Tuesday, May 31, 2016

希望所有被奴役的心, 都能得到釋放, 你看見了嗎? ————————————————————————— 林瑪黛首支以手繪逐格動畫結合3D背景的MV 由導演小油與動畫監製陳佑誠 兩個實踐媒體傳設計學系的同班同學首度聯手合作 陳佑誠參與許多業界動畫製作 包括電視廣告、MV、劇情片、遊戲 剛由海外菁英計畫的法國動畫學校Supinfocom歸國 即加入這次動畫MV的製作行列 由小油擅長的插畫風格進行動畫的美術設計 結合陳佑誠的出色逐格動畫專長 歷經三個月嘔心瀝血的密集製作 在陳佑誠帶領的動畫團隊 以及和優秀的動畫公司豐饒之海合作之下 終於完成了馬戲團這首現實與奇幻交錯的作品 ————————————————————————— 林瑪黛Ma-te Lin【馬戲團】Circus | official music video 馬戲團 詞:林意倩 曲:林意倩 淚水在轉圈圈呀 傷口在重複奔馳那 一圈一圈的火焰 我離開地面 飛躍在黑白的空間 數不盡的歡呼 聽覺卻模糊 表情看似有點那麼痛苦 我穿著小丑衣服 背著超載的束縛 表演著高難度 被奴役的技術 被奴役 被奴役 哎呀呀呀 哎呀阿 NO FREEDOM LIKE A PRISON MAGIC CIRCUS COMES FROM A SIMPLE PURPOSE 被鋼索鍊住的腿 扭曲成你的臉 撕下了這張臉 紅色的面具消失不見 你看見了嗎 你看見了嗎 OHOHOH 哎呀 哎呀 哎呀 哎呀 MAGIC CIRCUS MAGIC CIRCUS NO FREEDOM ————————————————————————— 音樂: 製作人 Producer: 黃少雍 Shao Yong Huang 錄音師 Recording Engineer: 陳以霖 Yi Lin Chen 混音 Mix Engineer: Kevin Paul 母帶後期處理工程師 Mastering Engineer: Kevin Paul 發行公司 Published By: 派樂黛唱片有限公司 Dark Paradise Records Music Video: 導演 Director:小油 Little Oil 動畫監製 Animation Supervisor :陳佑誠 Bei Chen 美術監製 Art Directo:小油 Little Oil 動畫 Animation: 陳佑誠 Bei Chen 黃鈞毅 Peter Huang/豐饒之海OCEAN TADS 劉子千 Zi-Qian/豐饒之海OCEAN TADS 朱俊昇 Chun-Sheng Ju 李華馨 Hua-Hsin Lee 袁巧芙 Choph Yuan 楊惠勻 Aboo Yang 范睿婷 Juiting Fan 黃靖媛 Mavis Huang 3D layout:朱俊昇 Chun-Sheng Ju 合成Compositing:朱俊昇 Chun-Sheng Ju 後製Post-production:朱俊昇 Chun-Sheng Ju/施昭羽 小油 Little Oil 標題字幕設計Title Designer&Graphic Motion:小油 Little Oil ————————————————————————— 作者群連結: 小油Little Oil:http://bit.ly/1TIydxh 豐饒之海OCEAN TADS:http://bit.ly/1XdjIYR 朱俊昇:http://bit.ly/1TIyBfe 李華馨:http://bit.ly/1XdjyRn Aboo Yang:http://bit.ly/1TIy5xP 范睿婷:http://bit.ly/1Xdjz7T 黃靖媛:http://bit.ly/1TIya4C… ————————————————————————— 林瑪黛 2015 首張專輯《房間裡的動物》6月全面發行 ————————————————————————— 實體購買:博客來 http://bit.ly/1Xdka9x… ————————————————————————— 專輯數位發行收聽: iTunes http://bit.ly/1TIxOLl KKBOX http://goo.gl/kiqtg4 Spotify http://bit.ly/1XdjG3g Amazon http://goo.gl/rs4gsl myMusic http://goo.gl/A2EtGn Omusic http://goo.gl/WEydLg 首波動畫MV【滿奇】: http://bit.ly/1TIxX1m 偶動畫MV【我的地盤】: http://bit.ly/1XdjjFY… 跑酷MV【HOPE POPO】: https://www.youtube.com/watch?v=KcIFY… 歌詞版MV【北極星】: https://www.youtube.com/watch?v=9Hb3s… ————————————————————————— 林瑪黛 Ma-Te Lin 官方Facebook:http://bit.ly/1TIxMDf 林瑪黛官方網站:http://matelin.com/ ————————————————————————— 本片獲文化部影視及流行音樂產業局105年補助


