Media is the way of life - All Media, All Types, All Day. What media have you consumed today?
Wednesday, May 31, 2017
Experience Holy Week in Spain, the annual Catholic tribute of the Passion of Christ. The brotherhoods carry massive thrones through the streets to prove their devotion. This short film is an up-close look at this emotionally-charged event. Director’s Commentary: https://youtu.be/nRBbe6PkD9U Directed by Brandon Li: 📷: http://bit.ly/27LqZSN 🎭http://bit.ly/2rloHdH 📷: http://www.youtube.com/brandonliunscripted Additional Cinematography by Odissey Productions: http://bit.ly/2qBHPqA 📷: http://bit.ly/2rlA1Go Additional Cinematography by Carlos Baca Moreno-Torres: 📷: http://bit.ly/2qByS0x 🎭 http://bit.ly/2rljzWQ Location Assistance by Jan Ben: http://youtube.com/janben Music: Oliver Michael “Witness” Kerry Muzzey & Simone Benyacar “The Rising Tide” Z1 “Bedlam” Jeff Heim “Emotional Trailer Music” Ryan Taubert “Faint Frequencies” Kevin Graham “Muir” Filmmaking kit: http://bit.ly/2qBYBWw
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Deer Flower is a stop-motion-animated recount of an event that happened to me when i was little. I attempted to translate my own experiences on screen and to reinterpret my memories to cinematic experiences, using stop-motion, 2D animation. “Deer Flower” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2qBvhvq
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10 year old, Anya (Amaris Miller) lives and cares for her mother, Amanda (Zawe Ashton). When Derek (Morgan Watkins) threatens to come between them, Anya takes matters into her own hands in order to protect her home. Little Soldier is a darkly comic drama about the power of one girl’s imagination to change her own world. Written and directed by Stella Corradi and shot on 16mm by renowned DoP Robbie Ryan BSC, Little Soldier was made under the London Calling scheme awarded by Film London and EEFF in 2015. It has screened in the festival circuit internationally and was awarded Best Female Director at the London Short Film Festival by the Bechdel Test Fest and various special mentions including Cork International Film Festival for Best International Short and Underwire Festival for Best Screenplay.
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Tuesday, May 30, 2017
A 10-year-old boy sets off on a long-promised adventure with his father to discover Europe’s biggest dam. But as they progress, harbored feelings surface and their relationship is put to a test. The dam they eventually face is not the one initially dreamed of. A film by Samuel Grandchamp – *Winner Golden Leopard for Best Short Film at the 2015 Locarno International Film Festival* *Winner Best Screenplay at the 2016 First Run Festival* *Winner Best Film Swiss Made at Shnit International Short Film Festival* *Winner 3rd Place Luzern Prize at Upcoming Filmmakers* *Winner Best Directing at Upcoming Filmmakers* *Oscar-Qualified for Live Action Short Film 2016* Hong Kong International Film Festival, International Competition Sao Paulo International Short Film Festival, International Competition Palm Springs ShortFest, Official Selection Oberhausen International Short Film Festival, Children and Youth Competition Seattle International Film Festival, Official Selection Sarasota Film Festival, Official Selection Madrid International Film Festiva, International Competition Belo Horizonte Film Festival, Official Selection Leuven International Short Film Festival, European Competition Solothurn Film Festival, Upcoming Talents Competition Belgrade Film Festival, New Cinematic Voices Huesca International Film Festival, International Competition Bamberger Kurzfilmtage, International Competition Moscow “2morrow” International Film Festival, International Competition Film Festival della Lessinia, International Competition – With Alessio Balossi, Pascal Gravat and Natacha Koutchoumov Written and directed by Samuel Grandchamp Produced by Reinaldo Marcus Green Cinematography by Federico Cesca A ViceVersal Productions film With the participation of NYU Tisch School of the Arts and Ecole Cantonale d'Art de Lausanne (ECAL) http://imdb.to/2sbPokP http://bit.ly/2rBVlKP http://bit.ly/2sbrxSv
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“Big whirls have little whirls that feed on their velocity, and little whirls have lesser whirls, and so on to viscosity.” - Meteorologist Lewis Fry Richardson (“Weather Prediction by Numerical Process.” Cambrige University Press, 1922) This quote sums up perfectly what I’ve come to realize about weather and storms over the past 10 years of studying, forecasting and chasing them, and the part that I find most fascinating. On each scale level from synoptic-scale, which covers areas the size of multiple states, all the way down to micro-scale, which could be an area as small as your backyard, the fluid which we call air abides by the same universal physical laws of nature and thus acts in a very similar manner and patterns. A cold front, for example, is a phenomenon which is widely understood to mean a large scale line of advancing cold air, hundreds of miles long, along which supercell thunderstorms sometimes form. Within these smaller storm-scale environments, something called a rear-flank gust front forms on the southern end of the low pressure area of the mesocyclone, where the rain cooled air wraps around. This is effectively a storm’s cold front. The cool air is more dense than the warm air, and because of this, advances into the region of lower density, just like the larger cold front on which the storm formed. The stunning supercell storm structure we see is along these relatively small, storm-scale cold fronts. This is what forms the “hook” on radar. Here, just as with the larger scale weather systems, the wedge of denser cool air at the surface meets the warm, moist, buoyant air in front of a storm, forcing it aloft and through the cap where the potential energy is realized. Given the right conditions, this development can be explosive. The ingredient based explanation for supercells includes moisture, wind shear, instability and lift. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature’s attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather. The force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm. While Richardson’s quote is more regarding turbulence than thermodynamics, his theory from nearly 100 years ago that our atmosphere behaves as a fractal has turned out to be spot on. A “top down” transfer of energy and behavior occurs, resulting in a Russian nesting doll of smaller scale systems that bear a striking resemblance to the larger. I would like to offer a special thanks to my good friend Kevin X Barth who helped me edit this together, and found some semblance of a story arc in many disparate pieces. Kevin is an amazingly talented and creative artist in his own right, having won an Emmy as the editor of the ESPN 30 for 30 film WHEN THE GARDEN WAS EDEN. Check out his website if you’re looking for an excellent editor or director for your project: kevinxbarth.com A big thanks to Tom Lowe as well, without whom I would probably still be trying to figure out what an intervelometer is. Tom is the mastermind behind Timescapes, the revolutionary timelapse film from a few years ago. He was kind enough to share his wealth of knowledge, as well as some camera gear.
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An audiovisual piece made up of over four thousand still images pulled from Google Earth, individually edited, and then manually sequenced to Midnight by Caravan Palace. The film showcases instances of environmental innovation and degradation from around the world: housing developments in Denmark designed to promote increased community, sites of deforestation in the Amazon due to cattle ranching, and the Namib desert in Namibia whose biodiversity has some of the highest levels of endemism. Song: Midnight - Caravan Palace Applications: - Google Earth Pro - Adobe After Effects CC Locations: - 0:09 New York, USA - 0:17 Namib Desert, Namibia - 0:23 California, USA - 0:28 Denmark - 0:32 New York, USA - 0:52 Saudi Arabia - 1:00 The Netherlands - 0:52 Saudi Arabia - 1:10 New York, USA - 1:18 Iran - 1:23 New York, USA - 1:29 The Netherlands - 1:32 California, USA - 1:35 Brazil
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Director/Edit/Color- BRTHR Producer- Sara Greco Line Producer- Jamee Ranta Prod Co.- Strangelove Creative Director: La Mar C. Taylor DP: Erik H AD- Kenneth Arnold Taylor Prod Design- Lauren Nikrooz VFX- Gloria FX Additional VFX- Kwan Au, Mikhael Villegas, BRTHR Title Design- Mikhael Villegas full credits on end title card
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Une société d'humains se comportant comme des animaux se trouve bouleversée par l'arrivée d'un nouveau protagoniste. A society of humans acting like animals is upset by the arrival of a new member. MOPA 2015 Like us on Facebook –> http://bit.ly/2rjJj89 Learn more on our website –> http://bit.ly/2shTOpJ Réalisation : Julie Artigny Lisa Bouët Florent Bossoutrot Claire Courrier Camille Savary - Prix - Prix du Meilleur Film d’Animation du Festival International du film Fantastique d’Audincourt / Bloody Week-end - Sélections - Festival International du Court Métrage de Lille - Lille - Compétition officielle Panam Anim - Paris - Compétition officielle Melbourne International Animation Festival - Melbourne - Student Competition Leiden International Short Film Experience - Leiden - Official program Festival international d'art vidéo - Casablanca - Compétition officielle Festival international du cinéma et de l'éducation - Fès - Compétition officielle Golden kuker-Sofia / International Animation Film Festival - Sofia - Official program Les Intergalactiques / Festival de science-fiction - Lyon - Projections courts métrages Bloody Week-end / Festival International du film Fantastique d'Audincourt - Audincourt - Compétition internationale Festival du Film Subversif - Metz - Compétition “Les juniors” Festival de l'Acharnière - Lille - Compétition officielle Projecion courte - Meaux - Compétition officielle Animanima Festival - Cercak - World Panorama BuSho -Budapest - Official competition Cartón - Buenos Aires - Selección Oficial Animasyros 9.0 / International Animation Festival + Agora - Syros - Student competition Anima Mundi - Sao Paolo / Rio - Short film program Animest / International animation film festival - Bucharest - Creepy Animation Night program Festival international du cinéma francophone en Acadie - Grand Moncton - Compétition officielle SPASM Festival - Montréal - Compétition officielle Nuit blanche à Montréal - Montréal - Best-of OderKurz-Filmspektakel - Oderaue - Official program
