experience, her families lived with struggle at the time of the Chinese Great Cultural Revolution. My grandfather’s families were Intellectuals and landowners, and they were criticized and denounced. However, they supported the leader and government. Most of the Intellectuals and landowners‘ property was confiscated or destroyed in the end. Intellectuals and landowners were banished or locked up by others. My grandfather joined the army for battle although he was an Intellectual. My grandmother lost everything except her five children including my father who was nearly five years old. Since then, they went into a different life with no money, no food, no education and no smile every day. Finally, my grandmother took her children, left Shandong and went to Nanjing. At my grandmother’s time, women could not go to school because people thought that women did not need to study because of old traditions. Cooking, sewing, having kids and taking care of them were their career for their whole life. Therefore, for women it was hard to find a job outside of the family, especially for my grandmother who had five kids. Life was like a stubborn cage where women were inside, and people’s minds were also bound in a cage, and women were outside of that cage. However, life needed to go on for some reasons such as for those young lives. My grandmother dropped off her dignity, and went out to pick waste such as scrap iron, goose feathers and grain, because she needed money to eat. Fortunately, life is like that. As long as we can insist on holding hope, we can carry on. My families did. They “put down” something while “picking up” something else. I created an animation, Ya-er (2009), as a life-recording gift to my grandparents and their families. My intention for this project is to present a Chinese cultural and traditional style to my audience. On the other hand, I want to inspire them to recall their memory and consider what is the meaning of life to them individually. When they follow the girl’s experience in my film, I hope people will be able to ask themselves, “If I also live my life within a golden cage, how would that affect me? Have I felt satisfied in my life?“ ——————————————- Dupp (Pengpeng Du)


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The Bronx Freedom Fund pays the bail for people accused of misdemeanors who cannot afford their freedom. Who are these people? They are often the most vulnerable in our community and those with the least public voice. They are people like Ramel. Having Ramel share his story with us was transformative – to be innocent and have your liberty denied is a national shame. His story galvanized us to make this film because his voice not only deserves to be heard, but needs to be heard. His courage, resolve and compassion is an inspiration and it’s time to shine a light on this grave injustice being visited upon far too many of our fellow citizens. The Bronx Freedom Fund, and now the national Bail Project, is doing their part – Ramel’s story is a stirring reminder that it’s up to all of us to step up and do ours. The Bail Project is an unprecedented national effort to combat mass incarceration by keeping tens of thousands of low-income Americans out of pretrial detention. The organization grows out of The Bronx Freedom Fund and will expand to dozens of high-need jurisdictions with the goal of reducing the unacceptable human suffering caused by unaffordable cash bail and supporting community efforts to end the racial disparities endemic to this system. Join the cause at http://bit.ly/2jxpo0H. – Featuring Ramel Edwards Client: The Bronx Freedom Fund Project Director: Ezra Ritchin Production Company: Variable Director: Kevan Funk Cinematographer: Peter Hadfield Producer: Alex Friedman Executive Producer: Tyler Ginter Production Supervisor: Paige Demarco Production Coordinator: Rocco Campanelli 1st AC: Oliver Lanzenberg DIT: Jeff Levine Gaffer: Brad Burke Key Grip: Seth Dean Sound: Corey Poindexter Production Designer: Curtis Oliveira Art PA: Syd Richardson Art PA: Jack De Sousa PA: Johnny Guevara PA: Julius Moreno Editorial: Cartel Editor: Chris Catanach Post Producer: Greer Bratschie Post Executive Producer: Lauren Bleiweiss Color: Company 3 Colorist: Jaime O’Bradovich Color Producer: Kate Aspell Sound Design/Mix: Matt Drake @ White Hart Post Original Score: Ben Fox Casting: Nina Day Casting Supporting Cast: Young Ramel: Taj Blain Ramel’s Aunt: Donna Glaesner Neighborhood Kid #1 Ariana Bantoe Neighborhood Kid #2 Da'jour Jones Neighborhood Kid #3 Jacquel Gilmore – http://bit.ly/2AINHlG hello@WeAreVariable.com


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“Transient” [tran-shuh nt, -zhuh nt, -zee-uh nt] Adjective. not lasting, enduring, or permanent; lasting only a short time; existing briefly. Philosophy. person or thing that is transient, especially a temporary guest, boarder, laborer, or the like. Electricity. a sudden pulse of voltage or current. All footage available to license at 4K resolution. Contact: dustin@dfvc.com “Transient” is a compilation of the best shots from my storm chasing adventures of summer 2017. Most of the lightning footage was captured in uncompressed raw at 1000 frames per second with our Phantom Flex4K. This summer I chased for over 30 days and traveled 20K miles. My respect and admiration for storm chasers became even stronger this year. This is one of the most difficult projects I have ever attempted in my career. On several occasions I found myself uncomfortable either mentally or physically. Chasing storms with a Phantom Flex4K is stressful even when things are going well. There were at least 10 days where I returned home with my tail between my legs and nothing to show after a ten hour chase and 500 miles. There were also a couple of days that I drove home with an ear to ear smile that lasted for hours. Most of the lightning was captured in my home state of Arizona. I also spent a week in the Great Plains chasing with Chad Cowan. It was during this time that I captured a time-lapse of the massive super-cell shown twice in Transient. For some reason that damn super-cell refused to spit out a proper bolt. Lightning is like a snowflake. Every bolt is different. I learned that lightning varies greatly in speed. There are some incredible looking bolts that I captured that didn’t make the cut because even at 1000fps they only lasted for one frame during playback. I also captured some lightning that appear computer generated it lasted so long on the screen. Technical info: The Phantom Flex4K is a camera that must be post triggered while shooting high speed. This works out well for capturing lightning because the camera is always recording and rewriting to internal ram. As soon as a bolt appears in my view finder I trigger the camera to save what has been stored in the ram. Shooting at high frame rates requires a lot of light. Therefore, I mostly used my Zeiss Otus 28, 55, and 85mm lenses wide open at f1.4. In all, I captured 10TB of data during this production. Special thanks to Chad Cowan for many of the time-lapse shots in the video and to Mike Olbinski for the storm chasing advice and guidance. Music licensed from Audiomachine


