Sunday, July 31, 2016

Thursday, July 28, 2016

http://bit.ly/2aknz3i A primer for students, teachers, administrators, and parents, Expanding Gender: Youth Out Front explores the varied identities of trans and gender expansive youth and young adults through four documentaries that allow these brave individuals to share their own stories. Tomgirl • Jeremy Asher Lynch • 14 minutes Jake, a confident and lovable gender expansive seven-year-old, invites us into his world of hockey playing and skirt wearing to explore the transformative power of love and support from adults. A Place in the Middle • Dean Hamer & Joe Wilson • 24 minutes This short is the true story of a young Hawaiian girl who aspires to become the leader of her school’s boys-only hula troupe, and an inspiring teacher who uses traditional culture to empower her. Monica’s Story • Glenn Holsten • 11 minutes This short documentary traces the journey of resilience and self-acceptance of Monica Rose, a strong young transwoman of color. Despite being rejected by her church and family, Monica found support through her local LGBTQ community and now is a proud, confident person with a bright future. Monica’s Story is part OC87 Recovery Diaries, an interactive website that features stories of mental health, empowerment, and change, created by and for those whose journeys of recovery speak to audiences from all walks of life. Passing • J. Mitchel Reed, Lucah Rosenberg-Lee • 22 minutes Profiling the lives of three young transmen of color, this short doc explores what life is like living as a black man, when no one knows you are transgender, and how each man perceives his own journey with gender after many years of being presumed as a cisgender man. Total Runtime: 71 minutes


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Music: Raffertie - (www.raffertie.com) Animation and Direction: Gerhard Human - (www.gerhardhuman.com) Edit: Edwin de Swardt - (www.swardt.com) I started working on this film just over 4 months ago, at night and in the early mornings before work. (It’s purely a personal artistic project, not commissioned by the record label). I got permission to use the music from Benjamin Stefanski (Raffertie). “Last train home” on his SLEEP OF REASON album just kept coming back as the perfect fit. He was also constantly involved with the process and gave feedback throughout which was great. Thanks Ben! The edit was done by my friend Edwin. He also worked after hours and sacrificed his free time on this. I think he did amazing work for which I’m incredibly thankful! I will post some behind the scenes stuff on http://bit.ly/2ayWBr3www.raffertie.com) Animation and Direction: Gerhard Human - (www.gerhardhuman.com) Edit: Edwin de Swardt - (www.swardt.com) I started working on this film just over 4 months ago, at night and in the early mornings before work. (It’s purely a personal artistic project, not commissioned by the record label). I got permission to use the music from Benjamin Stefanski (Raffertie). “Last train home” on his SLEEP OF REASON album just kept coming back as the perfect fit. He was also constantly involved with the process and gave feedback throughout which was great. Thanks Ben! The edit was done by my friend Edwin. He also worked after hours and sacrificed his free time on this. I think he did amazing work for which I’m incredibly thankful! I will post some behind the scenes stuff on http://bit.ly/2ayWBr3 in due time :)


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The day I first set foot on Mount Seymour, I knew it would have a lasting profound impact on me. Located on Vancouver’s North Shore, the mountain looks down over the vibrant and pulsing city to the South, while the Coast Mountains stretch endlessly to the North. For 3 years, I returned on and off to seek inspiration, and to shoot as much timelapse as possible. Every time, I found a new and unique display of magic. I never tire of seeing the lights, the colours, the sunrise, the sunset, and just sitting back at peace above the world. This is the culmination of years of practice, countless pounds of equipment carried, many sleepless nights, and 100s of hours of editing. Enjoy! Music: Makes the Wind (feat. REMMI & Yung Youth) by Super Duper - licensed via The Music Bed (musicbed.com) Equipment used: Nikon D7000, Nikon 18-55 VR, Nikon 55-200 VR Canon 7Dm2, Canon 24-70 f/4 L IS, Canon 70-200 f/4 L IS, Tokina 11-16 2.8 DX, Canon 24 1.4 L Sony a7s, Sigma 20 1.4 All clips available for licensing in 4k. Almost all have been sped up beyond their original timelapse form for this film, and are 10-15 seconds in length each. Follow on Facebook: http://bit.ly/29ULylX Instagram: http://bit.ly/2a0vu5A Contact: nstarzy@gmail.com Disclaimer: The Mount Seymour Backcountry is a wilderness area. If you are planning on hiking or camping in the park, make sure you are familiar with the park’s own rules regarding human activities http://bit.ly/29ULN0d. Even if you are going on a day hike, it is crucial to carry the 10 essentials and leave a detailed trip plan with someone reliable http://bit.ly/2a0uDBX. There have been far too many rescues in the North Shore over the past few years. With proper preparation and knowledge, the beauty of these mountains is available for all to enjoy.