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Monday, May 29, 2017
In the storied summer of 1967, there was an ever-so-brief (and ever-so-strange) combination of two ever-so-different musical icons: The Monkees and Jimi Hendrix. Monkees drummer Micky Dolenz recounts the brief period of time that the legendary guitarist was the opening act for the pop boy-band sensation. While the pairing of the two acts seemed like a good—if novel—idea at the time, that quickly proved not to be the case. Some things just aren’t meant to be…
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alt-J “in Cold Blood” Narrated by Iggy Pop Director: Casper Balslev Black Dog Films/ New Land Executive Producer Black Dog Films: Martin Roker Executive producer New Land: Thor Brammer Jacobsen Producer: Mikkel Damkiær Producer suppleant: Joacim Harder Production manager: Nicoline Lau Edinger Cinematography: Niels Thastum Editor: Anders Albjerg Production Designer. Anna Gry Skovdal 1st AD. Tue Czajkowski Directors Assistent: Joacim Fougner B- Unit Camera: Niels Buchholtzer Gaffer: Martin Riello Best Boy: Jonas Madsen Focus Puller: Thue Garde, Mads Hoppe 2. AC: Kristoffer Hoyer Key Grip: Christian Brøndum Sound Design: Martin Dirkov Set Build: Joshua Beckford Make- up SFX: Per Kapper Make up: Louise Bruun Wardrobe: My Ringsted SFX and weapons Hummer Højmark Car Wrangler: Søren Hvam Production Coordinator: Lea Sönnichsen Production Assistent: Linea Cramer Location Manager: Kristian Nørlyng Casting by Ditte Kiel / ArtCast Cast: Martine Lindskjold, Jonathan Albrecthsen, Kristian Hedegaard Petersen. Brian Rodrigues, Kenneth Bøtker, Frej Levin, Rainy James, Philip Hoeg, Henrik Queitsch, Kress Bøtel, Ronni Tronborg, Axel Emil Christensen Mouse: Syd & friends Mouse Whisper: Jessie Davidsson Post production by Cameo Grader: Lasse Marcussen Flame: Bjørn Munch Post production coordinator: Emma Engberg Additional Sound mix: Sylvester Holm Directors Rep Black Dog Films: Holly Wolfers Commissioner: Andrew Law Infectious Music 2017
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Sunday, May 28, 2017
A socially inept Theo has his first shot at love. Starring: Joshua Simenhoff, Russell ‘Rock’ Funches, Ashley Jordan, & Sydel Fishman Writer/Director: Michael Patten Producer: Matthew James Reilly Camera: Sharif El Neklawy Production Design: Esther Kim Production Sound: Austin Plocher Assistant Director: Jackson Segars Edit: Sean Dunn Gaffer: Chelsea Soby Assistant Camera: Chloe Walker Grip: Kevin Clark-Ryan Art Director: Blake LaRue Sound Mix: Dan Dzula Color: Zak Ray Music: Kevin Corcorran Sax/Flute: Antonio Fernandez Additional Editing: Josh Gross Compositing: John Mattiuzzi Dog Wrangler: Alexey Yurunev Production Assistants: Ashley Ng, Gabby Giacomo, Pete Christman, Kim Daeboong Special Thanks: Megan Graham, Jake Honig, Matthew Fishman, Gigantic Pictures, Maverick Comics, Brooklyn Kuriosities Official Selection - Athens Film & Video Festival 2017 copyright MMXVII by video horse LLC all rights reserved
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Join our protagonist Randy as he endeavours to find the hidden truths buried inside the arcane geo-futuristic world that is Music for Advertising. When the aural wizards over at Antfood approached us to collaborate on the opening titles for the 2017 AMP Awards, our only question was “how many butts?” The answer may surprise you. DIRECTED BY: BUCK EXECUTIVE CREATIVE DIRECTOR: Orion Tait EXECUTIVE PRODUCER: Anne Skopas CREATIVE DIRECTOR: Daniel Oeffinger HEAD OF PRODUCTION: Kitty Dillard PRODUCTION COORDINATOR: Alexi Yeldezian DESIGN: Rasmus Bak Daniel Oeffinger ANIMATION: Rasmus Bak Daniel Oeffinger RECORDING, AUDIO PRODUCTION, MUSIC & SOUND DESIGN: Antfood
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Saturday, May 27, 2017
falling out of love, falling back in. http://bit.ly/2s1qHYe Director: Matthew Dillon Cohen Producer: Taylor Russo Director Of Photography: Anthony Carella Focus Puller: Brandon Yoon Gaffer: Ben Davis Key Grip: Patrick Golan 1st AD: Ashley Goodwin 2nd AC: Carmelo Varela Choreographer: Eva Jaunzemis Production Design: Hannah Suh Grip: Alec Battistoni Grip: Brett Arndt Grip: Kyle Seeger Stylist: Diana Price Editor: Matt Schaff Colorist: Josh Bohoskey Sound Design: Raphael Ajuelos Post Production Company: The Mill Color Producer: Natalie Westerfield Color Coordinator: Evan Bauer Starring Gus Dapperton Charlotte Rose Benjamin Taylor Wells Gilllian Curtis Special Thanks Abbey Chaus, Diktator, Cali Goldstien, Marcus Klein, The Rice Family, Anne Chang, Max Rothschild
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WORLD PREMIERE - TRIBECA FILM FESTIVAL 2016 Photojournalist Katie Orlinsky, whose work focuses on the everyday lives of people in extreme situations, covers Kristin Knight Pace, a hopeful in the 2016 Iditarod Trail Sled Dog Race. Directed by Erin Sanger Produced by Gabrielle Nadig Client: ActuallySheCan Agency: Tribeca Digital Studios Cinematographer: Trish Govoni Editor: Ema Ryan Yamazaki Score: Bryan Senti Production Manager: Sarah Kolb Production Sound: Alan Gordon Post Production Facility: Oxbow Post
Friday, May 26, 2017
► Click here for the full Tall Bikes Tale on RedBull.com: http://win.gs/TallBikes2017 Riding any bicycle is a positive step toward a healthy lifestyle and personal enjoyment, but it’s the tall bike that has the power to change the world. The tall bike remains on the fringes — only embraced by the daring, the creative and the foolish. Join the Zenga Bros for as they explore how to build, ride and coexist on a tall bike. The Zenga Bros mission is the eccentrification of the world: To create everywhere, redeem everything and be a fool. Welcome to the modern tall bike movement. _ Experience the world of Red Bull like you have never seen it before. With the best action sports clips on the web and original series, prepare for your “stoke factor” to be at an all time high. Watch Red Bull TV: win.gs/WatchhRBTV See into our world: http://goo.gl/J49U Red Bull on Facebook: win.gs/redbullfb Red Bull on Twitter: http://win.gs/redbulltwitter Subscribe to Red Bull on Youtube: win.gs/SubToRedBull Subscribe to the Red Bulletin: http://win.gs/TheRedBulletin Sign up for our Newsletter here: http://win.gs/RedBullNewsletter
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Däwit (Daewit) animated short film 15min A wood cut animation short film about a wolf child, an angel and a cat. WEBSITE: http://bit.ly/2roJoIp WINNER Grand Prix Animation (national) / Filmfest Dresden, Germany WINNER ARTE Film Prize / Filmfest Dresden, Germany WINNER First Prize Animation / River Film Festival, Italy WINNER Best Animation / New Jersey Film Festival (Fall Edition), USA WINNER Best Animation / Marbella International Film Festival, Spain WINNER Best 2D Animation / Banjaluka - The May Festival of Animated Film, Bosnia & Herzegovina WINNER Non-Genre Award / Creator’s Factory at Kyoto International Film, Japan WINNER Jury Award / Young Creation Bremen, Germany WINNER Audience Award / Young Creation Bremen, Germany WINNER Special Mention / Arlington International Film Festival, USA WINNER Honorable Mention / Ojai Film Festival, USA WINNER Best Animation / Weyauwega International Film Festival, USA WINNER Best Animated Short Feature / Buffalo Dreams Fantastic Film Festival, USA WINNER Best Animation / In The Place International Short Film Festival, Bulgaria WINNER Best Animation / Arizona International Film Festival WINNER Platinum Reel Award / Nevada International Film Festival WINNER Best Animation / Eindhoven Film Festival Selection of Festivals: OFFICIAL SELECTION Berlinale - Berlin International Film Festival (Oscar Qualifying) OFFICIAL SELECTION Hongkong International Film Festival OFFICIAL SELECTION Athens International Film Festival, Ohio (Oscar Qualifying) OFFICIAL SELECTION Filmfest Dresden OFFICIAL SELECTION Oberhausen Short Film Festival (Oscar Qualifying) OFFICIAL SELECTION Stuttgart International Animation Festival (Oscar Qualifying) OFFICIAL SELECTION Hamburg International Short Film Festival OFFICIAL SELECTION Melbourne International Animation Festival OFFICIAL SELECTION Animation Block Party OFFICIAL SELECTION Flickers: Rhode Island Film Festival (Oscar Qualifying) OFFICIAL SELECTION DokuFest Film Festival OFFICIAL SELECTION Holly Shorts Film Festival (Oscar Qualifying) OFFICIAL SELECTION Expotoons Buenos Aires OFFICIAL SELECTION Animanima International Animation Festival OFFICIAL SELECTION DC Short Film Festival OFFICIAL SELECTION New Jersey Film Festival OFFICIAL SELECTION Oldenburg International Film Festival OFFICIAL SELECTION flEXiff - Experimental International Film Festival OFFICIAL SELECTION Strasbourg European Fantastic Film Festival OFFICIAL SELECTION 2ANNAS - Riga International Film Festival OFFICIAL SELECTION Ars Independent Festival OFFICIAL SELECTION Athens International Film Festival OFFICIAL SELECTION AnimaSyros OFFICIAL SELECTION IndieCork World Shorts OFFICIAL SELECTION Cinemagic International Film Festival Young People OFFICIAL SELECTION Chicago International Film Festival (Oscar Qualifying) OFFICIAL SELECTION Naoussa International Film Festival OFFICIAL SELECTION Aesthetica Short Film Festival OFFICIAL SELECTION Interfilm Short Film Festival OFFICIAL SELECTION Ojai Film Festival, USA OFFICIAL SELECTION Weyauwega International Film Festival OFFICIAL SELECTION SICAF - Seoul Best of the Best Animation OFFICIAL SELECTION Angers First Film Festival d'Angers OFFICIAL SELECTION Ann Arbor International Film Festival (Oscar Qualifying) OFFICIAL SELECTION Mill Valley Film Festival OFFICIAL SELECTION RICA Wissembourg OFFICIAL SELECTION Traverse Film Festival OFFICIAL SELECTION Fajr International Film Festival OFFICIAL SELECTION Ashland Independent Film Festival OFFICIAL SELECTION Minneapolis St. Paul International Film Festival OFFICIAL SELECTION Tallgrass Film Festival OFFICIAL SELECTION Arpa International Film Festival OFFICIAL SELECTION Istanbul International Short Film Festival OFFICIAL SELECTION Akbank International Film Festival OFFICIAL SELECTION Bucheon International Fantastic Film Festival OFFICIAL SELECTION Roshd International Film Festival, Teheran OFFICIAL SELECTION VOID Animation Film Festival OFFICIAL SELECTION Regensburger Kurzfilmwoche OFFICIAL SELECTION Tehran Animation Festival FINALIST Japan Prize 2016 FINALIST NFMLA Awards - New Filmmakers L.A. 2017 SPECIAL SCREENING Nordic Film Days Lubeck SPECIAL SCREENING Gijon International Film Festival (Oscar Qualifying) SPECIAL SCREENING Carthage Film Festival SPECIAL SCREENING Shorts Mexico BEST OF THE WORLD Hiroshima Animation Festival (Oscar Qualifying) Director: David Jansen Producer: Fabian Driehorst Animation, Script: David Jansen, Sophie Biesenbach Sound Music: Marcus Zilz Production Company: Fabian&Fred Funding: Film- & Medienstiftung NRW © 2015 Fabian&Fred