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эпизод 5 «Арктический океан. Тундра» Фильм рассказывает о жизни российских серферов и о катании в условиях крайнего севера. Только единицы пробовали заниматься серфингом в Северном Ледовитом океане и ещё меньше людей пробовало сделать это в России. Съёмки проходили в течении года в различных местах Мурманской области. Съемочная команда застала различные сезоны, условия и настроения этих мест. Преодолев все трудности и проникнувшись настроением герои делятся своими впечатлениями об этих местах, о прошлом нашей страны и своём детстве. Режиссёр и оператор постановщик Константин Кокорев Операторы Елисей Гладников, Александр Фетцов Серферы Константин Кокорев, Сергей Расшиваев, Николай Рахматов Фотографы Татьяна Елизарьев, Андрей Артюхов, Константин Кокорев Саунд дизайн Андрей Черный Episode 5 “The Arctic ocean. Tundra.” The movie tells us about the Russian surfers riding in the severe conditions of The Far North. Only few ones have tried surfing at this latitude, even fewer have tried it in Russia. The movie’s been shot during one year at different locations in the Murmansk region. The camera crew has filmed different seasons, conditions and moods of those sites. Having overcome all of the difficulties and having been inspired by the northern spirits, our heroes share their impressions about the places they’ve visited, the past of our country and their childhood. Director - DOP Konstantin Kokorev Operators Elisey Gladnikov, Alex Fetsov Surfers Konstantin Kokorev, Sergey Rasshivaev, Nikolay Rahmatov Photographers Tatiana Elisarieva, Andrey Artukhov, Konstantin Kokorev Sound design Andrey Cherniy


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Wednesday, May 25, 2016

Written & Directed by Jean-Paul Frenay (http://bit.ly/1WjRwTp) Production : Bang Bang Club Executive Producer : Geoffroy Rouffiange Director of Photography : François Starr Editor : Jean-Paul Frenay VFX : Prodigious CGI Cast : Gustaaf Smans Denis Carpentier Christel Pedrinelli Thomas Demarez Walter Zimmermann Leslie Attar Samuel Seynave Olivier Francart Florence Gilles Mathias Ambrozy Helena Coppejans Phantom Operator : Léo Lefèvre First Camera Assistant : Juan Sepulcre First Assistant Camera (only for promo) : Ryszard Ka Second Camera Assistant : Guillaume Cry Camera Assistant : Virgil Leclerq Production Manager : Luc Dechamps Production Assistant : Charly Calicis, Mariola Heslop, Jonas Bukowsky First Assistant Director : David Oeyen Art Director : Jean-Paul Frenay Set Builders : Stéphane De Broyer, Béatrice Arteaga, Maxime Houpe, Abdes, Stéphane Dekie, Joyce Gomez, Samuel Charbonnot, Geoffroy Rouffiange, Jean-Paul Frenay, Luc Dechamps, François Starr Props : Tom Darmstaedter Casting Director : Charly Calicis Make Up : Aurélie Elich Gaffer : Abdel Mouhssin Spark : George Bulterys, Marco Vieira, Denis Liégeois, Edouard Chandelle Key Grip : Xavier Servais, Brendan Senden Key Grip (only for promo) : Julien Chassaignon Grip : Richard Desmarlières Grip Assistant : Charles Jacquier, Quentin Govaerts, Edouard Chandelle Grading : Jean-Paul Frenay CGI Producer : Laurent Sequaris Producer assistant : Alexandre Rubin VFX Producer : Matthieu Royer, Noucha Shahbazi VFX Producer Assistant : Audrey Lagnous Post Production Manager : Kwet Dupic Technical Director : Laurent Martin Modeling : Kadeg Boucher Concept Artist : David Brochard Motion Designer : Bright Photon, Jean-Paul Frenay Tracking : Tim Mendler Setup/Animation : Gwenhael Glon Animation : Jean-Claude Charles, Fabrice Lacroix Shading : Franck Julia, Jérémie Abrial, Lead Compositor : Jérôme Lionard Compositing : Fabrice Lacroix, Jérémie Abrial, François Vico, Laetitia Nicolas, Mathieu Legros, Estelle Chiron, Guillaume Gaussuron, Diego Palacios, Jean-Paul Frenay Renders : Franck Julia A Bang Bang Club Production ©2015 Music video by Son Lux performing Cage of Bones. © 2015 Glassnote Entertainment Group LLC


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Three childhood friends set out for the far western corner of Mongolia to combine mountain biking and packrafting in a self-supported adventure into the unknown. Never having attempted a mountain bike to packraft link-up, they decided it was a great idea to travel to one of the most remote and sparsely populated places in the world to try it out. The goal was to traverse the Mongolian Altai, a remote range of high glaciated peaks with silt-laden rivers draining from their heights. The only inhabitants of the region are Kazakh nomads, the last people on earth who continue the tradition of hunting with golden eagles. Ancient standing stones carved over the millennia stand guard over the landscape. Twelve days in the wilderness, riding over high passes loaded with gear, surviving raging whitewater, drinking fermented mare’s milk, and battling the elements, this was not an adventure these young lads would soon forget. A Film By: Joey Schusler Featuring: Mason Lacy, Sam Seward, & Joey Schusler Editor: Joey Schusler & Thomas Woodson Motion Design & VFX: Paul Harrison (Shotgun Infinity) Art Direction: Drew Pautler (Good Fortune Collective) Post Production Sound: Keith White (Keith White Audio) Expedition Logistics: Mason Lacy, Sam Seward, & Canat Chiryazdan Supported by: Yeti Cycles, Smith Optics, Outdoor Research, ENVE Composites, SRAM, RockShox, Skratch Labs, Big Agnes, Revelate Designs Media Partners: Bike Magazine, 5 Point Film Festival Run Time: 5 mins Date of Completion: April 2016 Language: English