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Thursday, July 14, 2016

A shipwrecked fisherman is led to a dark secret within this short thriller. This film was supported by the Frameworks scheme. A big thank you to IFB, RTE & BAI for their continual support of the Frameworks scheme and their overall support for Animation in Ireland. We’d also like to thank Enterprise Ireland and their CSF fund that allowed us to build the tools & technology that we needed to create this film. Finally, a massive thank you to all the crew who worked on this film and helped us get it over the line. Winner Best Animated Sequence - Galway Film Fleadh Winner Best Cinematography - Spark Animation Festival Winner Best Irish Short Film - Audi Dublin International Film Festival Official selection - Dingle International Film Festival Nomination & International Premiere at SXSW Winner of Best Animation - Irish Film & Television Academy awards Official selection for Animafest Zagreb Winner of Best Animation - Fastnet Film Festival Official selection for Palm Springs Official selection for Odense International Film Festival Official selection for Badalona Film Festival Official selection for Milano Film Festival Directed by Alex Sherwood, Ben Harper and Sean Mullen. Produced by Daniel Spencer. Post Production and Sound Service by Mutiny Post, Dublin. Voice Actors: Cormac O'Sullivan, Remy Purtill. Production Executive: Emma Scott Executive Producer for RTE: Pauline McNamara Head of Film and International Arts for the Arts Council: Fionnuala Sweeney Shorts Co-ordinator for the Irish Film Board: Jill McGregor This film was funded by Bord Scannán na hÉireann/the Irish Film Board, Raidio Teilifís Éireann/RTÉ, the Arts Council/An Chomhairle Ealaíon and the Broadcasting Authority of Ireland/BAI


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ROSE IS THE APPLE OF MY EYE The magic of skateboarding isn’t going further or faster or even higher. Those are physical feats that the mind automatically gravitates towards, when learning a new skill. Fluidity is skateboarding’s power and allure—the ability to physically interact with your environment in completely new ways and adapt to anything. Every time you step on a skateboard, no matter what your age, race, sex, or even physical capabilities are, you have a unique opportunity to do something that’s never been done before. 
 If you embrace that side of skateboarding, New York City is one of the most expansive palettes to create on, despite Manhattan being less than 23 square miles. For Aaron Herrington, it wasn’t his home state of Oregon or California—skateboarding’s de facto capital—where he became a professional skateboarder, but it was in the Five Boroughs of New York, where he found himself, while nursing a serious injury. That unspoken power, hidden on every block how NYC became the apple of his eye. 
 At only 26-years-old, Herrington’s body of work has already proved that you don’t have to be from the East Coast to be an East Coast Skateboarder, just as you don’t have to be born in NYC, to be a New Yorker. And most importantly, in a city that’s constantly changing, there are infinite opportunities to do something new, every time you leave your doorstep. 
 If you’d seen his Static IV part or his skating in Pontus Alv’s most recent skate film, I like it here inside my mind, please don’t wake me this time., you’ll immediately understand Herrington’s skateboarding. It taps into the spontaneous freedom that’s made Video Days such a beloved moment in skateboarding, as much as it’s a continuation of the street discipline, captured by Dan Wolfe in Eastern Exposure 3: Underachievers. It’s anywhere, anytime, anyhow, and once you embrace that ever-evolving mindset, you can adapt that credo wherever skateboarding takes you. For Herrington, 2015 took him across the world, for the Converse CONS “One Star World Tour,” but it’s the way he taps into New York City’s energy that best displays his power, finesse, and boundless energy. If you’re steeped in East Coast skateboarding, you want to see Ricky Oyola crush the streets of Philadelphia, Bobby Worrest expanding on the history of marble and granite Pulaski in DC, Freddy Gall ripping crusty spots in New Jersey, and Herrington is an extension of that family tree, most firmly rooted in New York. For some skaters, it takes a while to form who they are. Years are spent building up a foundation, before their personality truly shines through. Limbs need to fully extend, muscles need to rip and reform stronger, and an eye for spots needs to be gained. In many ways, Herrington’s skateboarding is freakishly mature, without attempting to be so. There’s a natural flow to his skating, that, like his personality is never forced. There’s no pretension, just the pure love of riding a skateboard and sharing that commonality with anyone down for the cause. And yes, part of that cause is donuts, because, again, shit just isn’t that serious and it shouldn’t be. 
 Herrington, along with an entire generation of skateboarders, is part of a shift in the documentation of skating, where every one with a board and a camera can shape what’s seen on their social media accounts. For decades, even the most photographed pros were only depicted in what? 20… 25 photographs a year? That’s a sliver of coverage compared to the real time, always on documentation of today. Part of the soul of “Rose Is the Apple of My Eye,” is stepping back into the essence and preciousness of a filmer and skater, working to create a body of work together—one of purpose and intent, standing as art, not content in the digital world. 
 This is Aaron Herrington framed through photographer Pep Kim’s eye. Like Herrington, Kim’s not from New York, but something about East Coast skateboarding—the mindset, the lifestyle, the weather, and the purity—infected him six years ago, since leaving his home in Korea. It’s more than photographing a trick, it’s the relationship between the skater, the obstacle, and the one documenting it, which becomes a symbiotic trinity—all parts equal, creating the whole. This is how I want to see skateboarding and this is how i want to see New York, cracks, scars, flaws, and all, because those imperfections equal a perfection that’s best captured and appreciated, rather than explained. by Anthony Pappalardo