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Thursday, May 25, 2017
Written & Directed By Jared Anderson Produced By Sara Nassim Cinematography By Kai K. Krause (kaikkrause.com) Production Design By Mari Lappalainen Edited By Lilit Aloyan Music By Claudio Olachea Costume Design By Mary Wuliger Casting By Becky Silverman VFX Supervisor Nathan Strong CAST EM Tara Platt BRAD Rick Gifford JENNA Sofia Checchi JAX Zane Austin DRUG DEALER Amon Platis DRUG DEALER 2 Joe Sabalo SHOOTER Blake Webb COURTNEY Gloria Garayua FORENSIC ATTENDANT Mike Langer DANIELLE Marion Kerr IZZY Angela Bullock TIM John O'Brien SHARON Aubrey Manning AUDREY Nina Rausch DON Stephen Holland AMANDA Nina Millin GRANDPA John McCool Bowers CORONER INVESTIGATOR/TYLER Fernando Huerta HOMICIDE DETECTIVE #1 Cat Lee McGowen Stunt Coordinator Deven MacNair Em’s Stunt Double Marie Fink Line Producer Beatrice von Schwerin Production Manager Bochen Zhang First Assistant Director Peter Merwin First Assistant Director (Addt. Photography) Kyle Shea Second Assistant Director Thomas A. Keith Second Assistant Director (Addt. Photography) Sigurdur Kjartan Camera Operator Sean Bagley Steadicam Operator James Goldman First Assistants Camera Steven Breckon, Ian Avery Holliday First Assistant Camera (Addt. Photography) Christopher Kistan Second Assistants Camera Lauren Guiteras, Marhyan Franzen, Jerome Morrow Camera PA Jose Romero Script Supervisor Matthew McClelland Accountant Camille Cornuel Gaffer Ari Davidson Best Boy Electric Michael Schmidt Electricians Charles Tae, Adam Leene, Mikayel Balian, Sophia Stieglitz, Halyna Hutchins Electricians (Addt. Photography) Joanna Nguyen, Jonny Strellman Key Grip Shadi Chabaan Key Grip (Addt. Photography) Avner Mayer Best Boy Grip Adrian Estrella Dolly Grip (Addt. Photography) Mike Maggiano Grips Alec Cotugno, Ryan Mosley, Uriel Brito, Marianne Williams Grips (Addt. Photography) Tristan Copeland, Christian Tahyar, Diego Castillanos, Jeffrey Taylor Location Manager Cristian Plesh 2nd 2nd Assistant Director Alfonso Ramirez Assistant Editor Emily Mendez Production Sound Mixer Keith Wechsler Boom Operators Chris Thueson, George Adrian Boom Operator (Addt. Photography) David Levine Pathology Consultant. Julie Horst Embalming Consultant, Howard Huehl Art Director Randy Kizer Assistant Art Director Michael Wheelock Assistant Art Director (Addt. Photography) Daniel Frank Set Decorator Janice Vasquez Leadman Joe Rothert Set Dresser Sarah Dryden Property Master Steven Keller Graphic Designer Mike Diaz SFX Props Jessica Lewis Construction Coordinator (Addt. Photography) Dylan Corbett Carpenter Jason Stebbings Painters Andre Rivera, Hayelee Beisler, Brianna Sealey, Royce Brown Set Dressers Eli Flesch, Eric Flesch, Yuri K. Lee, Paige Mount Art PAs Lindsay Theirl, Hanson Reed, Max Romanowski, Matt Kloker, Jesus Aguirre, Drake Cherry, Anna Geisler Costumers Julia Laftsidis, Kristen Carter Make-up & Hair Stylist Kimberly Romo Make-up & Hair Stylist Assistants Patty Jarvis, Briana Vazquez Make-up Effects Supervisor George Troester Make-up Effects Artists Linday Gavin, Damien Zimmerman, Alondra Shields Regina Jigante, Miranda Jory Audio Post Production Services TFX Studios Los Angeles Sound Design Lisle Engle Foley Artist Gretchen Thoma Foley Mixer Ryan Wassil Sound Re-recording Mixer Lisle Engle Orchestration Emad Borijan Score Mixer Seth Waldmann Additional Score Recordist Cooper Fuqua Digital Composer Gerry Zimmermann Digital Intermediate by Technicolor Hollywood Digital Intermediate Colorist Darin Woolridge Digital Intermediate Producer Christine Dougherty Project Manager Laura Borowsky Studio Teacher Nancy Neumann Background Casting Director Deanna Roseen BACKGROUND ARTISTS PARAMEDIC #1 Rina Restaino PARAMEDIC #2 Sasha Rhoe HOMOCIDE DETECTIVE #2 Ryan George POLICE OFFICERS Jason Lamar, Jasmin Day, Juan Aguirre CROWD Tomomi Yoshida, Joshua Elizondo, Kerstin Alm, Arcola Kyle, Alexandria Mcalpine, Tyson Marlow, Philip Davis TRAVELERS Chester Lovegreen, Vanessa Green, Alana Berthiaume, Quetta Boyd FUNERAL GUEST Kyle Eilerman OLD MAN Sam Teaford OLD WOMAN Josie Dapar LOBBY PATRONS Elester Latham, Lindsey Legako TIM’S ASSISTANTS Kyle Greene, Jess Matney Transport Coordinator Michael Lutz Truck Drivers Hector Gonzalez, Adam Shambour, Sean Cyphers Picture Vehicle Drivers Daniel Leighton, Dan Leonard, Tim Beers Key Set PAs Andy Quijano, Brian Contreras, Elli Legerski Production Assistants Arthur Augustyn, John Clem, Carolina Cora, Mariana Salem, Lauren Tran, Lorin Fields, Kenie Munguia, Lonna Cavette Craft Service Ni Jiang Craft Service (Addt. Photography) Olga Aldama Set Medic Jason Talmadge Police on Location Shawn Stevens Location Site Rep - Biltmore Hotel Don Harris Location Site Rep - Mountain View Mortuary John Morris
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Director: Diego Berakha & Rocio Crudo Prodecer: TRONCO EP: Paula Moura DOP Andrés Aguiló 2nd Camera Unit: Michelle Gualda Producer & AD: Florencia Bardas Art Director: Diego Berakha Designers: Vicky Lamas & Joaquin Burgariotti Editor: Michelle Gualda Color correction: Alejandro Armaleo Music Supervisor: Animal Music Audio Post: Animal Music 2D Animation: Leonel Skliar Compositing Artists: Danilo Delfino Marcos Pezzani Lautaro Azcuy 2016
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STARRING Hadley Winn Emmanuel Odaibo David Castro Directed by Lloyd Lee Choi Executive Producer: Kyle Hollett Producer: Kita Nahanni Loeks Cinematographer: Devin Karringten Sound Design: White Hart Post CAST Guy #1 - Paolo Gallardo Guy #2 - Brian Carroll Guy #3 - Brett Koppel Store Clerk - Tony Kim Bouncer - Andrew Miller Porn Star - Mary Green SPECIAL THANKS The New Jalisco Bar Sergio Hernandez Pete Herron Mary Green Light Organ Records Cameos by Mise en Scene Bartender: Corey Hykawy Woman at Bar: Stefanie Blondal Johnson Bar Patron #1: Jodi Dunlop Bar Patron #2: David Gagnon Listen to “Closer” on all platforms here: http://bit.ly/2qTEDVT Pre-order ‘Still Life On Fire’ (out June 30th) here: http://bit.ly/2qojJdY… Follow Mise en Scene online http://bit.ly/2qTf2wc http://bit.ly/2qofvTP https://twitter.com/miseensceneband http://bit.ly/2qTtcNY
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Sanity diminishes as the temperature rises. A film by Jamie Wolfe. CalArts, 2016 2017 Screenings: ANIMAFEST Zagreb | Zagreb, Croatia Fest Anca | Zilina, Slovakia Maryland Film Festival | Baltimore, MA Melbourne International Animation Festival | Melbourne, Australia REDCAT Experimental Animation Showcase | Los Angeles, CA Seattle Crypticon Horror Film Festival | Seattle, WA Winnipeg Underground Film Festival | Winnipeg, Canada 2016 Screenings: Animation Block Party | New York, NY ANIM'EST International Animation Festival | Bucharest, Romania Anim!Arte | Rio de Janeiro, Brazil Auckland Underground Film Festival | Auckland, New Zealand Brand New Blinkers | London, England Courts mais Trash | Brussels, Belgium Festival des Cinémas Différents de Paris at the Centre Pompidou | Paris, France Lausanne Underground Film Festival | Lausanne, Switzerland Pineapple Underground Film Festival | Hong Kong, China San Diego Underground Film Festival | San Diego, CA South London Shorts | London, England TAIS Animation Showcase | Toronto, Canada DESIGN, ANIMATION & SOUNDS: Jamie Wolfe PERCUSSION & MUSIC DIRECTION: Scallion Jake SAX: Marta Tiesenga SOUND MIX: Aidan Reynolds jamiewolfe.com
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Wednesday, May 24, 2017
Harry Bryant - “One of Stab’s great hopes for the future of surfing”. “Rust” captures team-rider Harry Bryant’s first experience rifling the Fijian reef pass, Cloudbreak. The film includes footage of his catlike jumps down at Byron Bay and his local Thirroul, mongoose-speed barrels at freight train Cloudbreak as well as a dose of classic Harry humour. Head over to Stab.com to read the full article.
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Unfinished business is the worst and a couple things have consistently hovered over my conscience over the past few years. The first being a bundle of beautiful footage sitting unused on a hard drive (from a scrapped music video o’ mine) - the second being the way I ended a rather delightful little summer rendezvous. Both contain content recorded during completely different chapters (even cities) of my life yet for some reason, when I connected the two, all felt right in the world and I’d even argue it was almost as if they were waiting on the other to be a complete(d) piece. That piece is now viewable in the form of a short titled “Note to Self.“ All I will say as a disclaimer is that what it lacks in length I hope it makes up for in honesty, heart and vulnerability as it’s filled from start to finish with a good deal of mine.