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Harvesting Liberty is a short film that documents visionaries Michael Lewis (of Growing Warriors) and Rebecca Burgess (of Fibershed) as they collaborate to reintroduce industrial hemp to the American landscape. Growing Warriors is a Kentucky-based farming program designed to train, assist, and equip military veterans with the skills, tools and supplies needed to grow organic produce for their families and communities. http://bit.ly/25i4UfL Fibershed develops regenerative textile systems that are based on carbon farming, regional manufacturing, and public education. http://bit.ly/1YSyBwP Sign the petition to legalize industrial hemp: http://bit.ly/25i51rK. Industrial hemp is a crop that has the potential to lower the environmental impacts of textile production, empower small-scale farmers and create jobs in a wide variety of industries. Two non-profit groups, Fibershed and Growing Warriors, are working to reintroduce industrial hemp into Kentucky—and eventually U.S. agriculture. On July 4, 2016, a petition will be delivered urging Congress to pass the Industrial Hemp Farming Act of 2015/2016 (S.134 and H.R. 525) legalizing the cultivation of industrial hemp in the United States. We invite you to learn more about industrial hemp and sign the petition here: http://bit.ly/25i51rK Patagonia, through our membership in 1% For The Planet®, provides cash grants and in-kind services to thousands of community-based groups working to create positive change for the planet in their own backyards. http://bit.ly/1YSyq4J


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How did the art auctions business become a multi-billion-dollar industry? The first film in a series about the art market explores this question, leading viewers through the complex history of auctions, with specific attention to the last 20 years. The film unpacks record-breaking sales, like last week’s epic Jean-Michel Basquiat painting Untitled (1982), hammering in at $51 million, and anomalies such as Ai Weiwei’s Kui Hua Zi (Sunflower Seeds) (2010), which pop up at auction in countless different quantities, making the connection between the auction price and market value of art. Interviews with auction-house specialists, financial analysts, and art-world influencers like Adam Lindemann, Xin Li, Sarah Thornton, Josh Baer, and Don Thompson add personal insight and shape the narrative. Auctions launches a four-part documentary series, followed by Galleries, Patrons, and Art Fairs, released weekly through mid-June. Together, the four segments will tell a comprehensive story about the art market’s history and cultural influence, providing an approachable yet nuanced introduction to a extraordinary subject. Visit http://bit.ly/1XMT5ss to watch all the films. The series is produced in collaboration with UBS and directed by Oscar Boyson. Director: Oscar Boyson Editor: Nate DeYoung Producer: Sean Barth Produced By: Neighborhood Watch Films Assistant Editor: Erin DeWitt Sound: Colin Alexander Music: Jay Wadley of Found Objects Music Production Color: Irving Harvey


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Sunday, May 22, 2016

by chrisrock


via Instagram http://bit.ly/1Wbm9KP

A deep dive into the many layers of Hong Kong. A film about the madness and beauty of this seemingly impossible city in the days leading up to Chinese New Year. And an exploration of my own Cantonese heritage. Check out Director’s Commentary for behind-the-scenes info, gear, etc: http://www.youtube.com/watch?v=6YosDqsWvyU Select clips available for licensing; email licensing@unscripted.com or visit http://bit.ly/1TuoqND Instagram @brandon_l_li; http://bit.ly/27LqZSN Facebook: http://bit.ly/1TuoI6U Original score by Steven Richard Davis;
 srdmusic@me.com Produced by Ansley Sawyer Drone footage by www.aerialmode.com Drone footage by http://bit.ly/27LqWX1 Mongolia: vimeo.com/150531350 Bali: vimeo.com/136405903
 Tokyo: vimeo.com/129171397 
North India: vimeo.com/116044343 Greece: http://bit.ly/1TuojBt 
Barcelona: vimeo.com/99401340
 Dubai: vimeo.com/88224399
 Turkey: vimeo.com/106755674 
South India: vimeo.com/113689725
 Arabia: vimeo.com/86774980 
Las Vegas: vimeo.com/147458521 
Australia: vimeo.com/98652051
 Guam: vimeo.com/138830005 Special Thanks: Albert Li Simon Lee Kobe Lee Blake Congdon Dorcas Ho Ivy Tse Venus Tse Edwin Lee Ruby Shing Mostafa Zeineldin Featuring: Luk Chee Fu Martial Arts Federation: www.liondance668.com HK Urbex: http://bit.ly/27LryMq Wing Tsun Robin: http://bit.ly/1TuoiNY HKAPA: www.hkapa.edu The Continental Restaurant: http://bit.ly/27LrnRlwww.aerialmode.com Drone footage by http://bit.ly/27LqWX1 Mongolia: vimeo.com/150531350 Bali: vimeo.com/136405903
 Tokyo: vimeo.com/129171397 
North India: vimeo.com/116044343 Greece: http://bit.ly/1TuojBt 
Barcelona: vimeo.com/99401340
 Dubai: vimeo.com/88224399
 Turkey: vimeo.com/106755674 
South India: vimeo.com/113689725
 Arabia: vimeo.com/86774980 
Las Vegas: vimeo.com/147458521 
Australia: vimeo.com/98652051
 Guam: vimeo.com/138830005 Special Thanks: Albert Li Simon Lee Kobe Lee Blake Congdon Dorcas Ho Ivy Tse Venus Tse Edwin Lee Ruby Shing Mostafa Zeineldin Featuring: Luk Chee Fu Martial Arts Federation: www.liondance668.com HK Urbex: http://bit.ly/27LryMq Wing Tsun Robin: http://bit.ly/1TuoiNY HKAPA: www.hkapa.edu The Continental Restaurant: http://bit.ly/27LrnRl geek stuff:
 Sony A7rii
; Sony A7sii; Sony A7s; Sony A6000; 
Sony rx10ii; Beholder DS1; DJI Phantom 3; DJI Inspire X5