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‘BACKSTORY’ written and directed by Joschka Laukeninks for more info visit http://bit.ly/2jNMfVb or follow us on facebook http://bit.ly/2iiBKcc written and directed by JOSCHKA LAUKENINKS produced by BENJAMIN HORSTKOTTE produced by TOBIAS WICHURA cinematography by EIKE RIECHE edited by VERA BERG starring JAN STAPELFELDT, JESSICA MCINTYRE, XENIA ASSENZA narrated by PHILIPP MOOG music GERMAN WAHNSINN production company THE MARMALADE FILMS 'BACKSTORY’ was shot in Germany in 17 shooting days over a period of 1,5 years. It has been screened at more than 110 festivals worldwide and, so far, has won more than 30 international awards. Our love goes out to all the wonderful people who worked so hard on this film for such a long time! :-) see the full crew list and more info at http://bit.ly/2jNMfVb here is some of the 33 AWARDS we have won * BEST SUPER SHORT* at NEW YORK CITY INDEPENDENT FILM FESTIVAL New York City, US *BEST SHORT* at ORLANDO FILM FESTIVAL, Orlando, US *BEST FOREIGN SHORT* at TWISTER ALLEY FILM FESTIVAL Woodward, US *BEST FILM* COLCHESTER FILM FESTIVAL, Colchester, UK *BEST OF FESTIVAL* at FASTNET FILM FESTIVAL Schull, Cork, Ireland *ROGER DEAKINS AWARD* at PLYMOUTH FILM FESTIVAL Plymouth, UK *JURY AWARD* at HAMILTON FILM FESTIVAL, Hamilton, US *BEST DIRECTOR* at FARM FILM FESTIVAL, Sicily, Italy *BEST FOREIGN SHORT* at ANOTHER INDEPENDENT FILM FESTIVAL, Wisconsin, USA *BEST IN SHOW* at CREATION INTERNATIONAL FILM FESTIVAL Ottawa, Canada *AUDIENCE AWARD* at OPORTO INTERNATIONAL SHORT FILM FESTIVAL Porto, Portugal *BEST STORY* at REVOLUTION ME FESTIVAL, New York City, US (…) http://bit.ly/2jM57nw www.themarmalade.com http://bit.ly/2iiBKcc


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“IRREGULARS” Documentary | Color | 16:9 | D: 08:55 | Italy 2015©NotWorkingFilms Against a tellingly hypnotic factory backdrop, a refugee encapsulates the global immigration crisis in his own wrenching words. Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean. A film by FABIO PALMIERI The story of CYRILLE KABORE Produced by P.P.P. – NOTWORKINGFILMS DP/Editing/Mixing | FABIO PALMIERI Soundtrack | TRADITIONAL AFRICAN MUSIC 2015©NOTWORKINGFILMS http://bit.ly/2i6TtD0 http://bit.ly/2jAOATi AWARDS: WINNER Best Documentary (Oscar® Qualifying) | 27th NOFF, New Orleans Film Festival – New Orleans (USA) WINNER Best Documentary (Oscar® Qualifying) | HIFF2016, Hamptons International Film Festival – East Hampton, NY (USA) WINNER Best Documentary (Oscar® Qualifying) | 25th Aspen Short Film Fest – Aspen (USA) WINNER The Ellen | 25th Aspen Short Film Fest – Aspen (USA) WINNER Best Documentary | RIIF.20, FLICKERS: Rhode Island International Film Festival – Providence (USA) WINNER of the Festival | ASFF2016, Aesthetica Short Films Festival – York (UK) WINNER Best Documentary | ASFF2016, Aesthetica Short Films Festival – York (UK) WINNER Best Documentary | 11 Shorts México, Festival Internacional de Cortometrajes de México – Mexico City (Mexico) WINNER Vesuvio Award Best Doc | XIX Napoli Film Festival – Napoli (Italy) WINNER Audience Award | 22nd Internationale Kurzfilmwoche Regensburg – Regensburg (Germany) WINNER Best Documentary | CineGlobe Film Festival 2017 – CERN, Geneve (Swiss) WINNER Jouth Jury | XII Sardinia International Film Festival – Villanova Monteleone (Italy) Premio AMNESTY INTERNATIONAL Italia for Human Rights | 13 Corto Dorico Film Festival – Ancona (Italy) Honorable Mention | SLAMDANCE Film Festival 2017 – Park City (USA) TOP 10 Audience Favorites | 27 Festival Internacional de Curtas Metranges de Sao Paulo – Sao Paulo (Brazil) Best Art Direction | 10th FICBUEU, Festival Internacional de Curtametraxes de Bueu – Bueu (Spain) Special Mention Jury | La Guarimba Film Festival 2017 – Amantea (Italy) Special Mention Youth Jury | FrontDoc, Festival Internazionale del Cinema di Frontiera – Aosta (Italy) Special Mention Jury | Arcipelago 2.3 – Roma (Italy) FESTIVALS: http://bit.ly/2i6Tve6


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