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A 35mm music film for Fleet Foxes new song Fool’s Errand from the upcoming LP Crack-Up, due 6.16.17. Director: Sean Pecknold Art Director & Production Design: Adi Goodrich Creative Direction: Sing-Sing Director of Photography: Zia Mohajerjasbi Choreographer: Steven Reker Wardrobe: Katrina Rumford Hair & Makeup: Erin Walters Executive Producer: Harry Calbom Producer: Sarah Haber Production Co.: Society Special Thanks: Cinelab and Robert Houllahan Starring: Jade-Lorna Sullivan Dancers: Dominique Afflick, Teresa “Toogie” Barcelo Rachel Carlson, Ana Coto, Sarah Dirk, Reshma Gajjar, Bailey Hall, Leann Hillegas, Alyssa Juarez, Stacy Millard, Kelly Nakaso, Madeleine “Nellie” Salisbur Wolf played by Suzie Suzie’s Trainer: Sara Taylor Assistant Director: Mitchell D. Jones Gaffer / Key Grip: Michael Helenek Production Coordinator: Grant Kirkpatrick 1st AC: Bryant Lemelle Loader: Lawrence Montemayor Wardrobe Assistant: Yvonne Reddy Makeup Assistant: Mika Caviola PAs: Riley Donahue, Jake Torres, Paco Monge, Mad
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“Raised by Krump” explores the LA-born dance movement “krumping,” and the lives of some of the area’s most influential dancers. “Raised by Krump” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2rQXIqg Starring: Christopher ”Worm” Lewis Marquisa ”Miss Prissy” Gardner Willie Chris ”Fudd” Hodge Brenden Hodge Lynnden Hodge Tight Eyez Directed, edited and graded by : Maceo Frost Produced by BWGTBLD & Made By Forest Executive Producer: Jesper Pålsson Producer: Filip Kiisk Director of Photography: Robin Asselmeyer Production Manager: Filippa Edenbro Original Music Score: Almkvist - ( http://bit.ly/2rhKeqv ) Additional Music: Damon Frost and Tha Image Sound: Jorge Olivares, At The Lab Sweden Special thanks to: Steve Angello, Manny X Fernandez, Saadiya Murphy, Assata Washington, Deidra Cooper, HB Reid, Joe Brown, T-Stop Camera Rental, Bwgtbld, European Buck Sessions
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Tuesday, May 23, 2017
A New Yorker settles in the California desert near one of the largest active military bombing ranges in the States. The range supports a community of outlaws and anarchists who dare to scavenge the abandoned missile parts for recyclable metal. A film by Danielle Davis - http://bit.ly/2rNsKyY Ryan Maxey - http://bit.ly/1JJNdL9 Music Zack Wright - www.zwrightsound.com Sound Design Danielle Davis Cinematography/Editing Ryan Maxey Buchla Sounds Andrew Felix World Premiere AFI Docs 2016 Official Selection Marfa Film Festival 2016
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Last year, we visited a theme park celebrating America’s mythic Wild West in wintery Sweden that became a welcoming home for refugees fleeing the Syrian civil war. As strange as that sounds, this was a pretty good deal for about 500 people looking to start a new life. But with global political winds shifting toward isolationism, the Wild West response to a refugee crisis only lasts so long. We went back to see how the West was lost. Captions available in English, Spanish, French, German, Swedish, and Russian. Let us know if you’ve got a language you’d like to see.
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15’ / 16mm / 1.37:1 Fleeing the responsibilities of her relationship, a young Brooklyn woman retreats to her late grandmother’s decaying house upstate, only to discover that some unexpected guests have moved in. Written by: Lance Edmands & Sarah Tihany Directed & Edited by: Lance Edmands Starring: Sarah Tihany, Thomas Sullivan & Roderick Hill Produced by: Craig Butta & Kyle Martin Cinematography: Adam Newport Berra Music & Sound Design: Mark Henry Phillips Casting: Susan Shopmaker Production Designer: April Lasky Costume Designer: David Tabbert Assistant Camera: Gregoire Albertini Gaffer: Alexa Wolf Key Grip: Rachel Kessler Swing: Kenny Wu Production Sound: Joe Cantor Colorist: Mikey Rossiter @ The Mill Production: Washington Square Films © MMXVI Vacationland Films. All rights reserved.
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Monday, May 22, 2017
10 Commandments is a self-produced project born out of an initiative between Clim and Marta Pale to challenge each other’s creative thinking separate from the daily grind of their commercial work. The film illustrates the irony of how the “cursed” attitudes of modern society have transcended the archaic rhetoric of the Catholic church. I just like to make stuff during my spare time. There’s something interesting in making Low-fi projects. It’s a way to don’t feel the pressure of the commercial work and to be focused on learning things from the process instead of being too concerned about the final result. Thanks to Ferran Capo (art), Marta Folch (Photography), Aimar Molero (music) and Blai Barba (sound design).
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Yuko’s love for strawberries knows no bounds and she believes they will save the world🍓. Featuring - Yuko Okumura & Shohaku Okumura Director - Yoko Okumura/ www.yokofilm.com Producer - Christopher Ruiz Cinematographer - Bennett Cerf/ www.bennettcerf.com Animator - Isabelle Aspin/ http://bit.ly/2q4ibul Sound Design - Sean Hines Colorist - Loren White + Lookwell/ http://lookwell.tv Original Musiwww.yokofilm.com Producer - Christopher Ruiz Cinematographer - Bennett Cerf/ www.bennettcerf.com Animator - Isabelle Aspin/ http://bit.ly/2q4ibul Sound Design - Sean Hines Colorist - Loren White + Lookwell/ http://lookwell.tv Original Music - Polartropica/Ihui Wu & Alexander Noice/ www.polartropica.com Opening theme mixing and mastering - C.M. Rodriguez Title Design - Anna Watanabe Made possible by the generous donation of all our strawberry friends!🍓❤️
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An ode to a lost age of Internet love 😊 MAKING OF http://bit.ly/2rLEpNX written, directed, and animated by SEAN BUCKELEW music and sound design by SKILLBARD (www.skillbard.com) singer SOPHIE KOKO GATE animation assistance ISABELLE ASPIN, CAMERON MCMANUS, RACHEL HO, BRIAN SMEE, HAE-JOON LEE background assistance JOSH SHAFFNER effects animation BRIAN SMEE, CALEB WOOD compression effects by JACK TURPIN live action director of photography BRIAN SMEE costume design ISABELLE ASPIN, SEAN BUCKELEW thanks to JOE BENNETT, GRACE RHEE, CALVIN FREDERICK, CHARLES HUETTNER, DAVID LEWANDOWSKI, JESS IGLEHART, JEANETTE BONDS, THERESA LATZKO, JACOB SLUKA, QUIQUE RIVERA, TOJOARC & RACHEL HO SCREENINGS Flatpack Film Festival (April 4th-7th, 2017) Cardiff Animation Nights (May 5th-7th, 2017) Pictoplasma (May 10th-14th, 2017) Rooftop Films (June 3rd, 2017) Animafest Zagreb (June 5th-10th, 2017) Palm Springs International ShortFest (June 20th-26th) Anima Mundi (July 18th-23rd) Animation Block Party (July 27th-30th, 2017)
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Sunday, May 21, 2017
Saturday, May 20, 2017
From the album ‘Emergence’ out now Buy 'Emergence’ http://bit.ly/2hreEOn For more information about the Emergence project visit http://bit.ly/2mklx6T Follow on Spotify: http://bit.ly/2qEHX7u “For this chapter of the Emergence story I wanted to escape the computational and data-driven approaches often used in other parts of the project, and try something more humanised. I found an amazing artist called Sabine Volkert, who hand-draws every frame of her videos, which creates a very particular sort of feeling, and one that seemed to me to fit with the feeling of the music and of the concept involved - the tinkering of animal development via random mutation to create a rich variation of forms on which natural selection can act - the mechanism of Darwinian Evolution. Sabine told this story with warping morphologies, exploring the range of animal structures we see around us. All of these different structures have many shared underlying principles, such as segmentation (units built around analogues of a spinal cord), modularity (organs as individual units), and bilateral symmetry (mirrored body structure to give directionality for senses). There are many more of these common principles shared amongst animal forms, which are coded for and created by shared molecular mechanisms like the genetic code and gene regulation, which guide the process of development to create each different animal. Because of this mechanism of conserved systems and principles, random mutations in small regions of DNA can produce large scale, coordinated changes in bodily structure. It’s evolution of evolvability - nature has set up system which is likely to produce a wide range of potentially viable, but different animals, as the best bet for survival in an unpredictable world.” Max Cooper “For Max’ beautiful track Organa I grounded the video’s visual concept and stylistic choices in its thematic background, while leaving a lot of room for experimentation throughout the entire process. Following only a set of rules for the standalone animation chains and a rough overall structure, everything was pieced together gradually, evolving into the final compositions guided by the musical cues as everything unfolds over time.” Sabine Volkert http://bit.ly/1p1lUDi Follow Max Cooper http://bit.ly/2mkhE1W http://bit.ly/2rD8iQC https://twitter.com/maxcoopermax http://bit.ly/2kU9hNs
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Friday, May 19, 2017