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Friday, May 20, 2016

http://bit.ly/253XVDM One day a blind man discovered a screw painting by Andrew Myers with his hands. The blind man found as much enjoyment out of the tactile elements of the work as any sighted person ever has by just looking at them. Andrew considers this moment as one of the most inspiring of his career. Which led us to a question: Why is touching artwork so taboo? Prior to the mid-1800s, tactile interaction was commonplace for visitors experiencing collections of art, but as museums of art evolved, rules forbidding touch became the norm. In some cases, these were to protect artwork that truly was not meant to be touched, but in large part these norms had nothing do with preservation and everything to do with nineteenth century politics of gender, race and class control. In light of all this, we decided to create a documentary that elevates the level of tactile arts, and gives back to the visually impaired community. It was at that point that we met George Wurtzel. George is a blind artisan and teacher working at Enchanted Hills Camp in Napa Ca. This is a 300 acre camp nestled in the red wood forest above Napa Valley. Enchanted Hills is a summer camp for the visually impaired. Here George teaches blind folks, through example, how to use all the equipment necessary to become blind artisans. Currently, George is converting an old grape crushing barn into a Tactile Art Center. The top floor of the building is his 1900 sq. ft. wood working shop. The bottom floor will be his Tactile Art gallery space where blind people can feel and sell their artwork. We fell in love with George and his mission and wanted to support his new tactile art gallery. So we worked with Andrew Myers to surprise George with a tactile portrait of himself. The first portrait he will be able to feel and recognize. Learn more about Enchanted hills here: http://bit.ly/27FfufK The Academy of Music for the Blind (AMB) were kind enough to create a song for our soundtrack. AMB specifically addresses the educational, social, and physical needs of talented blind music students so that they can fully develop their unique talents and be prepared for integration into the workplace or other educational settings. To learn more about the AMB visit:http://ouramb.org/ To learn more about this project, visit http://bit.ly/253XVDM Music Credits: Artist: Tycho, Song: A Walk Buy it in iTunes: http://apple.co/253Y1Ly Artist: Aphex Twin, Song: 14th Avril Buy it in iTunes: http://apple.co/27FfhsW


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Jim & Helen Forever was a collaborative project based upon the director and writers observations into marriage and engagement. With so many friends reaching the age where marriage is talked about as the next logical step, we wanted to tackle the ideas and conflicts that someone would go through when they realize the only person on the fence about their marriage is themselves. Jim & Helen Forever is written to be a funny lighthearted comedy, that resonates with anyone who is conflicted about getting hitched. Which is to say, everyone. Production Company – My Godbrother Productions Director – Jesse Zwick Producers – Sam Ritzenberg Benjamin Lindemuth-McRobie Jed Goldstein Petr Jankular Executive Producer – Doug Jordan Writers – Sam Ritzenberg Jed Goldstein Director of Photography – Andre Lascaris Editor – Benjamin Lindemuth-McRobie Assistant Director – Brinton Bryan 2 nd Unit Director of Photography – Paul Alexander Assistant Camera – Tyler Harrison Gaffer – Even Pesses Key Grip – Stefan Silvers Production Designer – Sean Costello Make Up Artist – Natasha Chanel Costume Designer – Mathew Peridis Composer – Alec Puro Sound Editor – Natasha Roland Digital Effects – Josh Dobson Actors – Lucas Neff (David) Josh Brener (Aaron) Caitlin Fitzgerald (Tessa) Echo Kellum (Pete) Jeff Perry (Jim) Alina Bock (Natalia) Jeremy Mascia (Store Clerk) Katie Stoll (Laura) Sabrina Revelle (Ronda) Steve Voldseth (Don) Sarah Lilly (Mom)