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Blu-Ray discs available here: http://bit.ly/1MZa04u Song by Kerry Muzzy: “Found” (Available on iTunes (http://bit.ly/MO_TM3) and Amazon (http://bit.ly/Found_KM) - please support him!) Follow me: mikeolbinski.com / http://twitter.com/mikeolbinski / http://bit.ly/29zcc4S / http://bit.ly/29xOE47 ————————— Blood. Sweat. Tears. Joy. That’s what this spring was for me. The miles, the grind, the failing, the epic days missed, the lack of sleep, the jubilation, the friendships strengthened, and the time away from my family. And when the chasing was all done…wondering, was worth it all? Heck yeah it was. I had three goals this spring: Get a tornado on time-lapse, capture the best footage I possibly could, and chase as much as my schedule would allow. That ended up totalling 18 chase days. 20,000 miles driven. Almost 60,000 time-lapse frames shot. Nine total states. Hours and hours and hours of editing. All between April 15th and June 15th. And the tornado? Not only did I get one, but I got six more. On April 15th, the very first day out, I saw two tornadoes in the Texas Panhandle. May 9th was Wynnewood and Sulphur in Oklahoma (both in this film), as well as Trinidad on June 13th in Colorado. And while most tornadoes will be obvious in the film, you’ll have to use a keen eye to spot the first two, which appear at 2:08 and 2:13. The Wynnewood tornado, which you will see at the very end of the film, was one of the most surreal moments of my life. I was so focused on keeping up with the storm that day, that I barely realized that I had captured what I’d been working so hard to get. I texted my wife a few photos and simply said “Baby I did it”. It wasn’t until she responded “Babe, it’s beautiful. I’m so happy for you” that I completely lost it - live stream going on in the truck, people watching, and tears streaming down my face. But that’s how much this spring meant to me, and how hard I was going. Most of the time exhausted. My typical routine would be to leave Phoenix sometime in late afternoon, drive all night, sleep an hour or two in the truck and then chase the next few days. And then drive home all night again. I did whatever I could to to minimize the time away from my family. Heck, I once even shot a wedding all day, left the venue, and drove all night to chase. I didn’t want to miss anything this spring. What’s awesome to me is that some of my best stuff came from marginal days, where it took some effort and crazy luck to get sick storm structures. Those were the surprises - amazing clips worthy of the final product despite the chase day starting out subpar. Combined together with everything else, I think it’s some of my best footage to date! Technical note…this film marks the first time I used my Canon 5DSR and 11-24 for time-lapse, which I bought right before the spring started (Thank you Martin Heck for the help!). I’m not 100% sure of course, but I believe the tornadoes in the film may be some of the first ever captured in 8K resolution. The 50 megapixels that camera offers was huge for being able to zoom into certain shots and still maintain fantastic quality and sharpness. Couldn’t be happier with that beast. I also used my trusty 5D3 for the tighter shots, with the 35mm, 50mm or 135mm. I have to mention Kerry Muzzey here…he has surpassed being kind to me. This is the 3rd or 4th time he’s donated a song to one of my projects and I’m forever grateful. His music is powerful, haunting at times, and always, always perfect for the story I want to tell. This year I knew right away that “Found” was the song I would use. Please visit the links above to support his work! There are a lot of names to thank which are listed at the end of the film. I owe them all so much for helping me this spring. Nowcasting, making me turn around when I was headed to Montana, teaching me about forecasting, helping me choose the right new camera, editing input, and just being good friends. I am very blessed to have some amazing people around me! Most of all to my wife, Jina. She knows…every year I’m gone longer. I’m sure next year could be worse. But through it all, even when it’s really tough, she’s always right behind me. Making things work when I’m away. There are never enough words to cover how amazing she is. But she knows and I know - this film wouldn’t happen without her. I think that’s about it! Thanks to everyone for the kind words of support all year. I truly hope you enjoy this one! On to Monsoon 3! ————————— Technical Details: Captured with A CANON 5DSR, CANON 5D3, Canon 11-24mm f/4, 16-35mm, 35mm, 50mm, 135mm Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro Most clips available in 8K resolution, as well as 4K.