Ten days spent in western New York during the cold months of January/February with it’s people and the local band Every Time I Die. Director/Editor: Kyle Thrash Producer: W. Ian Ross DP: Justin Derry 2nd Unit Grip: Alexa Carroll 2nd Unit Grip: Marc Baill Additional Editing: Nate Gray SPECIAL THANKS Sunday Skate Shop, Juan & Paula, Buffalo Fire Depot, Buffalo Film Office, Nashville’s Upstate K9, Hardtales Magazine, Tyler Vogel, Wollcott Guns, Lindsay Lessard, Kelly Seiracki, Patricia Seiracki, Charles, Tanesha. Nino. Iliane Jant, Rob J, Joe (skater), Tommie. Mike Albert, BJ Lyons, Dan DiPirro, Frank Dispenza, Chris Pogue, Nancy Wu, Anthony Haward, Jim Watkins, and everyone else from Buffalo and Western NY who shared their stories or support. Forever grateful. Copyright Epitaph Records
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Sign up for a month’s free trial at The Great Courses Plus: http://bit.ly/2pTXm4D The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally. Cinematic sound isn’t limited to explosions, musical cues, or the Wilhelm scream. Let’s take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound. Press the CC button for film titles. Interview w/Ben Burtt- see the Criterion edition of ‘Modern Times’ Sources/Further Reading- Composing in Sound and Image by Jonathan Rosenbaum - http://bit.ly/2h70G7h Nightmare Alley: Do We Hear What He Hears? by David Bordwell - http://bit.ly/1MT5g0b You can follow me through: Twitter- http://twitter.com/andymsaladino YouTube- http://youtube.com/c/theroyaloceanfilmsociety Music by Chillhop: http://youtube.com/chillhopdotcom Nothing But Luv by aso: http://bit.ly/2qFJhVv Listen on Spotify: http://bit.ly/ChillhopSpotify
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Music Video for COEUR CROISÉ, a song by POLO & PAN, Hamburger Records Director: Pablo Maestres Producer: Laia Barot Production Company: Frenzy and Primo Executive Producer: Elsa Rakotoson, Camille Semprez, Cédric Barus, Cecilia Salguero Main Cast: Yulia Tsymbal & Laurent Meri Director of Photography: Marc Miró Production Design: Anna Colomer Choreographer: Tuixén Benet Costume Designer: POLIÉSTER Make up & Hair Design: Javier Ceferino & Alba Guillén Edit: Carlos Font Clos Post-production: Metropolitana Colorist: Marc Morató Production Manager: Aina Salarich 1st AD: Gemma Sellarés
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Thursday, May 18, 2017
“Azulejos" is a heartfelt tribute to Portugal. Emanuele Kabu’s illustrations reveal a personal view of Lisbon, disclosing the more mysterious, psychedelic and seductive side of the city. A kaleidoscopic journey through Barrio Alto’s narrow lanes, hopping on and off the Alfama tram, sailing down the Tejo river and under the 25 de Abril bridge, all the way to the feet of the Cristo-Rei. * More details about the concept here: http://bit.ly/2qXtqF3 * First single from the upcoming album out on Wonderwheel Recording and La Tempesta Dischi http://bit.ly/2rwOcbq http://bit.ly/2qXqpo8 Purchase single on iTunes: http://bit.ly/2rwALZf Pre-Order ‘Azulejos’ LP/CD/Digital: http://bit.ly/2rwALZf * Populous contacts: http://bit.ly/2qXrKeB http://bit.ly/2rwOlM9 https://twitter.com/populousmusic * Directed by Emanuele Kabu Thanks to: Laura, Faye and Andrea. * 2017 London
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A dysfunctional night with his girlfriend challenges Jay to evaluate whether the rewards of intimacy and commitment are worth the complicated baggage that comes with. Short / Canada / Colour / dir. David Lester Written by: Jessica Rose Starring: Jessica Rose (http://bit.ly/2qxSd1c), Kristopher Turner (http://bit.ly/2rw3DzR) Cinematography by: Robert Brunton (http://bit.ly/2qycF25) Produced by: David Lester, Jessica Rose, Kristopher Turner Associate Producers: Jason Kennedy, Kenzie Brooks 1st AD: Chris Ross 2nd AD: Jessica Giles 1st AC: Mike Schoemig Sound Recordist: Nick Davey Set PA: Zach Mancini Colourist: Jeff McNab Sound Editor: Jesse Gillingham Sound Design: Gray Aletter Music By: Siskiyou (Constellation Records / http://bit.ly/2rwk7bg) Edited by: Jessica Rose, Andrei Ionesco OFFICIAL SELECTIONS: Calgary International Film Festival 2016, Victoria Film Festival 2017, Lakeshorts Film Festival 2017, NSI Online Film Festival 2017 http://bit.ly/2qyqdup http://bit.ly/2rwk67c http://bit.ly/2qy6eMj
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A personal documentary capturing a conversation between a mother and daughter that brings them closer. Director: Ellie Wen Producer: Ellie Wen Cinematographer: Ellie Wen & Greg Katz Editor: Ellie Wen & Greg Katz Sound Mixer: Eddie Bydalek Colorist: Peter Swartz *Happy Mother’s Day to all the mothers in the world, and especially to my mommy Fabienne Wen* Contact: ellie.wen@gmail.com Featured on Short of the Week: http://bit.ly/2ruO8IH
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Wednesday, May 17, 2017
The Summer after 10th grade Mike spent two solid weeks with horrible horrible migraines, dizziness, blind spots and tunnel vision—he didn’t know what it was… This is the story of his Coke Habit. “Coke Habit” is this week’s Staff Pick Premiere! Read more about it here: http://bit.ly/2qsM72e —————————————————————————— Produced and Directed by: Dress Code (dresscodeny.com) Executive Producers: Dan Covert + Andre Andreev Producer: Tara Rose Stromberg Production Coordinator: NIck Stromberg Art Director: Marcin Zeglinkski Design: Maddie Edgar, Josh Parker, Mercy Lomelin, Marcin Zeglinski Lead Animator: Marcin Zeglinski Animation: Evan Anthony, Erika Bernetich, Yuval Haker, Vincenzo Lodigiani, Mercy Lomelin, Rasmus Löwenbrååt, Andy Mastrocinque, Josh Parker, Eddie Song Music & Sound: YouTooCanWoo Story by: Mike Cook, Dan Covert, Tyler Jensen, Marcin Zeglinski
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“The world will not be destroyed by those who do evil, but by those who watch them without doing anything” - Einsten CREW Producer: Jean Villiers Line Producer: Francois Jaunet Unit Location Manager: Benoit Demoucron Assistant Unit Manager: Remi Brachet Assistant Unit Manager: Anthony Cazet Assistant Unit Manager: Stanislas Delardmelle Director: Salomon Ligthelm 1st AD: Christophe Szegedi 2nd AD: Daniel Cox DP: Zack Spiger 1st AC: Melodie Preel 2nd AC: Josephine Drouin Gaffer: Baptiste Brousse Gaffer Assistant: Emile Freeman Art Director: Valerie Valero Dresser: Corentin Harle Dresser Assistant: Simon Pinelli Make Up: Micka Arasco Boom Operator: Toby Lewis Thomas Editor: Nate Gross at Exile Edit CAST Sebastian: Yannick Mabille James: James Dean Fischer The Kid: Arthur Lemonier Girlfriend: Gaia Orgaes Gun Dealer: Giovanni Zam Gang Member 1: STYLECEE Gang Member 2: Ascrime Gang Member 3: Luca Sellier Gang Member 4: Bollecker David Gang Member 5: Bryan Mudiaki Gang Member 6: Badd Malo The Kid’s girlfriend: Louise Le Pape Female bookie: Eva Muñoz Sebastian’s mistress: Estelle Clément The Gun dealer’s bodyguard: Oob Sad Bastard SPECIAL THANKS Flat: Veronique Boisel Boxing Room: Gymnase de la Plaine - Paris 15 Squat: Association Jarry’ve Revient Photos: Eytan jan/Camille Wu/Niels ‘Morph’ Thon Jarry: Rachel Mitchell/Ginot Marka/ Adonis Sawadogo Decor: Valerie Fontaine Appart: Gael Seguillon SUPPLIERS: Camera: Vantage Light: TSF - Cine Lumiere Vehicles: Logifilm Grip: Cinestyl Lab - Hiventy - Group Digimage Weapon: Maratier Film: Kodak Inspired by the music of Young Fathers ('Bones’ used in Teaser + 'Mr Martyr’ used in Film) Shot on Super 16mm
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Tuesday, May 16, 2017
And so we put goldfish in the pool. Director/Writer:Makoto Nagahisa ●http://bit.ly/2rnBU4f ●http://bit.ly/2qpsmbQ massage→ hello@naname.ro !!!The Short Film Grand Jury Prize in Sundance!!! Story This is a true story which took place in Saitama in 2012. In the summer of 2012, 400 goldfish were released in the swimming pool of a junior-high school in Sayama Town, Saitama. The culprits: four female students. According to the Police statement, the girls “thought the fish would look pretty”. But why did they really do it? Based on a true story, this fast-paced short film continually betrays the viewer’s expectations as it explores the feelings of the four girls and their motives, accompanied by a soundtrack of old-time hits including Seventeen and Virgin Blues! Director/Writer:Makoto Nagahisa Executive producer:Takeshi Tanaka Producer:Haruki Yokoyama Cinematography:Hiroaki Takeda Electrician:Yuki Maeshima Sound:Junnosuke Okita ———————————————- 第一回Moon Cinema Project、グランプリ作品。 Moon Cinema Project http://bit.ly/2rnU0mD ●WEBSITE:http://bit.ly/2qpcRR4 ●twitter:https://twitter.com/goldfish_movie ●TrailerA⇒https://www.youtube.com/watch?v=SxUkRu75pDQ&t=1s ●TrailerB⇒https://www.youtube.com/watch?v=zvfhv3ly0xA
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This three-minute teaser for a full-length animated feature is based on Dutch artist Martin Lodewijk’s classic comics series Agent 327. The Blender Animation Studio is currently developing the story and seeks for funding to bring this adventurous comedy animation film to an international audience. More information: http://agent327.com Entirely made in Blender, released as Creative Commons for Blender Cloud subscribers. Join http://blender.cloud today, get 10 years of film production history, tutorials, and help us making more!