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Back us on Kickstarter: http://bit.ly/1stMXZY Back us on Patreon: http://bit.ly/27DCSdq Get ‘This is Not a Conspiracy Theory’: http://bit.ly/1U1QQeR The remix method of copying, transforming and combining is definitely used in The Force Awakens, as well as the other works of JJ Abrams. Is remixing a weak point in The Force Awakens? Is the remix method growing stale? Have we reached the limits of remixing? The Art of Star Wars: The Force Awakens: http://amzn.to/1rUENKc Music Featured “Rey’s Theme,” John Williams: http://amzn.to/1rUDXwV “Bunsen Burner,” CUTS: http://amzn.to/22gucpj “They Won’t See Me,” The Field: http://amzn.to/23XB1eT Movies & TV Featured The Force Awakens: http://amzn.to/1TpnV8J Star Wars Episodes IV-VI: http://amzn.to/23XAXvv Star Wars Trilogy Episodes I-III: http://amzn.to/1steyug Web Videos and Articles Features The Force Awakens Trailer (Official) REACTION!!!, Tyrone Magnus https://www.youtube.com/watch?v=NwvGP9EkBzM Star Wars Force Awakens Final Trailer Reaction Megan, SawdustFilms https://www.youtube.com/watch?v=LwHrBVOQ8qU STAR WARS: THE FORCE AWAKENS Official TRAILER REACTION & REVIEW!!!, The Reel Rejects https://www.youtube.com/watch?v=7oZJrKrhJB0 Trailer Reaction: Star Wars: Episode VII - The Force Awakens, Movieclips Trailers https://www.youtube.com/watch?v=LQMo6cVGq9o Star Wars: The Force Awakens Trailer (Official) Reaction!, Superhero News https://www.youtube.com/watch?v=E1QVZr242GA “Star Wars: The Force Awakens” - Trailer Reaction!, Dillon Garland https://www.youtube.com/watch?v=xw8kCD77JzI Star Wars: The Force Awakens Trailer Reaction, ColliderVideos https://www.youtube.com/watch?v=RQsbeMtfWg4 Star Wars: The Force Awakens - Movie Review, Chris Stuckmann https://www.youtube.com/watch?v=zBMW3y86cpo Star Wars: Force Awakens Reaction, boogie2988 https://www.youtube.com/watch?v=7iGMgJ6H8E8 Star Wars: The Force Awakens Review!, Screen Junkies https://www.youtube.com/watch?v=rh_84ExOdhU Star Wars: The Force Awakens gets 4 out of 5 stars, CBC News https://www.youtube.com/watch?v=efkrvCFmZcA Star Wars: The Force Awakens Angry Movie Review, AngryJoeShow https://www.youtube.com/watch?v=hipPC2UfYBY Star Wars: The Force Awakens movie review, Jeremy Jahns https://www.youtube.com/watch?v=UNfqzpCgu9k Star Wars: The Force Awakens — The Verge reaction roundtable, The Verge https://www.youtube.com/watch?v=J2mgeAK6ESk Review: 'Star Wars: The Force Awakens’ is the Biggest Fan Film Ever Made http://bit.ly/1TI8tQZ Star Wars: The Force Awakens is a prime example of Hollywood’s nostalgia problem http://bit.ly/1ToiOEC “Star Wars” and Decadence http://nyti.ms/1Xmvs9u Star Wars: The Force Awakens: 5 ways the new movie copies the original film http://bit.ly/1TZTn9i “Star Wars: The Force Awakens” is a Remix of “A New Hope”…That is Both a Good and a Bad Thing http://bit.ly/22gw8OO 13 ways Star Wars: The Force Awakens is just a remix of A New Hope http://bit.ly/1rUHBHc ‘Star Wars: The Force Awakens’ succumbs to the worst parts of remix culture http://wapo.st/22gwyVl MORE LINKS TO COME


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How can you express everything that you want to somebody you love, knowing that if you don’t, that might be the last opportunity that you have? That is a reality that we all face, but for BASE jumpers, the risk of death sometimes results in something amazing and unexpected - love. This is the real story of a pure love between two friends in the face of risk and tragedy. Although we don’t normally publish content that is not shot 100% GoPro, Camp4 Collective Director, Anson Fogel, reached out to us to let us know that he simply could not have created this piece had it not been for the archival GoPro footage that was captured over the years. We are proud to share his beautiful story here. A GoPro / Camp4 Collective Production Directed and Edited by Anson Fogel Primary Footage by Matt Blank and Ian Flanders Produced by GoPro and Camp4 Collective Music by Keith Kenniff / http://bit.ly/206Or7e Sound Mix by Jeffrey Yellen / http://bit.ly/1ToMrXu Color by Anson Fogel Additional Footage Courtesy of: Sean Chuma, Renan Ozturk, Joey Schusler, Kevin Bennett, Donald Schulz, Mike Naddor, Dan Dupuis Also appearing: Brenden Weinstein, Matthew Kenney, Cengiz Cocak, Jill Kuzman, Domonique LaFleur, Charles Kurlinkus, Dan Dupuis “To Much Time On My Hands” by Styx, Copyright 1981 A&M REcords, Courtesy Universal Music Group All words written and spoken by Matt Blank are solely his without other authorship. For more from GoPro, follow us: Facebook: http://bit.ly/206OKiv Twitter: https://twitter.com/gopro Instagram: http://bit.ly/1ToM5QJ Tumblr: http://bit.ly/206O64r Pinterest: http://bit.ly/1ToLJtj Vine: http://bit.ly/206Ogc2