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Tuesday, July 12, 2016

“Bär” is a personal story about my grandfathers past in World War 2. The film is my graduation project from the Institute of Animation, Visual Effects and Digital Postproduction at the Filmakademie Baden-Wuerttemberg in Ludwigsburg, Germany. It was finished in 2014. I am very thankfull that within the last 2 years, the film was screened on over 150 festivals worldwide, win Awards and Special Mentions and had me travel to many of those wonderfull festivals. I thank everyone involved in helping me create this very personal piece and the people choosing the film for their festivals. Thank you very much! Please go to my website for more info about the film and myself: www.floerks.de Thank you for watching! Credits: Music and Sound: Christian Heck (sumophonic.de) Production: Julia Smola Excerpt of Prizes, Nominations and Official Selections: First Steps Award 2014 / Winner Short and Animation Film 12th Shnit International Short Film Festival / Nomination: Jury Award Up to 10 Minutes Section Reflecta Film Festival 2014 / Audience Award Couch Fest Films 2014 / Golden Couch Watersprite 2015 / Nominated for The Animation & Original Film Music Categories 20th It’s All True International Documentary Film Festival / Special Mention Corona Fastnet Short Film Festival / Best Animation 9th Wendland Shorts Kurzfilmfestival / Best Documentary Film 4th International Tour Film Fest / Special Mention 23rd Curtas Vila Do Conde International Film Festival / Best Documentary 22nd Capalbio International Film Festival / Special Mention 12th Indianapolis International Film Festival / Best Short 2nd International Film Festival Crosscurrent / Winner in The Category International Contracorriente 14th Concorto Film Festival 2015 / Golden Donkey Award 8th Filmzeitkaufbeuren / Special Mention Innovation Award of the Jury 30th Brest European Short Film Festival / Shorts Tv Award for The Ovni Competition Prix Ars Electronica 2015 Computer Animation/Film/VFX/ Award of Distinction Annecy 2015 / Official Selection Unicato / Unicato Award film of the year 2015 For the full list, please visit http://bit.ly/29ws3jNwww.floerks.de Thank you for watching! Credits: Music and Sound: Christian Heck (sumophonic.de) Production: Julia Smola Excerpt of Prizes, Nominations and Official Selections: First Steps Award 2014 / Winner Short and Animation Film 12th Shnit International Short Film Festival / Nomination: Jury Award Up to 10 Minutes Section Reflecta Film Festival 2014 / Audience Award Couch Fest Films 2014 / Golden Couch Watersprite 2015 / Nominated for The Animation & Original Film Music Categories 20th It’s All True International Documentary Film Festival / Special Mention Corona Fastnet Short Film Festival / Best Animation 9th Wendland Shorts Kurzfilmfestival / Best Documentary Film 4th International Tour Film Fest / Special Mention 23rd Curtas Vila Do Conde International Film Festival / Best Documentary 22nd Capalbio International Film Festival / Special Mention 12th Indianapolis International Film Festival / Best Short 2nd International Film Festival Crosscurrent / Winner in The Category International Contracorriente 14th Concorto Film Festival 2015 / Golden Donkey Award 8th Filmzeitkaufbeuren / Special Mention Innovation Award of the Jury 30th Brest European Short Film Festival / Shorts Tv Award for The Ovni Competition Prix Ars Electronica 2015 Computer Animation/Film/VFX/ Award of Distinction Annecy 2015 / Official Selection Unicato / Unicato Award film of the year 2015 For the full list, please visit http://bit.ly/29ws3jN