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Cast Jessie Reyez as HERSELF Milton Barnes as THE PRODUCER Karen Knox as THE BRIT Shaun Bishop as THE QUIET ONE Gabriella Graham as KARINA Shomari Downer as THE ARTIST Directed by Peter Huang Written by Jessie Reyez Peter Huang Produced by Katy Maravala Production Coordinator / Production Manager Joey Bilewicz Executive Producers Mauricio Ruiz Matt Power Byron Wilson Rey Mendoza Cinematography Devin Karringten Production Design Matt Bianchi Wardrobe Caitlin Wright Make-up/Hair Alison Sharp Editor Skinner Sound Marcel Ramagnano Producer for TA2 Dana Gadsden Color Conor Fisher Producer for Alter Ego Jane Garrah Head of Production (Mad Ruk) Iva Golubovic Set Dressers Hayley O’Byrne Desiree Deleau 1st AD Matt Hotson 2nd AD Anthony Fascione 3rd AD Chrissy Herbert Script Supervisor Sydney Kondruss 1st AC Nick Tiringer 2nd AC Patrick Holmes Gaffer Nick Grguric Best Boy Electric Jerome Lightbody Key Grip Leo Kogin Best Boy Grip Hunter Robinson Sound Mixer Eric Taylor Boom Operator Nathan Street Catering iFeed Catering BTS Philip Harris Jim Resley Ori Raynai “GATEKEEPER” Written By Jessie Reyez/ William “IDAP” Larsen Performed by Jessie Reyez Courtesy of FMLY Inc Special Thanks Mile Inn Apollo Studios Popp Rok Evan Landry Asymetric Jessie’s family Ontario Camera Affiliated Equipment Film & Event Solutions MuchFACT Production Company Mad Ruk Entertainment
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The four horsemen. 4x4s. Four leafed clovers. Four letter words. Fourtified. Wade Simmons, Rémi Gauvin, Vaea Verbeeck, and Carson Storch take their new Altitudes to the four corners of the earth. http://bit.ly/2pGR7Bg Presented by Rocky Mountain Bicycles Directed by Liam Mullany Produced by Brian Park Featuring Wade Simmons, Rémi Gauvin, Vaea Verbeeck & Carson Storch Filmed by Liam Mullany, Harrison Mendel & John Parkin Edited by Liam Mullany Colour by Sam Gilling Post Production Sound by Keith White Audio Original Music by Thinnen
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http://bit.ly/2qnC5iY Bayard & Me is a short doc about how the openly gay civil rights activist Bayard Rustin, best known for organizing the March on Washington and advising Martin Luther King, adopted his partner Walter Naegle in the 1980s for legal protections. In this intimate love story, Walter remembers Bayard and how they had to work around the system in an era when gay marriage was inconceivable. He also reflects on the little known phenomena of intergenerational gay adoption and its connection to the civil rights movement. Matt Wolf is an award-winning filmmaker in New York. His film include Wild Combination about the avant-garde cellist and disco producer Arthur Russell and Teenage about the birth of youth culture. His most recent shorts include HBO’s It’s Me, Hilary and The Face of AIDS for TIME Magazine. Super Deluxe is an omni-platform entertainment company committed to amplifying unconventional creative voices. With online video for social feeds, television series, documentaries, interactive live experiences, and consumer-facing tech products, Super Deluxe talks to a generation of insatiably curious viewers who grew up clutching smartphones. Super Deluxe is a division of Turner, but it operates independently in Downtown LA. Director: Matt Wolf Producer: Brendan Doyle DP: Pete Sillen Editor: Conor McBride Produced by SuperDeluxe and C41 Media
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Monday, May 15, 2017
A traveling sword for hire finds himself in larger than life adventures. Unfortunately, the pay doesn’t measure up. An allegory for the freelance lifestyle. Directed & Animated by Eric Power www.ericpowerup.net http://twitter.com/ericpowerup http://bit.ly/2pQ4SJ6 Produced by Ill Poetic iTunes http://bit.ly/2qlDsOP Vinyl http://bit.ly/2pQ9IWQ CD http://bit.ly/2qlEuu5www.ericpowerup.net http://twitter.com/ericpowerup http://bit.ly/2pQ4SJ6 Produced by Ill Poetic iTunes http://bit.ly/2qlDsOP Vinyl http://bit.ly/2pQ9IWQ CD http://bit.ly/2qlEuu5 Mello Music Group, 2017
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Allumette! A music video I’ve directed for the unbelievably talented and all round good dude, Sam Arnold. A song ignited by lust and enveloped by the unknown, unsure if that someone wants you back…but by god you find them sexy?! Credits This was a project produced by Sam Arnold and Aran Quinn. Allumette, a song by Sam Arnold http://bit.ly/2riFOeV The song was recorded in Santa Cruz California, Produced with Jonathan de Roche, Mixed by Luke Vander Pol. Drums by Sam Halterman. A music video directed and designed by Aran Quinn. Animation by Aran Quinn Benjy Brooke www.benjybrooke.com Greg Lee http://bit.ly/2qko2L4www.benjybrooke.com Greg Lee http://bit.ly/2qko2L4
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This is the third episode of our independent „A Taste of …“ time lapse series. In September 2016 we visited this awesome city to try out some new time lapse stuff. It took us 10 days, a lot of burgers and one helicopter ride to produce this video. 10 days is very little time to discover this city of endless opportunities, so we hardly slept anything and shot day and night for this time lapse film. The city that never sleeps indeed! The Taxishot: Over the 10 days we took photos of yellow cabs whenever we had time to from as many different angles as possible. So we gathered 2000 (!) photos in total we had to sort afterwards and compile to a hyperlapse around a cab in post production. It took us 5 whole days in post production to get this one shot. Technical Details: In 10 days we shot 65.000 Photos taking up 2,6 TB of our hard drives. The final 3 minute video took 36h to render on the best equipped iMac available. Other “A Taste of …” Episodes: A Taste of Vienna (2016) http://bit.ly/1QyDapX A Taste of Austria (2015) http://bit.ly/1AaT0je Video by: Peter Jablonowski // Thomas Pöcksteiner // Lorenz Pritz http://bit.ly/1QyD8OY Sounddesign by Alex Clement http://bit.ly/2qjOkwM Equipment used: + Sony a7rII + Sony a6300 + 2x Canon 6D + Canon 11-24mm F4 + Canon 24-105mm F4 + Tamron 150-600mm + Tamron 24-70mm F2,8 + Zeiss 24-70mm F4 + Emotimo Spectrum + Pocketslider + Edelkrone SliderPlus + Came TV Single + several tripods from Sachtler, Manfrotto and Togopod _________________________________ Visit our website: http://bit.ly/1CVMQtE Like us on Facebook: http://bit.ly/1AaT1Up Follow us on Twitter: http://twitter.com/FilmSpektakel Follow us on Instagram: http://bit.ly/2nZ9xdR For licensing & inquires please contact us via email: info(at)filmspektakel.at All shots are available in 5K or more!
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Would you jump? Or would you chicken out? Our objective in making this film was something of a psychology experiment: We sought to capture people facing a difficult situation, to make a portrait of humans in doubt. We’ve all seen actors playing doubt in fiction films, but we have few true images of the feeling in documentaries. To make them, we decided to put people in a situation powerful enough not to need any classic narrative framework. A high dive seemed like the perfect scenario. Through an online advertisement, we found 67 people who had never been on a 10-meter (about 33 feet) diving tower before, and had never jumped from that high. We paid each of them the equivalent of about $30 to participate — which meant climbing up to the diving board and walking to its edge. We were as interested in the people who decided to climb back down as the ones jumping. We filmed it all with six cameras and several microphones. It was important for us not to conceal the fact that this was an arranged situation, and thus we chose to show the microphones within the frame. Ultimately, about 70 percent of those who climbed did jump. We noticed that the presence of the camera as well as the social pressure (from those awaiting their turn beside the pool) pushed some of the participants to jump, which made their behavior even more interesting. In our films, which we often call studies, we want to portray human behavior, rather than tell our own stories about it. We hope the result is a series of meaningful references, in the form of moving images. “Ten Meter Tower” may take place in Sweden, but we think it elucidates something essentially human, that transcends culture and origins. Overcoming our most cautious impulses with bravery unites all humankind. It’s something that has shaped us through the ages. – Maximilien Van Aertryck and Axel Danielson are documentary filmmakers based in Gothenburg, Sweden, who have worked together since 2013. axel@plattformproduktion.se max@plattformproduktion.se
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Sunday, May 14, 2017
These are the girls running as fast as they can to be Jamaica’s new sprint champions in a country obsessed with its athletes. This is the story of the Champs national youth athletics competition that could change their lives. Okhalia, Alesha and Shellece have their sights set on being the next Shelly-Ann Fraser-Pryce, the adored sprinting champion famous across Jamaica. At their schools, St Jago, Edwin Allen and Wolmer’s High, there is a huge focus on nurturing the most talented girls and preparing them for the Inter-Secondary Schools Boys and Girls Championships – better known as the Champs, the tournament where stars are made. Amid pressure from their schools and parents, not to mention themselves, can the girls triumph at Champs 2017? Director: Isaac Solotaroff Producer: Natasha Dack-Ojumu Editors: Isaac Solotaroff and Noah Payne-Frank Executive producers for the Guardian: Charlie Phillips and Lindsay Poulton This video is produced in collaboration with the Sundance Institute Short Documentary Fund supported by the John D. and Catherine T. MacArthur Foundation
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In Bogotá, Colombia, a charismatic eleven year old named Maria Alejandra struggles to maintain a normal childhood despite the limitations imposed by a rare skin disease. Conflict between mother and daughter arises when Maria refuses to attend school early one morning. En Bogotá, Colombia, una carismática niña de 11 años llamada María Alejandra, tiene dificultades para vivir una infancia normal debido a una enfermedad rara de la piel. El conflicto entre madre e hija aumenta cuando María decide no ir al colegio una mañana. ____________________________________________________________________________________________ Now available on DVD in feature and short versions as an educational tool, for more info please visit: http://bit.ly/2qFJ33y
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Saturday, May 13, 2017
Friday, May 12, 2017
SIGNAL (Viewable in 4k) Directed by: Rupert Walker & Brandon Semenuk (Revel Co.) DOP: Rupert Walker Narrated by: Kris Vopnfjord Written by: Kris Vopnfjord & Rupert Walker Producer: Brandon Semenuk Rider: Brandon Semenuk Title Animation: Scott Waraniak Sound Design: Keith White & Rupert Walker Editor/Color: Rupert Walker Photography: Brandon Semenuk & Rupert Walker Special thanks to Clay Porter & John Reynolds Song #1 - When All We Have Is This - Jacob Montague (The Music Bed) Song #2 - Avril 14th - Aphex Twin Song #3 - Turning Point - Generdyn (The Music Bed)
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Hey friends, this is my new project Everything, it’s available now for PC, Mac, Linux & PS4. Thank you. 🌎 Steam [PC Mac Linux] ▶️ http://bit.ly/2qdv3v9 🌏 PlayStation 4 (NA) ▶️ http://play.st/everything 🌍 DRM free + Steam key ▶️ http://bit.ly/2pt7Fg3 More info - http://bit.ly/2qdDsOS Music © Ben Lukas Boysen 2017 Alan Watts recordings used with permission © Alan Watts 1973 find me @ http://bit.ly/2pteVby / https://twitter.com/davidoreilly / http://bit.ly/2qdGPoY / http://bit.ly/2psU6gi
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Thursday, May 11, 2017
Dreamy, Day of the Dead Mexican textile animation for Husky’s track Ghost. Taken from their upcoming new album Punchbuzz. Ghost is available now - http://bit.ly/2oW45pm Directed by Jonathan Chong Animated by: Clem Stamation Produced by: Dropbear Digital Additional animation: Dropbear Makeup: Rachel Clutterbuck
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Two of America’s boldest rock climbers and self-proclaimed fashionistas, Alex Honnold & Cedar Wright, travel to Kenya’s Mt. Poi. The guys dodge choss, wild animals and general debauchery to claim ascents of Africa’s biggest big wall. It’s, uh, character building. Directed by Cedar Wright Music Credits: Remstunes The Upsided Michael Tomco The Devil Whale Alberta Vekstar Beta Radio Val Emmich Agrim Agadez
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Wednesday, May 10, 2017
Discharged from the hospital after a partial face transplant, Eva is consumed by curiosity about her donor, with whom she feels increasingly connected. Cast Alexia Rasmussen Laila Robins David Warshofsky Zuzana Stivinova Gordon Joseph Weiss Orlagh Cassidy Andrew MacLarty Emily Davis Written and Directed by Erin Vassilopoulos 2016 Sarasota Film Festival 2016 Maryland Film Festival 2016 Crested Butte Film Festival 2016 London Short Film Festival More info at http://bit.ly/2r1jJ4a