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Directed by David Wilson Animation Director: Ian Miller Executive Producer: Paul Weston Producer: Corin Taylor Series Producer: Anne Beresford Development Producer for British Council: Roisin McLoughlin Lady Macbeth: Vicky McClure Director of Photography: Simon Chaudoir Casting: John & Ros Hubbard 1st AD: Caspar Campbell Production Manager: Beatrice Warren Production Assistant: Abi Jones Steadicam Operator: Alf Tramontin Focus Puller: Charlie England Clapper Loader: Lami Orekson DIT: Nelson Oliver Assistant Steadicam: Grant Sandy Phillips Gaffer: James Knight Electricians: Colin Gallagher & JJ Ash Sound Recordist: Thomas Hart George Art Director: Ciaran Beale Art Department Assistant: James Cross Art Department Runners: Nick Tolladay & Alannah Byrne Costume Designer: Grace Snell Hair and Makeup: Ashleene Scott Runners: Charlie Havord & Bradley Merle Drivers: Wayne Latta & Martyn Sheasby Editor: Max Windows Edit Producer: Alice Clarke Edit Company: Stitch Animators: Ian Miller, Yuri Fain & Chrissy Fellmeth Colourist: Edwin Metternich VFX Artist: Katie Rhodes Post Producer: Chris Anthony Post PA: Jazmine Mohsen Post Production Company: Framestore Composer: Julian Guidetti Music Supervisor: David Rodger Music Company: Major Tom Sound Design: Jonny Platt Producer: Lucy Ragoff Sound Post Company: WAVE Studios Titles: Bravo Charlie Mike Hotel Thanks to Arri Rental Panalux Clove London Locality Get Set Hire Michelle Jaffe James Studholme


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Saturday, May 14, 2016

They don’t call Italy “Il bel paese” - “The beautiful country” - for nothing, and it’s no coincidence. For my next project I decided once again to pay homage to my homeland, a place that always leaves an impression on my heart, the southern region of Puglia. There is a list called “1,000 Places To See Before You Die”. Casting a glance over it, one will notice that Italy - and Puglia in particular - boasts an enviable number of locations. With numerous UNESCO sites, pristine beaches, and enchanting destinations, it was difficult to restrict such beauty into a 2 minute video. But here it is anyway, a small taste of what this amazing region has to offer. I’m sure you’ll add it to your own list of 1000 places to see before you die! Watch also “R O M A“: http://bit.ly/2293nn5 Locations: Alberobello Gargano Lecce Locorotondo Martina Franca Monopoli Valle D’Itria Ostuni Polignano a Mare Filmed and edited by Oliver Astrologo - FB: http://bit.ly/1EA01lP Drone Footage: Courtesy of Vito Renò - http://bit.ly/2293sXR For any drone inquiry about this video please contact: vitorenovr@gmail.com Intro and outro Music: Sciamaballà - http://bit.ly/250AyON Soundtrack: A moment of Silence - Courtesy of Max LL - http://maxll.ca All music and sounds effects rights are reserved. Thanks: Simona de Carlo, Sara de Carlo, Simone Sampò, Nils Samò, Fabian McDonald and everyone who helped me create this video. Flickr album: http://bit.ly/2293eA0 Shoot using: Sony A7ii @ 1080 50p PP7 (Exposed in S-Log2) Lens used: Zeiss 35mm 2.8 Zeiss 55mm 1.8 Color Correction ImpulZ LUTs with some tweaks.