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Konki and his family live near Deluun Village, in the Altai Mountains of Western Mongolia, where the last six generations of his bloodline have continued the art and tradition of eagle hunting. At the age of 29, Konki has spent 21 of his years herding animals as a way to support his family. After the tragic loss of his father two years ago, Konki felt a call to his father’s passion of eagle hunting. This changed the course of his life, allowing him to connect not only with family he’s lost, but the one he still has. His cousin Onei is teaching him as they travel across the vast, sprawling tundra and majestic mountains of their homeland. He also plans to pass down what he learns to his four-year-old son, Berdibek, who has already taken an interest in the eagles. Konki’s new path ensures the continuation of this tradition for both his family and the heritage of his culture. There are few things more beautiful than discovering who you were meant to be by honoring where you’ve come from. – Producer | Director : Cale Glendening Cinematographer : Cale Glendening Editor : Cale Glendening & Chloe McLennan Color : John Carrington Titles : Olaf Blomerus Sound Recording : Max Phillips Voice Over : Odbayar Batchuluun Sound Design & Mix : Defacto Sound defactosound.com Original Score : Tony Anderson tonyandersonmusic.com Guide and Translator : Jagaa Bulgaa Explore the Great Altai LLC. Special Thanks Cory Tran Sasha Leahovcenco RYOT Cheryl Johnson Byambakhuu Darinchuluun – caleglendening.com caleglendening@gmail.com


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Sunday, July 10, 2016

Just a rail snail by John Wilhelm is a photoholic


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Friday, July 8, 2016

Douglas Tompkins was a world-renowned adventurer, entrepreneur, and conservationist. Co-founder of The North Face and Esprit, Doug spent the first half of his life building successful, global brands, while simultaneously adventuring around the world, completing first descents of the world’s toughest rivers. In 1968 Doug embarked on a trip to Chile, driving with friends from California to the tip of Patagonia. Documented in the film Mountain of Storms, the trip solidified Doug’s place as rock climbing legend. In the early 1990s, Doug sold his part of Esprit and moved down to Chile to do conservation work full time with his wife, Kristine McDivitt Tompkins, the former CEO of Patagonia, Inc. Together, over the last 25 years, Doug and Kris have protected 2.2 million acres, more land than any other individuals. The foundations under the Tompkins Conservation umbrella, along with their partners, have created five national parks in Chile and Argentina and are in the process of creating five more. A Wild Legacy tells the story of Doug’s incredible life, his lasting impact on the wild landscapes of Patagonia, and Kris and the Tompkins Conservation team’s efforts to continue his audacious mission. Doug was tragically killed in a kayaking accident on Lago General Carrera, north of Patagonia Park, on December 8th, 2015. Douglas Tompkins: A Wild Legacy was presented to audiences at the Telluride Mountain Film Festival on May 24th, 2016 during the festival’s tribute to Doug. “If anything can save the world, I’d put my money on beauty” – Douglas Tompkins The work goes on at tompkinsconservation.org.


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