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get up, take a shower, go to work, work, eat, be tired, wait, enjoy, fornicate, sleep, wake up, repeat REPEAT is a way to live each day - a vision of the society routine. Each day is a loop without end on a straight line. What a great story ? Director / Motion designer : Melvin Le Riboter Sound designer : Panagiotis Pagonis More details on Behance : http://bit.ly/2qsP4k2
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Tuesday, May 9, 2017
Sounds Good! is your guide to professional audio recording. This episode we teach you how to record sound for film and for video. Watch the previous episode of Sounds Good! here: http://bit.ly/2qnOlRj Brought to you by the Canadian Audio Council, Mr. Sub and www.Transom.org Sounds Good is hosted and created by Andrew Norton
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A film by Aeyaz (facebook.com/aeyaz) Direction, Cinematography, Edit & Grade : Aeyaz (ayas@aeyaz.com) Sound Design : Rahul Prabhakaran (http://bit.ly/2q0jCc8) Music : Ryan Taubert (Anamog We wish it was never light) Narration : Alan Watts (Recording from 1970s) _____________________ Varanasi, The spiritual capital of India - a place where people come from all over the country to breathe their last, and immerse the ashes in the holy Ganges for the beginning of a new life. A visit to Varanasi has always been in my bucket list, and being able to film there was like an icing on the cake. Honestly, words fail to describe what I have seen while on this epic trip with Photowalk Dubai. No wonder Varanasi is called the “City of Life”. Simply love this place. And this is my attempt to give you a sense of what it was like to experience the amazing “Varanasi” and the mysterious vicious cycle of life and death… “Varanasi - Beyond Life” - A personal project shot, edited and directed by me. Have put my heart and soul into it. Enjoy. Like. Share!!! _____________________ Completely shot on Sony A7s. Lens : Mainly ZEISS Batis 2/25 and Sony 70-200. Plus few shots with Canon 24-105 and Samyang 35mm T1.5 _____________________ Transcript: There really isn’t anything radically wrong with being sick or with dying. We can’t say that it’s a good thing for everything to go on living. In a very simple demonstration that if we enable everybody to go on living, we overcrowd ourselves. So therefore, one person who dies in a way is honourable because he’s making room for others… It’s a far more amusing arrangement for nature to continue the process of life through different individuals then it is always with the same individual, because as each new individual approaches life is renewed. And one remembers how fascinating the most ordinary everyday things are to a child, because they see them all as marvellous. It is not, therefore, natural for us to wish to prolong life indefinitely. But we live in a culture where it has been rubbed into us in every conceivable way that to die is a terrible thing. Alan Watts
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This is a companion piece to my Fall time-lapse from a few years ago. I wanted it to be the polar opposite of the first one. Not just the Fall vs Spring. But wide shots vs close ups, everything in focus vs shallow depth of field, very cuty vs one shot, contemporary music vs classical, static camera vs moving camera. I shot on a Canon 5D MK2 with a 24mm prime lens. To achieve the continuous motion I used the Dynamic Perception Stage One Slider. All in all this took 3 years to shoot. I shot over 8TB of 5k footage. It’s finished in 4k.
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Monday, May 8, 2017
A cinematic poem about the world-changing power of invention, the short film Escape is the latest example of animated storytelling that showcases state-of-the-art Dolby technologies. Combining techniques such as miniatures and animation with the spectacular imaging of Dolby Vision and the moving audio of Dolby Atmos, Escape invites the audience to imagine and experience a joyous vision of the future. It is a story of persistence and passion that is intended to inspire individuals to never give up on their hopes and dreams. After crash-landing on a desolate planet, a lone space explorer must find a way to make her new home habitable. The teenage heroine is an older version of the central character in our Emmy award–winning film, Silent, known there as “the Kid.” This intrepid character displays courage, passion, determination, and curiosity as she transforms the barren landscape she has found into a beautiful planet. Singer Imogen Heap developed an original soundtrack that wraps the audience in Dolby Atmos sound, unveiling the lead character’s changing emotions as she faces the challenges of a dark, disturbed landscape and persists to transform it into a place of joy and delight. Credits: DIRECTORS Limbert Fabian Brandon Oldenburg EXECUTIVE PRODUCERS Lampton Enochs Vince Voron PRODUCERS Trish FarnsworthSmith Angus McGilpin ASSOCIATE PRODUCER Wendell Riley EDITOR Calvin O’Neal Jr. MUSIC by Imogen Heap SOUND SCORE by Nick Ryan TECHNICAL ASSISTANCE by Alexis Michallek AUDIO MIX TECHNICAL LEAD Matt Desborough Jurgen Scharpf RERECORDING MIXER Adam Daniels Graham Daniels SOUND SERVICES Point 1 Post Learn more about Dolby Laboratories http://www.dolby.com To purchase MagicMe by Imogen Heap http://bit.ly/2qLazMV Like us on Facebook http://bit.ly/2qUCKGf Follow us on Twitter http://www.twitter.com/dolby
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Overwhelmed by a “phantom itch” from his missing pinky toe, a man must come to terms with his situation or succumb completely to his obsession. My second year film at CalArts! I was lucky to have worked with some amazing talent to make this possible. Thank you so much to everyone involved. Music Composed by Paul Michael Cardon Narration by Nick D'Agostino Sound Design by Paul Michael Cardon Set Fabrication by Ming-Huei Huang Props by Emily Martinez and Kesiah Manival 2D Coloring Help by Bryan Lee Enjoy the show!
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What defines true success? As one of the greatest surf photographers of our time, DJ has traveled the world with the best surfers, but with the success of his career comes the struggle of balancing his work and family. Production: BVNS Director: Evan Vetter DP: Matt Batchelor Color Producer: Evan Bauer Color: The Mill NY Colorist: Josh Bohoskey Sound Design: Defacto Music: Music Bed All photos provided by DJ Struntz. Shot back in 2015 with borrowed gear, couple friends, and no lights. This short doc is a piece from a longer form doc about DJ. Thanks to Lighthouse Films NC, DJ & family, The Mill NY, & Defacto Sound.
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Sunday, May 7, 2017
Over the past months I’ve been working with Australian photographer Ray Collins to bring his amazing oceanscapes to life in the form of cinemagraphs, a blend between photography and video. Each cinemagraph is created from one of Ray’s stills, and sets it in infinite motion, making a unique moment in time last forever. These cinemagraphs inspired André Heuvelman from the Rotterdam Philharmonic Orchestra to get together with pianist Jeroen van Vliet to record a very moving custom soundtrack, which I combined with a selection of the cinemagraphs. You can see the original cinemagraphs at http://bit.ly/2pTH0rx Ray’s images can be found at http://bit.ly/2pUXvBC
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Saturday, May 6, 2017
Young men seek salvation while learning to ride bulls at an annual christian camp in western Oklahoma. Directed by Christopher K. Walker and Michael Beach Nichols A recipient of the Rooftop Filmmaker’s Grant, the film had its World Premiere at the Maryland Film Festival in 2017. A co-production of No Weather and The Cinemart.
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Friday, May 5, 2017
Thursday, May 4, 2017
Synopsis: Graphic designer Brett Yasko wanted to save his friend John’s life, so he asked every artist in their town to make a portrait of John. The result is the 2016 art show “John Riegert” – a funhouse containing 250 portraits on the titular subject, with John himself acting as tour guide. This heartfelt story chronicles the making of a singular exhibit and the mental health struggles and personal triumphs of its subject. Directed by: Julie Sokolow Produced by: Olivia Vaughn, Ryan Loew
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The earthquake of M5.8, the largest on the Korean Peninsula, occurred in Korea, which was called the “Earthquake Safety Zone,” in 2016. Gyeongju City suffered a great deal of damage due to the ineffectiveness of the Korean government and the insecurity of safety. By the year 2017, there have been about 500 aftershocks, and Koreans are living in fear of an earthquake that will happen anytime soon. Magnitude Rituals is an image of praying that no earthquake will happen in Korea. The former Korean peninsula country, which was a farming country, had a ritual to pray for rain in the sky every drought season. In this regard, this work expresses a ritual to wish an earthquake not to happen. The image consists of two frames. The image on the left represents the progress of the ritual, and the image on the right represents the earthquake/progression of the earthquake where the value of the graph representing the earthquake converges to zero and the process of the earthquake is reversed. What I wanted to pursue in my work was the communication of messages using the contrast of Korean traditional and shamanic images and sophisticated mathematical graphics. On the surface, it appears to be unrelated images, but as the ritual process progresses, it expresses that the figure indicating the earthquake in the graph subsides, and the audience will be able to gradually understand and appreciate the images. ‘지진안전지대’라고 불리던 한국에 2016년 경주에서 한반도 최대 규모 M5.8의 지진이 발생하였다. 한국 정부의 미숙한 대처와 안전불감증의 분위기 속에 경주시는 큰 피해를 보았다. 2017년 현재까지 500여 차례의 여진이 발생하면서, 한국 국민은 언제 일어날지 모르는 지진을 두려워하며 살고 있다. 지진영제(地震禜祭)는 대한민국에서 더는 지진이 일어나지 않길 기원하는 제사를 그린 영상이다. 농본 국가였던 대한민국 이전 한반도 국가는 가뭄 시기마다 하늘에 비를 기원하는 제사를 지냈다. 이에 착안하여 이 작업은 지진이 일어나지 않기를 기원하는 제사를 표현하였다. 영상은 두 개의 프레임으로 구성된다. 왼쪽 영상은 제사의 진행 과정을 표현하고, 오른쪽 영상은 지진을 나타내는 그래프의 값이 0으로 수렴하는 모습과 지진이 발생하는 과정이 거꾸로 진행되는 모습을 표현했다. 작업하면서 가장 추구하고 싶었던 것은 한국 전통과 무속 이미지와 정교한 수학적 그래픽 간의 대조 속에서의 메시지 전달이었다. 겉으로 보기에는 서로 간에 연관성이 없어 보이는 이미지이지만, 제사가 진행되면서 그래프 속의 지진을 나타내는 수치가 멎어 들고 있음을 표현하여 관객이 영상을 감상하면서 천천히 이해할 수 있기를 바랐다. Music | So Ra Kim - Ul Lim Gut http://bit.ly/2paJX39 Director | Dong Hyun Lee Advisor | Daryn Wakasa · Carsten Becker · William Salas
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Two runaway teens steal a car with dreams of heading down to Florida, but things take a dark turn after a dangerous game. Written and Directed by Robbie Barclay Starring Josefine Christofferson, Shemar Jonas and Tom Frank Director of Photography - Daniel April Camera Operator - John Kopec AC - Quinton Brogan Gaffer - Chris Husta AD - Conrad Sokolowski HMU - Elvira Gonzalez Location Sound - Aaron Sandler Boom Operators - Carmen Sanchez, Jack Bradley Sound Designer - Billy Feldman Voice Over - Lynn Sher Editor - Robbie Barclay Creative Consultant - Sean Gradwell Original Score - Dylan Glatthorn Music - Waylon Thorton and the Heavy Hands http://bit.ly/2qwqnD3 Colorist - Kath Raisch Title Design - Paul Tuorto Producer - Ryan Biazon Associate Producer - Luke Wright http://bit.ly/2pKqZC8
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“As you age, you starting living more in the present and in the past, and not as much in the future…” We made this film for Rapha, featuring cycling legend and overall wonderful soul, Connie Carpenter. The original brief was to make a short snapshot about the cycling culture of Boulder, but after they gave us Connie Carpenter as the narrator, the film took on a life of its own. Thank you Connie, for letting us into your life for a couple of days. May more of us have a similar outlook on life one day. Executive Producer: Dalia Burde Creative Director: Amani King Director/DP/Editor: Spencer MacDonald Production Manager: Bijan Rafie-Tari AC: Drew Kass Production Co: Avocados and Coconuts Sound Mix: Chris @ Audiolux Color: AJ Molle Client: Rapha Original score by Ryan Oxford and Christian Blunda
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Wednesday, May 3, 2017
Reality doesn’t happen by itself. Terry Lothian works tirelessly to maintain the background details that we all take for granted. But with his department feeling the pinch of austerity cutbacks, it’s not just the fabric of reality that’s starting to unravel. By the makers of multi award winning horror/crime thriller The Stomach, CLANKER MAN was commissioned by Talkies Community Cinema in association with Short Sighted Cinema for the HERE Film Festival 2017.