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For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel? A very special thanks to David Poland for the use of DP/30 clips. And a very special thanks to Aso for the use of his music. For educational purposes only. You can donate to support the channel at Patreon: http://bit.ly/1Cb16Z5 And you can follow us through Taylor’s Instagram: http://bit.ly/1R4YQus Taylor’s Twitter: https://twitter.com/glassesattached Tony’s Twitter: https://twitter.com/tonyszhou Tony’s Facebook: http://bit.ly/1Cb16Z7 Music: Aso - Soul Traveling (Freddie Joachim Remix) Harry James - I’ve Heard That Song Before Nat King Cole - Aquellos Ojos Verdes Aso - Jazz Intro Nujabes - Perfect Circle (Instrumental) George Benson - On Broadway (Live) Interview Clips: DP/30 Michael Kahn (2011) https://www.youtube.com/watch?v=xjdOG-w0Zz4 Michael Caine - Acting in Film (1987) https://www.youtube.com/watch?v=bZPLVDwEr7Y DP/30 Thelma Schoonmaker (2013) https://www.youtube.com/watch?v=KIKRcV4kHzg DP/30 Thelma Schoonmaker (2011) https://www.youtube.com/watch?v=KgXcpZqQy8M BAFTA - Walter Murch on Editing (2013) https://www.youtube.com/watch?v=WcBpXLNmS3Q Recommended Reading & Viewing: On Film Editing by Edward Dmytryk http://bit.ly/1WulzIi Cut to the Chase by Sam O’Steen & Bobbie O’Steen http://bit.ly/23NaLnt In the Blink of an Eye by Walter Murch http://bit.ly/1WulzIj The Conversations with Walter Murch by Michael Ondaatje http://bit.ly/23NaLnu


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Tuesday, May 10, 2016

EYES WIDE OPEN (2’30’’) These are just a few impressions of my trip in Bangladesh. (Dhaka-Gaibandha-Chittagong-Syhlet) I went there to shoot a documentary for the NGO Friendship http://bit.ly/1rSAY80 who supports communities mainly in the shifting nothern river islands, known as “Chars”. The documentary “Voice of Bangladesh" will coming soon ! What can I say about my trip ? In Bangladesh especially in the chars of Gaibandha, I rediscovered all the things I thought we had lost: the joy of life, the innocence, the simplicity, the human warmth, the authenticity, peace, space and freedom … or almost. It’s like I found back the human being. How did I feel during my trip? Sometimes I felt like Robinson Crusoe especially on the chars, sometimes like an adventurer, sometimes like a star making selfies with the local people, sometimes I felt like turning back in time, sometimes being on an other planet, sometimes being like in a dream, sometimes I was lost in translation and ….sometimes I missed my spaghettis. To resume, Bangladesh is a wonderful country … I have never met such franc, kind and hospital people like the Bengalis. And what great workers ! They made me often think of ants … I saw everywhere legs, hands and fingers of men, women, young and old … but also of kids … and that put some tears in my eyes. Yes, I will never forget all these beautiful and intense moments and faces. Now I am a rich man. This is also my first experience with the Sony A7s2. Entirely filmed handheld in 4K - exported in full hd. I used mostly Sony lens 16-35mm f4 and sometimes sony 35 mm f2.8. Presets Ciné 4. Miller Luts - Hyde Park Music arranged by Rem Perry Many thanks to Rem Perry (Composer, Producer and Arranger) http://bit.ly/24LQ7K1


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Monday, May 9, 2016

Thursday, May 5, 2016

WATCH IT LOUD AND FULLSCREEN :) HAPPY HUNTING PLAYERS Written and Directed by Saman Kesh WEBSITE: http://bit.ly/1WbRdKH TWITTER: https://twitter.com/ghibli303 Executive Producer Stephane Elfassi Producers Stephane Elfassi Kimberly Stuckwisch Jason Cole Saman Kesh Production Company Funhouse In Association with SKUNK US Vision Film Associate Producer - Renee Krumweide CAST Cru Ennis - Hunter Serinda Swan - Julia Hit TV Lips (voice) - Shelly Townsend Hit TV Lips (on screen) - Danielle Ruiz Rebecca (aka: hooker) - Liz Mittra Nolan Jenkis - Jake Koeppl Monkey Wrench - Richie Stephens Professional - Christoph Dostal and Benjamin Barrett Uzi Hitman - Brandon Parker Femme Fatale - Carlena Britch Biker - Jason Cole Polaroid Demonstrator - Ryan Rafferty-Phelan Cinematographer Isaac Bauman TV GRAPHICS Territory Studio Original Music by Makeup & Vanity Set Poster Artwork Robert Sammelin Editors Saman Kesh Mandy Brown Michael Heldman Hit TV Logo Design Brent Ashe Lead Visual FX Artist Jordan Allen Colorist Derek Hansen Sound Design & Mix Unbridled Sound Associate Producer Renee Krumweide Casting Director Michael Beaudry Production Designer Alexander Delgado Wardrobe Stylist Tiffani Chynel Costume Designer Desmond Smith Stunts Damien Bray Special FX Makeup Tony Gardner Makeup Celina Rodriguez Hair Yumi Kotani Rolando Aquiro TERRITORY STUDIOS CREW Art Director: Ryan Rafferty-Phelan Producer: Sam Hart Production Assistant: Evdoxia Sardi Compositors: Daniel Højlund, Sam Keehan, Chris Sayer, Daniel Symons Edit Assistant: Cristina Casanova President: David Sheldon-Hicks UNBRIDLES SOUND CREW Sound Supervisor/Re-Recording Mixer - Brent Kiser Sound Editor - Jacob “Young Thor” Flack Sound Editor - Timothy Preston Post Audio Coordinator - Anya Scemama VELEM CREW Executive Producer: Summer McCloskey Assistant Colorist: Logan Highlen Script Supervisor Ed Hobbs Additional Visual FX Zak Stoltz Production Sound Mixer Kurdice Neal 1st AC - Payam Yazdandoost Armorers Lead Armorer - Mike Tristono Armorer - Clay Van Sickle Special FX (squibs & explosives) Coordinator - Rudy Perez Special FX - Philo SFX asst - Anthony Delzio Costume Assistant - Yusenia Cuevas ART Art Director - Brandon Parker Set Decorator - Logan Noh APARTMENT SCENE CREW First Assistant Director - Jesse Hays Unit Production Manager - Rachel Urmatinger Production Coordinator - Kelli Bates CAMERA 2nd AC - Seaton Trotter DIT - Joseph Ngabo GRIP Key Grip - Brandon Diaz Best Boy - Rae Chatman Swinger - Evan Thomas LIGHTING Gaffer - Matt Kubas Best Boy Electric - Julian Osario Electric - Roman Rivero Stills Photographer Gunther Campine Sound Boom Operator - Brittany Ellis BATHROOM SCENE CREW First Assistant Director Nick King CAMERA 2nd AC - Jeff Rapoch LIGHTING Gaffer - Matt Zschoche Best Boy Electric - Eric Vizcaino GRIP Key Grip - Brandon Diaz Best Boy Grip - Cameron Kahangi Swing / Driver - Miao Ju Chien Production Assistants Brannon Swithwick Diego Patina Omar Morales Pickup Day Assistant Camera - Angelo Gentile Production Assistant - John Powers Makeup - Kevianno Guerrero HIT TV Baby Owen Cole Special Thanks: Momma & Poppa Kesh Vimeo Staff R&D Russ Davies Stefan Storm ROOM8 Chris Merchant Geoff McClean David Weil Phil Gawthorne Ben Collins Luke Piotrowski Sascha Kesh Isaac Ravishankara David Altobelli Taylor Cohen Devon O'Kane Nick Weidner Katie Neuhof Hillary Styles Michelle Thompson Barrie Isaacson Cara Wenig Reps Jill Reehl Breanne Pace Maggie Davis Resource LA Will Galperin Susy Kornesczuk Aaron Brown


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Monday, May 2, 2016

Prolongez l'expérience en créant votre film : http://bit.ly/1O6hZM4 Une ville, deux artistes, trois mots, des millions de possibilités. 3 Mots pour Paris en quelques chiffres, ça donne ça: - 90 000 mots référencés - 4500 plans tournés dans tout Paris - 15 plans par film - 2 ans de travail - 90 jours de tournage, avec en prime… - des nuits entières à regarder une caméra se déplacer toute seule sur des rails (merci les nightlapse) - 6 belles cuites - 1 visite au Parc Asterix, 1 Disneyland - 1h30 d’hélico - ? : c’est le nombre de films maximum que l’on peut générer sur le site (on n’a pas trouvé la formule mathématique). Suivez l'évolution du projet : http://bit.ly/26GWOLY http://twitter.com/3MotsPourParis http://bit.ly/1O6i1n8 _____________________________________________________________________________ Extend the experience by creating your movie: http://bit.ly/1O6hZM4 One city, two artists, three words, millions of possibilities. 3 Words for Paris in numbers, it looks like this: - 90 000 referenced words - 4500 shots in all Paris - 15 shots per film - 2 years of work - 90-day shoot - All night to watch a camera move alone on rails (thank you nightlapses) - 6 times getting drunk - 1 visit to Parc Asterix, 1 to Disneyland - 1h30 flyng on helicopter - ? : the maximum number of movies that can be generated on site (we did not find the mathematical formula). Follow the progress of the project: http://bit.ly/26GWOLY http://twitter.com/3MotsPourParis http://bit.ly/1O6i1n8 _____________________________________________________________________________ Réalisation : Cokau (Achille Coquerel and Thomas Kauffmann) Prises de vues, production et post-production : Cokau Lab Création site : HKI HelloHikimori Production associée : Gang Digital Moyens techniques plans aériens : Papasierra Musique : Between the buttons auto remix by French 79 (Alter K) Mixage : Santiago Walsh (Stritlab) Remerciements : Thomas Bobet, Pauline Andrieu, Julie Fimat, Assemblée Nationale, bibliothèque Mazarine, cathédrale Notre-Dame de Paris, Cocobeach, Concrete, établissement public des musées d'Orsay et de l'Orangerie, French Kitchen, Helifirst, la Gaîté Lyrique, le Louxor, le Lido de Paris, la ligue de football professionnel, la mairie de Paris, Molitor, le Musée Grévin, Paris Saint Germain, Guy Savoy, Weather Festival Follow Cokau : http://cokaulab.com/ facebook.com/cokau twitter.com/cokaulab


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