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Stream/buy: http://bit.ly/2qzXYck 12" of Blue Bucket / Hotline Bling available in September Performed live at: The North Charleston Performing Arts Center Charleston, South Carolina November 9, 2015 Performed by: Casey Foubert Dawn Landes James McAlister Steve Moore Sufjan Stevens Featuring Gallant Performing “Hotline Bling” “Hotline Bling” by Aubrey Graham, Timmy Thomas, Paul Jeffries. Published by Sony/ATV Music Publishing LLC. Filmed by We Are Films Aaron Craig & Alex Craig - Director of Photography Camera operators - Keith Bradshaw etc. Produced by Sufjan Stevens Co-Produced by Lisa Moran, Aaron Craig, and Alex Craig Set, Stage, and Lighting Designer - Marc Janowitz Lighting & Video Designer - Jason Rothberg Video Designer - Josh Higgason Sound Engineer - Brenndan McGuire Monitor Engineer - Stu Tenold Instrument Technician - Mikey Loy Video Technician - Dan Gentile Merchandise Manager - Max Goldblatt Booking Agent - Ali Hedrick / Billions Corporation Business Manager - Mark Kaplan / Mejia & Kaplan, LLP Tour Manager - Michael Schoenbeck Artist Manager - Lisa Moran / The Art Counsel
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Oberon Zell-Ravenheart, known simply as “OZ”, is a self-described wizard who created a life for himself that is truly stranger than fiction. His tale conjures stories of unicorns, mermaids, a serial killer and the most cryptic magic of all, love. ‘The Wizard Oz’ is this week’s Staff Pick Premiere. Read more about it here: http://bit.ly/2qsFUUc Director/Producer - Danny Yourd Cinematography - John Pope Editor - Mike LaHood Writer - Danny Yourd & Mike LaHood Executive Producer - Michael Killen, Kathy Dziubek, Jim Kreitzburg Additional Writing - Fil Velgach Assistant Camera - Mike Bacanu Post Facility - Animal Color Grade - Allan Stallard Intro Sequence Art Direction - Kellan Andersen Title Design - Gavin Kosko Audio Post Facility - Defacto Sound Re-Recording Mixer - Colin DeVarney Supervising Sound Editor - Dallas Taylor, MPSE Sound Designers - Colin DeVarney, Nick Spradlin, Kenneth Gilbert Dialog Editors - Colin DeVarney & Nick Spradlin Audio Post Producer - Samantha Schneble Special thanks to Yvonne Leach
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Tuesday, May 2, 2017
‘Last Light’ is the story of Los Angeles bearing the brunt of a tempest and the clarity that comes after the storm. 'Holograms’ by M83 Special thanks to Anthony Gonzalez & DEF A big thank you to Eric Kessler (www.kesslercrane.com) for your continued support of my films. Gear used: Canon 5DSR Canon 5DMK4 PhaseOne IQ100 Zeiss Otus Lenses Kessler Crane Cinedrive / 2nd Shooter DJI Inspire PRO
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► Click here for BRUJAS’ full feature on The Red Bulletin: http://win.gs/BRUJAS You may have heard of BRUJAS before — the group of young activists in New York holding their own in the male-dominated skateparks spread through the city. But pinning BRUJAS as just a rare, female skate gang would be cursory at best. BRUJAS defines itself as “an urban, free-form, creative and autonomous organization that seeks to build radical political coalition through youth culture. The group expresses community through skateboarding, art and political organizing.” Without further adieu, meet the New York skateboarders shaking the system beyond four wheels. Music: 0:2:03 “Gamelan" by #beats (Sounds of Red Bull): http://win.gs/2p1i7L7 _ Experience the world of Red Bull like you have never seen it before. With the best action sports clips on the web and original series, prepare for your “stoke factor” to be at an all time high. Watch Red Bull TV: win.gs/WatchhRBTV See into our world: http://goo.gl/J49U Red Bull on Facebook: win.gs/redbullfb Red Bull on Twitter: http://win.gs/redbulltwitter Subscribe to Red Bull on Youtube: win.gs/SubToRedBull Subscribe to the Red Bulletin: http://win.gs/TheRedBulletin Sign up for our Newsletter here: http://win.gs/RedBullNewsletter
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He’s trying to stay awake in an afternoon classes. - Film by Seoro Oh (Graduation film) - 2015, 2D Digital animation - 3:50 min Award & Official selections 2016 Stuttgart Festival of Animated Film - *Lotte Reiniger Promotion Award for Animated Film* MONSTRA Lisbon Animated Film Festival - *Jury Honorable Mentions, Audience Award* Big Cartoon Festival - *Audience Award* Annecy International Animated Film Festival - Korean Animation in the 21st Century 2 Melbourne International Animation Festival International Film Festival Etiuda&Anima NW Animation Festival “Best of the Fest” ANIMANIMA (The International Animation Festival) HIROSHIMA - Stars of Students 2015 Annecy International Animated Film Festival - Student Competition Official Selection SIGRAPH Asia Kobe - *Jury Award* Animafest Zagreb - *Jury’s Special Mention* Indie-Ani Fest - *Prize for First Flight* Seoul International Cartoon Animation Festival - *Jury’s Special Prize* New Chitose Airport International Animation Festival - Official Selection
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Monday, May 1, 2017
She’s All That introduced American teenagers to high-stakes bets in their high school halls. If Freddie Prinze Jr. was gonna make the dorky Laney Boggs prom queen, he was gonna need to give her an extreme makeover because as it is, she’s ugly — she has glasses, a bad haircut and she doesn’t tweeze her eyebrows. This movie shows us her transformation in a highly entertaining 90 minutes. At first, audiences must sit there and think, “There’s no way,” but by the end you’re seeing she’s actually pretty hot and has a decent shot at beating Taylor Vaughn for prom queen. So sit back and relax and enjoy my video essay and make sure to watch till the end as I edit together a special “what if” ending. Also, be sure to go re-watch this iconic movie from 1999 that was made by Miramax Films.
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Hop on the Anatolia Express train with us, and imagine what turkey taste like for 3 minutes. We travelled for 2 weeks from West to East and back, most of the time on train tracks, and we discovered a truly inspiring people living in amazing landscapes and cities full of life. We captured our vision of turkish life crossing by Izmir, Denizli, Konya, Göreme, Kayseri, Batman, Hasankeyf, Van, Erzurum, Ankara, Edinre and Istanbul. Shot on 28mm only. Gear : A7s 28mm DJI Mavic (RIP) Iphone 6s plus Custom bag with more video stuff than underpants Music: Débruit & Murat Ertel — Duman Hugs to George Chahine, Mathieu Maury, all the great turkish minds we met and much love to my precious Aylin ❤
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We are excited to announce Jonathan Rentschler’s photo book “LOVE” now available for pre-order through Paradigm Publishing and a short film to promote the book documenting the last days of LOVE Park and the destruction of the plaza. About the book: LOVE, follows the last generation of LOVE Park inhabitants, showing life as it was within this notorious urban plaza. Over a 3 year span, the images tell a story of a deep rooted community, existing in the shadow of a police state manipulated by a biased local city government. Ultimately becoming victim of urban revitalization, the park closed in February 2016 for a projected $16 million complete renovation. The diehard locals never leave, and continue to skate the plaza as it turns to rubble. In the end, LOVE is about loss. About LOVE Park: LOVE Park (1965-2016), also known as John F. Kennedy Plaza, was located in the center of Philadelphia. Architect Vincent Kling drafted the mid-century urban design, which was then implemented by city planner Edmund Bacon. Although it was not designed for skateboarding, the plaza was host to a wave of skateboarders who first discovered its granite expanses as early as the 1980s. It was raised to global renown in the late ’90s with a surge of media coverage. Today, LOVE Park is remembered as one of the foremost landmarks of street skateboarding. Pre-Order the Book: http://bit.ly/2pA8Gl5 Paradigm Publishing: http://bit.ly/2oXRguJ Film & Photography: Jonathan Rentschler @eurojon Edited by: Nick Wnorowski @nickwnorowski Artwork: Zach Panebianco Music: The Soft Moon - When It’s Over http://bit.ly/2pAjdwF © 2017 Paradigm Publishing
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